N  E  W    Y  0  B  K  : 
PUBLISH  E  D    B,Y    MAS  B  R 

Boaro*.    M  .'■  HAMLIN.  t:    -V  R   UIM'IV 

Cm:  i". 


^LR 


FROM    THE   LIBRARY   OF 


REV.    LOUIS    FITZGERALD    BENSON.   D.  D. 


BEQUEATHED    BY    HIM    TO 


THE    LIBRARY   OF 


PRINCETON   THEOLOGICAL   SEMINARY 


Division  SCB 


THE  TEMPLE  CHOIRi 

A    COLLECTION    OF  [JUL    9    '^32  " 

SACRED  AND  SECULAR  MUsiCr»tH 


COMPRISING    A    GREAT    VARIETY    OF 


(Tunes,  3nthcm$,  $\m,  (fHcmcntavn  (ExcmocG  and  jtaul  bongs', 


sriTAl.Ll  USE   IN 


THB  GH02B,  THS  813Sf£SI£  MH0G&  ASft  '!  SOCIAL  £IH6&g. 

THEODORE    F.  SEWARD, 

ED    BY 

V 

DR.  LOAVKLL   MASON    AND  WM.  B.  BKADBUR'Y; 


NEW    YORK: 
PUBLISHED    BY    MASON    BROTHERS,    No.  596    BROADWAY. 

Bos-row:    MASON  A  HAMLIN.  Cn*  •.....:     ROOT  d  (ADV. 


PREFACE. 


The  actual  wants  of  the  public  have  been  carefully  studied  in  the 
preparation  of  this  work. 

It  is  believed  that  the  tunes  are  unusually  melodious  and  attractive. 
The  most  of  them  are  new  ;  yet,  at  the  same  time,  great  care  has  also 
been  taken  in  the  "selection  of  standard  tunes,  and  in  effecting  such  a 
typographical  arrangement  that  nearly  all  the  old  favorites  could  be. 
given  with  the  use  of  but  little  space.  A  new  convenience  to  Choris- 
ters is  afforded  in  the  alphabetical  arrangement  of  the  most  important 
meters.     Tunes  are  inserted  for  all  the  meters  in  common  use. 

The  Singing  School  Department  will  be  found  to  contain  a  great 
variety  of  practical  and  useful  material.  In  its  preparation  the  fact 
has  been  constantly  kept  in  view  that  pupils  cannot  be  well  instructed 
unless  they  are  interested.  The  Theoretical  portion  (the  first  twenty 
pages),  is  from  the  pen  of  Dr.  Mason.  The  remainder  of  the  DejDart- 
ment  was  prepared  by  Mr.  Seward.  The  exercises  and  pieces  from 
other  sources  are  duly  accredited. 


The  Anthems  embrace  a  wide  range,  and  are  suitable  for  a  variety 
of  occasions.  A  great  number  of  them  are  short — as,  for  practical 
purposes,  choristers  have  generally  found  these  to  be  the  most  useful. 
Others  are  longer,  and  more  difficult ;  and  there  are  some  pieces,  both 
in  this  and  the  Singing  School  department,  that  will  be  found  very  ef- 
fective for  concert  purposes. 

The  pages  devoted  to  what  is  usually  termed  Social  Music,  will  be 
a  source  of  enjoyment  to  many.  Mr.  Bradbury's  compositions  in 
this  and  other  parts  of  the  book,  may  safely  be  claimed  as  among  the 
best  he  has  ever  written.  The  same  may  be  said  of  Dr.  Mason's  many 
valuable  contributions,  which  are  generally  designated  by  a  ■*. 

The  Indexes  are  very  full  and  complete.  The  index  of  first  lines 
of  hymns,  the  Teacher's  Index,  and  the  comparison  of  the  metres  of 
the  Methodist  Hymn  Book  with  those  in  use  in  other  churches,  pre- 
sents every  convenience  that  can  be  desired. 

Acknowledgement  is  hereby  made,  with  sincere  thanks,  to  those 
who  have  furnished  contributions  to  the  work. 


Entered,  according  to  Act  of  Congress,  in  the  year  1867, 
Bv  MASON  BROTHERS, 
In  the  Clerk's  office  of  the  U.  S.  District  Court  for  the  Southern  district  of  New  York. 


TaTLOK  &   fiuLlIM,  MUBIO    St  K  tlCOTI  I'EBS,   11    VulldfW  fit  ('!'  flt".   N.   Y. 


ELEMENTARY    DEPARTMENT.     THEORETICAL. 


CHAPTER  I. 

INTRODUCTION.— ANALYSIS  OP  TONES. 

§  I.  Distinctions.  An  examination  of  Tones,  (musical  sounds,)  will 
make  it  apparent  even  to  the  untutored  car,  that  certain  differences  na- 
turally exist  between  them,  giving  rise  to  the  following  Distinctions  :  they 
are— 

1st    Long  ok  Siiort. 

2d.   Low  or  High. 

3d.    Soft  or  Loud. 

$  II.  Properties.  Hence,  it  is  evident  that  tones  have  tnrec  essential 
Properties,  (qualities  or  conditions  of  existence)  : 

1st.    LENGTn. 

2d.   Pitch. 

3d.    Power  or  Forcl. 

§  III.  Departments.  It  becomes  convenient,  therefore,  to  divide  rudi- 
mental  music  into  three  departments  ■ 

1st.  That  which  treats  of  length Rhythmics. 

2d    That  which  treats  of  pitch Melodics. 

3d.   That  which  treats  of  power Dynamics. 

Nora  1.  Rhythmic:  from  a  Greek  word  signifying  "to  flow,"— measured  movement.  Melodic*  from 
•  Greek  word  signifying  "a  song  or  poeru,"— a  tune.  Dynamics,  from  a  Greek  word  signifying  "lobe 
alio,"-  power.  The  plural  form  of  these  words  Is  taken  in  the  name  of  a  department,  because  In  thle 
technical  use  of  them  la  comprehended  every  thing  that  arises  out  of  the  property  i  f  which  thi 
Thus,  Rhythmic*  comprehends  all  rhythmic  things,  or  whatever  may  I>o  derived  from  tio  primary  fact 
that  tone*  may  be  long  or  short,  or  that  length  It  a  property  of  tones.  Including  also  rhyt Am,  or  the  atruo- 
turo  of  phrases,  sections  and  periods.  Again,  the  term  Melodies  includes  everv  thing  that  may  proceed 
the  primary  distinction  of  low  or  high,  or  from  the  property  of  pitch  :  the  word  melody,  In  ita  com- 
mon use.  Is  much  more  limited,  and  refers  only  to  a  pleasing  succession  of  tones,  or  to  a  tone-form.  Dy- 
namics also  embraces  not  only  the  mere  force  of  tones,  bat  also  their  form  of  delivery,  or  whatever  in 
utterance.  Independent  of  length  and  pitch,  belongs  to  musical  expression,  or  has  power  to  move  the 

fa, 

Noti  2    When  the  foregoing  lesson  1  n,  the  intelligent  pupil  will  be  conscious 

netiont  and   the  ; 
come  i  ,,.,      ||. 

' 

eausc  I  Inatrumeni 

thiia.     The  distinctions  are  known  to  him,  principally,  through  the  n»  icrtwe  tif  luaring.     But  Inootn 


Ing  to  the  knowledge  of  properties,  he  has  been  obliged  to  nr  peal  mostly  to  another  p.  •  xaml- 

nations,  com:  ,  In  this  department,  have  be<  t>e  work  of  r. 

son.     In  the  departments  (existing  not  in  natui'  '    are  only  eonv. 

has  been  called  luto  action  ;  the  facta  of  usage  in  relation  to  lues 

been  learned,  not  from  mere  sense,  nor  from  a  reasoning  \  teen  received  on  testimony  ; 

tbo  teacher  has  told  Dim  and  he  has  believed.     Thus,  m  this  flrst  easy  lesson  an  appeal  ha 

to  the  three  grand  avenues  of  human  knowledge,  the  ouluard  sense,  tl.o  reasoning yutter,  an  1/mlA. 

CHAPTBB  II. 

RHYTHMICS— OF  NOTES. 

§  IV.  Notes. — The  relative  length  or  duration  of  toucs  is  represented  by 
characters  called  Notes. 

Noti.— Notes  aro  also  used  to  indicate  the  melodic  or  pitch  succession  of  tones.     [See  Bee.  28. , 

§  V.  The  following  notes  arc  in  common  use  ;  their  names  indicate  the 
relative  length  which  they  respectively  represent. 


Whole. 

o 


H.ilf. 

P 
I 


EXAMPLE  : 
Quarter 

r* 


Sixteenth. 


I 


Eighth. 

P 

V 

§  VI.  Pests. — Characters,  corresponding  to  the  notes,  are  used  to  indicate 
Silence,  called  Rests. 

example  : 

Whole.  Half.  Quarter.  Eighth.        Sixteenth. 

Note  1.  Tho  following  names  for  notes  and  rests  aro  often  used  instead  of  those  above  mentlooed  ;— 
Semibrevc.  Minim,  Crotchet,  Quaver,  Semiquaver. 

Nor*  2.  Other  notes,  as  Double  Notes,  Thirty-Seconds,  etc,  aro  also  sometimes  used  a  double-note 
Is  often  also  called  a  Breve,  a  Thirty-Second  la  called  a  Demlsemlquaver,  etc. 

§  VII.  A  dot  (.)  immediately  following  a  note  or  rest,  adds  oue-half  to 
the  length  which  it  represents. 

§  VIII.  A  figure  three  (3)  placed  over  or  under  any  three  equal  D( 
reduced  the  length  represented  by  then  to  that  of  two  of  the  same  kind 
without  the  figure.     Tones  thus  represented,  and  notes  thus  written  aro 
called  Triplets. 


ELEMENTARY     DEPARTMENT 

CHAPTER  III. 
RHYTHMICS-MEASUREMENT  OF  TONES. 


THEORETICAL. 

QUADRUPLE    MEASURE 


P 


r    r   r    | 


The  length  of  tones  is  measured  by  a  division  of  time 
int§o  equafporS,  catted  measures  and  parts  oe  measures^ 

§  X   Measures  may  he  of  longer  or  shorter  duration  ;  they  have  no  * 

i^"^™^™*"^^^  may  be  indicated  to  the  ear  by 

cS^S^i=:,  Ud  Beat,     Thns  we  are 

said  to  count  or  to  beat  the  time. 

S  XII   There  are  four  kinds  of  measures  in  common  use  : 

,  '/measure  having  two  P^,-S^^or^t^S3 


r  r  r  r  r 

Co™.  One:    tio,  three,  flu,  One.   tag,  ^£*'°S*,£&  &  ^ 

Beati.no.     Down,  left,  right,  up.    Down,  left,  right,  up. 


BEATING,      uown,  icii,  i>b""i   -t"     ,         .      _ 

A  measure  having  six  parts,  accented  principally  on  the  ^st  and 
lightly  on  the  fourth  part  is  called  Smto  ito«   ^J^W 

WAtSStBaa  CRft)  -  ***  -*  «  *r 

fw.i  fcftfe.     It  may  be  thus  represented  : 


r  r 


sextuple  measure, 
r  ' 

r»         f 


r  r 


r  r  r 


frrrrr  I 


three,  four,  five,   six.     «^  t^three  fo^ five   si. 


One,  etc. 
Down,  etc. 


Cocxtisq. 
Beatwo. 


i      •       +™  Mrts  accented  on  the  first,  is  called  Double  CouimNa.   one,  two.  three,  four.  five,  six .   om ^°;   ™£  0S  h't>up;  up. 

e   having    tWO    paitb,  aCCCIlU-U  uu    l  ,  ^.J^^    Beaiisq.  Down,  down,  left,  r:ght,  up,    up.    uown  ,,,,  _pl,  for  them  to  count  and  beat  slnml 

It  may  be  indicated  by  counting  one,  two     or  by  a  downuaia  ^enth      ^  learning ^^S^U,MU--'-^fribetho^ot,ou9bv 

t.  _      „  K„  xT,„a  r0nrosPnt.P.d  :  taneottsly  ;  or.whiletbey  make  the  P™P"™™n*°  V  a  quicker  movement,)  doirm  «/>,  etc. 

repeating  the  words  «to««nrar«i  6ea(,  ^  beat,  or A         4  thofolBmon/(tfm,  (movement  of  the 

part  of  a  measure  iprtm^je^r^by  a  douWeto t,  or^  ^  ^  original  posltlor, 
tion  and  an  instantaneous  rebounding  oi  the  uau                                 explanation  is  unnecessary. 
Not-3.  Other  kinds  of  measure  are  sometimes  used,  but  further  exp    .     ^  ^ 


Measure. 

beat  and  an  upward  beat 


It  may  be  thus  represented 

DOUBLE    MEASURE. 


r    r 


? 

* 


r 


II 


One 
Down 


two. 
up. 


One, 
Down, 


two. 
up. 


One, 
Down, 


two. 
up. 


One, 
Down, 


two 
up. 


Measure      ±i  may  ^  ^        upward  boat.     It  may 

downward  beat,  an  tnuwrrf  teat1,  (to  trie  ieie,J  w»u         .r 

be  thus  represented : 

TRIPLE    MEASURE. 


r  r  r 


CowriNQ 
Beatinq. 


One. 
Down. 


two.  three, 
left,  ap, 


If      f 

One.     two, 
Down,  left, 


r  r  f  f 


three 
op, 


One,    two, 
Down,  left. 


three,    One.     rest,  rest, 
up.        Down  left,  up. 


i,  evented  principally  on  the  first  and 
i    i   i      n    i, ,  "  bi ,'f  nart   is  called  QbawotU  Measure.     It  may  be  m- 

£&* tinungp^;^  ^/-\ or  r a  fEri^vis 

SW'an  *mi5  fco*.  (to  the  right,)  and  an  ipuani  beat.     It  rnayl 
be  thus  represented  : 


isure  are  someumeo  uocu, - 

,X1U  Sv»oop,     Who,,  a  toue  «-^rf-aJ^££S 

£  refuting  it  is  called  a  MM«*  « **•  « 

,.,,io».  ».»—»'•  ,«■•«««»  f  ,„.„:„„  examples)  arc  used  to  mark 


_  B  boundaries  of  measures  in  »,« ,  -v  of 

the forcgoins  camples)  by  a  Double  B«. 


Kr^KMKNTATtY      DEPAT.'TMKMT.       THEORETK  'AL. 


Nots.  Neither  the,  notation  of  measures  by  bars,  nor  tho  designation  of  time  by  IniM  1»  necessary 
In  plain  rnnoa,    Hence,  in  this  work  thee*  characters  have  i  aao  In  tamt  on  tig  ihealngei 

t  nation  as  ho must  the  higher  pn  |  I  xclusivoly  from  tin-  el 

of  tl„.  ,  f  giving  mi  almost  exclusive  attention  to  the  music  oanbe  made  to  j 

„n„  wbleh  shall  M  ■  r  attention  to  tho  poetry,  a  mora  Intelligent  and  satisfactory  aoog  will  un- 

result.    There  cao  he,  comparatively,  bntUUte  of  were*  entwhenl 

lnterrui>ted  by  an  attention  to  mere  characters  ,  and  hero  It  may  bo  observed  that  the  etu- 
toui  of  mark'  happily  now  fast  going  out  of  u»>-).  for  the  pur|>o-o  of  Indicating  sty  le  of  perform- 

.hi  musical  technicals,  or  by  capitals,  Itabce,  eta-  or  any  other  characters,  can  not  be 
;   is  of  invariable  tendency  to  mechanism  and  formalism  In  singing. 

CHAPTER  IV. 

1MIYTHMICS— YA1UETIES  OF  MEASURE. 

§  XVI.  Farts  of  measures  have  thus  far  been  represented  by  Quarter 
\  a  only  ;  but  any  other  kind  of  notes  may  be  taken  for  this  purpose  ; 
hence  arises  Vakil-ties  ok  Measure. 

Not».  Varieties  of  measure   merely  furnish  dim-rent  signs  foa  the  same  thing.    To  the  car  they  arc 
a'.l  tho  same,  to  tho  eye  only  do  they  differ  ;  the  movement  or  degree  of  quickness  depending  not  in  tho 
>n  the  kind  of  notes,  which  represent  no  positive  but  only  a  relative  length.     In  plain  muric   the 
ditlcrom  varieties  are  unimportant,  but  are  in  common  use. 

§  XVII.  There  may  be  as  many  Varieties  in  all  the  different  kinds  of 
incisure  as  there  ar  j  kinds  of  uotes. 

§  XVIII.  Fignrei  are  used  to  indicate  the  lands  of  measure,  and 
also  to  distinguish  the  varieties  of  measure.  When  used  for  both  purposes, 
tin-  two  figure!  are  written  as  in  the  representation  of  fractions,  the 
number  of  parts,  on  which  the  kind  of  measure  depends,  being  indicated  by 
the  numerator  :  and  tho  kind  i  >f  notes  used  in  each  part,  on  which  the  variety 
of  measure  depends,  being  indicated  by  the  denominator. 

§   XIX.    T.UHI.AR  VlEW   Of   VARIETIES  OK  nflASUBI. 


2 

O 

o 

s 

1 

2 

2 

O 

0 

3 

2 

1 

1 

4 

2 

* 

f 

3 

4 

I 

\ 

8 

*2 

0 

0 

3 

8 

y 

* 

1  1 

•  Seldom  n.-ed. 

f  f 


r 


•  *  * 


* 

ID 
i 


f 

i 


2 

4 
4 

»4 

8 


(5     l» 


•      f 


rr 


*2 
U 

6 
4 

6 

8 


o    o    p    p    o    o 


0        0        »        0        P        0 


S'tw    There  treex  the  rulo  of  usage  hero  given  in  relation  to  tl"  a  of  the  kind 

uuro  hj  ilgurrs    e.  g .,  lit.     Much  plain  rhurch  mode  I*  written  not  only  without  a  figure  to  da. 
- 

lield.  and  others,  ooasistingol  t«o  short  and  two  k>i 

rked  at  all.)  ere,  never!  atiaaaura  (proper), I 

tcestlt  In  them  mill  'o  alternate  tones  in  accordance  wi'.h  poetic  feel.     They  might,  there- 1 


fore,  (wore  It  not  for  a  multiplicity  of  bars,  the  tendency  of  which  Is  to  a  mere  mechanical  accent,  often 
destructive  to  this  class 

er,  with  >nt  any  designation  of  measures  by  •  ret  or  bars, 

tirely  upon  the  poetry  "for  accentuation,  as  well  as  for  general  expression. 
often   more  favorable  to  an    Intel!.,  itlon  i  f    n  nslc  to  poetry,      'i 

tin. -.1  to  music  of  a  simple  rhythmic  form  :  lines  as  are  mo-  .   - 

and  whlal)  are  therafora  beat  adapted  to  tne  pal  ..psaluiody.     I    - 

/       .11  of  measures  in  notation  is  quite  1. 1  ■.  •  r.-an. 

CHAPTER  V. 
MELODI 

§  XX.  Ttie  Scale.  Tones  considered  with  respect  to  relative  pitch, 
arc  disposed  in  a  certain  series,  ascending  or  descending,  called  The  Scale 
or  The  Diatonic  Scale  ;  or,  The  Major  Diatonic  Scale. 

Noti.  The  word  scale  from  the  Latin  tcala,  signifies  a  ladder.    Thus  tbe  scale  may  be  regards]  as  a 
musical  lad!,  r. 
Noti.  Diatonic.    From  two  Greek  words  signifying  through  the  tone*,  or  from  tone  to  tone. 

§  XXI.  The  scale  consists  of  a  regular  succession  of  eight  tones.    T 
are  named  from  the  names  of  numbers  ; 

ONE,  TWO,  THREE,   F0ITR,  FIVE,  SIX,  SEVEN',   EIGHT. 

Nora.  Observo  that  the  names  arc  not  frtt,  tecond  and  third,  nor  are  tiny  No.  1,  So.  2,  and  No.  3,  but 
!,  oxa,  Two,  torsi,  roce,  and  so  on.     The  iniportanco  of  t!.!- 
i  tie  Bret  tone  of  a  melody  or  tune  is  often  some  other  than  one,  the  second    is    ofte 
other  than  two,  etc. 

§  XXII.  Intervals.  The  difference  of  pitch  between  any  two  .tones  is 
called  an  Interval 

5  XXIII.  SnTS  and  Half  Steps.  There  are  two  kinds  of  intervals, 
larger  and  smaller,  in  the  regularly  progressive  6cale,  called  Sm  and 
H.u.k  SrKPS  ;  thus  the  intervals  between  three  and  four,  and  Jtreii  and  tight, 
are  half  steps ;  all  the  others  are  steps. 

Notk.  The  terms  tone  and  halftone  have  been  commonly  used  to  designate  these  Intervals  .  lut  as  the 
application  •  ■!'  the  •  both  to  sounds  and  Interval!  is  Inconvenient,  the  discontinuance  of  ti 

ton*  and  halftone  is  recommended,  I  '-'ng.     As  tbo  word  ladder  (scale) 

he  eerie*  of  tones  called  the  eeue,  It  is  nulto  natural  to  carry  out  the  figure,  and  borrow  from  th» 

ladder  tho  word  step  by  which  to  designate  scale-intervals. 

Illustration  of  the  musical  ladder  with  its  larger  ami  Kl  1,01 

of  the  scale  with  its  tones  and  intervals.     Lifted  from  the  bolt  '■■>■  upwards 

From  aeren  to  eight  is  a  half  step « -, 

From  six  to  seven  Is  a  step 7  ( 

From  Ave  to  six  Is  a  step ', 

5 1 

I  -   m  Ikrat  hi  fair  Is  a  half  step 4  __J — < 

I  t«.i  to  thr  .  


From  one  to  two  is  a  step 
One 


6 


ELEMENTARY      DEPARTMENT.       THEORETICAL. 


§  5  XIV.  Syllables.  In  elementary  instruction,  especially  as  aids  to 
those  who  are  beginning  to  learn  to  sing  in  classes,  the  following  sylla- 
bles are  used  in  connection  with  the  tones  of  the  scale,  for  the  purpose  of 
suggesting  relative  pitch  : 


Written— Do,     Re,     Mi,     Fa,     Sol, 
Pronounced — Doe,  Ray,  Met,  Fah,   Sol, 


La,     Si,     Do. 
Lah,  See,  Doe. 


Note  The  principle  is  that  of  mental  association  ;  after  a  little  practice  each  syllable  becomes  so 
strongly  associated  with  the  pitch  of  the  tone  to  which  it  is  applied,  as  to  recall  it  or  bring  it  up  quickly 
to  the  mind  and  thus  tlio  pupil  is  enabled  to  produce  the  tone  with  case  and  accuracy.  This  use  of  the 
syllables  has  been  peculiar  to  England  and  America,  though  it  has  been  introduced  in  Germany,  where 
the  ono  syllable,  La,  principally  prevails.  In  Italy  and  in  France  the  same  syllables  are  used  for  a  very 
different  purpose,  or  for  the  same  purpose  for  which  letters  are  used  In  Germany,  England,  and  America, 
viz  •  to  indicate  absolute  pitch.  The  Scale  names,  one,  two,  three,  etc.,  may  be  used  instead  of  the 
'  syllables,  but  the  latter  are  preferable  on  account  of  their  more  euphonious  character.  The  use  of  the 
syllables'in  singing  is  called  Solfaing,  or  singing  by  Sulfa,  or  solmization.  Singing  to  the  single  syllable 
!o,  or  ab,  or  to  any  open  vowel,  is  called  vocalizing. 

§  XXV.  The  Staff.  The  relative  pitch  of  tones  is  indicated  to  the  eye 
by  a  character  consisting  of  five  parallel,  horizontal  lines,  together  with 
their  intermediate  spaces,  called  The  Staff. 

§  XXVI.  Degrees.  Each  line,  and  each  space  of  the  staff;  is  called  a 
Degree  :  thus  the  staff  contains  nine  degrees,  counted  upwards  from  the 
lowest,  there  being  five  lines  and  four  spaces. 

Note.  The  word  degree,  as  applied  to  tho  staff,  is  used  to  mean  point,  place,  or  position:  thus  there 
are  nine  degrees,  by  which  pitch  may  be  indicated,  or  on  which  notes  may  be  written.  The  word  is 
also  used  in  connection  with  the  scale;  thus  the  scale  is  said  to  proceed  by  successive  degrees,  or 
di  grado. 

§  XXVII.  Lines  Above  the  Staff.  The  compass  of  the  staff  may  be  ex- 
tended by  additional  lines  above  or  below,  called  lines  above,  or  lines 
below,  or  spaces  above,  or  spaces  below. 

Notb.  Added  lines  are  sometimes  called  Leger  Lines. 

§  XXVIII.  The  melodic  succession  of  tones  is  indicated  by  notes  writ- 
ten upon  the  staff. 

Note.  The  same  characters  [notes]  aro  primarily  used  to  indicato  the  length  of  tones.    Bee  §  IV. 

§  XXIX.  The  scale  may  be  represented  (written),  on  the  staff  in  va- 
rious positions  ;  thus  either  line  or  space  may  be  taken  to  indicate  the 
tone  One,  but  when  the  degree  of  the  staff  indicating  One  is  determined, 
the  other  tones  must  follow  in  regular  order. 

Note.  It  should  bo  fully  understood  that  the  scale  has  not  necessarily  any  fixed  position  on  tho  Etaff, 
and  pupils  should  become  practically  familiar  with  it  in  various  positions.  But  in  singing  from  these 
different  positions,  let  the  same  pitch  (C),  bo  retained  :  1st.  Because  it  in  highly  desirable  that  the  pur'.i 
should  become  familiar  with  absolute  pitch.  2d-  Because  it  is  desirable  that  lie  should  not  bo  erroneous- 
ly taught  that  a  change  of  position  necessarily  implies  a  change  of  pitch.  3d.  Because  it  is  desirable  to 
prevent  in  tho  mind  of  the  pupil  the  association  of  absolute  pitch  with  the  staff. 


CHAPTER  VI. 


MELODICS. 

m 

§  XXX.  Absolute  Pitch. — That  pitch  which  is  independent  of  scale  re-» 
lationship  is  Absolute  Pitch.  It  is  designated  by  letters,  and  is  named 
from  their  names,  as — 

A,     B,     C,     D,     E,     F,     G. 

§  XXXI.  Model  Scale. — The  primitive  or  Model  Scale  (by  which  is 
meant  the  first  in  the  universally  received  order  of  classification)  is  based 
upon  the  pitch  C,  or  the  tone  named  from  the  letter  C,  is  taken  as  one  ; 
and  the  order  of  tones  is  as  follows  : 

C  is  One,  D  is  Two,  E  is  Three,  F  is  Four,  G  is  Five,  A  is  Six,  B  is 
Seven,  and  C  is  Eight. 

Note  1.  C  is  repeated  for  eight  beoause  when  tho  scale  is  extended,  the  same  tone  which  in  its  rela- 
tion to  those  which  are  below  it  is  eight,  becomes  one  in  relation  to  those  which  are  above  it.  This  will 
become  apparent  when  the  scale  ia  extended,  or  repeated  at  a  highor  pitch. 

Note  2.  This  has  been  called  tho  natural  scale,  but  the  name  is  inappropriate,  since  the  pitch  C  is  no 
more  natural  than  any  other.  It  is  called  by  somo  writers  the  Normal  scale,  and  by  Spinola  the  Typia 
scale. 

§  XXXII.  Clefs. — To  determine  the  position  and  pitch  of  the  scale  as 
represented  on  the  staff,  one  of  the  letters  indicating  absolute  pitch  is 
used  as  a  clue  or  key,  and  when  thus  used  is  called  a  clef. 

Note.  Clef  is  a  French  word  signifying  key  ;  thus  the  clef-letter  Is  n  key  to  the  representation  of  ab- 
solute pitch  upon  tho  6tafl*. 

§  XXXIII.  Clef  Letters. — The  letters  most  commonly  used  as  Clefs  are 


G,  and  F,  made  thus 


and 


§i 


§  XXXIV.  The  G  Clef. —  The  G  Clef  is  placed  upon  the  second  line,  and 
determines  the  pitch  of  that  line  to  be  G  ;  consequently  C,  (One  of  tho 
C  scale)  must  be  indicated  by  the  line  below. 

§  XXXV.  The  F  Clef.—  The  F  Clef  is  placed  upon  the  fourth  line,  and 
determines  the  pitch  of  that  line  to  be  F  ;  consequently  C,  (One  of  the 
C  scale)  must  be  indicated  by  the  second  space. 

Note.  It  should  bo  understood  that  a  Clef  is  merely  3  letter  differing  in  shape  from  its  ordinary  form . 

§  XXXVI.  The  C  Clef.— The  letter  C  is  also  used  as  a  Clef,  and  when 
thus  used  it  is  applied  to  different  degrees  of  the  staff,  especially  to  the 
first,  third  and  fourth  lines. 

Note  1.  The  G  and  F  Clefs,  in  modern  music,  are  always  placed  upon  the  lines  mentioned  above,  no> 
being  rcmovablo  like  tho  C  Clof. 

Note  2.  Origionlly  nllthe  seven  letters  were  used  at  once  as  Clefs,  being  all  placed  at  tho  commune* 
ruont  of  the  etaff. 


ELEMENTARY    DEPARTMENT.       THEORETICAL. 


Illustration. — The  model  or  0  Scale  represented  (written)  with  its 
names,  the  letters  indicating  the  pitch  of  its  tones,  snd  the  syllables  used 


Bolfaing. 


,      | 

i 

1 

£ Tl 

,                        1 

"1 — J- 

-1 1- 

"Br- 

-m, 

T^ 

4 1 

4— r 

h     rx 

-4 — V 

#     * 

r^              # 

F- 

*           « 

*  * 

— i — 

\i>u       One,  two,  thraa,  four.  Ore, 
l-rrcii        <•       I>.     K.        y.      B, 
sru-mLis.  Do,  Be,    ill,       Fa,    8ol, 

•U,    seven,  right.                  Rig'' 
A,     11.         e,                       C.         H. 
l.i.    SI,        Do.                     Do,      Si, 

m      f     «*                **     * 

,  nix,  five,  four,  three 
A.    0,      K.       K. 
La,  Sol,  Fa,     Mi, 

two,  one, 
Itr,    Do. 

l  \-            J. 

• 

J"" 

»  # 

)• 

-     » 

t 

■■ 

i        L 

* 

■S               * 

1        ' 

1         r 

i 

r  " 

•      i 

i 

4. 

1      ' 

OHAPTEB  VII. 

MJELODICS— SCALE  EXTENDED.    CLASSIFICATION  OF  VOICES. 

§  XXXVII.  The  scale  may  be  extended,  by  tones  either  at  a  higher  or 
lower  pitch,  (above  or  below)  but  which  bear  the  same  relation  one  to 
another  aa  that  which  has  been  already  explained. 

§  XXXVIII.    The  usual  vocal  compass,  or  extent  from  low  to  1 
including  both  male  and  fei  be  thus  represented  : 

___ (S—Q 


§ 


~^~c 


r,      2 


s    o 


■Ton,  Borne  Totcet  will  naturally  na.-h  Mgbtnr  or  lower  tones  than  those  horo  Indicated,  and  the 
compass  of  nil  voices  may  be  extended  by  culture. 

§  XXXIX.    Classttication   01  Voices.     The   human   voice  is   naturally 
divided  into  four  classes  : 


also,  often  for  Tenor;  but   when  used  for  Tenor  it  denolcs  g  an  octavo 
lower  than  when    need    for  Treble  or  Alto. 

Examples  Illustrating  the  two  use*  of  the  O  clef 
1     Ti-.rni.r 


jr-j  J  J  .R^=-, 


T""n-  <fo=3    j    -J    r~ 


The  abovo  exnmples  (1  and  2)  although  they  appear  tho  same  to  the  eye,  are,  hy  the  different  use  of 
the  clef,  In  rea'ty,  on  octave  apart,  tho  Tenor  being  an  octavo  below  tho  Treble. 

8.  Treble, 


fc=PJ-*l 


•1.  Te 


NOR.  gj 


The  above  examples  (3  and  4)  although  they  appear  different  to  tho  eye,  are,  by  the  different  use  of  the 
clef,  in  reality,  the  same. 

;'>.  Example  illustrating  the  usual  compass  of  the  different  classes  uf 
voices,  witli  the  use  of  the  clefs,  and  the  relation  of  the  different  parts  . 


Low  male  voices,  Bask. 
High  male  voices,  Tkn*or. 
female  voices,  Alto. 
High  female  voices,  Treble. 


Note.   B  ire  other  dlstlnel  il   iBiron,  bat*  i-e  and  Tenor,  and 

MiuoSorasjio,  i'roble.    The  Trobls  Is  oAan  osUls-d  BoriAao. 

§  XI.      Uses  Of  Cuts.      The  f  clef  is  used  for  Base,  and  often  for 

Tenor  ;    the  one   marked  g — thus   K   clef  is   used  for  Treble,   Alto,   and, 


Treble, 

or  Soprano. 

■  ...■   .      :     i 

-     '* 

,      ',    -5   1 

Alto. 

-1- 

-L-L^-LJ 

* 

<y 

-. 

B 

Eg 

:E3 

§i=±= 

Tenor 

:*=r 

ri ' 

<*  *  * 

rO-i 

•- 

1 

Base. 

tar  •    r" 

— 4—1 
— i 

5*      _ 

?.   \ 

11      c       d     e       f       g 

a      b      c»      •!       <• 

f 

K 

a 

b 

<■     ,i 

— =1 

•  This  once  inaiked  ana))  c,  Wing  a'  out  the  center  l-oth  of  tho  rocal  and  also  of  the  great  or  lnrtni 
•■-.ile.  Is  called  the  middle  c 


8 


ELEMENTARY    DEPARTMENT,       THEORETICAL. 


{  XLI.  To  distinguish  between  the  different  tones  denoted  by  the 
same  letters,  (octaves,)  capital  and  small  letters,  together  with  marks 
below  or  above  them,  arc  used.  Thus,  in  the  above  example,  the  lowest 
three  notes  are  designated  by  capital  letters  ;  and  the  tones  represented  by 
them  are  called  capital,  or  great  G,  great  A,  and  great  B.  The  notes 
in  the  nest  octave  beginning  with  c,  (with  the  exception  of  the  upper 
one,  which  is  regarded  as  one  of  the  octave  above,)  are  designated  by 
small  letters,  and  the  tones  are  called  small  c,  small  d,  small  e,  etc.  The 
notes  in  the  next  octave,  (with  the  exception  of  the  upper  one,)  are 
designated  by  once-marked  small  letters,  and  the  tones  are  called  once-marked 
small  c,  once-marked  small  d,  etc.  The  notes  belonging  to  the  next  octave, 
are  designated  by  twice-marked  small  letters. 

Note.  T!io  G  clef,  when  used  for  Treble  or  Alto,  or  for  instruments,  signifies  g,  but  when  used  for 
male  voices  it  signifies  g. 

Examples  of  the  representation  of  the  samo  tone  o  in  the  use  of  tho  different  clefs. 


Bare. 


Tenor. 


Tenoe. 


Alto. 


Altq. 


Treble. 


Treble. 


m=$E*&^$ 


jw 


s- 


i 


^r 


m 


§  XLII.  The  four  parts  may  be  written  each  upon  a  separate  staff, 
or  two  parts  upon  the  same  staff.  The  latter,  (two  parts  upon  one  staff,) 
is  the  better  method  for  plain  music,  since  it  shows,  at  a  glance,  the  re- 
lation of  the  parts  ;  it  is  quite  as  easily  read. 

CHAPTER  VIII. 

MELODICS.     THE  ENTIRE  SCALE. 

§  XLIII.  The  great  scale  of  sounds,  including  the  whole  compass  of 
tones  appreciable  by  the  human  ear,  consists  of  about  nine  octaves, 
(some  say  ten,)  about  one-third  of  which,  from  G  to  g,  is  within  the  ordi- 
nary range  of  the  human  voice. 

§  XLIV.     The  system  of  noting  or  designating  the  tones  of  the  great 
scale,  is  the  same  as  that  mcutioned  at  §  XLI,  or  as  follows  : 
1st  (lowest)  Octave         2d  Octave  3d  Octave 

CDEFGABCDEFGABCDEFGAB 

=   =—   ==     ==   —   —    —     —    —    —    —  i 

4th  Octave  5th  Octave  6th  Octave 

cdefg       abedefg       a     b     c_    d    e     f    g      ?l^ 


'tth  Octave  8th  Octave  9tn  Octave 


EXPLANATION. 

1,  C.     This  is  the  lowest  sound  produced  by  the  largest  organs.    It  requires  a  pipe 
~        thirty-two'feet  long. 

2,  C.     This  is  the  lowest  C  on  the  Piano-forte.    It  requires  an  organ-pipe  sixteen  feet 

long. 

3,  C.     This  is  called  the  great  C.    Written  on  the  second  line  below,  f  clef.    It  is  the  low- 

est sound  on  the  Violoncello,  and  it  requires  an  organ-pipe  eight  feet  long. 

4,  c.     Called  small  c.     Written  on  the  second  space,  f  clef,  and  requires  an  organ-pipe  of 

four  feet. 

5,  c.     Middle  c.     Written  on  the  line  above,  f  clef,  or  line  below  g  (Treble)  cleft      It 
requires  an  organ  pipe  of  two  feet. 

G,  c^  This  is  the  c  represented  on  the  third  space,  g  (Treble)  clef.    It  requirosan  organ - 

7  pipe  one  foot  long. 

7.  c.  Written  on  the  second  line  above,  Treble  clef.    Produced  by  an  organ-pipe  one- 
=  half  of  a  foot  long. 

8,  c.    Written  on  the  space  above  the  fifth  line  above.    Produced  by  an  organ-pipe  one- 
=         fourth  of  a  foot  long. 

9,^.     Highest  c  on  the  Piano-forte.    Produced  by  an  organ-pipe  of  one-eighth  of  a  foot 
1         long. 

The  lowest  tone  in  the  great  scale  (twice  marked  C),  is  indicated  in  notation  by  the 
ninth  line  below  the  f  clef  Staff;  and  the  highest  one  (six  times  marked  c),  by  the 
space  above  the  twelfth  line  above  the  g  clef  (Treble)  Staff;  so  that  a  Staff  by  which 
the  whole  one  hundred  and  eight  sounds  could  be  represented,  without  the  aid  of  clefs, 
must  consist  of  thirty-two  lines.  We  here  see  the  use  of  clefs,  by  which  a  Staff  of  five 
lines  is  rendered  sufficient. 

CHAPTER   IX. 

MELODICS— INTERVALS. 

§  XLV.  Intervals.  In  addition  to  the  regular  Scale-intervals  (inter- 
vals belonging  to  the  Scale  in  its  regular  progression)  called  Steps  and 
Half-Steps,  there  are  also  other  intervals  occasioned  by  a  departure  from 
this  regular  order,  or  by  skipping  ;  as  Seconds  (same,  as  have  hereto- 
fore been  called  Steps  and  Half-Steps)  Thirds,  Fourths,  Fifths,  Sixths, 
Sevenths  and  Octaves. 

Notk.  The  terms  Step  and  Half-step  are  at  first,  more  convenient  than  that  of  Second,  since  they 
naturally  aviso  out  of  the  idea  of  tho  musical  scale  or  ladder  ;  and  tlicv  are  at  all  times  afterwards 
convenient  for  the  purpose  of  defining  the  magnitude  of  intervals.     See  Chapter  X. 


ELEMENTARY    DEI  A  RTM  EOT*.       THEORETICAL. 


§  XLVI.  Intervals  arc  always  reckoned  from  the  lowest  tone  upwards, 
unless  otherwise  express 

DIATONIC    INTERVALS. 
Noti.  Diatonic,  bocuuw)  they  an  proJuccd  by  «klp*  In  tho  diatonio  scale. 

§  XLVII.  Two  tones  being  the  same  pitch,  are  called  Unison,  or  a  kid 
to  be  in  Unison. 

§  XLVIII.  The  interval  between  one  and  two,  or  two  and  throe,  or 
between  any  tone  and  the  tone  which,  in  the  regular  progression  of  the 
scale,  is  next  above  it,  is  called  a  Second. 

Norm.  Second*  are  Interval*  of  tho  unit  mognltndo  a*  steps. 

§  XLIX.  The  interval  between  one  and  three,  or  between  two  -and 
four,  or  between  any  tone  and  the  tone  which  is  next  but  one  above  it,  is 
called  a  Third. 

§  L.  The-'Vhtorval  between  one  and  four,  or  between  two  and  five,  etc., 
II  called  ■  Forum. 

§  LI.  The  interval  between  one  and  five,  or  between  two  and  six,  etc., 
is  called  a  FiFrn. 

§  LII.  The  interval  between  one  and  six,  or  between  two  and  seven, 
etc.,  is  called  a  Srxrii. 

§  LIN.  The  interval  between  one  and  seven,  or  between  two  and 
eight,  etc.,  is  called  a  Seventh. 

§  LIV.  The  interval  between  one  and  eight,  or  between  two  and 
nine,  (or  two  of  the  next  series),  etc.,  is  called  an  Octave. 

0HAPTEB  X. 

Mr.LODICS—  MAJOR  AND  MINOR  INTERVALS. 

« 

§  LV.  Second.-;.  1.  A  second  consisting  of  a  half-step,  is  a  Minor 
(small)  Second.  2.  A  second  consisting  of  a  step,  is  a  Major  (gTeal  I 
Second. 

§  LVI.  Thirds.     1.   A  third  consisting  of  a  step  and  a  half-step,  is  Mn 
2.    V  third  consisting  of  tiro  steps  is  M.uon. 

§  LVII.    FOURTHS.     1.  A  fourth  consisting  of  two  s'eps  and   a  half-step  is 

a  IVrfict  Fourth.     2.   A  fourth  consisting  of  three  step*,  is  a  Sharp  Fourth. 


^  LVII  I.  Fifths.  1.  A  fifth,  Consisting  of  tiro  steps  and  tiro  half-step*,  is 
a  Fi.vr  Fifth.  2.  A  fifth,  consisting  of  three  steps  and  a  /.  ,'/■:-'■  p,  M  a  Per- 
fect Fifth. 

§  LIX.  Sixths.      1.  A  sixth,  consisting  of  Arm  step:.  /nlf-stejs,  is 

Minor.     2.   A  sixth,  consisting  of  ftmr  steps  and  a  hak  Major. 

§  LX.  Sevenths.      1.  A   seventh,  consisting  of  fairs!' ■■.  half 

is  a  Fiat  SeVSHTH  2.  A  Seventh,  consisting  of  fire  step*  and  a  half- 
step,  is  a  Sharp  Sr.vr.NTH. 

§  LXI.  Octave.    An  Octave  consists  of  fiet  -dtps  and  two  half-da*. 

NaTK  In  addition  to  the  Intervals  alreadv  motioned,  theft  are  other*  arlnlnu  out  of  the  rhrumatlo 
;it  M  the]  rather  belong  to  the  IlOdj  of  harmony,  furth.r  notice  of  them  U  omitted  In  lb>  ■       « 

CHAPTER  XI. 
MELODICS.     INTERMEDIATE  TONES.     CUROMATIC  SCALE. 

§  LXII.  Intermediate  Tones.  Between  those  tones  of  the  Scale  which 
form  the  interval  of  a  6tcp,  an  intermediate-tone  (intervening-tone)  may 
be  produced  :  thus,  intermediate-tones  may  occur  between  one  and  two, 
two  and  three,  four  and  live,  five  and  six,  and  six  and  seven  ;  but  not 
between  three  and  four,  and  seven  and  eight,  because  the  intervals  be- 
tween these  tones  are  already  half-steps,  and  these  aie  the  smallest  prac- 
ticable intervals  known  in  the  musical  system. 

§  LXIII.  Intermediate-tones  are  named  from  either  of  the  seale-tones 
between  which  th<  y  occur,  with  the  addition  of  either  the  word   sharp  or 

prefixed  or  suffixed,     Tims  the  intermediate-tone  between  One 
Two,  is  named  with  respect  to  relative  pitch,  Sharp-One  or  Flat-Two, 
with  respect  to  absolute  pitch  C-Sharp  or  D-Fi.at.     The  same  principle  is 
applied  to  the  uamyig  of  all  the  other  intermediate  tones. 

Note    The  word  sharp.  n«  here  naed,  as  a  name  tor  a  tor.e.  •lenlfle*  hither;  thu«,  I  y  *h»nvoo«Je 

meant  a  tone  the]                                             t  than  one,  yet  not  *o  hlk-h  a*  two  ;  ap»  ■  wheo 

used  an  tbo  nomo  of  n  tone,  rigaiflee  lower  ,  thus,  by  Hat  two  U  meant  a  tone  1  •  lower 
than  two,  yet  Dot  bo  low  as  one. 

§  I. XIV.    An  intermediate-tone  is  indicated  by  thi  :"the 

staff  (modified  or  qualified)  as  is  th..-  scale-tone  from  wl 
thus  the  tone  earned  sharp-one  is  indicated  by;  I  th'1 

stall' as  is  the  tone:  imed  one,  but  modified  by  a  character  prefixed  to 
klledaSHARP   8).     So  also  the  tone  named  flat-two  wind  -the 

same  of  the  is  the   tone   named   two,  but  modified  by  a 

Character  prefixed  to  it.  called  a  Flat  ((yV 


10 


.ELEMENTARY     DEPARTMENT.       THEORETICAL. 


Note  1.  It  will  bo  observed  that  tho  words  sharp  and  flat  ore  used  both  as  names  of  tones,  and  as 
naraeB  of  characters,  signs,  or  marks  of  notation. 

Note  2.  The  character  called  a  sharp  does  not  raise  a  rone  or  a  note;  nor  does  the  character  called  a 
flat  lower  a  tone  or  anote  ;  but  both  characters  are  used  so  to  modify  or  qualify  tho  stall'  as  to  furnish 
a  convenient  and  sure  notation  for  tho  intermediate  tones. 

$  LXVII.  Sharps  and  Flats  (characters)  continue  their  significance 
or  modifying  influence,  throughout  the  measure  in  which  they  occur,  and 
also  from  mea&ure  to  measure,  when  the  same  tone  is  repeated,  or  unless 
canceled  by  an  intermediate  note  upon  some  other  degree  of  the  staff. 

§  LXVIII.  Sharps  and  flats  are  canceled,  or  their  significance  is  ter- 
minated by  a  sign  called  a  Natural  (tj). 

Note.  The  name  of  this  character  is  an  unfortunate  one,  since  its  tenden«y  is  to  mislead  the  pupil. 
It  signifies  not  that  one  tone  is  in  fact  more  natural  than  another— indeed  the  term  can  not  bo  Baid 
to  apply  to  tho  tone,  but  merely  to  tho  previous  mark,  (flat  or  Bharp)  showing  that  its  significance 
Is  now  at  an  end.    If  it  was  called  a  Rkstoral  11b  name  would  more  clearly  Indicate  its  office. 

§  LXV.  Chromatic  Scaee.  A  Scale  consisting  of  thirteen  tones,  in- 
cluding the  eight  scale-tones  and  the  five  intermediate-tones,  having 
twelve  intervals  of  a  half-step  each,  is  called  The  Chromatic  Scale. 

Note.  Chromatic.  From  a  Greek  word  signifying  color.  It  is  said  that  the  intermediate  tones  wero 
formerly  represented  by  notes  written  with  colored  ink,  and  hence  the  name.  The  term  may  also  have 
a  figurative  meaning,  sinco  chromatics  in  mu6ic,  expressive  of  various  degrees  of  intensity  of  feeling, 
may  be  regarded  as  analogous  to  light  and  shade,  or  coloring  iu  painting. 


$  LXVI.  The  Chromatic  Scale.     (Noted.) 


#= 


3E 


-©- 


:i- 


sharp  sharp  sharp  sharp 

Names.  One,  one,  two,  two,  three,  four,  four,  five,  five, 

PUch.       c,      c$,  d,  dj.  e,  f,       fj,  g,     gj(, 

Syllables.  Do,    di,  re,  ri,  mi,         fa.      fl,  sol,   si, 


sharp 

six,       six,  seven,  eight. 

a.  ajf,  b,  c. 

la,         li,  si,  do. 


-0- 


O (7S- 


-o- 


■W ST—] 


flat  flat  flat  flat  flat 

Eight,  seven,  seven,  six,  six,  five,  five,  four,  three,  three,  two,  two,  ene. 

c,           b,          b|j,  a.  afe,  g,  gjj,  f,         e.  cfe,  d,  d|>,          c. 

Do,       si,         Be,  la,  le,  sol,  se,  fa,       mi,  me,  re,        ra.  do. 

Note.  In  tho  above  syllables  tho  letter  i  should  always  recoivo  the  sound  of  ee ;  thus  Di  is  pronounc- 
ad  Deo,  Ri  is  pronounced  Reo,  etc.  Again,  the  letter  e  should  always  roceive  the  sound  of  tho  English 
long  a,  so  that  Se  is  pronounced  Say,  Le  la  pronounced  Lay,  etc. 

CHAPTER  XIV. 

MELODICS — MINOR     SCALE. 

§  LXIX  There  is  another  Diatonic  Scale,  consisting  also  of  eight 
tones,  but  disposed  in  a  different  order  of  intervals  from  that  which  has 
been  aW  dy  explained,  called  The  Minor  Scale 


§  LXX.     The  following  forms  of  the  Minor  Scale  are  in  common  use  s 

1st.  The  Natural  Minor  Scale  (so  called.)  The  Model  Scale  in  this 
form  consists  of  the  tones, — 

A,     B,     C,     D,     E,     P,     G,     A. 

§  LXXIII..  2d.  The  Harmonic  Minor  Scale.  This  differs  from  the  natural 
form  by  the  use  of  Sharp-seven.  It  is  called  by  some  writers  the 
Regular  Minor  Scale.     Its  model  form  consists  of  the  tones — 

A,    B,     C,    D,     E,     F,     G%    A. 

§LXXIV.  3d.  The  Melodic  Minor  Scale.  In  this  form  the  Sharp-six  and 
Sharp  seven  are  both  used  into  the  ascending  series.  It  is  only  minor 
in  its  lower  tones,  the  upper  part  of  the  Scale  being  major.  In  connection 
with  this  form  of  the  ascending  Minor  Scale  it  is  common  to  use  the  nat- 
ural form  in  descending.  This  is  sometimes  called  the  Irregular  Minor 
Scale.     Its  model  form  consists  of  the  tones —  *rif% 

A,    B,     C,     D,     E,     PS,     G&     A. 

Note.  Thoro  are  also  other  forms  of  tho  Minor  Scale  found  in  tho  works  of  tho  best  musical  writers 
but  further  explanations  are  supposed  to  be  unnecessary.  Tho  pupil  who  can  sing  tho  Chromatic  Scale 
with  tolerable  accuracy  will  find  no  difficulty  in  any  form  of  tho  Minor  Scale  ho  may  meet  with. 

§  LXXI.  Parallel  Major  and  Minor.  Every  Major  Scale  has  its  paral- 
lel (or  relative)  Minor  ;  and  every  Minor  Scale  has  its  parallel  (or  rela- 
tive) Major  scale. 

§  LXXII.  The  parallel  Minor  to  any  Major  Scale  is  based  upon  its 
sixth,  and  the  parallel  Major  to  any  Minor  Scale  is  based  upon  its  third. 

Note.  The  distinguishing  feature  of  the  Major  and  Minor  Scales  Is  the  third.  The  Major  Scale  la 
known  by  its  Major  third,  and  the  Minor  Scale  is  known  by  its  Minor  third. 

CHAPTER  XV 

MELODICS— TRANSPOSITION  OF  THE  SCALE. 

§  LXXV.  In  the  treatment  of  the  scale  thus  far,  the  pitch  C  has 
always  been  taken  as  One  ;  but  this  may  be  changed,  and  any  other  pitch 
maybe  taken  as  One ;  such  a  change  is  called  Transposition,  or  The 
Transposition  op  the  Scale. 

Note.  The  transposition  of  the  Scale  consists  not  in  any  change  of  the  position  ,.T  the  r.otes  by  which 
it  is  represented;  for  it  may  he  represented  in  different  positions  on  the  stair  while  its  pilch  remains  the 
same,  or  it  may  be  represented  in  the  same  position  while  its  pitch  Is  changed  :  but  it  consists  in  changing 
he  pitch,  or  in  taking  some  other  pitch  be  ides  C  as  One,  or  as  the  basis  of  the  Scale. 


ELEMENTARY    DEPA  RTM  MNT,       THEORETIC  A  I,. 


11 


§  I.XXVI,  The  letter  which  is  taken  as  the  pitch  of  the  Scale,  or  U 
One,  is  called  the   ki:y    i  OT  simply  the  kkv.     Tims,  it'  ('  be  taken 

u  I  >ne,  the  Scale  is  s.iiil  to  be  in  the  kit  o»  0  ;  if  1)  be  taken  as  One, 
the  Scab'  is  said  to  be  in  the  kkv  <>k  I),  ami  so  on. 

Notk  1.  Ily  the  key  of  C  Is  meant  the  relatlon*hlp  of  lone*  and  Interval*  which  eoclit  when  C  Is  taken 
aa  One  ;  by  I  '  l>  is  meant  the  relationship  which  exists  when  the  scale  b  based  on  D,  or  when  D 

Is  taken  as  Una,  and  so  on.  Seven  tone*  are  required  to  constitute  >  tntll  family  (krj) •  thus  the  lone- 
family  called  0,  or  the  key  of  0,  consists  of  the  tones  0,  1),  E,  ¥  O,  A,  and  B;  to  which,  if  the  tcuU  Is  to 
be  complctel,  (',  an  octave  higher  must  be  added. 

J.  The  key  of  C  has  usually  been  called  natural,  or  the  natural  ley,  bnt  since  the  term  natural, 
as  here  used,  refers  n  t  to  the  scale  Itself,  but  lo  the  mere  notation  of  tbj  scan  ;  and  since  the  key  of  0 
Is,  In  reality,  no  more  natural  than  any  other,  we  prefer  to  follow  the  example  of  those  modern  writers  on 
music  who  bare,  with  much  propriety,  designated  It  as  the  modkl  key. 

g  I.XXYII.  In  transposing  the  Scale  it,  is  accessary  to  preserve  its 
proper  relations,  or  its  identity  in  everything  excepting  pitch;  it  most  be 
made  to  oonfonn  in  the  order  of  its  intervals  to  the  model  C. 

B  I. XXVIII.  The  identity  of  the  Scale  is  preserved  in  transposition  by 
■mission  of  one  or  more  of  the  tones  belonging  to  the  key  from  which 
•  .imposition  is  made,  and  the  introduction  of  such  intermediate  tone 
or  tones  as  may  be  required  to  constitute  the  new  key. 

Nora.  The  difficulty  In  transposing  the  scale  does  not  consist  In  anything  which  belongs  to  notation,  or 
which  makes  Its  appeal  to  the  eye,  but  in  fAe  trann/er  of  aluoluto  U>  rtkUic*  pit 

$  I. XXIX.  The  intermediate  tone  required  in  transposition,  is  called 
Tbj  Tonb  OF  T&AjrSFOSmoir,  or  (in  written  music),  Tin:  XVik  oi 
Ti:  LXPSOSn  ion. 

CHAPTER   XVI. 
KELOMCS— TRANSPOSITION  OK  TIIE  SCALE   BY  FIFTHS. 

S  I.XXX.  First  transposition  of  the  Scale  by  Fifths,  from  C  t.,  <;. 
All  the  tones  which  constitute  the  key  of  C  will  be  found  to  belong  also 
to  the  hey  of  G,  with  the  exception  of  F. 

B  I. XXXI.  To  preserve  identity  of  Scale-relationship,  or  the  proper 
order  of  intervals  between  Six  and  s,  >■, ,,,  and  between  Seven  and  Eight 
in  this  transposition,  it  is  necessary  tO  omit  the  tone  F,  and  to  take 
F-sharp  as  Beven  in  the  new  key. 

§LXXXII.  T.\r.n  \u   \'ii:w;   Ii  i.istiiatiov. 

half-  half- 

Step,     step,  step,   step,     step,     rap,  step,  atep. 


step 


■i^4 


One 


-&- 
two, 


three,  four,    five, 


six,  se  .  f.ur.  '»•', 

.        .  .  .  ,,• 

;     i   • w3  ■ 


:-    :   * 


s    : 


half-      •  _         hiif- 

•.  step,     step,    step,       step. 
One,      two,    three,  four,    five,      six.      seven,  eight. 


EXPLANATION. 

On  the  upper  staff,  in  the  above  diagram,  the  sonic  It  represented  in  the  key  of  C.  The 
distances  of  the  note*,  one  from  another,  represent  the  different  intervals,  as  step*  and 
half-stops      On  the  loner  Btaff  Q  is  taken  U   one,  A  ns   tno,  JJ  i  0  as  four,  D  as 

hvo,  K  u  mx  ;  and  thus  far  the  interval  -  the  interrm]  lo-tween  six  and 

seven  must  tie  a  ttep,  it  i-  wen  at  once  that  F  will  not  do  for  seven,  because  the  iuterral 
between  K  and  F  is  but  a  half-.-tep  ;  it  becoi  ■>ry.  therefore,  to  take  the  intor- 

modiate  tone,  F5,  for  seven,  nn>l  this  (jives  the  proper  interval  between  six  and  aeven, 
vi/.,  a  ttep.  The  interval  between  F5  and  G  being  a  half -it  i  ;<,  G  i-  taken  aj  eight,  and 
the  scale  is  complete  in  the  key  of  0,  thus: 


G 


step, 


step, 


hair- 
n.I., 

B      C 


step, 


D 


step, 


V. 


step. 


bair- 

Sl'p. 

Ffi    G 


Norn.  The  transposition  of  the  Scale  Is  one  th'np    .■   It]  of  II  -another.     The  *ljrn  of 

.itlon  is  often  mistaken  I  >r  tbi  pupils  are  -  •  un  !.  maud  the  subject  >hn 

vo  be»-n  only  niaile  acquainted  with  its  nomenclature,  and  with  Its  representation.     A  truo  ld»a  of 

the  reality  can  only  be  acquired  through  the  ear,  not  from  verbal  explanations  or  descriptions;  not  from 

marks,  signs,  or  diagrams,  or  any  illustration  U>  the  eye. 

§  I. XXXIII.  In  notation  the  sign  of  F-sharp  (ff)  is  placed  at  the 
beginning  of  the  start",  immediately  after  the  clef,  and   is  called  the   B 
wn  ki:  (sign)   of  the   key.    Thus,  the  signature  of  the  key  of  (i  is 

F-sharp.  The  signature  of  the  key  of  C  (which  consists  in  the  absence 
of  the  characters  indicating  intermediate  tones),  may  be  said  to  he 
open'.     It  is  often  called  natural. 

$  I. XXXIV.  Second   transposition  of  the   Scale  by  Fifths,  from  Q  to 

I).    To.  preserve  the  proper  order  of  intervals  between  eta  and  m 
and  hit  ween  seven  and  eight,  in  this  transposition,  it  is  nooossaiyto  omit 
the  tone  C  (four  in  the  key  of  G)  and  to  take   C-sharp  as   seven  in  the 

new  key. 

^  I.XXXY.  Ii  .i  i  >i  i:  a  i  EOl  ;   Takiiai:  Vii:w. 


o 


m 


six,    aeven,  eight,  two,  three,  four.     five.,      six,  seven,  eljht 


* 


V 


'■-- 


I 


Nirrt  An  explanation  of  the  above  diagram  is  supposed  to  he  unncc 
Hut  of  \  HI 


cssar  •.  as  It  would  b«  similar  M 


13 


ELEMENTARY    DEPARTMENT.      THEORETICAL. 


THIRD  TRANSPOSITION  BY  FIFTHS. 

§  LXXXVI.  Thied  Transposition  by  Fifths  ;  from  D  to  A.  In 
this  transposition  G  (Four)  must  be  omitted,  and  Gjf  (Sharp-Four)  must 
be  taken  as  seven  to  A. 

Note.  Further  illustrations  are  not  needed,  since  the  principle  is  the  same  in  each  successive  transpo- 
sition. 

§  LXXXVII.  Fourth  Transposition  by  Fifths;  from  A  to  E. 
In  this  transposition  D  (Four)  must  be  omitted,  and  D#  (Sharp-Four) 
must  be  taken  as  seven  to  E. 

Note.  Although  we  proceed  briefly  to  point  out  further  transpositions  by  fifths,  yet  they  will  not  be 
needed  for  the  common  purposes  of  vocal  class-teaching. 

§  LXXXYHI.  Fifth  Transposition  by  Fifths  ;  from  E  to  B.  A 
must  be  omitted  and  A$  taken. 

§  LXXXIX.  Sixth  Transposition  by  Fifths  ;  from  B  to  Fjf.  E 
must  be  omitted  and  E$  taken. 

§  XC.  Seventh  Transposition  by  Fifths  ;  from  Fjf  to  Oft  B 
must  be  omitted  and  B$  taken. 

§  XCI.  EiGnTn  Transposition  by  Fifths  ;  from  Cfl  to  G$.  Fjf  must 
be  omitted  and  F  Double  Sharp  (Fx)  taken. 

§  XCII.  The  Scale  may  be  still  further  transposed  by  fifths :  to  the 
key  of  D#,  with  nine  sharps  (two  double  sharps) ;  to  the  key  of  A$,  with 
ten  sharps  (throe  double  sharps) ;  to  the  key  of  E$,  with  eleven  sharps 
(four  double  sharps) ;  to  the  key  of  Bjf,  with  twelve  sharps  (five  double 
sharps),  and  so  on. 

Note  1.  The  key  of  BJis  the  same  to  the  ear  as  the  key  of  C.  The  difference  is  not  in  the  thing  Itself 
but  merely  in  the  written  signs,  or  notation. 

Nots  2.  The  keys  beyond  F$  (six  sharps)  are  but  seldom  used,  as  the  same  variety  may  be  more 
easily  obtained  In  transposition  by  fourths.  The  keys  beyond  E  (four  sharps)  are  seldom  used  in  com- 
mon vocal  music. 

§  XCIII.  It  will  be  observed,  that  in  each  of  the  foregoing  trans- 
positions the  pitch  lias  been  removed  a.  Fifth  ;  and  that  the  intermediate 
tone  required  to  preserve  the  identity  of  the  6cale  in  the  new  key  has 
been  Sharp-Four ;  hence  the  following  rule:  "Sharp-Four  transposes 
the  scale  a  Fifth ;"  or,  "  the  tone  of  transposition  between  any  key  and 
that  which  is  based  on  its  fifth,  is  Sharp-Four." 

CHAPTER   XVII. 

MELODICS— TRANSPOSITION  OF  TnE  SCALE  BY  FOURTHS. 

§  XCIV.  First  transposition  of  the  scale  by  Fourths ;  from  C  to  F. 
To  preserve  the  proper  order  of  intervals  between  three  and  four,  and 


between  four  and  five,  in  this  transposition,  it  is  necessary  to  omit  the 
tone  B,  and  to  take  the  tone  B-flat  as  four  in  the  new  key. 

ILLUSTRATION. 

half-  half-  half- 

Step,      step,  step,    step,    step,    step,   step,  step,    step,  step,  step. 


i 


~g-9- 


-o- 


-C — -i-Q--^ 


s- 


-&—&- 


One,       two,    three,  four,    five,     six,   seven,  eight,  two,  three,  four,    five. 


i 


?«- 


-hr~*- 


One,      two,     three,  four,    five,      six,   seven,  eight. 

Note  1.  An  explanation  of  the  above  diagram  would  be  bo  similar  to  that  at  Section  lxxxll.,  that  it  is 
supposed  to  be  unnecessary.  B(,  Is  taken  for  four,  and  not  AJ,  so  that  the  proper  nomenclature  may  bo 
preserved,  and  that  the  proper  relations  may  be  made  to  appear  to  the  eye  in  written  music  :  or  that  the 
Scale  may  be  represented  by  the  regularly  successive  degrees  of  the  Staff. 

Note  2.  The  reason  why  the  scale  Is  transposed  by  fifth*  or  by  fourtli*  Is  this :  those  keys  which  are 
based  upon  either  fine  or  four  of  any  given  key  have  all  their  tones  In  common,  with  a  single  exception, 
and  hence  are  more  nearly  related  than  any  others. 

§  XCV.  The  sign  of  B-flat  (b)  is  placed  at  the  beginning  of  the  staff, 
immediately  after  the  clef,  as  the  signature,  or  sign  of  the  key.  Thus 
the  signature  of  the  key  of  F  is  one  flat,  or  B-flat. 

§  XCVI.  Second  Transposition  of  the  Scale  by  Fourths  ;  from  F 
to  B-flat.  To  preserve  the  proper  order  of  intervals  between  three  and 
four,  and  between  four  and^ue  in  this  transposition,  the  tone  E  must  be 
omitted,  and  the  tone  E-flat  must  be  taken  as  four  in  the  new  key. 

§  XCVII.  Third  Transposition  by  Fourths  ;  from  B-flat  to  E-flat 
In  this  transposition  A  (Seven)  must  be  omitted,  and  A-flat  (Flat-Seven) 
must  be  taken  as  Four  to  E-flat. 

§  XCVIII.  Fourth  Transposition  by  Fourths  ;  from  E-fi.at  to 
A-flat.  In  this  transposition  D  (Seven)  must  be  omitted,  and  D-Flat 
(Flat-Seven)  must  be  taken  as  Four  to  A-flat.     • 

Note.  Further  transpositions  by  fourths  will  not  be  needed  for  the  ordinary  purposes  of  vocal  class- 
teaching. 

§  XCLX.  Fifth  Transposition  by  Fourths;  from  Ab  to  Db.  G 
must  be  omitted  and  Gb  taken. 

§  C.  Sixth  Transposition  by  Fourths  ;  from  Db  to  Gb.  C  must  be 
omitted  and  Cb  taken. 

§  CI.  Seventh  Transposition  by  Fourths;  FROMGb  to  Q».  Fmust 
be  omitted  and  Fb  taken. 


ELEMENTARY    DEPARTMENT.      THEORETICAL. 


18 


»  </H.    Ei'.imi    TBAKSPOSITIDH    BY    lA.rirnis;    1KOM    O7  TO  Fy.      1>? 

must  be  omitted,  and  B^ouble-flat  (M  be  taken. 

i>  CIII    The  Boale may  be  still  further  transposed  byfourthsj  to  the 

:  Bft,  with  nine  flat*  (two  double  flats);  to  the  key  "tT/n,  with  ton 

double  Hat.-);  to  the  keyof  AW>,  with  eleven  flats  (four  double 

I  ;  to  the  key  of  !>->->,  with  twelve  flats  (live  doable  fl  ite    ;  and  bo 


The  difference  U  not  In  the  thing  itself, 


on. 

Note  1.    The  key  of  DM,  la  the  lime  to  the  ear  is  the  key  of  C. 

b°NOT«"!>  ThV'kA  »"i*yon<l  G1,  (six  flats)  are  but  seldom  osed,  u  the  same  variety  may  be  more  easily 
obtained  In  transposition  by  .harps.     The  key.  beyond  At,  (four  flats)  are  seldom  used  In  ordinary  vocal 

moila 


ClIAlTEli  XVIII. 

MELODICS—  PASSING  TONES— SHAKE  AND  TURN'. 

8  CIV.  Tones  ■< >t  essentially  belonging  to  a  melody  are  often  intro- 
duced into  music,  called  Passing  Tones.  They  nre  sometimes  repre- 
sented by  notes  of  smaller  size  than  those  in  which  the  music  is  mostly 
written,  though  this  distinction  is  not  always  observed. 

Norm.  Passing  tones,  considered  with  respect  to  harmony,  do  Lot  belong  to  the  chord  In  which  they 
oooor. 

§  CV.  "When  a  passing  tone  precedes  an  essential  tone  on  an  accented 
part  of  a  measure,  it  is  called  an  ArroGGiATi  1:  a. 

Note.  From  Appogglare,  an  Italian  word  which  sirrnfles  to  Uan  or  to  rt*t  Ma  An  appngglatura  Is  a 
tone  on  which  the  voice  leans  or  rests  In  Its  passage,  from  nee  tone  to  another.  The  appogglatura  Is 
renrrally  considered  a  tone  of  embellishment,  but  li  should  rather  bo  regarded  M  a  tone  of  expression, 
since  It  Is  most  frequently  designed  to  give  tenderness  or  pathos  to  a  performance. 


>\  AMPLE. 


Writt.n 


Written 


EXAMnt 

inn.  .1 


e^^c^Mvi'^-l"-' 


§  CVII.  A  rapid  alternation  of  a  tone  with  tie  Dl  tone  above  it, 

at  an  interval  01  either  a  step  or  a  half-Step,  18  called  a  S11  \ki:  or  Tkii.i.. 

Nora.    The  shake  Is  a  very  brilliant  musical  embellishment.     Its  proper  practice  gWea  flexibility  to  Ui» 
voice. 


EXAMPLE. 


Performed 


,     I 


**'#  •**•  v 

§  CVII1.  A  tone  SUUg  in  rapid  succession  with  the  conjoint  tones  above 
and  below  it,  so  as  to  produce  a  winding  or  turning  melodic  motion  or 
movement  is  called  a  Tikn.  The  turn  has  a  variety  of  forms,  the  prin- 
cipal of  which  may  be  illustrated,  as  follows: 

EXAMPL*. 


Performed 


^p^p^p^p^^flgp^ 


§  CVI.  When  a  pawing  tone  follows  an  essential  tone,  ou  au  unac- 
cented part  of  a  measure,  it  is  called  an  ArTXBToSX. 


NoTa.     The  ornaments,  graces,  or  embellishments  of  vocal  rnujlc,  some  of  which  have 
glanoad  at  In  thU  chapter,  with  it:.  !  porttl  aannol   I  •■  Baid   I 

nary  staging,  and  certainly  not  to  chorus  ringing  b  ran 

only  bo  ai'iulred  by   the  few  possessing  naturally  gnat  flexibility   of  voice,  accuracy  of  ear.  quickness 
of  muslial  perception,  and  habit*  of    perse  TCI  Dg  m  by 

these  until  they  h;ivc  been  carefully  ttodjed  for  years  under  the  direction  of  an  accomplLhed  Uacher. 


CHAPTER  XIX. 

DYNAMICS-FORM  OF  To\K. 

§  CIX.  Mezzo.     A  musical  sound  of  medium  power  M  fore*,  is  called 
Mezzo  (pronounced  med-zo)  ;  such   a  sound   is   La  I  I   Ly  the  term 

meXZO,  or  by  an  abbreviation  of  it,  a.-mez.,  or  by  its  initial  m. 


l4 


ELEMENTARY     DEPARTMENT.       THEORETICAL. 


§  CX.  Piano.  A  tone  somewhat  softer  -than  Mezzo,  or  a  sort  tone,  is 
called  Piano  (pee-'al.-no),  and  is  indicated  by  the  term  piano,  pia.  or  p. 

§  CXI.  Forte.  A  tone  somewhat  louder  than  Mezzo,  or  a  loud  tone, 
is  called  Forte  (fore-te),  and  is  indicated  by  the  term  forte,  for.  or  f. 

§  CXEI.  Pianissimo.  A  tone  softer  than  Piano,  is  called  Pianissimo 
(pee-ah-niss-i-mo)   and  is  indicated  by  pp. 

§  CXIII.  Fortissimo.  A  tone  louder  than  forte,  is  called  Fortissimo 
(for-tiss-i-mo),  and  is  indicated  by  if. 

Note  1.  There  are  also  modifications  of  the  above-mentioned  degrees  of  power,  as  Meeeo-Forle,  Meaeo- 
Piano. 

Note  2.  Mezzo,  Piano,  and  Forte  are  Italian  words  which  are  universally  used  as  technical  terms  In 
music. 

Note  8.  The  Instrument  called  the  Piano-Forte  derives  its  name  from  these  words.  It  should  not  be 
called  Piano-i^bri,  but  l'iano-For-le. 

Note  4.  The  different  degrees  of  force,  or  at  least  p.  m.  and  f.,  should  be  practically  introduced  at  the 
commencement  of  a  singing  class. 


CHAPTER  XX. 

DYNAMICS— FORMS  OF  TONES. 

§  CXIV.  Organ  Form.  A  tone  commenced,  continued,  and  ended 
with  an  equal  degree  of  power,  is  called  an  Organ  Form,  or  an  Organ 
Tone.     It  may  be  indicated  by  parallel  lines,  thus  :  . 

Note  1.  The  Organ  Tone  takes  its  name  from  the  organ  pipe,  which  can  only  produce  a  tone  of  one 
equal  degree  of  power. 

Note  2.  The  Organ  Tone  Is  not  often  used  In  vocal  music,  except  In  passages  in  which  the  part  holds  a 
tone  firmly  for  a  considerable  time,  while  the  other  parte  sing  various  harmonies. 

§  CXV.  Crescendo.  A  tone  commencing  Piano  and  gradually  in- 
creasing to  Forte,  is  called  Crescendo  (cre-shen-do).  It  is  indicated  by 
cres.,  or  by  two  divergent  lines,  thus  :  ^=r~       ~ 

§  CXVI.  Diminuendo.  A  tone  commencing  Forte,  and  gradually 
diminishing  to  Piano,  is  called  Decrescendo  or  diminuendo  (de-cre- 
shen-do  or  dim-in-oo-en-do)  ■  It  is  indicated  by  decres.,  dim.,  or  by  two 
convergent  lines,  thus  :  ~_    ^J^==~ 

§  CX  VII.  Swell.  An  union  of  the  Crescendo  and  the  Decrescendo 
produces  the  Swell  Form  :  indicated  by  the  union  of  the  divergent  and 
convergent  lines,  thus:  — =nT~"  ~_  _    _JI^=-. 

Notb  1.  The  swell  li  sometimes  called  the  Drawn  Tone;  the  term  Jtfwa  di  voce  la  also  used  to  desig- 
nate this  tone  form. 


hcte  z.  The  acquisRlon  of  this  torm  oi  tone  is  one  of  the  most  difficult  things  in  the  art  cf  icng.  It 
constitutes  the  polish  or  finishing  touch  in  artistic  excellence.  "  It  is  the  result,"  says  Garcia,  In  his  ad- 
mirable "  School  of  Singing,"  "  of  all  other  studies  ;"  and  again,  "  to  draw  the  tones  well  is  to  be  a  good 
singer." 

Note  3.  The  application  of  Crescendo  and  Diminuendo  to  phrases  and  sections,  or  to  passages  of  several 
measures,  Is  comparatively  easy,  and  constitutes  one  of  the  greatest  beauties  of  choirsU  singing. 

§  CXVin.  Pressure.     A  very  sudden  Crescendo  or  Swell  is  called  the 
Pressure  Form.     It  is  thus  marked  :  <  or  <>. 


Note.    This  dynamic  form  is  sometimes  used  to  express  ridicule,  sarcasm,  or  irony, 
burlesque,  to  the  ludicrous,  or  comic  in  singing. 


It  belongs  much  to 


§  CXIX.  Sforzando.  A  tone  which  is  produced  very  suddenly  and 
forcibly,  and  instantly  diminished,  is  called  an  Explosive  Tone:  or 
Sforzando,  or  Forzando  (sfort-zan-do  or  fdrt-zando).  It  is  designated 
thus  <,  or  by  sf.,  or  fz. 

Note  1.  This  tone-form  is  of  great  Importance  both  to  the  speaker  and  to  the  singer.  The  energetic 
style  of  singing,  as  in  many  of  Handel's  chorusses,  for  example,  is  much  dependent  upon  It;  Indeed,  some 
degree  of  it  is  always  needed  ki  the  very  first  utterance  of  the  voice,  however  gentle  and  soft,  for  without 
it  the  tone  will  be  destitute  of  life  and  expression.  Its  power  is  distinctly  felt  in  the  manner  in  which  goof 
performers  on  stringed  or  wind  instruments  produce  their  tones,  or  in  the  very  first  utterance  of  a  tone,  or 
in  the  manner  in  which  the  attack  is  made  upon  it.  Much  of  the  dullness,  heaviness,  stupidity,  and  life- 
leesness  so  prevalent  in  vocal  music,  and  especially  in  choiral  singing,  is  to  be  attributed  to  the  absence  of 
this  dynamic  form  of  delivery.  It  is  by  no  means  intended  that  every  tone  should  be  given  Sforzando  ;  far 
indeed  from  this,  but  the  element  of  Sforzando  is  to  tones  the  life-giving  power.  It  Is,  however,  very 
liable  to  be  overdone,  and  even  caricatured ;  it  requires,  therefore,  much  discretion  in  its  application,  for, 
unless  it  be  directed  by  good  taste,  it  will  be  likely  to  degenerate  into  a  mere  lunging  or  jerking  of  the 
voice,  grunt-like,  coarse,  arid  disagreeable. 

Note  2.  The  mark  indicating  the  pressure  form  of  tone  is  often  printed  instead  of  that  which  Indicate! 
the  Forzando.  The  observance  of  the  mark  as  thus  erroneously  applied  would,  in  many  cases,  be  quit* 
ludicrous.     The  mark  is  also  often  applied  in  this  form,  A- 

CHAPTER  XXI. 

DYNAMICS— VOCAL  DELIVERY. 

Note.  If  there  is  anything  of  elementary  Importance  In  teaching  singing-classes,  it  Is  that  of  vocal  utter 
ance,  or  the  emission  of  the  voice.  This  should  engage  the  most  careful  attention  of  the  teacher  from  the 
very  first  attempts  of  the  pupil  to  produce  musical  sounds.  A  good  delivery  of  the  voice,  and  also  purity 
of  tone,  should  be  sought  for  in  the  very  first  lessons,  and  they  6hould  be  kept  constantly  In  view  during 
the  whole  course  of  instruction. 

§  CXX.  Emission  of  Tone.  Vocal  utterance,  or  the  emission  of 
tone,  should  be  decided  and  firm  ;  without  drawling  or  hesitancy.  The 
tone  should  be  produced  by  an  instantaneous  movement  of  the  glottis, 
which  being  shut,  is  suddenly  opened  for  the  emission  of  the  sound,  as 
by  a  "  vigorous  shock."  This  motion,  or  "  shock  of  the  glottis,"  has 
been  compared  to  the  action  of  the  lips  energetically  pronouncing  the 
letter  p,  or  to  the  action  in  the  vault  of  the  palate  in  articulating  the 
hard  c,  as  in  come,  or  k,  as  in  kind.  The  tone  thus  produced  strikes  the 
ear  suddenly,  and  like  a  spark  from  a  living  coal,  has  life  and  power. 
Garcia,  in  his  "Singing  School,"  says,  "I  recommend  the  shock  of  the 


ELEMENTARY    DEPARTMENT,       THEORETICAL. 


13 


clottis  as  the  only  means  of  obtaining  sounds  purely  ana  without  bungl- 
ing," and  again  he  says,  "the  master  must  insist  on  the  tone*  being 
attained  by  the  shock  of  the  glottis." 

N_.  ,      »--  one  who  plve.  »ttentlon   t..  t:.     at  .duellon   of  tone,  by  a  good  Instrumentalist,  or  to  the 

m»n«r  In  whU>  <"  v  '"lie  the  ear  when  b.  nude  upon  them,  or  when  they  are  first  i 

ftrthn.^.kmful  Ploy" cannot  fall  to  ob.em>  their  peal  ropertorltj  ta  pwmptoeiii  and  ™^y  of  de- 

ioihweu,...  lly  I  card  in  singing.     The  contrast  between   the  delivery  of  ln.UT.menU!   ai.J  voc*l 

.,  i£.lty  he  art  In  a  perfonSSS.  of  choral  music  with  orchestral  accompaniment,  b  very  great; 

S?*ifclil?.t,  Imeni  .1 tone,  will  be  given  with  decision,  pith,  and  character,  the  voice  will  be  tardily  drawn 
oufheVr^  lul  and HMe«  Indeed,  cholra.  singing  cin  hardly  he  beard  without  revealing  the  fact  that 
.ffiffiyTw*'  been  made  In  reading  made,  ao  far  a.  It  relate,  to  time  and  tune,  the 
proper  use  of  the  vocal  organ*  In  the  emlsalon  of  tone  has  been  aadly  neglected. 

Nor.  8.  Caution  In  the  attempt  to  acquire  the  true  delivery  of  the  voice  their  \s  danger  that  one  may 
«  too  far  and  substitute  a  .hock  of  the  lungs,  or  of  the  chest,  or  of  the  whole  vocal  region,  for  one  of  the 
go  too  far  and  su    uuu  »  vU,l,-ui  outbreak,  rough  and  bobterom,  calltog  forth  the  remark, 

SfiS^J  .  h-  .,1.1  that  this  eltreme  Sic-old  be  oroide* 

nadlomto 'theCte,  [nc.  of  ton   -.  between  a  carele*,  Indolent,  drawling  manner  on  the  one  ban... 
terrible  vocal  eruption  on  the  other. 

Norr  8      Let  It  not  be  supposed  that  an  accurate  Idea  of  the  production  of  vocal  tone,  can  be  eon 
c.le  Iby  an    at  -mpt  at  tacrfotten  ;  the  true  I  !•  a  can  onl]  be  Impart,  d  by  ninitraUon,  or  by  living  ex- 
ample      No  we  who  can  not  himself   produce  a  lone  In  a  proper  manner,  can  teach  a  pupil  to  d 
bv  oaitern  or  by  example  the  work  mttrt  be  .lone.     As  It  Is  of  little  use  for  a  man  to  preach  a  hory  life  who 
Yo?  dull   V Ttotnou.  or  good  man.  .o  the  work  of  a  teacher  of  vocal  music,  who,  In  addiUon  to  good 
definition,  or  description.,  doe.  not  also  give  good  vocal  examples,  can  not  be  of  much  value. 

CXXLPtjbityo  .    A  tone  is  pure  when  it  is  clear,  free,  < 

round, full,  unobstructed,  and  having  no  extraneous  sound  mixed  with  it; 
when  it  has  good  resonance.  Resonance  is  to  healing  what  odor  is 
melling,  or  tlavor  to  the  taste.  A  voice  with  a  good  resonanoeu  as 
■  rose  with  a  good  fragrance;  or,  as  "savory  meat1'  such  as  Isaac 
loved.  But  it  is  impossible  to  give  any  correct  idea  of  purity  ot  tone  by 
verbal  description,  it  can  only  be  done  by  example.  A  tone  is  impure 
when  it  is  Stifled  or  muffled,  when  it  is  guttural  or  nasal,  or  when  it  par- 
takes of  an  aspirated,  husky,  or  hissing  quality. 

Nora.  "The  purest  tone  1.  obtained,  first,  by  flattening  the  whole  length  of  i he  tongue  ;  second,  by 
partially  raising  the  veil  of  the  palate  ;  third,  by  separating  the  pillar,  at  their  base.   -Uiacu. 

CHAPTER  XXII. 

DYNAMICS— VOCAL  DELIVERY. 


nitioB  or  anticipation  of  the  earning  tone,  such  a  carriage  or  transition  -;f 
the  voice,  <>r  such  a  blending  or  melting  of  one  tone  into  aneth 
called  Pobxakkb 

The  portamento  ehould  only  occur  between  tone,  of  comparatively  long  duration 
i  with  woid,  or  t ■.,,.  cxpreasivo  of  d,  Thl.be. 

introduced,  give,  an  Inexpressible  charm  to  singing,  la  sometimes,  nay  often  mo. 

caricatured  or  counterfeit,  and  eoam  slide-,  .t  vocal  avalanches  are..  ,„„ 

his  •'Pinging  Method,"  ha.  applied  the  very  significant  term  " harah  shriek.  "  to  the.. 

f  the  vofce!  and  BMinl,  In  hi.  "  Art  of  Singing."  taya.  "It  is  far  oftener  abused  than  la..efulv 
and   all.;  that  "many  slngcrs-very  many"  have  .aid  almost  all  who  .  make 

Incessant 'use  of  the  portamento,  really  ad  nautcam." 

St'XXIV.  Sr.vc.  vto.    When  tones  are  produced  ins  •  p 

distinct  or  very  articulate  manner,  they  are  said  to  be  Si . 
k  L-to,  or  Stackah-to).    Staccato  is  indicated  by  points  thus:  (mm  ). 

XXV  H\iK  Staccato.  A  medium  between  the  legato  aid  the 
staccato,  is  called  Hatj  Staccato  or  Skui-Sta.vato.  It  is  indicated  by 
dots,  usually  with  a  tic  over  them,  thus: 


§  CXX1I.  LwiATO.  When  successive  tones  are  produced  in  a  closely 
connected  manner,  or  intervolved,  they  arc  said  to  be  Legato  (Le-_M-t<\ 
or  Le-u'ah-tn).  The  Legato  is  indicated  by  a  curved  hue,  called  a 
tie  ('      *»).  „  ., 

Nora.    The  same  charaeu..  U  often  used  to  show  how  many  tones  are  to  be  sung  to  one  sy. 

SCXXHX  Poktamkmo.     When  the  voi  instanta  con- 

ducted by  a  concrete  :  •,  or  graceful  and  almost  imperceptible  glide, 

from  one  tone  to  another,  so  as  to  produce  a  momentary  previous  recog- 


■ 


r  r  r 

(XXVI.  Maktki.i.ato.    This  consists  in  a  distinct  marking  ot  the 
vet  without  diminishing  their  length.    It  contrast,  with  Legato, 
is  nearly  allied  to  the  Bforando,  and  may  be  indicated   by  the  same 
character  (>).     It  should  prevail  in  the  energetic  and  joyful  style. 
B  OXXVII.  Paces.    When  the   duration  of  a  tone   i 

id  the  length  indicated  by  the  note  by  which  it  is  represei 
Buch  prolongation  is  called  a  Pause,  and  the  character  by  which  it  is 
indicated  receives  the  Bams  name  (/>). 

Nonl.    The  pause  Is  often  called  the  II  lp.  .  .    ■       ..      

Nora.  2.   Tho  pamc  Is  properly  intmdm-  '      the  mere  prolongation  of  a  tone,  but  rather  as  ex 

preasing  wch  intensity  of  emotion  a.  U  required  by  a  climax  or  culminating  point  In  song. 

CHAPTER  XXIII. 

DYNAMICS— UTTERANCE  OF  WB 

ROM.   The  complaint  b  often  made  that  the  word,  can  not  be  heard   or  are ■  not  <*"™W  \ 
ring  Zl  but  it  cannot  be  expect.  I  .ha-  on.  who  deliver,  tone,  in  a  Carole-   In..  ZHSSZi 

articulate  or  pronounce  word,  In  any  other  way.  .  ™  «««J» 

emission  of  tones  has  I  .    almost  jure  ll...  alD« 

wont,      A  proper  product!..!,  of  lone,  is  a  prerequisite  to  a  '»"<>"  «'  wa"*- 

I  XXVIII.  V,,w,;  ...  T   m    i:  It  iaai  '      .    »™ 

(vlwels)  only  that  the  voice  should  dwell  in  tingmg.     rhev  should  be 
formed  with  accuracy,  and  car.  tally  prolonged,  without  change.     To 


16 


ELEMENTARY     DEPARTMENT.       THEORETICAL. 


insure  this,  the  same  position  of  the  vocal  organs  should  be  preserved 
during  the  whole  continuance  of  a  tone,  no  change  or  motion  of  the 
throat,  moutb,  or  tongue,  nor  indeed  of  the  head  or  body,  should  be 
permitted. 

Note.  It  is  a  very  common  fault  for  singers  to  pass  from  the  tonic  element,  and  to  allow  the  voice  to 
dwell  upon  a  subordinate  sound  ;  a3  the  vanish  of  a  compound  tonic  element,  or  some  succeeding  or  final 
consonant  sound  admitting  of  prolongation.     Thus,  for  example,   the  word  arm  is  often  erroneously 

Bung  a...r m,  or   ar m,   instead  of   g rm;   the  word  great,  Is  6ung  grea e 1,  or 

greae t,  instead  of  grea t ;  the  word  charge,  is  sung  cha  —  r  —  ge,  or  char ge,  Instead 

of  cha rge ;  the  word  fear  is  sung  fear ,  or  fo  -  -  ar ,  instead  of  fe ar.    It  would 

be  easy  to  multiply  examples,  but  these  must  suffice. 

§  CXXIX.  The  most  important  vocal  element  to  the  singer  is  that 
which  is  heard  in  the  word  ah,  and  which  is  represented  by  the  letter  a 
with  two  dots  above  it,  thus,  a.  This  is  the  richest,  most  open,  broad, 
and  euphonious  sound  that  can  be  found  in  any  language,  or  that  can  be 
produced  by  the  human  voice.  It  is  also  the  most  natural  sound,  for 
while  all  other  sounds  require  some  preparation  or  modification  of  the 
vocal  organs,  this  is  produced  by  merely  dropping  the  under  jaw,  so  as 
to  open  the  mouth  in  the  most  easy  and  natural  way.  It  is  of  great 
importance  that  the  pupil  shonid  acquire  the  true  sound  of  this  element, 
since  it  prepares  the  way  for  all  the  others.  To  convey  with  as  great 
accuracy  as  possible  a  correct  idea  of  it,  the  following  list  of  words  is 
given,  in  each  of  which  it  occurs : 

Arm,  ah,  ha,  harm,  bar,  car,  far,  par,  tar,  aunt,  daunt,  gaunt,  haunt, 
jaunt,  taunt,  father,  saunter,  gauntlet,  barb,  hark,  mar,  garb,  harp,  dart, 
cart,  park,  marl,  snarl,  barn,  arch,  bath,  path,  harsh,  balm,  palm,  calf, 
half,  langh,  charge,  charm,  psalm,  farm,  alarm,  becalm,  guard,  lark,  smart, 
past. 

Note.  This  is  not  the  place  to  attempt  a  full  description  of  the  elements  of  the  language;  a  teacher  of 
vocal  music  must  be  supposed  to  be  familiar  with  these.  It  may  be  well,  however,  to  say,  that  the  tonic 
element  heard  in  the  word  Too  (oo),  will  be  found  very  useful,  especially  for  softening  and  smoothing 
the  voice 

§  CXXX.  Consonants.  These  should  be  delivered  quickly,  smartly, 
distiuctly,  and  with  the  greatest  precision.  Yet,  since  they  do  not  sing, 
they  should  be  given  with  no  more  force  than  is  necessary  clearly  to 
identify  the  word  spoken.  The  neglect  of  a  careful  utterance  of  the  con- 
sonants is  a  principal  cause  of  indistinctness  in  the  articulation  of  words. 

§  CXXXI.  Common  Errors.  Errors  in  pronunciation  are  often  heard 
not  only  in  choirs,  hut  also  in  the  singing  of  those  who  have  given  much 
attention  to  the  cultivation  of  the  voice.  The  following  are  some  of  the 
most  common  faults : 


1 .  The  sound  of  a  in  fate  for  that  of  a  in  fat  or  hat ;  as  atone  for  atone ; 
other  words  in  which  the  same  error  is  often  heard  are,  adore,  among, 
amid,  alone,  amaze,  alarm,  awake,  away,  above,  about,  afar,  again,  agree, 
arise,  etc. 

2.  The  sound  of  %  in  pine  for  that  of  i  in  pin ;  as  divert  for  divert , 
other  words  arc,  digress,  direct,  divulge,  fertile,  hostile,  engine,  etc. 

3.  The  sound  of  o  in  no,  for  that  of  o  in  done ;  as,  testimony  for  testi- 
mony ;  other  words  are,  nugatory,  patrimony,  matrimony,  dilatory,  etc. 

4.  The  substitution  of  er  for  ow_ :  as  foller  for  follow ;  other  words  are, 
window,  sorrow,  widow,  pillow,  shallow,  fellow,  etc. 

5.  The  omission  of  ^in  such  words  as  end  with  ing;  as  runnin  for  run- 
ning ;  other  words  are,  writing,  speaking,  walking,  singing,  etc. 

6.  The  omission  of  the  soft  r:  as,  laud  for  Lord;  other  words  are, 
storm,  morning,  war,  far,  star,  depart;  also,  fust  for  first,  bust  for 
burst,  etc. 

7.  The  omission  of  the  characteristic  feature,  or  thrilling  of  the  hard  r, 
in  such  words  as  great,  gracious,  grand,  green,  repept,  return,  rich,  rest, 
rough,  right,  wrong,  and  generally  where  the  r  precedes  a  vowel. 

8.  The  omission  of  the  letter  A,  in  such  words  as  when,  why,  which, 
while,  whence,  hail,  heaven,  hope,  happy,  etc. 

9.  The  aspiration  of  the  h  in  words  in  which  it  should  be  silent,  as 
humble  for  umble,  etc. 

10.  The  substitution  of  a  harsh,  hissing  sound  (snake-like)  for  the  more 
mild  yet  penetrating  whistle  which  the  letter  s  properly  represents. 

11.  Cwmmand  for  command;  the  same  error  is  heard  in  the  words 
complete,  comply,  commend,  correct,  corrupt,  etc. 

12.  Goodniss  for  goodness;  the  same  error  is  heard  in  endless,  match- 
less, boundless,  anthem,  forget,  etc. 

13.  Evidence  for  evidence;  the  same  error  maybe  observed  in  silence, 
prudence,  ardent,  excellent,  providence,  influence,  contentment,  judg- 
ment, even,  etc. 

14.  Verbid  for  verbal;  so,  also,  in  infant,  dormant,  countenance, 
musical ;  also  in  appear,  arrive,  abjure,  gentleman  etc. 


ELEMENTARY    DEPARTMENT.       THEORETICAL. 


17 


15.  Regular  for  regular ;  60,  also,  in  educate,  singular,  articulate,  per- 
pendicular, particular,  etc 

],;.  Joining  the  last  letter  of  a  word  with  the  following  word;  this  is 
y  common  fault.    TJiu  following  examplea  are  excellent  for  illustra- 
tion and  practice: 


A  nice  bouse,  for  an  ice  house. 

A  nox,  for  an  ox. 

This  sour*for  this  liour. 

Such  a  notion,  fur  Mich  hu  ooeao. 


Tlio  soldier's  steer,  for  the  soldier'.-)  tear, 
Tluit  lasts  till  night,  for  that  last  still  uight. 
On  neither  side,  for  on  either  side. 
Beat  u'  sonward,  for  bear  us  onward. 


17.  Without  any  attempt  at  olaiwifioation,  the  following  are  given  as 
specimens  of  common  errors: 


Agin  for  again 

dc  for  again. 
Bontood  for  Bolitnde 
Toon  for  tunc. 
Yallcr  for  yellow. 
Mountain'  for  mountain. 


Fountine  for  fountain 
Pasters  foi  pastures. 

Tew  or  toe  for  two. 
Shell  for  shall. 
Bed  for  had. 
liiide  for  Bad. 


ITcv  for  have. 
Bence  for  since. 
Setting  for  sitting.* 

Wuth  for  worth. 
Fortin  for  fortune. 


The  word  and  is  often  narrowed  down  so  as  to  sound  like  end,  or  ycand,  yet  with  ■ 
kind  of  nasal  inarl  or  mewl,  by  which  it  is  easy  to  he  distinguished  from  a  proper  human 
sound.     Arnd  is  the  opposite  extreme,  equally  to  be  avoided. 

The  word  amen  should  not  be  sung  amen,  or  ay-men,  but  always  amen  or  ah-men. 
Awe-men  is  the  opposite  extreme. 

Jerusalem  ia  often  improperly  pronounced  Jec-ru-say-lcm,  or  Jec-ru-sc-lum. 

§  CXXX1I.  .Miscellaneous  hints: 

I.  The  indefinite  article,  represented  by  the  letter  a,  should  aever 
receive  the  Bound  ofi  (as  in  ale  or  in  Brte),  but  a  Bound  nearly  the  same 
as  is  heard  in  had  or  in  hat ;  or  perhaps  a  Bhade  broader,  or  toward  thai 
of  1 ;  yel  it  must  never  be  B  (ah). 

■j.  The  definite  article  (t-h-e)  should  never  receive  the  sound  of  tl 
when  it   comes   before  a  rowel   the  e  should  receive  nearly  the  same 
pound  as  is  heard  in  the  word  pin,  or  perhaps  a  shade  nearer  to  3;  when 

it  occurs  before  a  consonant,  its  vowel  sound  should  be  the  same  as  that 
of  the  indefinite  article. 


3.  The  word  my  in  the  solemn  style  in  which  it  u-ually  occurs  in 
psalmody,  should  receive  the  long  sound  of  i,  as  my  God,  (ml)  ;  but  in 
familiar  style,  even  in  sacred  poetry,  it  should  receive  the  sound  of 
short  i;  in  the  passage  "I  myself  will  awake  right  early,''  the  word  my- 
self should  be  pronounced  with  the  sound  of  i  in  him. 

4.  The  termination  ed  in  chanting  the  psalms,  in  such  words  as  I  1 ed, 

sav-ed,  fonn-ed,  prepar-ed,  eta,  should  be  distinctly  pronounced  as  a  se- 
parate syllable;  solemnity  of  the  style  requires  it. 

5.  The  word  wind,  in  common  conversation,  and  |n  reading  pros,.,  is 
universally  pronounced  with  the  Bound  of  i,  as  in  pin,  will,  etc.  In 
poetry,  on  the  contrary,  it  is  common  to  give  it  the  sound  of  i  in  mind, 
find,  etc.      Professional    Bingers    always    adopt    the    latter    usage,    and 


pronounce  the  word  wind. 
must  depend  upon  custom. 


Which  of  the  two  slr.dl  prevail  in  Binging 


G.  The  word  heaven  U  sometimes  used  by  the  poets  as  one  and  some. 

as  tWO  syllables;  thus,  in  the  line,  "  Bread  of  heaven,"   it   is  made 
to  consist  of  two  By  Babies;   but  in  Binging  as  in  speech,  it  should  a! 
be  pronounced  in  a  single  syllable,  or  heav'u.     The  words,  lyre,  wire, 
hour,  etc.,  should  also  be  pronounced  in  one  syllable. 

§  CXXXIII.  A<vi:nt;  Emphasis  and  Patjbx.  The  laws  to  which 
accent,  emphasis  and  pause  are  subject  in  reading,  should  also  be  ob- 
served, ueiierally,  in  singing;  but  if  poetry  is  to  receive  a  musical  ex- 
pression, it  must  he  subjected  to  t he  laws  of  music;  yet  these  must  not 
be  permitted  to  conflict  with  those  of  elocution,  but  such  a  liberal  inter- 
pretation of  both  must  be  allowed  as  will  enable  the  singer  most  happily 
and  effectively  to  unite  the  two — speech  and  son?;. 

§  flYY xiv.  Finally,  in  all  roeal  performances  close  attention  should 
be  given  to  both  words  and  tones.  The  singer  should  grasp  the  spirit 
of  both  (the  music  al\va\  -  bi  :  subordinate  to  the  emotional  character 
of  the  poetry),  and  make  them  his  own  ;  he  should  make  an  entire 
surrender  of  nimself   to   his   work,   throw  his   wl  -    ttl   into  the  per- 

formance, and  produce  a  living  soul.',  which  shall  draw  out  and  in- 
tensify the  feelings  of  those  who  hear;  so  shall  he  produce  the  ejects 
for  which  music  is  designed,  and  for  which  it  is  admirably  adapted. 


18 


ELEMENTARY     DEPARTMENT.       PRACTICAL, 


TRAINING  EXERCISES  AND  SONGS. 


That  Instruction  should  commence  with  the  practical,  and  proceed  from  that  to  the  theoretical, 
Is  a  principle  now  generally  acknowledged  in  the  science  of  education  and  in  the  art  of  teaching.  The* 
thing  which  is  to  be  taught  or  learnt,  the  reality,  whatever  it  may  be,  is,  if  possible,  to  come  first  in  the 
order  of  time,  and  this  is  to  be  duly  followed,  according.to  circumstances,  sometimes  almost  immediately 
and  sometimes  not  until  considerable  time  afterwards,  with  illustrations,  names,  signs  or  characters,  and 
logical  or  scientific  classification  and  definitions. 

Tlence  this  is  the  place,  and  these  are  the  lessons  with  which  Instruction  in  an  elementary  singing 
school  should  begin  ;  and  the  theoretical,  which  in  the  order  of  arrangement  in  this  work  has  preceded, 
should  be  brought  in  afterwards  when  needed,  or  when  by  the  previous  study  of  the  practical,  the 
pupils  are  prepared  to  receive  it.  Until  then,  although  its  aphorisms  may  be  committed  to  memory,  It 
cannot  be  understood,  and  like  that  faith  which,  being  without  works,  is  dead,  can  be  but  of  little 
value. 

Classes  will  often  bo  found,  which,  having  had  previous  instruction, 
may  with  propriety  begin  considerably  in  advance  of  these  first  lessons, 
perhaps  with  No.  20,  or  still  further  onward.  Yet  a  thorough  review 
from  the  beginning,  will  in  almost  all  cases,  be  found  useful. 

It  is  unimportant  whether  a  class  begin  with  Rhythmics  or  Melodies. 
Yet  as  Rhythmics,  in  its  initiatory  steps,  is  the  easier,  the  attention  is 
here  first  called  to  that  department.  But  with  whichever  department 
the  class  begin,  the  two  must  soon  be  united,  probably  (unless  in  classes 
of  young  children)  during  the  first  lesson,  or  the  first  half  hour. 

These  exercises,  lessons,  and  songs  (especially  the  earlier  ones),  are 
given,  not  as  furnishing  in  themselves  a  sufficient  course  for  training, 
but  rather  as  examples  of  such,  as  should  be  written  in  as  great  variety 
as  possible,  and  with  frequent  repitition,  upon  the  board. 

The  order  of  proceeding  may,  perhaps,  be  as  follows:  1st.  Let  the 
teacher  carefully  sing  a  piece  before  his  pupils ;  after  they  have  heard  it 
several  times,  so  as  to  obtain  a  clear  idea  of  it,  he  may  2d.  require  them 
to  imitate  him,  or  sing  themselves  that  which  they  heard  him  sing ; 
when  this  is  satisfactorily  donp,  he  may  3d.  write  the  piece  upon  the 
board,  and,  after  singing  it  himself,  lot  it  be  simg  by  his  pupils,  he  point- 
ing to  the  notes,  and,  perhaps,  counting  the  time ;  4th.  If  the  piece  be 
contained  in  the  book  used,  let  the  pupils  be  directed  to  it,  and  let  them 
sing  from  the  printed  copy  without  the  aid  of  the  teacher's  voice  or 
pointing.     Let  there  be  a  sufficient  number  of  repetitions  at  each  step. 

Let  the  lesson  be  first  sung  at  a  medium  movement,  or  at  the  move- 
ment which  is  the  most  easy ;  afterwards  in  slower  and  also  in  quicker 
time,  either  of  which  will  be  found  more  difficult 


RYTHMICS. 

MEASURES,     ACCENTS,     BARS,    SHORT    AND     LONG     NOTES,     RESTS. 


'I6 


rrr  r 


rll'i6  f  If  |r*  rir*  II 


r  f 


MELODICS. 

THE  SCALE  AND  STAFF  COMMENCED. 

Note.  It  is  not  thought  necessary  here  to  give  specimens  of  lessons  exclusively  melodic,  or  in  which 
the  rhythmic  element  is  omitted  ;  in  those  which  follow,  therefore,  the  two  departments  (Rhythmics  and 
Melodies)  are  united,  or  the  lessons  or  exercises  are  Riittiimico-Melomc.  They  may  be  sung  to  the  syl- 
lable la,  or  to  the  syllables  commonly  used  in  Bolmization,  or  to  other  monysyllables ;  the  pitch  may  be 
C,  (not  as  yet  distinguishing  between  c  and  c,)  or  as  near  to  that  as  convenient. 

Tones  One  and  Two, 

r-t^-r-Hr  r  11  r  rl-r-r-fr-M-r-^-H- 


0 


rr-H-rM-r^r+i^-^hr^r-J-^r-H-r-^ 


The  Tone  Three      The  second  line  added  to  the  Staff. 
7   1st 


ELEMENTARY     DEPARTMENT.       PItACTICAL. 

RHYTHMICS. 


19 


Bojjinnini;  on  the  second  part  of  the  measure.      Skip  from    one  to 

tlll'i 


8      SONQ   OB   ROUND. 

1st 


=# 


J-J+^-J 


In  mid-night  deep,  Our    Fa  -  ther  guards  ua  while  we   sweet-ly  sleep; 
id. 


i     i 


rz: 


*>=±u 


m     J     0 


i  _     i        i  i  i  -  i 

In  sliun-berH  blest,  lie     cv    -    er      watch-es    o'er   our  peace-ful  rest. 


RHYTHMICS. 

Three   Part  Measure.     Tabular  view  of  different  forms  of  meas- 
ure, primitive  and  derived. 

First  Cli 


Primitive  Form. 

I 

First  Derivative,  or  ^ 

First  Derived  Form. 

Second  Derivative,  or  g? 

Second  Derived  Form. 


r 
r 


Second  Class. 

r  i   i 
r  r 


Rbytlimieo-Melodic  lessons  resumed.     Tlie  tone  Four. 


9     Two  Past  ok  Doubli  Ukabubb. 


^4f=F#f 


r-rir-r  \r  r  \r*4 


10  -  T  iiplb  Mm 


rr^rfr'-iHf-r-r 


rtTTf  rrHr> 


Four  tart  Mi:\m  bjb.     Tabular  view  of  different  forms  of  measure, 
primitive  and  derived. 

First  Class.  Second  Class.  Third  Clus. 


Primitive. 


r  r  r  r 

First  Derivative.       P*  P    P 

Second  Derivative. 


r 


Third  Derivative,      o 


r  r  r  r 
rr   r 

rv 


r  r  rr 
r  r  p 

r  r 


•Syncopes. 


Rbythmico-Melodic  lessons  resumed.     The   tone  Five.     The  third 
line  added  to  the  Staff. 

♦ 

11  Doubli  Measure. 
BJ-JaLly»-jLJ^-rMT^^r^ 

12  TRrr-LE  Measure. 


^^ 


»m~W- 


■C        w 


i        t— T 

Four  part  or  Quadruple  measure 

13     Boa   IN   TWO  PARTS. 

1st 


^ff^nr  rriry-f- 


m 


|F3~J    ~    *  '^    J.  If 


3 


'Ti.s    by     do  -  ing    we  may  know,  What  it     is      we     bai 
2d 


^ 


rrrj  -1  »'  --hn*   f-f^q 


Tifl     by       do  -  ing     wc  may  know,  What   it      is     wo     havo     to     do. 


20 


ELEMENTARY    DEPARTMENT,       PRACTICAL 


Skipping  ;   intervals  between  one,  three,  and  five. 

14      Song   TN   TWO   PARTS. 

1st 


^g=^±sb£3 


Wake,  'tis  light !      wake,  'tis  light !     Wake  to     see  the     morn-ing  bright ; 
2d  , 


See    'tis    day  !        see  'tis      day  !      Wake  ye   who  in   slum  -  bors  lay. 
15     Lesson  in  three  parts. 


1st 

r 

i 

Sing  to  the  namesof  the  tones.     Let  the  accents  be  market 

S^5" 

1 i 

4.      m-T- 

■\ — 

-m   r           (>   r      r 

-r- 

-P- 

-0- 

— 4=- 

HI 

1 — m- 
r 

-1 — ►— 

■V  '   ' 

v- 

-F— i — Li»— F— i — ' 

*   f.  1 

one. 

threo,  fire, 

one,  three,  five, 

one, 

three,  five,    one,  threo,  five. 

lal 

2d 

r 

-T0 

T*- 

r                    r 

a — \-& 1 — &— 

"7-1 — 'ii 

1 — P- 

~m~£=- 

i  r  m  r~ 

■fl— 

-  -f-'\\ — m  r  - \  \ 

-p- 

-£- 

-H-jS 

— P- 

-H 

r   r~ 

i    ' 

f*  T       '      (•    I      '' 

1 

one,  three 

five,  one,  three, 

five, 

one,  three,    Ave,  one,  three,    five, 

lal 

% 

3d 

*        -         ■ 

^ 

a       i       '     jt       i       ' 

r 

,-     | 

J  — 

^ 

|  — 

i                 ^i               1a 

•    I 

r     ll 

\  ft 

J1 

r 

V  1  —         *J  *  r 

I 

•    1    /--) 

1      II 

i 

one,   three,  five,    one,   three,  five,   one,    three,  five,   one,    three,   five, 


lal 


The  Tones    Seven    and    Eight.      The  scale  complete. 

18     Quadruple  Measure. 


-&>- 


5T 


■■m-i 


&T3 


T3= 


E 


S3 


<s>- 


Letters    indicating    absolute  Pitch.     Clefs. 

The   scale   represented   (written)    in  its  common  positions  on  the 
Staff.     Clef  letters.     Staff  completed.     Added  lines. 

19 


^grf^g 


^ 


z=fc 


S 


Names,  one,  two,  three,  four,  five,  six,  scren,  eight. 
Pitch.    C,       D,    E,       F,       G,     A,    B,        C. 


1 


eight,  Beven,  six,  five,  four,  three,  two,    one. 
C,       B,       A,    G,     F,      E,        D,       R 


rp: 


P^e 


&=# 


?=>= 


Names,  one,    two,  three,  four,  five,  six,  seven,  eight, 
Pitch,    0,       D,      E,       F,     G,      A,  B,        C, 


eight,  seven,  six,  five,  four,  three,  two,  one. 
C,       B,     A,    G,     F,      E,        D,     0, 


18       Double  Measure. 


The   Tone  Six. 


3^3£ 


tT  r  |T    r.ir    f  |J  J  ig=g=n 


Beginning  on  three. 
17    Song  in  two  parts. 

1st 

m 


=F= 


^Tt^Tf^ff^f^H-^bJ: 


^S 


A     kind-ly  word,    a  pleas-ant  smile,  May  oft  an     ach  -  ing  heart  bc-guile. 


2d 


■l+J- J+^T^T^=^=^H4-p-f f  f  I  T  J  p.+jg^gyRi 


A    kind-ly  word,    a  pleas-ant  smilo,  May  oft  an     acb  -  ing  heart  beguile. 


In  commencing  with  No.  20,  the  following  things  are  supposed  to  be 
practically  understood : 

1.  Measures  and  parts  of  measures, Portions  of  time. 

2.  Counting  and  beating  time, Indicating  measures. 

8.  Signs  of  Measures,  or  written  measures,  Spaces  between  bars. 

4.  Bars, Boundaries  of  written  measures. 

6.  Notes  (four  kinds), Representing  the  relative  length  of  tones. 

6.  Rests Indicating  silence. 

7.  The  scale, A  regular  succession  of  tones. 

8.  The  staff Representing  the  scale,  or  relative  pitch. 

9.  The  letters, Designating  absolute  pitch. 

10.  Clefs,   Showing  the  position  of  the  scale  as  written 

upon  the  staff. 

Other  things  (realities  and  signs)  are  to  be  explained  (or  rather,  to  the 
observing  pupil,  they  will  carry  their  own  explanation  with  them)  as 
they  occur. 


LESSONS    FOR    THE    SINGING    SCHOOL. 


21 


No.  20.  TREBLECLEF.     DOUBLE  MEASURE      QUARTER  NOTES. 


-i     r 


m      m 


m      • 


T^~K 


1 — f 


T 


i — r 


T 


^=S= 


-i 1- 


I      I     : 


*—»  V  + 


[fib  wu   giv-en     us     to     do    To    ofh-en     all  we're  a  -  'Me     to,  Ami  not    to  spend  in     ose-len  fretting,  O'er  the    ilia    of    life   be  ■ 
Xo.  21.  BASE  CLEF.     BALE  NOTES 


\^-\ 


-.dr. 


zezzz—zt. 


T 


-» m. 


± 


± 


J^-- 


± 


S 


id: 


EKng,     ting,      ring,      how     the     mer  -  ry      bills    are      ring   -    ing.        Bing,     sing,      sing,      we      our      mer  -  ry     songs    are      sing  -  ing. 


No.  19. 

1 


BEGINNING  WITH  THREE.      ROUND  IN  TWO  PARTS 


X 


-o 


*        m- 


T 


w: 


^ 


w 


+ 


Waste    not     your    time,     on       the       fu   -   Hire    years     re    ■    ly    -    big,    Waste    hot     your    time,     lor      the      mo  •  menta  swift    are       fly-   -    mg. 

No.  98.  BEGINNING  WITH  FIVE.     BOUND. 

1  ,2 


2 


3=1= 


■w- 


^=sr 


-P 


1 f 


m 


i  i 


22: 


i3i 


i 


-* — »r- 


•     * 


Now    a      smile,    now    a        tear,    Here    a       hope  and    tlierc    a       (ear,    Now    a      smile,    now    a        tear,    Here    a       hope  and    there    a       fear. 

No.  2't.  BONG  IN  TWO  PARTS.      THE  STAVES  JOINED  BY  A  BRACE. 

i  LUS  VOICES. 


■o 


:■ — m- 


M tf- 


»     »: 


333' 


* 


4 I- 


-i — -r 


s 


i — ": 1 — ^ 


c  I     , .  •-  lv  sprini;  will  soon  be     here,     Smil-ing  May  will  soon  up  -  pear;      Rob -ins  with  their  car  -  ols  sweet  Will  sing    a  -  bout    so        gsJ    -    Iv. 

male  TON 


■3 


*    •  r  - 


t — r 


7K=Sz 


m       rj     :     m 


'     I 


- 


-- 


l=t 


r^  tt=z± 


S=tt 


>«».  21.  IIEOINNTNO  ON  THE  SECOND  PART  OF  THE  MEASURE,     THE  TIE 

-I 1- 


1=n: 


-,- 


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0,  nreet  to     me    the    gen- tie  apring, When  earth  ia   robed  in     flowers,    And  luau-ti-  (hi     the  sum -mer  timr.With  all     it-     leaf-  y      U<- 


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OO        No.  26.  QUARTER  REST.    ROUND 

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Come,    come,        come,        come,      who    'will    dare  to        fol  -  low    me  ?         Yes, 
No.  27.  HALF  REST. 


yes,         yes,         yes,    we    will    dare    to        fol  -  low    tliee. 


o=         -j— 


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List-en,    list-en,      list -en,    list -en,    Sweetest    mus  -  ic     fills    the     air,     Rob -ins,  blue-birds,  singing,    singing.  Here,  there,  here,  there,  eve- ry- where. 


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No.  28. 


TRIPLE  MEASURE. 


=j: 


* — J_J- 


:i=3: 


Come,  ye    faint  heart-cd,    and  don't  be     dis-courag-cd,  But    sing  the  scale  brave  -  ly    with  us       to    the     top,  And  we'll  lead  you     a  -  long,  and  we'll 

No.  29.  DOTTED  HALF,  OR  THREE-QUARTER  NOTE.  ROUND. 

,        1 2 


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nev  -  er  go  wrong,  Till  we  get  to    the  bot-tom  and  then  we  will  stop. 
ROUND. 


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Passing    a  -  way,  passing    a  -  way,  Sad    is    the  thought  that  we're  passing  away. 


Will    the  vio  -  lets  bloom  a  -  gain,  Where  now  the  drift  -  cd  snow    is  piled      On    the  hill  -  side,  in     the  glen,  Where  blows  the  wind  so  bleak  and  wild. 
No.  31.  TRIPLE  MEASURE  WITH  RESTS. 


JjrLjrrlJrrlJBEStB 


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Far    out      in    the    wild-wood,    Beau- ti  -  ful    flow  -  ers    are  grow-ing,    Sweet      the         gifts        kind         na  -  turc     is      ev  -  er      be-stow-ing. 


i3n^i--i^giii^ii^iiiii 


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23 


No.  M.  BEGINNING  ON  Till:  SECOND  PART  OF  THE  MEASURE. 


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1: 


3: 


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Lis  !  ton, 


lis  -  tin, 


ii    now    to    our   song 


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Ilark! 


Hark! 


Li-t     to     our  sun?,    as       it     ech  -  oes    and    cch-ocs,    and   ech -oes,     a  -  long. 


No.  88. 


DOUBLE  BAH.    REPEAT. 


* — ^-l  m      0      m 


Tis    o  -  ver    the  WOOa-landfl  and  o'er    the  lakes,    )  And  one    and     nn-oth-er       is    flut  -  ter  -  ing  clown,  The  beau-  ti  -  fill,  beau  -  ti  -    ful  snow,   the  snow. 
The  snow  now    is   fall  -  ing      in    star  -  ry  Hakes,  J 


No.  3'L  QUADRI  PLE  MEASURE.    WHOLE  NOTES.    THE  BCALE  AS  A  HOUND. 

a  •♦ 


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Now   we    smg  Quad  -  111  -  pic  nieas  -  urc,    beat -ing     BB      we        go;    Down,  left,  right,   up,  Down,  left,  right,  up,       is       it      not    just      so? 


Who  would  think     it   quite     bo       eaa  -  y,   learn -ing     how     to    sing,     All     you    bare     to     do      is     just     to  make    the    walk -in      nng. 

g-r  -r  0    0.  ■ 

— I     I     I 


No.  88. 

1 

g    0z=m 


K<H  M)  IX  THREE  PARTS. 

•2 


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•   . 


Who  would  have  a  Bcold-ing    wife,  To  fret  and    wor-rj  ei     be     an    Es- qni-meai  •"  or     so- 


\o.  86. 


\D.      BTROI  ENT  <>N  THE  FIRST  PART  OF  THE  MEASI  RE 


I  , 


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If     the  weath-cr    keeps  so  storm  -  y,    mid    the  rain  COTneB  down  like  that,       I     shall  nev-ir    have  the   priv-i-loge  ing    mv    new  hat 


24: 


No.  37. 


ONE,  THREE,  FIVE,  EIGHT. 


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^— * — 

Now  cheer  -  fill  -  ly     sing  -  ing,  Our    glad    tri  -  umph  -  al     song ;     Fer    free  -  doru  and     for      lib  -  er  -  ty,     Our    cheer  -  ful    notes  pro  -  long. 

&—, ,    .  ,,,      -    ,     1 1 ,      -    .T-     . „Sl 


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No.  38. 


WHOLE  NOTE. 


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Though  it   seems  so     long,  so     ver  -  y      long. 


Wait, 


wait    a      lit  -  tie,     wait, 


We  must  sing  this    note, 


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You  will  have    to     wait, 
No.  39.  WHOLE  REST. 


You  will  have  to     wait, 


Each  his   turn  must  take,  Al-though  it     seems  so     ver  -  y       long. 


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Bim,       home, 


Bim,       borne, 


Hear  the  mer  -  ry,    mer  -  ry    chiming,  Hear  the  mer  -  ry,    mer  -  ry    chiming, 


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Hear  the  mer  -  ry,    mer-ry    chiming,  Hear  the  mer- ry,    mer-ry    chiming,    Bim,       borne, 


Bim,       borne, 


No.  40.  SYNCOPATION.     DOTTED  HALF  REST.     ROUND. 

1      -»  =..=»:  2 


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Hear  the  meny.mcny  chiming,  chiming  of  the  bells.  Come  now,  oh !  come  now,  or  we  shall  be  late  I    fear,     Yes,  we're    com  -  ing     right     a    -    long. 
h-4- 


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4. 


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No.  11.  'ME   ONE   COMES." 

(TV  small  notes  may  indicate  tontt  on  an  instrument,  or  gentle  taps  on  the  desk.) 


Know  Tin:  Diapason. 


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BOOM  one  comes!  :it  the  door 

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Walk  this  way,  sir! 


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Pleasant      day,  sir! 


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Thank  you,  thank  youl 


-ir,  yea,  sir!  We're  ill  hasU 


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Come  in ! 


Come  in ! 


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0  yea, 


With  pleasure  I  'Tteten, 


Tis  Un, 


"Pis  ten,  the  time  of  day. 


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can  -  not  stay,  sir!  Please  to  tell  the  time    of    day,  sir!  We're  in  haste,  and  can  •  not  stay,  sir  1  Please  to  tell  the  time  of  day,  the  time     "t 
No.  19.  Till:  BOALE  EXTENDED  UPWARDS.    One,  two,  THBBB,  i roi  R,  and  nvr.,  an  cktavi.  moiiEtt. 


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Do     re       mi     b     sol      fa      mi      re      do      re      mi      b      mi      re       do       do      re      mi      t'l      sol      b      mi      re      do      re      mi       fa       mi      re      do. 

No.    IS.  ROUND    IN    FOUR    PARTS.    ••  Early  in  THE  MOBHTJ 

12  3  4 


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Ear  -  ly     in     the    morn  -  ing,        At     the    sun's  first  warn   -  ing,        Let   us     wan-dex  o'er  the   fields,  and    Bee    their  fair    a   -   dorn  -  toff 
No.  U.  BOALE  EXTENDED  DOWNWARDS.     Dottld  half  rest. 


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AU        ;r.        ;. 


Do      si        Ja      sol        la        si       do. 


Blng      af    -     ter    us,        If        you      | 


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SCALE  EXTENDED  DOWNWARDS.    Concluded. 


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pla  -  ccs,  with    no    gloom-y        fuc  -  cs,    And    sing  -  ing    as      well    as    you     can,    as    you      can,  Sing  -  ing    as     well    as      you      can. 

we  we  we 


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No.  43.  SKIPS.    Two  and  Four,  Four  and  Six,  Five  and  Seyen,  Six  and  Eight. 


S:4: 


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On  -  ly    pure  cold  wa  -  ter, 


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22; 


On  -  ly    pure  cold    wa  -  ter, 


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On  -  ly    pure  cold  wa  -  ter  will      I    drink  for  -  ev  -  er  -  more. 


■&—W- 


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No.  46. 


On  -  ly    pure  cold  wa  -  ter, 
SKIPS.    The  Octave. 


On    -  ly    pure  cold  wa  -  ter,    On  -  ly     wa  -  ter    will     I    drink  for  -  ev  -  cr  -  more. 


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IIop,     hop,         liop,        up    and     down,  We'll        hop,     hop,      hop,       hop,       And    we'll  nev    -    cr  stop,     And  we'll  nev    -    er  stop. 


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No.  47.       ,    ONE  AND  EIGHT,  In  connection  with  eacii  Tone  of  the  Scale. 


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z£ ST1-! J.     J. 

This     new      lcs  -  son         is      not        ve         ry        ea    -   sy  I         see,     But       the    tones    wilF      he      right      if      you     just      fol  -  low 


— i —  — i ■— |      —i —  —i 1 _i 1 1— =      —i_  _i 1-;* 1  I E-J 1~       E— *—& 1 —  —i -^j 

me,    For       ti«       on    -    ly        to     take      ex  -    tra    care       ns      yen       go,    And    each  tone       of      the    Scale    you      Mill     vc    -   ry     soon  know. 


yo.  '18. 


EIGHTB  NOTES.      ROUND  IN    FOUB  PARTS         "Down  mi:  Btbebi" 


27 


IS 


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i),.»a  the   treet,  down  the  street,  chfl-dren  come,    all     bo    fleet,    Hear  their  mcr  -  ry  shouts  of  plea-  sore,  Earth  con-tains    do    great-ex  trcas  -  urc. 


No.  '!!>. 


THE  DAISY.    VOICES  (  LASSIPD3D. 


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1.  in     tlu'       ear  -  ly    spring -time,      When    the     vio  -  lets    grow,         When     the    birds    sing    Bweet-ly,      And  Mow, 


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2.      Sun  -  ny      lit  -    tlu     hlos  -  soma         On     their    Blen-der     stalk,        How  much  they  would  teach  If      they      could    but 


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C'"iius    the      lit    .    tie      dal  -    sy,        Bloom  -  ing   fresh  [-and     fair,       Spring -ing    bright  and     Joy -one    From      Its      moon    -    lain       lair. 


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Ev   -   er     look  -  big     up   -    ward 


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All     th^    live  -  long     day, 

— ^  >     h     p*      i 


I  tin  ir     in    -    oes     turn     to      Catch     each      ran-beanrt     ray. 


nat 


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28 


No.  50. 


WE  SING  LOW." 


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And    we    sing  high, 


And    we  sing  high,    We     go     up    and  you     go  down,  And  come  to  -  geth  -  er     by    and    hy. 


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We    sing  low, 


We    sing  low, 


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You    go     up    and    we     go  down,  And  come  to  -  geth  -  er     by     and    by 


No.  51. 


SEXTUPLE  MEASURE. 


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IS      R      S 


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Mcr  -  ri  -  ly,  mer  -  ri  -  ly     dancing,     Mer  -  ri  -  ly,  raer  -  ri  -  ly     glancing,  Come  the  bright  rays  of    the     morning,     Fil-ling    all  hearts  with  de  -  light. 


No.  52.  "  THE  FLOWERS  ARE  COMING."    Repeat.    Da  capo.    Fnra. 

Moderato.  Fine. 


3s=3T=S 


:K_V_k_k=zk==k 


Words  by  Mrs.  Anna  M.  Lowry. 


B.C. 


K__V_K_K=_K__c=^=  rnc: 


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,    j  The  flowers,  the  flowers  are    com  -  ing  Arrayed  in  the    beauty    of     old :  ) 

'{  The  snowdrop  so  pure  in  its  whiteness,  The  crocus    in     purple  and    gold.  J       And    many-hued  pansies,  each    tell-ing  Of  some  wondrous  story    its       owd, 
d.  c.  And  vi  -  0  -  lets  sweet  as  the  0  -  dors  By  breezes  from  spice  islands  blown. 


S 


■at  "*-  "*- 


D.  C. 


(  The  flowers,  the  flowers  are  Coming,  Sweet  roses  and  hy  -  a-cinths  bright,  ) 

\  And  li-  lies  from  which  we  made  garlands,  In  days  of  our  childish  de  -  light.   \     Gay     tulips,  like  ladies    of    fhshion,  Of  charms  making  ample  pa-  rade, 


D.  c.  But  love  I    far  more  the  sweet  blossom,   A -doming  the  valley's  low  shade. 


d.  c. 


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No.  M. 


LOVELY  MAY. 


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1.    Love  -  ly,       love  -  ly        May,        Lv   -   or         wd  -  come,    BV    -    or  Fra  -  grance  rare 


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2.    Fneh   the    mom  -  ing       -air,         Oh,      Low      love  -  ly        all     things      arc;  Bird  -  lings  sweet,       all        so       lint.        Love    -    ly 


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O'er    the    men- clows  swal  -  lows  fly,       Lifts  the     lark    her    voice    so     high,  Naught  can  with    thy      beau-ty      vie,     O,       lore  -    ly 


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Buds  and  blos-soms,  fresh  and  bright,  Leaves  so    green,  en  -  chant  -ing   Bight,  Naught  bat    Joy    Oram  morn    till    night,  0,      tore    -    ly         May. 


V     >l#       V     ■&! 


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\...  31. 
1 


ROUND  IN  THREE  PARTS. 


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I     am   hap -py,  wilt  thou  with  nic  happy   be?      Thou  art   hap-py,    [frith  thee  w  ill  happy    b*j  All       an      hap  -  py  ,  h  ap  -py   ev  -  it    i 


3Q 


No.  53. 


THE  PRAIRIE  LEA- 


J.  H.  TENNEY. 


1.  A  pleasant  mansion    in    the  west,  And  prai-rie  land  for    me,        Now  smooth  as  bil-lows  all    at  rest,  Or   roll  -  ing  like  the    sea ;    There  bloom  the  flow'rs  in 


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2.  We  fol-lowoft  the  bounding  deer,  Up  -  on  the  prai-rie     lea,       With  bracing  air,  and  hunter's  cheer,  And  none  so  blithe  as     we;   When  homeward  tinning, 


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splendor  bright,  There  shine  the  stars  in  glory  light,  Se-rene  upon  the    lea,  the  prai  -  rie     lea,"       Se-reneup-on  the    prairie  lea,  up- on  the  prai-rie     lea. 


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we  desciy,  Mid  gol  -  den  grain  and  verdure  nigh  Our  cot  up- on  the    lea,  the  prai  -  rie     lea,    .    Our  cot  up- on  the    prai-rie  lea,  up  -  on  the  prai -rie     lea. 


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No.  36.  THE  TRIPLET.    HOUND  IN  THREE  PARTS.     "Ring,  ring,  ring." 

1  2 


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Ring,  ring,  ring,  beau-ti  •  lui  chimes  are  ring -ing,       Sing,  sing,  siDg,  all   the  gay  birds  are  sing -ing;       Perfumes  sweet  flowers   a  -  broad  are  fling  -ing. 


31 


No.  ■>-. 


CHROMATIC  SCALE.    SIIAK1'  Pol  R  ^YFTER  FIVE. 


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Wo.  38.  BHARP  FOUR  AFTER  THREE, 


BQ  -  ver  stream-lei  a    thy  way,      Tar  -  ry   not   with  111- 


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l  p  tin'  hill  we  climb  now,  one    uml     all:   EQQaandwoi  ech-o    to  our   Joy  -  ous     call,    1 1  ills  and  woods  re -cch-o    to  our   Joy  •  one 


>o.   -in. 

AnJantt. 


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ly      we    wuii -dcr     so    wca  -  ri   -   ly      on, 

No.  GO.  PI. at  turpi:  and  plat  six 


Nothing     id     left    us,    our  hope   is      nil    gone,     Hope  is     all    gone,    Hope   is     all    g 


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1.  Aii-tmim  winds,   :ni  -  tumn  w  nuls.  Hear  their  mournful   Bong,    O'er   (he    flow -era      sad  -  ly    Bigh-ing       all      day       long,    Siirh-inir      all      day       I 

2.  Fall -big  leaves,  hll-ing  leaves,  Must  the  flow -era    die?    Bad-ly  Bound  the     plaintive     Be-phynVmonm-ftu      sigh,    Hear  their  monrn-m] 

No.  81.  ROUND  IN  TWO  PARTS.     "Tun-,  tkii\  rantlKS  UGHT." 

1    To  be  sung  staccato  throughout.  2 

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Trip,  trip,  fairies  light,  dancing  all  the  night/Neath  the  stars  so  bright  all  along, 
No.  (>-».  FLAT  SEVEN. 


long.      Lu    la    la    la    la      la    1: 


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en    hours,  gold-en  houre,How  fleet.- ing    are   they     all*       When  once  they  pan   be  •  yond*onx  grasp,  No     pow-er    can    re  -  calL 


16 


No.  Hi 


NATURAL. 


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re,     That'-  tin-    way     it       goes;      Now  will   try      to  -  gfl    -    1 1n  r        li        BO]       t.i      BOl       mi.        Y> -.   that'-i: 


32 


No.  64. 


THE  MINOR. 

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1.  Tis     sweet      to       re  -  mem  -  ber      cher-ished  scenes  of    childhood,       Oh !  how     pure       is       the    form  -   tain      of      hap  -  pi  -  ness     they  bring. 

2.  But      now       all      are     past,      and      dear  ones  have  gone    with  them,  Oh !  how    sweet,    yet    how     sad,       are      the      pen- eivc  thoughts  they  bring. 


No.  63. 


THE  SONGS  OP  OLD. 


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1.  The  songs  of  old!  How  deep  a  spell,  Lies    in  the  old    fa-  mi -liar        words,  Once  sung  by  those  wo  loved  so  well,  In     o-ther  days,  in       hap -pier     years  !j 


k*k*^E*&& .  1 .  J .'  .1 1  ■',  J.lj.  BhJ;  J  J'1  -i  J  ^  *'  >  -f  J -N  J.  J.'ij 


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2.  Where  are  they  ?  Some  in  silence  sleep  Beneath  the  mournful  yew  tree's     gloom ;  And    o-thers    in  the  boundless  deep,Tlave  early  found  an    o  -  cean        tomb. 


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Visions  of  hope  long  passed  away,  Come  o'er  the  heart  so  lone  and  cold !  And  memory  asks,  0  where  are  they,  Who  sweetly  sung  the  songs  of  old,  the  songs  of    old  ? 


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Dim  are  the  eyes  that  gently  sIiodc,  The  once  warm  heart  lies  still  and  cold,  And  hushed  for  aye,  for  ever  gone,  The  voice  that  sung  the  songs  of  old,  the  songs  of  old  ? 


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&  ALE  TRANSPOSED.— Q  Major. 


83 


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Nmv       to  -  geth  -  er     sing     the    scale      of        <;,     the    scale      of       G  Do,    sj,      la,     sol,     fa,     mi,    re,     do,       E  up    or 

IN'o.  iil.  G.  MAJOR     Ban  Olbf. 


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sing  -  ing    down,    'tis      still       the      key        of       G. 


How     pleas  -ant        is        the      cur     -    ]y     morn   -ing      lit^lit,       Hill    anil      dell        a- 


(pESE== 


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-    dorn    -    ing:     It    drives      a    -  way      the    dark     and    gloom  -  y      night,   How  pleas  •ant      are      the    morn  -  ing      rays      so      pure    and    bright 
No.  «8.  'ALL  TEAT  NOW  SO  DARK  APPEARS." 


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All  that  now   bo    dark  ap-pearaf While  earths'  dark  shadows  dim  the  Bight,    All  our  doul>t.»and   all' our    fears,  Will  be  made  clear  in      heav  -m's   light 


I        I 


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m  ^       I 


•THE  NIGHT  IS  MOTHER  OF  THE  DAY. 


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1.  The  night  is  moth-er    of    the  day,. The  win- ter   of  the  Spring,  And  ev  -  ei    on  the  old  de-cay,   The  greenest  mosses    cling,  The  greenest  moas-es  < 


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2     Be-hrnd  the  clond  the  starlight  lnrks,  Thro'  ahowi  inbeama   (all,  $or  God  who  lov-eth  all  his  worka,  Has  left  his  b  ;■  with  all,«Has  left  with  all. 


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>o.  70. 

Moderate. 


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THE    WOODLAEK. 
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1.    The  woodlark  seeks  her  living,  The  reeds  and  grass  a  -  rnong,       She  takes  her  Maker's  boun-ty,  And  thanks  Him  with  a    song,  And  thanks  Him  with  a    song. 


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I  II  '       '        i      I      I       I        I        I        I      I 

2.  Now  from  the  tree-tops  bounding  High  thro'  the  air  she  springs,  And  thus  she  seems  to  thank  Him,  Who  gave  her  soaring  wings,  Who  gave  her  soar  -  ing  wings. 


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rVo.  71. 


"NEVER   PUT    OFF   TILL    TOMORROW." 


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1.     O,      now    is     the    time    to     be        bus  -  y,    And     now    is     the    sea  -  son    for        toil, —  O,    work  while 'tis  Spring,  and  the      Au  -  tunm  Will    - 


:d: 


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up    with   the  dawn  of     the    morn  -  ing,    In      time    to    your   la  -  bor     re 


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And,  though  you  ,  do     ev  -  er      so 


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bring  you    the  fruits  of     the        soil. 


There's  no    time  for  work  like  the      pre  -  sent,  Let      idl  -  ers   not   lead  you     a 
O    "ne-ver    put    off     till      to    -    mor  -  row   The    thing  you   can    do to 


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cure  And  should  the  world  tell   you     to        lin   -  ger    Ami     join    for      a      mo-ment   in        play, 

Mind,  "ne-ver    put    off     till      to    -    mor  -  row   The    thing  you   can    do to      -  .     -  day." 


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No.  72. 

Vivace. 


"  DO  NOT  LOOK  FOR  WRONG  AND  EVIL."        Sixteenth  Notes. 


35 


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1.    Do    not  look    for  wrong  and    e  -  vil,  You    will  rind  them    if     you    do,    As    you  meas-ure      to    your  neighbor,    lie    will  meas-ure  back    to    you, 


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2.  Look    for  good-ness,  Jook    for   glad-ness,  You  will  meet  them  all    the  while,  If    you  bring  a     sinil  -  ing   vis  -  age,    To    the  glass,  you  meet      a    smile, 


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He  will  measure    back    to    you,  He    will  meas-ure    back  to    you,    He     will  ineas- ure    back     to    you.        Do    not   look    for  wrong  and    c    -  vil, 


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To    the    glass,  you  meet    a    smile,  To    the    glass,  you  meet   a    srmle,  1 


*'■*  J  J    ft  J'  J  J* 


o      the  arias 


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You    will      find    them    if       you       do,        As      you    meas-ure        to      your    neighbor,         He       will      mcas  -   ure      1  to        y>m. 


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You    will      find    them     if      vou      do,       As      you    meas  -  ure        to    .your    neigh-bor,         He       will      mcas  -  ure      back        to        you. 

* .."     *       .ft         v  _ftft ft v ^ 


36 


No.   TS.        E  MINOR. 
Affetuoso. 


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111 


1.  Lone  -  ly  hearts  there    are    to    cher  -  ish  While  the  days      are    go  -  ing    hy;Wea-ry    souls  there  are  who  per  -ish,  While  the  days  are     go  -  ing    by. 

2.  '01    the  world    is     full    of    sigh  -  ing,  Full    of  sad       and  weep-ing  eyes ;  Full    of    grief  and    bit  -  ter   ciy  -  ing,  While  the  days  are     go  -  ing    by. 


i 


No.  74. 

Tenderly. 


WHEN  THE  LEAVES  ARE  PALLING  FAST. 


E  Minor. 


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Words  by  Marie  Mason. 

-* — 1> 


■J-^-mP—  J— ----- 


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1.  When    the  leaves    are     fall  -  ing      fiist,  'Mid     the 


for 


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shadows.When  the     sum  -  mer  days      are    past,    Drea  -  ry     are      the  mead  -  ows. 


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2.    Soft  -  ly    comes    the  thought  of    home !  Home  we      prized  so 


-T * 


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dear  -  ly !  On  -   ly      once      in    life 


shall    come,  That  dear    word     so  near  -  ly. 


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3,     As    the     years    are    pass  -  ing      on,  Swift  -  ly,      swift  -  ly     pass  -  ing !  Mem'-iy    brings    the  bless  -  ings    gone,    All     our     path  -  way  tra  -  cing. 


0  '     0 

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Sor  -  row  creeps    up  -  on      our  hearts ;  Joy     we     feel     too   soon 


s 


g=g=g=g 


de  -  part ;  Then    the    ten  -   der    tear  -  drop  starts !  Tears  a  -  mid       the    sha  -  dows. 


-P 


Ilome  where  sun  -  shine  comes  un-sought !  Home  where  kindness  lives 


^^i= 


3H 


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(i  rU.-jJ  J|j,^ 


un-bought !  Home  where  first  the  moth 
fc. 


-e*- 


er  taught  Les  -  sons  loved      so    dear  -  ly. 

A- 


mm 


s 


Tears    may    fall,    and  hearts  grow  sore,    Joys    de  -  part  -  ed  come 

fm         ft TC 


no   more,  Till     we  gain    the    fur  -  ther   shore  O'er     the    riv    -    er    pass -ing. 


SET 


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13 


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37 


\o.  7 -J. 


SHAM*  TWO   AM)  SHAHl"  FOUR.     KOI  M> 

J-fc s 1 * s I- 


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:• 


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Loverly  flow'ra,    Flagrant  bow'rs,  Laughing    rills     Tine-clad  hill->,  Birds    are    singing,    Ech  •  oca     ring  -  ing    Beau  -  tv    ran,      F.v  -  ere  whan 


>o.  70.  OUT  IN  THE  SHADY  BOWERS." 

Qraofillly. 


fine. 


jrp.  ,S    -N — m — k- 


■x — k_ ^r-ns — i~p=i 


:x     ik  -K- — x, — r 


i r 


"■» 9- 


O    • 


l.  out     in       the   aha-  dy  greenwood  bow'rs.Bal- my     tliu     uir  with  fragrant  Bowie,  Swift  flee     the    hap-py    Summer  hours,  On    wings     a  -  way. 


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J.  On      moss-  y    banka  where  blossoms  creep,  From  er  -  cry   side    the  fresh  bods  peep,  Sunbeams    and  flow'rs  their  rc-vcls    keep,  And  songs     re-sound. 


^    4 


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m 

m 

y — m — m — m — m- 

—m- 

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■ — i 

DC. 

I    >         1 1 

Birds   fill 

5P-|    =T= 

the 

-f- 

-„, — *_ 

uir     with 

Bwaetaal  song, 
-* — N-- 

-I 

Soft 

iy 

l 

the 

-4- 

■*»      a* — a* — a*      i 1 1 

brooklet   flows     along,   There    puss 

— * > > T— 

■| a* " — "      a*— 

our  hours,  a         happy  throng,  Day 

1 * N r* fc l- 

-  aa 
af  - 

— m- 

dayf 

m 

gr- 

:.m    * 

m — m     + 

1— m — 

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m 

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^  DC. 

6   ■  ?— 

In    -   dir 
m-^—9- 

ille 

leaf  -  y 

for  -  eat  ! 

m 

,  Where  ze 

m 

phyra 

■*    ■> — *» — ;»f~»- 

nrbJaper     soft  and  tow, 

Spend    we 

*    *    U    L>     ■    ~ 

the  hours     as     swift  they    go, 

m 
While 

— m — 

.  ■ 
.i  ■ 

tr^j  .    a: 

bound. 

.            I" 

i       r 

, 

Lj^     ^_ 

-v — *»— 

> 

i 

Lj^ ^ — p      ^ 

L, , 

— < — •-»» — a* — a*     a* 

i 

m 

• 

h ' 

38 


No.  77. 


KEY  OF  D. 


-t— -r— i— r-E 

*       9       0  — *— P 


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■* — *- 


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C?" 


Come,  let     us    sing    the  scale  transposed  once  more,  a     fifth  from    G ;        And  wc    -will  find  how  pleas  -  ant    'tis     to    sing  the    scale    of      D. 

From  the  "  Song  Garden,  No.  2." 


No.  78.  "IF  A  BODY  MEET  A  BODY."       Round 

Allegro.  1  2 


3=3F^ 


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If      a     bod  -  y    meet     a    bod  -  y    com  -  ing    thro'  the    rye,  If      a     bod  -  y    kiss      a     bod  -  y    need       a       bod    -   y        cry  ? 


^^  T7~.n.  m.  1««  ,■  I  ,1  1 .  .-.  ,  i  li  Aii  In  /l     _    e\\e\       Tr\rw\a    +l-\r»Tr        «n-rr    \\  htta  Tint 


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Eve  -  ry    las  -  sie    has    her    lad  -  die,  none  they   say  have     I,         But     all    the    lad  -  dies  smile    at     me  when  com  -  ing  thro'    the   rye. 


No.  79. 

1 

fa 


"  MORNING  IS  BREAKING."       Round  for  four  parts. 
2  3 


* 


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>     >    -e 


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Morn  -  ing        is        break    -  ing,    Song  -  sters    are        wak    -    ing ;        All    things     are     cheer  -  ly,    When  wo        rise      so         ear-  -  Jy. 
No.  80.  SUNSHINE. 


1 ,     If  there's  a  pleasant  little  nook  Where  all  is  green  and  fair,  Thou  may'st  be  very  sure  indeed,  The  sunshine  has  been  there, 


The  sunshine  has  been  there. 


'■tir- 


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9— wr--  9— 9- 


^9    9    9   »'  -g-rr^ 


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t^&- 


2.  If  there's  a  tree  that's  la-den  down  With  fruit,  so  rich  and  rare ;  'Tis  true  again,  we  cannot  doubt.  The  sunshine  has  been  there,  The  sunshine  has  been  there. 


T=t 


^4= 
-4 — 14 


9—0—9- 


zB-W- 


=S=P 


:p=£ 


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■  r 


3=:T 


^~ 


n>— 


3.  If  there's  a  face  that's  glad  with  smiles,  The  heart  may  know  its  care,  But  broadly  smiling  over  all,  The  sunshine  still  is  there,  The  sunshine,  The  sunshine  still  is  these. 


£» 


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PATTER.  PATTER    PATTER."     Bom  SoMl 


39 


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k-t       it     poor —  pot  -  ter.  pot  -  ■  ■.:—    I  roar. 


Dmb    *■ 


poor —  let      it     p  pot  -  ter,  pa  roor —    let     it     roor. 

;it  -  ter.    pot  ur —  let  Pat  -  ter,     pot  -  ter,  pot  -  ter.    let     it     roor —  roor. 


;■     - 


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t* * * * — "t* — * a* ^ 


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roof  ~=ji. 


Down  tL 


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.  s  the  wel  -  come,  wel   -  come     A 
9  on  the  wel  -  come,  wel  -  com 


f    *      %   * 


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wake,  will  wake    the        sweet  >  welcome,  wel    -    cotr  ie    the     sweet   ? 


:  sPsiriipfllHEs 


wak-  the  ' '.        '  ■ 

.a   -  wak  -  i     -    col 


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t     ;-■•  -« •  -• 


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Mrin  i   :  li  ■ 


40 


No.  82. 


ROUND.     "Brother  let  the  troubles  go." 

2 


tm — a — i— 


§ 


m-m- 


=m 


m 


-m-^z 


I 


Broth-er     let  the    troubles       go :  There's  no     use    in      fretting      so ;   Yours    is    but      the    common  fate,    Learn    to      la  -   bor       and    to    wait. 
LOVING  VOICES.  J.  H.  TENNEY. 


1 


No.  83. 

Smoothly 


<m 


4el 


^=zfL=fL 


:t 


=t 


:e2i 


*=3=|: 


± 


-*• — — 

ry     fan  -  cies, 

the   dwell  -  ing, 

and     ten  -  der, 

the    dwell  -  ing, 


1.  Lov  -  ing    voi  -  ces,  sweet 
D.  o.  But  like    mu  -  sic      m 

2.  When  the  heart      is      sad 
D.  c.  For  like   sun  -  light     in 


ly     min  -  gle,  Like      the      mur  -  rnur      of        a      prayer, 

the  dwell  -  ing,  Lov 

and    wea  -  ry,  Soft 

the  dwell  -  ing,  Lov 


ing 

iy 

ina; 


voi  -  ces       are      to         me, 

as        the    sum  -  mer     rain, 

voi   -   ces     are       to         me, 


3s: 


2E& 


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-- 


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u-r 


m-9rm d (" 


In         gay  childhood's  fai 

But        like    mu  -  sic  in 

Lov    -    ing    voi  -  ces  low 

For        like    sun  -  light  in 

K ! J- 


s — r 


m 


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-f — f- 


D.  C. 


Sweet 
Like 


est     bless-ing 
to      An  -  gels 


in         all     tri  -    al,        Sooth  -  ing      all      my  griefs    and    fears, 
in  the    dwell -ing,     Lov    -    ing      voi  -  ces     are        to        me, 


Ev 
Like 


er    near,     in 
to      An  -  gels 


joy,       or      sad  -  ness 
in        the    dwell  -  ing, 


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In     youth's  vis  -  ions, 

Lov   -   ing  voi  -  ces 

Fall       up  -  on  the 

Lov    -    ing      voi  -  ces 


ti 


I 


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«h_!- 


Chang  -  less   thro' 
Lov  -  in°       voi 


F==t 


Fine. 


:r*z 


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3s=\=\zx=4 


B.C. 


M^Jui 


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rich  and  rare ; 

are  to  me. 

spi  -  rit's  pain, 

are  to  me. 


3 


i 

the 
ces 


lapse 
are 


~-^- 


Oft         we  hear  sweet  songs       of     Na  -  ture,      Ris   -   ing     o  -    ver 
O'er        life's  path  -  way  clouds    may  galh  -  er,      But        the    sha  -  dows 

4- 


land    and     sea ; 
al  -  ways  flee; 


—i — ^T=i-i  j  -    >  j-  i  I  i    .;J-   J    I  ■ 


-j- 


of    years, 
to      me. 


more   ho   ■    ly 


k     '        i        i 

more  ten  -  der,  Than 


'•      '  ' 

of    yore     they 


seem     to 


-o- 


r- 


■No.  N't.        H    MINOR 

mte. 


41 


In  ■  to  oar  eare  me  voice  of  yeareCome  deeper,  deep- er,     day  by  day,  And  a>    It  draws  near,  we  stoop  to  hear  Its  soul  stirring  sound  from  far     away. 


4/T'  dwa» 


IF  MOTHER  WERE  IIERE. 


1        My      liff      b      so      wea  -  ly,      So      full      of     sad     pain,       Each      day  hrimrs  its      sha-dows,  Its       mist    and    its      rain;  There's   no      ray    of 


H 


+ 


-••r-*- 


4" 


* — *    *     ^.     * 


z. 


3 1       1    :: 


.'.    Each    hope   lor    me  bloom  -  lag,  Bat  blooms  to     de   -   cay —   Each      Joy    that      I     treas  -  ure    Soon    with  -  crs     a    -    way;     Mv  dreams,  full    of 


=r=£ 


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J— » — *: 


Nowflow'rebloojiia  •  bore  her,  Ami  winds   in      the    giaes,  Breathe  low,    Bol-emo    dirg  -  es,  As      gen  -  tly    they   pees;      And     I'm    Kit     to 


-i — i- 


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I 


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CTCS. 


-4 A- 


3=t 


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I         1         L 


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KB 


sun  -  shine  My    pathway     to  cheer  ;Bnl    sor  •  row  would  van  -  Hi       If    moth-er     were  here,  My  moth  •  61      so    dear,     My   moth    •    er       so         dear 


*=F 


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4 


beau  ty,    in  gloom  dis  -  ap  -  pear;  Bat  soon   all  would  brighten,    If  moth-er   were  here,  By  moth -a     n   deer,    My  moth  ■  er      so 


z. 


mount  her  WHhma-  ny      u     tiar;    0 !  earth  were  far    brighter     If  moth-er  were  here,    My  moth -er     so   dear,    My  moth  -  <r    >  so       •   


c:: 


A 1 — -4- 


4 U 


m 


^=m- 


J 1 1: 


•      • 


3=tz 


C       m 


o       » 


-" 


4:2 


No.  86. 


KEY  OF  A. 


ES 


zM m- 


.0. — id — gf- 


"44  time. 


-*- 


-t*- 


^2: 


2d  time. 


! 


1?: 


-^ — rr 


Hear     the      tern  -  pest  sounding    far      .  and     near,    Rushing   here  and   rush  -  ing  there  o'er   hill  and  dell  and   plain, 

Fill    -    ing      all     our  hearts  with  dread     and     fear,  Lightning's  flash  and    thunder's  roar  and    [  omit  ]      swift- ly    fall  -  ing  rain. 


No.  87. 

Firmly. 


"SERVE    THE    RIGHT. 


4- 


DOTTED  QUARTER  NOTES. 


LYLE. 


*>J  ■JULLg 


1 


=£ 


H— 


1==* 


=t 


afcafc 


■S>- 


^ES! 


:p=rn 


SE 


22: 


=ta 


1.  When  the  voice  of     du  -  ty   calls,  Serve  the  right !  Where  the  line    of     la  -  bor   falls,    Serve  the  right !     Be    the  sta  -  tion  high  or     low,     Let    the 


A  «_# 

01  ■  ^  fc.1" !    v    i  r+ 1  !  •  !-n*t  1  r  ; : : '  W 


^ 


T 


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^ 


-P= 


r- 1- 


St 


t=t 


5 


HE 


ran-*: 


2.  Though  the  ty  -  rant  boast  and  frown,  Serve  the  right !  Truth  is  no   -   bier  than  a  crown,  Serve  the  right !    Ev  -  'ry  word  that  hon  -  or  breathes,  Heav'n  in 


-&-- 


t=»=pEz=tr=zt: 


±r 


?=: 


S^HHHI 


Sctc=t 


f-s>- 


heart  be  true  and  brave,      Nev  -  er  fal  -  ter,  never  know  Trembling  fear  that  mocks  the  slave.  Serve  the  right!  Serve  the  right !  Serve  the  right !  Serve  the  right ! 


M 


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1 


wt-^r 


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B=fe 


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qnri«: 


trrfc 


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glow  -  ing  light  records ;  Deeds,  that  ask  no  laurel  wreaths,  Win  from  heav'n  their  high  rewards. Serve  the  right !  Serve  the  right !  Serve  the  right !  Serve  the  right ! 


tat 


:*-t 


3=c 


-M.TZ.* 


No.   88.  FLING  OUT  THE  JOYFUL  BANNER."        Dora  D  EIGHTH  NOTBB. 

i  I  do 

m — m 


43 


*J      -  i.,  ...         .i     "     :„..  ft.l 


Fine. 


I 


u^S    r=$E 


2 


•      - 


1.    Fling    out     the    joy  -  ful   ban  -  oer,    For  Free  -  ilnm,     fur  Free  -  dom,  And  dog     our  loud     Ho-sao  -   na!    For  Free- d  m    ami  i 


~'4 


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5 


* 


S  V 


r>.  c.    Fling  out  &c 

- 


&^^^=j=5=3=^ *^j-rf J^L^JEfc— £Eg-|£  — g~ £=E$~\*       *^=%~-fc=*=i  \ 


2.      Oh!  shoot      a  -  loud     for  -  ev    -    er,     For  Free  -  dom,     for  Free  -  dom,    Our  lore     shall  per  -  Mi    oev   -   rr     I'  -dom    and  right 


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D.  C. 


■  -    »      »-j— or- 


3*         ^         fr- 


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The    joy  -  ful  bells     are  riu^  -  tag,  And    all     true  hearts   are  Bing  •  tag,     The  stars    Bod  Stripes  oat-fling  -  tag      For  Free  -dom    anil       for    rtaht 


-ft     B — s==S 


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S 


Our  flag     do    Ion  -  ger  slight -ed,    No  more     by  trea  -  BOO  bli  M  -  ed,  Our    coun-try      all       u   -  nit   -   ed,    For  Free  -  dom  nnd      for  right 


lligfe^E=N^^Jlil^S=I 


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^      if 


>o.  89. 


■HURRY   NOW."        Koim.  in   1111:1.1:  pasts 


W 


'an    p 


Hur  -   ry      now,    the  shower    is      com  -  tag,    See     how     fast      the      folks    are      run  -  ning,    Such      ■      Doise      is       qulb     too    stun  -  Ding. 


44 


No.nO.        "ALL    HAIL    TO    OUR    FAVORITE    MAY." 


fe* 


,  Vivace. 


* 


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^c^s=X=f^s-^\-4 


:*=P: 


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m 


*=*=£ 


:M—-^Mi 


a=n~z? 


«*= 


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^e^e^eSe? 


£* 


1.  All      hail  to    our  fa  -  vor  -  ite  May,    With  buds  and  with  blossoms  so  gay !     The  birds  swiftly  winging,  Are  joy  -  ful  -  ly  singing,  Their  cho  -  rus      so 


th 


-h 1 1 1 1 H-f-^—r t-s— I — I — d 1— — < 1 !—  — I —i—. —  — I- 1 1 — -3 — -d — -3— I — I ' 1 I— < -H— 


8i, 


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2.  The  woods  are  so  green  and  so  fair,        So  fresh  and  en  -  liv'ning  the  air !     The  lambs  on  the  heather  Are  skipping  to  -  gcth  -  er,  And  all        in       their 


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loud     seems   to  say — seems  to  say,  Come  haste  to  enjoy  the  sweet  May — sweet  May,  The  season  of  blossoms  so  gay — so  gay,  Come  haste  to  enjoy  the  sweet  May. 


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joy     seem      to  say— seem   to  say,  Come  haste  to  enjoy  the  sweet  May— sweet  May,  The  season  of  blossoms  so  gay— so  gay,  Come  haste  to  enjoy  the  sweet  May. 


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No.  91. 


"  BRING   THE  TEA   TRAY."    Round  in  three  parts. 

2 


From  Song  Garden,  No.  2. 


5 


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Bring  the  tea   tray,  Bring  the  tea  tray,   With  the  milk  and  the  sugar,  and  bring  in  the  bread  and  the  butter,  Sec  that  the  wa  -  ter  is  boil 


ing. 


No.  92.        ROUND. 


"What  a  Clatter." 
2 


45 


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What  a     clat- ter!  what's  the  matter?   John  -  ny's  gone  and  spilt  the    bat  -  ter       O-   ver  my  nice  new  clothes,    Oh,       dear!      Oh,       dear! 

The  two  following  lessons  are  given  to  show  that  the  rhythmical  value  of  notes  is  only  relative.  The  Old  Hundredth,  though  written 
in  eishth  and  sixteenth  notes,  should  be  sung  no  faster ;  nor  does  Yankee  Doodle,  though  written  in  half  and  whole  notes  lose  anything  of 
its  lively  character.  % 

No.  93.        "OLD  HUNDREDTH." 

ig-fl n,     ,     it      „  ,. ,      h      '»-,- , , ,— »      h.    _ i— N— i— *— i r    fr     fcl     . rr- \    rm    ■ fen r-i feti 


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No.  94.        "YANKEE  DOODLE." 


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No.  95. 

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ROUND— "While  the  hours." 
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While  the  hours  are  glid    -    ing,      Time  is     on  -  ward  strid    -    ing,      Strive  we    all     no      more  to„  fall,    In    strength  now     a    -   bid    -    ing. 


No.  96. 

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'THE    DEAD    SOLDIER."        Words  translated  from  the  German. 

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1.  On    battlefield     en  -  cumbered,  A  sol  -  dier  dead  lies  there,      For  -  gotten  and  unnumbered  Though 'inong  the  first  his  spear, — the  first  his      spear. 


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2.  Far  off  in  home's  bright  dwelling,  One  eve  a  fa  -  ther 

said —    With  keen  forboding  tell  -  ing — "  I  fear  my  son  is 

dead, —  my 

son     is 

dead." 

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3.  There  murmurs  now  a  maiden,  In  evening's  dim  twilight,  "  Though  dead,  in  this  heart  la  -  den,  He  still  lives  day  and  night ! — lives  day   and      night !" 

4.  As  dew  those  tears  are  fall  -  ing,  There  on  that  soldier's  head,    That  he  whom  heav'n  was  calling,  Be  not  an  unwept  dead —    an     un  -  wept     dead. 


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No.  97 


KEY  OF  E. 


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I  love   the  night  when  the  moon  streams  bright  On  flowers  that  drink  the  dew,  When  cascades  shout  as  the  stars  peep  out,  From  boundless  fields     of    blue. 

Round  m  three  Parts.  From  "  Song  Gardrn,  No.  2." 


No.  98.    LAUREL  WREATHS, 


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Lau-rel  wreaths  are  ea-si  -  er  wound  Than  worthy  heads  for  them  are  found,  Laurel  wreaths  are    ea  -  si  -  er  wound     Than  worthy  heads  for  them  are  found. 

G.  B.  LOOMIS. 


No.  99.  "TELL  ME  WHEKE'S  THE  VIOLET  FLED." 

Words  by  J.  G.  Jacobi. 


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ChoiC-    est      sweets 
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No.  100.  "THE  OLD  CLOCK  ON  THE  STAIRS." 

p,      In  measured  movement.       A 

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Words  by  Longfellow. 


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Souie-what  back  from  the   vil  -  lage  street, 
By     day      its  voice        is        low  and  light, 


Stands  the  old  fash  -  ioned     coun  -  try  seat,       A  -  cross       its       an  -  tique   por  -  ti   -   co,      Tall 
But  in        the        si  -    lent      dead    of    night,     Dis-tinct     as    a    pass-ing      foot-step's  fall,        It 


From  that  chani  -  ber    clothed  in    white,    The  bride     came    forth  on  her  wedding   night,  There    in  that  si  -  lent   room  be  -  low       The 

All    are   scat  -  tered    now   and  fled,  Some      are     mar  -  ried,     some    are    dead ;  And  when     I        ask,  with  throbs  of     pain,     Ah, 


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pop  -  lar    trees  their  shadows  throw ;  And  from  its     sta  -  tion         in    the    hall  ■  An    ancient    time  -  piece     says    to      all, — For  -  ev  -  er,  nev  -  er, 
ech  -  oes   a  -  long  the    vacant       hall,     Along     the    ceil  -  ing,  a  -  long  the    floor,  And  seems  to     say     at  each  chamber  door, — For  -  ev  •  er,  nev  -  er. 


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dead        lay     in     his  shroud  of  snow.  Ancl  in    the    hush    that    followed  prayer,  Was  heard  the  old     clock     on      the  stair, 

when    shall    they  all  meet    a  -  gain    As     in    the    days,    long    since  gone  by  ?  The  an-cient    time  -  piece  makes     re  -  ply —  For  -  ev  -  er,  nev  -  er, 


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48 


No.  101.  "WHAT  THEN?''    C  Shakp  Mkor.    * 

„  With  expression. 


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1.  Af  -    ter      the     joys       of    earth,  What  then?        Af  -    ter       its    songs     of     mirth,  What  then?        Af  -    ter      its    hours     of        sight, 

2.  Af  -    ter     this     emp    -  ty   name,  What  then?        Af  -    ter      this    wea  -   ry      frame,  What  then?        Af  -    ter    this     con  -  scious    smart, 


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Af  -    ter        its    dream    so       bright, 
Af  -    ter      this      ach  -  ing        heart, 

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What  then?  What    then? 


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With      the        un  -  num  ■  hered    dead,    What  then? 


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49 


No.  102.  KEY  OF  B.  ROUND.    March  along  -with  courage  steady. 

1       ,  .  i  .  2  _     _  _  _  ,      _ 


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March     a  -  long  with    courage  stead  -  y,    All  true  hearts  for  work    be     rea  -  dy,  Minding  not  all  care  and  trouble,  Care  cloth  make  eacli  pleasure  double, 


No.  103. 


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Firm  -  ly  tread  eacli  path  of  du  -  ty. 


j  There    is      a    sun  -  ny     land    of  song  Be  -  yond    the      a  -  zure    skies . 


Where  liv  -  ing  beau  -  ty     fed  -  eth  not,    In    calm     re-  (omit )  -pose     it     lies. 


No.  104. 


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COME  JOIN  THE  CHEERFUL  ROUND." 

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1.  Come,  join    the  cheer-ful    round,       All    at    their  posts  are  found,       Let  mu  -  sic's  voice  re-sound  Loud,     clear    and 


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2.      We  hear  the  -welcome    call,         Wc  join    the  cho  -  rus 


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cheer-ful  sight,  With  eyes  intent,  we  stand. up-right,  And  at  the  word,  With  one  ac-cord,  We  wake  tL'inspiring  glee,  Wc  wake,we  wake  th'inspiring  glee. 

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50 


No.  103.        KEY  OF  F.        "ARE  YOU  READY?"    Rotjnd. 
1 


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Teacher. — Are     you    all  read   -  y     for      the      coin    -    ing         scale;        'Tis       the     Key     of       F  lis   -   ing        on         the         gale. 

Scholars. — We     are    nil  read   -   y     for      this    pleas   -    ant        scale;        Now     the     Key     of       F  ris    -    es         on         the         gale. 

3  4 

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Join  the   joy  -  ons    car  -  ol    eve  -  ly         one,        with  -  out     fail,     For    it  is     the    Key  of       F  ris  -  ing       on  the         gale. 

Pleas -ant  is      the    cho-rus,    and  we'll     join        with -out     fail,     In     the  pleas-ant  Key  of       F  ris  -  ing       on  the         gale. 


Wo,  106.        "UP    THROUGH    THE    WOODLANDS." 


Words  by  Emily  Huntington  Miller. 


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1.  Up  through  the  woodpaths,  with  bird  songs  a    -    bout     her,  May  has    come  soft  -  ly,    the     beau  -  ti    -    ful     child !    Skies  that  were  sul  -  len  and 

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2.  Green  on  the      up  -  lands  the  wheat  fields  are    spring  -  ing,   Cowslips    are     shin  -  ing  and     dai  -  sies    are-    white ;  Through  the  still  mead  -  ows  the 


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joy  -  less    with  -   out      her,     Broke  in    -    to     sun   -  shine    a    -   bove    her     and    smiled.        May,  May,     the     Bean  -  ti    -    ful     child. 


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No.  107. 


51 


1.  Why  should  sul  -  len  clouds  of    sad-ness  Frown   up  -  on      thy  youth  -ful    face,  "Why,  when  Summer's  joy  and  glad-ness  Smiles  and  breathes  in  ev  -  ery  place. 

2.  Time     e  -  nough   to    fear     life's  trou-bles  When  un-friend  -  ed    and      a  -  lone  ;  But  when    tri  -  als     are    but  bub  -  bles,   Let  them  pass  and   still  laugh  on. 


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No.  108. 

Modem  to. 


WHO  SHALL  TELL  WHAT  SORROW." 


From  "Asaph." 


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1.  Who  shall  tell  what  sor  -  row    fills    the      day,  When  the  lips  must  say, "  Fare-well,"        And   the     lin  -  gcr  -  ing      foot-steps  re    -  luc  -  tant    de  -  part, 


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2.    All   her  price  -  less  wealth  shall  mem' -ly   keep,  And  her  joys     re-count  once  more,       While  her     vi  -  sions    to     eyes  that     in     lone  -  li  -  ness    weep, 


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3    So    shall  hope  witli  sweet  -  ly     whining      tone,  To    our  hearts  her  prom -ise    sing,  That    a  -  gain      all     the    love  which  our  spir  -   its    have  known, 


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And   the    lin  -  ger  -  ing     foot-steps    re    -    luc  -  tant    de  -  part,  But  the  heart      for    -  ev  -    er      stay. 


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All     the    ban  -  ished   past 


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52 


«. 


No.  109. 

Moderate. 


"BELLS  OF  FREEDOM 


[  Where  one  part  has  the  melody,  let  the  others  be  subordinate.] 


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bell-tones, 
glo-rious, 


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Ech  -  oes,  ech  -  oes,  quick  -  ly,  sound-ing,    Oh,    the  hap  -  py  day,  Sing  a     welcome  lay,  For  the 

Heart  true,  bound -ing,  ech  -  oes,  sound-ing,    Oh,    the  hap  -  py  day,  &c. 


mer  -  ry  bell's  joy  -  ful  sound. 


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ech  -  oes     all    a-round,  How  quick  they  catch  the  joy  -  ful  sound, 
heart  with  glad  re-bound  Re  -  ech  -  oes  back  the   glo-rious  sound. 


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Oh,    the  hap  -  py  day,  Sing  a   wel- come  lay,  For  the 
Oh,    the  hap  -  py  day,  &c. 


mer  -  ry  bell's  joy  -  ful  sound. 


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Ech -oes,  ech  -  oes,  quick -ly,  sound-ing.   Oh,    the    hap-py  day,  Sing  a     wcl-come  lay,  For  the 

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Oh    the    wel-come,  the  welcome  day,        Sing  a    glad  and  a      mer-ry    lay ;  Oh,    the    wel-come,  the  welcome  day,        Sing  a    mer-ry,  merry      lay. 


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Oh,    the    wel-come,  the  welcome  day,        Sing  a    glad  and  a      mer-ry    lay ;  Oh,    the    wel-come,  the  welcome  day,        Sing  a    mer-ry,  mer-ry       lay. 


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No.  110. 

Con  moto. 


"FARE    THEE    WELL!"        D  MINOR. 


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1.    Fare     thee  well!  Fare     thee  well!  Now      must       I         leave      thee;  Deep     though     it        grieve      me,  Fare     thee  well! 

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Fare    thee  well!  How     sad    my     heart;         Fare    thee  well!         Fare    thee  well!  Now     we     must  part,  Now     we     must  part 


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Hearts  will  bow  Low      in     the     dust;  Fare    thee  well!         Fare    thee  well!  Part     now    we    must,  Part     now     we     must. 


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No.  111.  D    MINOR.      ROUND. 

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No.  112. 

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Thou  poor  bird,  mourn'st  the  tree,Wherc  sweetly  tliou  didst  warble  in  thy  wanderings  free.  Flow'rs  are      dy  -  ing,     Au  -  tumn  winds  arc    sigh-ing. 

No.  113.  DEATH    OP    NATHAN    HALE.  Words  by  FRANK  FINCH. 

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I.     To        drum    beat  and  heart    beat    A     sol  -  dier  march-es     by;     There  is    col  -  or     in     Ins  cheek,  There  is     cou-rage    in     his     ejTe;      Yet  to 


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2.  With     calm    brow  and  firm     brow  He     lis  -  tens    to     his    doom ; 

3.  In  the  calm    night,  the    still     night  He  kneels  up  -  on     the    sod ; 


In  his  look  there  is      no     fear, 
And  the  bru  -  tal  euards  withhold 


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E'en  the    sol  -  emn  word  of    *God —    In  the 


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4.'Neath  the  blue    morn,  the  bright  morn  He    dies    up  -  on     the    tree; 

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And  he  mourns  tliat  he    can    lose     But   one   life    for     lib  -  er  -  ty —      In  the 


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drum    beat  and     heart    beat      In      a     mo-ment  he    must     die,         Yet,   to    drum    beat  and    heart    beat      In      a     mo-ment  he    must     die. 


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calm     brow  and    firm      brow     He 
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robes  him    for    the     tomb, 
walks  where  Christ  hath  trod, 


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night    He         walks  where  Christ  hath  trod. 


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blue    morn,  the     bright  morn    His  spi  -  rit-  wings  are     free, 

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KEY  OF  B  FLAT.    ROUND.      "Up  from  the  corn." 


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Up  from  the  corn  in   the    car  -  ly  morn,  How  gai-ly  springs  the  lark  on  high ;    Forth  from  his  throat  leaps  the  joy- ful  note,  His  mer- ly    carols  fill   the    sky. 


fto.  115.  THE  HIDE.     Quarter  notes,  eighths  and  triplets  contrasted. 

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»  4  i  1  *  J  i  *  tilt  11 

1.    Walk-in"' now  with    stea  -  dy    gait,  We  start,  but  lest   we  should  be    late,    We  now  will  try    a    faster  pace,  And  with  old  Time  will  run  a  race.While 
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til       i       *       i       i       *        it       **       tttt 
2.    Now   a  -  gain    Ave  home-ward  start,  And    of  our  jour  -  ney    walk     a    part,  Then  once  a-gain  with  whip  and  spur  The  met-tle  of  our  steeds  we  stir,  And 


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gallop  -hig,  gal-lop-ing  o  -  vcr  the  plain,  And  gal-lop -ing  on  without  drawing  a  rem.Till  we're  tired  and  then  we  slower  go,  And  then   at     last    we    stop. 


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gal-lop-ing,  gal-lop-ing  o  -  ver  tlie  plain,  And  gal-lop"-  ing  t>u  without  drawing  a  rein.Till  we're  home,  and  then  we  slower  go,  And  then     at    last    we    stop. 

■18333338  lift  O 


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58 


No.  116. 

1 


ROUND    IN    THIRDS   AND    SECONDS. 


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From  "Song  Garden,  No.  2." 

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Do,  mi,     re,    fa,     mi,    sol,    fa,    la,     sol,    si,     la,    do,     si,     re,     do, 


No.  117. 

Allegro. 


^fc 


GOOD  NIGHT. 


sol,     si,     la,     do,    si,     re,    do,    mi,    re,     fa,    mi,    sol,    fa,     mi. 

From  A.  METHFESSEL. 


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And  now  we    say     to     all,  Good  night !  And  now  we    say     to     all,  Good   night ! . 


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And  now  wc    say     to     all,  Goodnight!  And  now  we    say     to     all,  Good  night !  And  now  we    say     to     all,  Good   night!. 


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And  now  we     say, 


we     say     to      all, 


Good 


night ! 


_|S ft ft= 


zee 


^=^i    h    tc 


122t 


^ 


And  now  we     say, we    say     to      all, . 


S3 — 
Good      night ! 


i7—' 


£ 


5= 


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-v2: 


And  now  we    say, 

* rm- 


we    say     to     all, 

-M m — *- 

-ha F ha- 


Good 


f 
ni^ht ! 


-&■- 


^- 


night! 


And  now  we     say, 


we    say     to     all, 


Good       night ! 


May  slumber  sweet  on  all  alight, 
May  slumber  sweet,  &c., 
Good  night ! 

3. 

In   wishes  kind  we  all  unite, 
In  -wishes  kind,  &c., 
Good   night! 


No.  118. 

1 


ROUND  IN  THIRDS  AND  SECONDS. 


57 


+ 


:t 


tMz 


=t 


J  ,      I 


Mi,     do,    re,     si,     do,     la,     si,     sol,    la,     fa,     sol, .  mi,    fa,      re,    rui, 


n--^- 


m 


No.  119. 


?-^- 


THE  OLD  CHURCH  TOWER. 

_] 1 


1 1_ 

sol,    mi,    fa,      re,    mi,    do,     re,     si,     do,    la,      si,     do, 

G.  B.  LOOMIS. 


+ 


4- 


l& 


+ 


± 


Bim,  borne,  bini,  bome,  bun,  borne  bim,  borne,         bim,  borne,  bim  borne,  bim,  borne,  bim,    borne,        bkn,  borne,  bim,  borne,        bim,      bome,     bim,  borne. 


£&3: 


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:=i: 


=t 


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*! ^     •     J^ 


g=f^ 


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± 


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^n-m-- 


Z7± 


'l.   In    the  old  church  tower  hangs  the  bell,  bim,  bome,  In  the  old  cliureh  tow-er  bangs  Ibe  bell,  bim,  bome,  And  a  -  bove  it,    on  the  vane,  In    the 
2.  From  the  old  church  tower  rings  the  bell,  bim,  bome,  From  the  old  church  tower  rings  the  bell,  bim,  bome,  Ringing  grave  and  ringing  gay,  Ringing 

-4- 


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bim,     bome, 


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Bim,    bome, 


bim,      bome, 


bim, 


bim, 


bome, 


bim, 


bome, 


i 


3 


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3= 


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bim. 


:=l- 


bome, 


bim,    bome, 


bim, 


bome. 


bim,  bome, 


bim,        bome, 


bim,    And    all         is      well,     And     all        is      well. 


T 


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sun-shine  and    the  rain,    Cut       in    gold,  Saint   Pe   -  ter  stands,  With  the    keys     in      his    two  hands.  And 
night    and  ring-ing    day,  Ring  -  ing      tid  -  ings    un  -  to       all,       As        it       ev  -  er  -  more  doth  say,    That 


all 
all 


is 

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well,    And 
well,    That 

£2-= 


all 
all 


is 
is 


well, 
well. 


^2= 


^ 


bim. 


bome, 


bim. 


bome. 


bim. 


bome. 


58 


No.  120. 

Visroroso. 


THE  WORKERS. 


From  "  The  Sunnysede  Glee  Book."    By  permission. 


mm 


~\- 


s5— *- 


-IV 


*=\ 


S=1=~ 


:l^ 


1.  Clink,  clank,    go    the      ham  -  mcr3    now,      The         stur  -   dy        an  -  vils 


rmj 


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SE 


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Clink,  clank,      go     the        ham  -  mors    now,    The 
4- 


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-_ ^ 2 — *^ 

& a ^5 — c — 


2.  Whir-r-r-r        go     the        bu 


•      -        +        \,        U  I 

sy    looms,  In    the       fee  -  tones  dark    and       high ; 


Whir-r-r-r 


go     the 


:^R 


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bu 


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sy    looms,  In    the 


Fine. 


i 


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-  £>:  s 


air 


1 


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stivr  -    dy        an  -  vils      ring.         The       bel  -  lows    roar,    and  the    hot    flames  pour    Their      rud   -  dy     light       fer         o    -    ver  the    floor,    The 


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fee  -  tones  dark    and    high.  Where  the  tint  -    ed      sun   -  beam        soft  -  ly      fells  Thro' the  crust  -  ed    pane  on    the  black  -  ened    walls,  Where  the 


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bcl  -  lows    roar,    and  the        hot    flames  pour,  And  the    brawn  -  y    smiths  they     sing. 


QUS4- 


^^ 


*_=* 


fcS 


tint 


ed 


sun 


beam 


soft 


V 


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fells  From  the    pure 


and 


=ff=g!_ 

love   -  ly 


1 


Pt 


sky. 


is 


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£ 


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3.  \:  On,  on,  speed  the  sharpened  plows, 

As  they  turn  the  heavy  soil,  :J 
Where  the  sturdy  farmer  guides  the  share 

Through  the  last  year's  furrows,  gleaming  hare, 
Where  the  sturdy  farmer  guides  the  share 

With  the  honest  hand  of  toil. 

4.  fl:  These,  these  are  the  workers  brave, 

With  hearts  so  strong  and  true  ;  :|| 
From  dawn  till  dark,  through  the  whole  day's  length, 
Each  gives  with  an  earnest  will  his  strength, 
From  dawn  till  dark,  through  the  whole  day's  length, 

To  the  work  he  finds  to  <' 


G   MINOR.     Round  m  6  tarts. 
2    '  3  4 


# 


59 


£=£ 


Sing     this      Mi  -    nor     song    with     me     to  -  geth  -  er 

No.  123.  "NIGHT!    LOVELY   NIGHT." 

Con  spirito. 
fe 


What  -  ev    -   er        oth-crs  do    to     yon,    Be    kind —  Be    kind  to  them  and  true. 

Arr.  from  MENDELSSOHN. 
FINE. 


:tsc 


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"|- 


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-e-\. 


Night,    love    -    ly    night! 
Per  -  fumes,     so     rare, 


I         sing     thy    won  -  drous  beau   -  ty ; 
From    bios  -  soms  sweet    as  -  cend  -  ing, 


Stars      shin  -    ing  bright      O  -  ver      field       and     flower. 
Fill        all        the    air        Like     a        fra  -  grant    bower. 


No 


— 3- 


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*  |     Soon, 

fe)i  ft4 * 

ah! 

the  moon 
too  soon 

2     -* a 

O'er 
Her 

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hill 
pearl 

and 

-  y 

val  - 

rays 

ley 
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glare  of    day    can     e  -  qual  thee,  Thou  dark  and    si  -  lent  mys  -  te  -  ry ;  What  mar  -  vels  are     be-neaththce  hid,     O,    thou  mys-te-rious  night. 


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glare  of    day   can     e  -  qual  thee,  Thou  dark  and    si  -  lent  mys  -  te  -  ry ;  What  mar -vels  are     be-neaththee  hid,     O,    thou  mys  -  te  -  rious  night 


=g— r~  g— r— g: 

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--£=£- 


--^ 


60 


>o.  124. 

l 


II 


KEY    OF   E   FLAT.     ROUXD.    "Heab  the  JOTors  ttoK*. 
2  3 

-fc S- 


}tst 


-* v: 


T 


£ 


Hear     the      joy  -  cms     horn !    Hear     the      joy  -  ous     horn !    Echo  -  ing      o  -    ver        hill     and      val  -  ley ;    Hark !  Tra    la      la       la        la. 
\o.  123.  LITTLE    BESSIE    AND    THE    STAE. 


'7±    *     -<*— "?         — ^^ •        \j     — w       *    '•  ■  -        r=  ■ —  ■  -        ^^  — — — — — — — — ~ — — —  '■ 

--**•  '        > — p — * — s* — * — * — *— ' i* — *» — 4* — * — t* — * — * — 'p — p — v — 4* — p — p — v — v—v — u 


1.     In     the  cold,  gray,  sol  -  emn  star  -  light  Of      a     win  -  ter's  night,    Lit  -  tie    Bes  -  sie,  weak  and  wea  -  ry,     In     her  home  so    dark  and  drea-ry, 


-fc- 


**        2.    Hungry,    shivering     lit  -  tie    Bes  -  sie,  Stole  she  from    her    bed,  Pray'd  that  God  would  feed  her  mofh-er,    And  her    fee  -  ble    help -less   broth-er, 
3.    Looking  through  the   lit  -  tie    6ky  -  light,  Bes  -  sie    saw     a      star :    How  its   cheer  -  ful  twinkling  won  her,  As      it    smiled  in    lore   up  -  on     her, 


'-* m — * 


S       N 


-m m      • 


>       * 


S 


4.    Gaz  -  ing  through  the  one  small  win  -  dow  On    that    orb     so    bright ;  Soon  the    starbeams  banished  sad  -  ness,  Bes  -  eie's  face  was     lit    with  glad  -  ness, 


%j 


-l? — > — tac 


rit. 


Lit  -  tie     Bes  -  sie,  weak  and    wea  -  ry,     In      her    home    so     dark  and    drea  -  ry,  Watch'd  for     morn  -  ing    light,  "Watch'd  for  morn  -  ing     light. 


£ 


*       m- 


Pray'd  that  God  would  feed    her    moth  -  cr,     And    her     fee  -  ble    help  -  less    broth-er,    "With  his      dai  -    ly     bread,  With  his 
How    its    cheer -ful    twink-ling    won    her,    As      it     smiled  in     love    up  -  on     her,  From  its     home     a    -    far,    From  its 


dai  -    ly     bread, 
home     a    -    far. 


vt: 


^ 


Soon    the     star-beams  ban  -  ished  sad  -  ness,  Bes  -  sie's    face    was     lit     with    glad  -  ness,  And  her     heart  grew    light,  And  her    heart   grew  light 


-,s- 


7T-- 


-2=X*- 


m 


-&=&. 


No.  126.  "THE  MILL  WHEEL."        Rocot  r>-  three  Parts. 


61 


From  '•  Sosg  Gardes  H      i 


2=2 


•         >  t  i 


m  •   • 


m  •  * 


T* i»» ^~ 


Round  and  round  the  mill  wheel  ev  -  er    turn  -  eth    In     the    wa  -  ter  while  the     wa  -  ter  run  -  neth ;  Click,  clack,    I     hear  the  click,  clack,  click,  clack. 


No.  127.  "BOAT  SONG." 

Allegro  vivace. 


Words  and  Music  bv  AGATES  BURNET. 


m 


art 


=5=F* 


^r 


;=5c 


; — *— n — ^— r 


1.    Our  boat   is  off,  our  boat   is    off,  See  how  she  floats  the  wave,    As     if  on  wing,  the  fai  -  ry  thing,  Skims  o'er  the  waters  brave ;  With  laugh  an": 


i 


^=* 


e 


^* 


^=*= 


»  * 


*-*-*- 


exh: 


'••* 


2.     We'll  speed  awar  through  dashing  spray,  O'er  waves  of  every  hue,  And  bound  along  with  current  strong.  Up -on  the  wa-ters    blue; 


z^=mz 


\        m 


-*!■■■< 


3.    As    safe  are  we,  as   prbud-ly  free,  As  birds  that  cleave  the  air;    Our  wings  as  white,  as  swift  our  flight  As  sea-gulls  darting    there:  With  laugh  and  songje 


M *T 


zmzzu: 


*  * 


t2&Z 


=gnl — ^- 


F^t 


ir-t — *-*i 


^2= 


■y- 


<*   *-y    g» — +    +    +    ■?- 


* — *    ■*    ^    >*    *   \- 


ghde  a-long  Up  -  on  the  rippling     sea;    All  fa-  ces  bright  with  pure  delight.  Oh  who  is  so  mer--ry  as    we,    as  we.  Oh,  who   is    so  mer-ry  as     we? 


*      \      V 


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fit; 


fct 


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:^=£; 


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i 

ghde    a-long  Up  -  on  the  rippling    sea,     All    faces  bright  with  pure  delight,  Oh  who  is  so  mer-ry    as  we,    as   we.  Oh  who  is    so  mer-ry    as      we' 


m 


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p    p   x 


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S      >      N      >      V      SI 


P  ^ 


62 


No.  128.  ROUND.    "When  the  tansies'  purple  Buds." 

1  2 


(^m 


T 


4- 


4- 


-]- 


Z2I 


^=i: 


"When    the     pan  -  sics'     pur  -  pie    buds  came  forth    in      ear  -  ly    Spring,    Na  -  ture    from  her    sleep  did   wake    to     greet   the    bios  -  som  -  ing. 

IVo.  129.  THE    FISHER    BOY.  Dr.  LOWELL  MASON. 

With  feelin, 


steft^ 

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1 * — !— — ^— 

-(•—=- 

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1- 

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m^-H-^ — 

v) 

1.    Poor 

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lit 

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•  tie 

-1 r. — i _ 

L        fe* 

fish  -  er  -  boy 

tt 

out 

-x— 

on 

— F-— 
the 

Li — i ' 

sea! 

-1 1 

Poor     lit 

tic 

-1 — 
fish 

-P — 1 

er  -  boy 

out 

on 

the 

-0-—0 — — 

sea!     ■  The  moon  gives  no    light,  And 

2EJtJr 

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2.    Poor     lit  •  tie    fish  -  er  -  boy        out      on     the    sea ! 


Poor     lit  -  tie   fish  -  er  -  boy         out      on     the    sea !      '  The  winds  wild  -  ly     roar,  The 


if 


ft: 


V 


jk 


-i- 


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.  Think    oi'     the    fish  -  er  -  boy         out      on      the    sea ! 


S 


«--=!- 


Think    of     the    fish  -  er  -  boy         out      on      the    sea !       His  moth  -  er  doth  wake — Looks 

m 


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dark  is  the  night,  And  dark  ia    the    night, 


T 

Out    in     the  old  boat  now     sail  -  ing  is      he ; 


T=£ 


9^0- 


Poor  lit  -  tie    fisher  -  boy        out    on  the     sea. 


1=X 


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w  «"«LJ 


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ts- 


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.^_i— *_*_ 


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4=]=^: 


rain-torrentspour,Thc rain-torrents    pour,         Drea-ry    and  woe-ful  now     there  it  must   be; 


Poor  lit -tie    fish-er-boy        out    on  the     sea. 


m 


S—N 


-N--I- 


¥^^* 


S=S: 


:£*=*!=:! 


j — |- 


J=^EFE 


^i^.szzmz 


A — l-B- 


up  for  his  sake,  Looks  up  for  his    sake —        Out    in    the    fear-ful  boat      Sail -ing  is       he;  Poor  lit -tie    fish-er-boy        out    on  the     sea. 


fr./  ,m  m  *  *  m 


:m^r2mzzmcz  'J    j 


:m—m-m=m-m=^- 


^±F=p~r—=r 


-^  — I r*=V 


m  m 


:*=pc^=q: 


P3-7»=^= : 


No.  130. 


C  MINOR.    "When  the  swell  of  the  Ocean." 


63 


^=n— ^ 


5T-=hV 


^= 


3E*=£: 


^: 


^2=m- 


+ 


1.  When  the    swell     of     the 

2.  When  the    sun     shall     for 

3.  When  the    moon  shines  no 


-^'- 


o  -  cean        No        long  -  er        is        seen,  And    the       fo  -  liage      of     Sum  -  mer    Shall  cease      to        be     green ; 
get  To  give    lus  -    tre      and     heat,  And    the    scent      of      the     rose      Be      not    sooth  -  iug      and    sweet; 

more  On  the  moun-tain      and     glen;     O    'tis     then      I'll      for   -  get     thee,    But     nev  -    er       till     then. 


No.  131.  THE  WIND. 

Con  Furore. 


-Efe 


-&- 


^E=p: 


^=zsrrj: 


=fe 


:tz=fc= 


:k=Ur 


1.    Loud  wind !  strong  wind !  blowing  from    the  moun  -  tains ;  Fresh  wind !  free    wind !  sweep-ing    o'er  the    sea,        Pour    forth  thy     vi    -    als    like 


-*- 


rar 


:fc 


:s£ 


=5= 


J *- 


3v=- 


2.    Wild  wind  I  bold  wind !  like     a    north-em      gi  -    ant,  Clear    wind !  cold    wiud !  driv  -  en    from  thy    lair,        Thrill  -  ing  the  black    night  with 


■    0  ,    \>        A                                           1                                          1 

It.                                               1               1 

1                              1 

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m 

t? 5 

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No.  133.  MEMORY'S    TEAR.     Song. 

Words  by  Mbs.  FRANCES  DANA  GAGE. 


J.  H.  TENNEY. 


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j  He    sang    that  same  old    mel  -  o  -  dy   My     fa  -   ther  used  to     sing,    ) 

'  (  When  I,        at  eve,  rocked  on      his  knee,  In    childhood's  mer  -  ry  Spring.  \  Ah !     I        was  light  and  glee  -  ful  then,  And  knew  no  care   or     fear — 
n   j  Then  moth  -  er,    sit  -  ting    by      his  side,  Kept  time,  with  nee  -  dies  bright, ) 

\  And  joined  her  soft,  sweet  voice    to     his —  I      see     her  there  to  -  night !  )  Each  face,  each  form,  each  hallowed  spot,  Is      to      my  heart  still  dear, 


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a  -  gain,  Oh    no !      oh    no !  not      I ;       ) 
And    yet        I     love  to    think      it    o'er,  And  live     the  days  gone    by;     )     The    new      is    beau-ti  -   ful     and  bright,  And  full      of    love  and  cheer; 


.    j  Then  sing      a  -  gain  that  song     for  me !  Touch  mem' ry's  sounding  strings,  ) 

(  Each  note  calls  back  some  long  lost  hours,  Some  sweet  af  -  fee  -  tion  brings.  \  Then 


sing     for  me    the    mel  •    o  -  dy    My  motli  -  er  loved  to    hear ; 


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That  song  brought  childhood  back  a-  gain,  And  called  up    mem'iy's    tear,     That  song  brought  childhood  back  a  -  gain,  And  called  up    mem'ry's    tear. 
And  seems  to     say,  "  for  -  get     me  not" — And  calls    up    mem'iy's    tear,     And  seems  to     say,  "  for  -  get     me  not" — And  calls    up    mem'ry's    tear. 

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But     let      me    for     tlie    past    to  -  night,  Drop  mem'ry's    sa  -  cred    tear,      But     let      me    for     the    past    to  -  night,  Drop  mem'ry's    sa  -  crcd    tear. 
My     heart  throbs  high  with  faith   and  hope,  My    eye  drops  mem'ry's   tear,       My    heart  throbs  high  with  faith   and  hope,  My    eye  drops  mem'iy's   tear. 


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No.  135.  RAINDROP    CHORUS.    "The  Gentle  Summer  Rain." 

pp  and  gentle,  staccato,  in  imitation  of  gentle  raindrops. 


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1,  When  down   the      hills    The    lit    -    tie       rills      No     more    in       glee      are       flow  -  ing,     And    fierce  -  ly      down,  With  burn  -  ing  frown    The 


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2.  When  ev   -   cry      flower,   In     field    and    bower,  Is      droop -ing    low      and      dy    -    ing;    When  songs  of     birds,    No      more    are    heard,   Each 


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sum  -  mcr    sun       is         glow  -  ing ;   'Tis     then    with     joy      we      greet     the     gales  That    waft      us     clouds  with     snow  -  y     sails,     From 


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Till  grain     -     clad  kills  and  fer     -     -     tile  vales,  In        beau-ty       sm 

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No.  136.        "THE    WORLD    IS    BRIGHT    BEFORE    THEE. 

"Words  by  Halleck. 


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U.  C.   1.  The  world  is  bright  be  -  fore     thee,    The    sum  -  rner  fiow'rs  are  thine,       Its     calm  blue  sky  is     o'er    thee,      Thy  bo  -  sum  pleasure's     shrine ; 


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2.  There  is       a     song    of     sor  -   row,    The    death-dirge  of    the     gay, 


That  tells,  ere  dawn  to  -  mor  -  row,  These  charms  may  melt  a  -  way ; 


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3.  Be  -  lieve  it     not,  though  lone  -  ly      Thy     eve  -  ning  home  may  be,     Though  beau  -  ty's  bark  can  on     -    ly      Float  on      a      sum  -  rner     sea ; 

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And    thine  the   sunbeam     giv  -   en     To      na  -  ture's  morning     hour,         Pure,  warm,  as  when  from  heav  -.  en       It   burst     on      E  -  den's   bower. 


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The  sun's  bright  beam  be    sha  -  ded,     The    sky    be     blue  no       more,         The  summer  flowers  be     fad  -   eel',    And  youth's  warm  prom  -  isc  o'er. 


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Though  time  thy  Inoom  is     steal  -  ing,  There's  still  be  -  yond  his    art,  The  wildflower  wreath  of    feel  -  tag,      The    sun  -  beam  of     the    heart. 


No.  137.  F  MINOR.    ROUND.    "Never  Mtjrm'ring." 

Andante. 

1  2  3  4 


No.  138. 


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Ncv  -  er  muim'ring,  nev  -  er  griev-ing,  Meek  and  kind  and  pa  -  tient  be. 

■ 

No.  139.  PITY  THE  ORPHAN. 


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Ban-ish    eve-  ly     e  -  vil  feel  -  ing,  On  -  ly   love  and  faith  re-veal  -  ing. 


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..    (     Fa  -  tker-lcss,  moth  -  er-less,  Cheer-less     in    grief,    She     is    an      or  -  phan  one,  Ask  -  ing    re  -  lief,       > 
'  \    Look   in  those  tear  -  ml  eyes,  Hag-gard  and  wild,    Pass  her  not  heed  -  less  by,    Pi  -   ty    the    child.     S    Down  in    some  eel  -  Iar  dark,  Sad  -  ly     she 


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o    (    List      to    her  pleading  tones;  Cheer  by    a    smile ;"  Let  Christian  char  -  i-  ty,    Sor  -  row    be- guile;"  > 

(   Christ  sends  his "  lit  -  tie  one,"  Say  -  ing      to    thee,  "  All  you  can     do      for  her,    Is    done    to      me."     S    Deep    in    her    hoi  -  low  cheeks,  Pale  anguish 


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o    (    Spurn  her  not,  grieve  her  not,  Grudge  not  her 
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dole ;    An  -  gel    of    char  -  i  -  ty  Smile    on    thy    soul,     ) 
Up    "to    yon  sphere,  What  thou  hast  doue  for  Christ's  "Little  one"  here.     S      Pi  -    ty    the      or  -  phan  one,  Care  for    her 


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now ;  Dash  eve  -  ry    pang  from  her  Care-shadowed  brow,  Bind   up  the   bro-ken  heart,  Sor-row  hath  riven,  Life    is      a  -  wait  -ing  thee,  Endless    in  heaven. 


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KEY  of  D  FLAT.      ROUND.      "The  Snow." 

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Soft    as      an -gel's    ra-diant  pin  -  ions  Float-ing    o'er    tins  world  be  -low,  From  the  storm-kings'  bleak  do-rain-  ions  Falls  the  pure,  the  pure  white  snow. 


Wo.  141. 


"LIVE  FOR  SOMETHING.' 


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1.     Live  for  some-thing,  be   not      i  -  die — Look  a-  bout  thee     for  em -ploy;  Sit  not  down    to    use-less  dream-ing — La-bor    is      the    sweet-cst    joy. 


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2.     Scat-ter    bless -ings    in    the  path  -  way !  Gentle  words  and  cheer-ing  smiles   Bet-ter     far    than  gold  and  sil  -  vcr,  With  their  grief-dis  -  pel  -  ling  wiles. 
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Fold  -  ed  hands  are     ev  -  er     wea  -  ry, —  Selfish  hearts  are    nev  -  er   gay ;  Life  for  thee  hath    ma  -  ny     du  -  ties —  Active    be  then,  while  you  may. 


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Afl    the    pleas-ant    sunshine    fall  -  eth    Ev  -  er      on     the  grate  -  ful  earth,    So    let    love    and  thoughtful  kind  -  ness  Gladden  well  the  darkened  hearth. 


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Thus   I  heard    a      po  -  et    say,     As    he  sang  in    mer  -  iy   glee,    Ah !    'twill    be        a       gold-cn     day,  When  my  ship  conies   o'er    the     sea. 


No.  148. 

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1.     When  the    spark    of  life    is       wan  -  ing, 


Weep        not    for      me,    When  the     Ian  -  guid  eye    is    strain  -  ing,  Weep      not    for     me. 


§31sl 


:=S=^v 


t? 


Z*tt 


In      the   hours  you  feel  most    lone  -  ly, 


feS^3fc 


^H 


r^-N 


-gi— &— *- 


at 


zac 


Weep     not 


«*==£ 


T 


^E^fc=S 


for        me,  Think  not      of     the  dark  grave  on   -    ly, 

-l H 1- 


Weep 


not    for      me 


afcat 


=»c 


^ 


lS3 


£— tz 


ai^— g— «*— rt^ 


:=«± 


■9 — -adr 
—  3      *r 

3.    When  you    pace    the  lonc-ly      dwell  -  ing,  Weep        not      for       me,   When  with  jjrief  your  breast  is    swell  -  ing, 

3 


r^W 


■Zj&lZ 


Weep     not     for      me. 


ggfe 


a- 


— £-*-—&_ £ A 


^— L~l *-*—*- 


-& — m- 


--&-- 


I 


-m~—0- 


r?     u.     a. 


-fc*— fc>* — U*- 


:?=: 


:s=t 


4.    Brave  the    storm    a    lit  -  tie       long  -  cr,         Weep         not       for       me,      Tri  -  als    make  the  faith  grow  strong  -  er, 


Weep 


not    for      me. 


When  the     fee  -  ble  pulse  is      ceas-ing,  Start  not     at     its  swift  de  -  creas  -  ing  'Tis  the     fet-ter'd  soul's  re  -  leas  -  ing,  Weep     not  for     me. 


:q=7zsr 


■-— a — ^- 


=^=\ 


:a:z: 


qcr=|=Jfc=q: 


=t 


"& —      3> 


H^^Sj 


^i=q= 


~-m — ei-- — t 


Far      a  -  way    my  liap-py       spir-it,   Shall  Hie    jo3rs    of  lieav'n  in    -    lie  -  rit,  Purchased  by       a    Savior's    rner  -   it, 


=1 


Weep      not    for    mc. 


==*==£ 


^5 


■re: 


©: 


-S 


:d* 


'— B*—"^- 


-&» 


J2_C.V 


:s~; 


S^EE§ 


•      i       i  ' — 

Let    the  thought  of  one  day    meeting,  All  your     si  -  lent  an  *  guisa    sweeten  View  by    faith  our  hap-py    greet  -  ing,  Weep     not   for     me. 


^=^±=^=fcq** 


-J&—& 


-g--id>- 


=£: 


zatezffi: 


■*— ?- 


:£: 


— a^—0— 

9 J— L»— 


'b?     ~~to     f~ 


T^ 


s; 


^: 


w        \  w         w  \  w         w  w  w        w  \.  w 

I     shall    on    the  shore  be  standing,  When  your  hap  -  py    spi-ril's      land-ing  All     is     safe  with  Christ  command  -  ing,         Weep       not    for    me 


70 


c. 


OIXfcCUIT    OF     THE    KEYS. 

An  Exercise  for  the  practice  of  the  Scale  in  all  the  Keys,  Transposed  by  Fifths. 


G. 


By  Wm.  B.  BRADBURY 

t  T  ■ 


Sing      the      scale      of 

M        -B      f*      a*. 

-■I • — a<- — ' ! ^^ 


p     • 


*=ir 


*£^r- 


:*==£= 


5=*: 


:rsr^^= 


—    r^    ^ 

I — J    M    m    ^ r 


^=^- 


=t 


^=*= 


C,        the      scale      of  C,      and    pre  -  pare    for 


D. 


G,    with    its    one    sharp ;  sing       the      scale      of 


zMz^i 


*—  •— ai — i — f- 


r  t 


^3=^ 


^s=qsr: 


G,        the        scale    of 


G,        and  pre  -  pare     for 


£=pc 


-* — * — *- 


SE^ 


D,    with    its    two    sharps;  sing    the        scale        of  D,    the        scale    of 


^==t 


-0—m >-" 

D,    and    pre  pare      for 


If 


A. 


*: 


£ — fe — I =t 


f-g  g  r-r 


=•£*: 


-•1-4 


A,    with    its    three  sharps; sing      the        scale      of 


** 


3C5C 


_■-  t_i-^-     • 


the    scale      of  A,    and  pre  -  pare    for 


i;^ 


E. 


=S=S= 


m=^r- 


+*-& 


?=*. 


z^zMi 


ze-m^r- 


*=& 


i=*: 


5F=iF 


&£ 


B. 


P 


-fc S 1- 


-•-    -*-      -ph 
E,    with    its   four    sharps ;  sing      the      scale    of  E,        the        scale    of         '  E,    and    pre  -  pare    for 


fc±3f=3 


B,    with     its   Jive  sharps, 


-3-1 


m 


* — 1 — ^— •— ™ — f 


>— •— — ^ 


^=* 


^3*: 


-*-• 


n 


£ 


Jet 


-^•F 


■4--- j — m  m  0 
sing        the        scale    of  B,        the      scale      of 


^^ 


S=P=^: 


B,     and    pre  -  pare  for 


r 


U* 


m* 


» 


* s 9 a 


=1*3= 


•=*=^ 


— »— — — »— ^— 1 — -+ 


F    sharp     s£c    shaips ;  sing      the     scale     of 


-w  r  * 


Gfy.    Enharmonic  change. 


rtzstjtz,-*; 


feg 


^T 


■J «l 


T=T 


:S=*: 


F    sharp,  the  scalo     of 


F    sharp. 


Now      the    En  -  har  -  mon   -  ic    change    and    sing        the    scale        of 


OII^OUIT    OF    THE    KEYS.        Concluded. 


71 


i^^. 


f.--w- 


M0g^s^E*^^ 


iSS- 


^=s= 


:«=iC 


gg 


}!==£= 


"* 9 8*- 


± 


at^: 


G      flat,  the  scale     of  G       flat — pre-pare      for 


D       flat  with  Jive     flats ;  sing      the    scale        of  D    flat,  the  scale  of 


^ 


D        flat — pre-pare    for 


Aj,, 


fe 


:£==£= 


"» — a^ — g" 


*-,--£-'—*- 


Jr 


^-*- 


l! 


«  -.« 


&■— w-r—  ■  —  * — to- 


A     flat,  with /owr  fla,ts;  sing     the       scale     of  A     flat,    the    scale    of  A    flat,    pre-pare    for 


1 


ns^gv 


=p 


-^ — « — S- 


zgz 


f*=&=m 


r  J  ^  0>- 


-& 


it 


-K * 1- 


H —J -j- 


E     flat,  with  three  flats ;  sing        the        scale    of  E        flat,  the      scale     of  E        flat — pre-  pare      for  B        flat,  with  two    flats ; 


nm 


-h m— m— ~— ^— I 1 — M 1 1 r- 

-m *t 1— I 1 1 toH — & ta — I 1- 

1       S     \f 


~^~ 


sin;*        the      sc 


;cale      of 


1-— !-=■! 9- 


=r 


ii 


n h-^g 


-a — 9~ 


-*=P: 


zjzw- 


?^-£e 


B      flat,  the    scale      of  B      flat —  pre  -  pare    for 


F,    with     its    one      flat;    sing      the      scale    of 


C. 


-w- 


-JP=J£. 


— -m hw§^- 

the      scale       of 


^ 


=P 


T 


F,        and      pre  -  pare        for. 


:=i: 


qv=£r-.=£: 


=g£ 


C,        the    nat  -   u  -  ral      key, 


^=^= 


-at 9 — 0i — *— L-^r 

the    nat  -  u  -  ral    *  key. 


Where 


Z3=»t 


:?=:: 


£ 


:?2= 


-frc 


IMC 


we 


•be 


gan,     now     •       end,        .  yoii         and  me,         sing 


ins 


the  scales    from 


C 


to  C. 


1 


72 


MISCELLANEOUS  GLEES  AND  PART  SOlNus. 


THE  CHURCH  AVITHIN   THE   VALE. 

-4v 


W.  B.  BRADBURY. 


T 


T- 


T- 


> 


T- 


+ 


JjZZZ 


1.  A    stream  came  burst  -  ing    from        a     rock,      Its    bank   with      li    -    lies        spread, 

2.  And  hap  -    py      chil  -  dren    gath  -   ered  round   Their    pas  -  tor       old       and         gray, 

-J 1* 1 1 


I  watched       it       as 
He    taught    them    in 


it       murmured       by,      And 
their     ear    -    ly    youth,    To 


fe 


He    told 


If 
them    of 


Sav  -  ior's  love,    And    how 


If 
his 


I 
gra 


-&- 


? 


cious 


arm,  Would  fold       the     ten  -   der    lambs     to    rest,     And 


r^nip 


=P= 


& 


B: 


:£: 


-m— ~ 


m 


^feJUU.JJ    3^ 


3!=B 


S=?- 


:£*: 


--W.—W- 


:=*: 


^ 


wondered  where      it 
find      that    bet  -  tcr 


m  '  P 


led; 
way; 


It 

His 


wandered    down    a 
brow  was    like    an 


slop  -  ing    hill,    And  through  a      val  -    ley 
even  -  ing    sky,  Where    not       a    cloud      is 


fair,  Then        rip-pled  'neath     an 

seen,        His  eye  looked  upwards, 


atsrat 


I 


-g=±=\ 


0 0 — L_ 


=S 


keep  them  safe    from     harm. 


± 


My     heart    was    full,    and    still 

-        U- 


1      f    Jf       1 

re  -  calls,  When-e'er 

=— = =^= 


its  strength  would    fail, 


£: 


The  stream,  the    pas 


£= 


=^ 


tor 


i 


s 


i 


-t h 

a         ged    oak,      A       lit  -    tie    church  was      there, 
and      its    glance   Was  gent  -   tie    and        se    -    rene, 

-£ 1 


i 


~-W- 


-^ »- 


3f=» 


0l=s=jT- 


:i=^: 


Then    rip  -  pled  'neath      an        a 
His    eye    looked  up  -  wards,  and 

-4> 1 V 


red    oak, 


lit 


its  glance    Was  gen 


tie    church  was      there. 
tie       and       se  -    rene. 


4- 


:»; 


_A 


C 


SSI —- 


at 


If  1  If  |  If  if 

and     his     flock,    The  church    with  •  in.      the 

~l  E 1 ta:3C=p:z=ac=rp= 


vale, 


if     i       k     I       *     ' 

The  stream,     the      pas  -    tor    and 


:^~t 


F 


f      i         f 

his     flock,    The  church 


4= 


JSrc 


-o-        «p- 


H 


-I— n- 


rr^Mr 


with  -  in        the       vale. 


^rt 


«LEI<^HIIVO    SOM^. 


WILLIAM  MASON. 


73 


tc=& 


*nmt=jaiizst. 


^z&: 


3~,g: 


:3irs: 


38=rp: 


— 


-keT 


—B—sA-v-mk     '    -    r  _'  aj-^ 


iM^1: 


<*    f    m 


1- 


1.     A  -  way,    a-way  !  o'or  the  glistening  snow.  With  mer-ry     glee  anil  with  song  we      go;    With  laugh  and  shout,  While  bells  ring  out,  Hurrah,    hurrah!  for  the 


l^rn8^ 


zmt 


t£t=£» 


f^-M-^ 


B** 


1 


3K 


**  ^  u  p  ^^  '  r  ^ '  ^  * 


"5"  T" 

2.  Our  steeds  are  fleet,  and  they  light  -  ly  spring,  And  countless  gems  from  their  pathway  fling  ;  With     mer  -  ry    song,     We    glide     a  -  long,  With  speed  of  bird  is     our 

3.  Hur-rah,  hur-rah  !  for     a     steed  that  flies,     For     ro  -  sy  cheeks  and  for  spark-ling  eyes,    For      ring  -  ing  bells,      And    sing-ing  belles  ;  For  health  and  joy     our 

r0>&  »  » 35 1 *■-<» r^ ^—  ^~ 


-g»— fc 


±r 


ii 


^fci±: 


» 0 £»- 


3- 


_fe^f: 


S 


|.pf    ^  — g 


!:*i 


3E 


rsz^: 


s 


± 


=£: 


-|- 


g! 


:a_~g~~gi 


V-V- 


pi    &    pr 


3*1 


r;— I- 


V 


*c 


^rZISt 


He._|fl_^ffl_sL  as: 


$z=tc 


?:*: 


winter's  night,  The  snow  so  white,  And  the  moon  so  bright,  nurrah,1iur-rah!   For  the   win-  ter's  night,  The  snow  so  white,  And  the  moon  so  bright,  Ring,  ring,  ring, 


fTT 


frg         jB S_L^ ^ p*.i_£E_ 


=S 


T- 


:=t 


f: 


3t 


:*=*■ 


k  I.    U  >    i     [    J     I?    '     '     '     '*>   k 

rap-id  flight,  With  hearts  as  light,  And  with  eyes  as  bright ;  With  speed  of  bird    is  our     rap  -  id  flight,  \\  ith  hearts  as  light,  And  with  eyes  as  bright, 
idedoth  bring.With  bells  that  ring,  And  with  belles  that  sing;  For  health  and  joy  our     ride  doth  bring,  With  bells  that-ring,  And  with  belles  that  sing, 


rid 


Ring,  ring, 
Ring,  ring, 


-I 1 1 


*9      0. 


±^*— 


-fc N* 


-e> — «s>- 


■ff — f 


T — r- 


-b»- 


=£=£ 


.Gf~3?ZrjgZll&—&Z 


Ending  of  1st  and  2d  verses. 


King  ring,  ring, 

binding  of  last  verse. 


'         I 
ring,  ring, 
ring,  ring, 


we    glide    a   -    long,  Ring,  ring,  ring,  ring, 
with  belles  that    sing,  Ring,  ring,  ring,  ring, 


ring,  ring, 
ring,  ring, 


we     glide a   -    long,         we  glide  a    -     long. 

with  belles  that      sing,         with  belles  that     sing. 


ms 


;s£=:«L 


:gr-f-^r— p: 


-* — =- 


-; 0 =- 


:^~ss= 


■m 


mi    mi    m> 


J=_J       I 


ring. 


Ring,  ring. 


ring,  ring, 


the  bells  ring      out, 


the  bells  rinir     out. 


74 


SI£Arrii*'G-    GLEE.  » 


l!IH^l 


=*: 


-Jt=. *L 


:=S= 


^: 


^=i; 


:*=i=:i= 


3*=:*:=*=:^; 


-m — 0 -— F 


T.F.SEWARD. 


^ZZZZ^Z 


1.  When  win  -  ter  comes  and     freez  -  es     o'er,  Our     crys  -  tal  lakes  from  shore     to  shore.   We     vote   the      in-   gle     side      a     bore,    And    all      go     out      a 

2.  And  when  the     bit  -  ing     north-ern  wind,   Its      way     to    muf  -  fled     ears    will   find,   We     don't    a      con-   ti  -  nen  -  tal  mind,  But     all      go     out      a 


ltJE= 


> 


_... 


l — lo (Si-J-^ a — g m — 


J- 


^ — I- 


-fc 


F— — r^— "^ — ^— S — & — & — «- 


-at — es 
It 


z^-^z 


■  -*» 


u    I 


-at — Lg 


m 


8".      And      if      perchance  the      ice       is    thin,  Some   reck-less  chap   will      turn  -  ble     in,     And  there     a  -  ris  -    es    quite     a     din,   When  we     go     out     a 


=1* 


-&- 


-JB—j 


-&~- 


-fr- 


:a: 


32=L* 


:«*: 


T- 


^=:i=:S=3: 


^=F 


m 


Efc 


=f 


h — ? — is? — g» 


r- 


-»—£ — n 


:£=£: 


-f 


:£=£= 


lilii 


ska -ting:      And  then       wo    have     such    jol    -    ly      fun,     And  such     fan  -  tas  -  tic    tricks    arc    done      Up-  on      the      ice,     that     ev  -  'ry     one    Thinks 
ska -ting;       And,  may  -  hap,      if         the     ice       be      all         A  -  glare,  and  bumps   of      cau  -  tion  small,     A     gent     may    cut      an      awk-ward  sprawl,  Or 


q=F 


i 


zzzt^xz 


:i-JS: 


at 


i4!— r~  E-r — t-r — tHr — &--,-- 


«3i.— £ — :i 


-S_t£_g2 — P £=t 


ska -ting;      The     la    -    dies  scream  and   faint    with  fright.  And  com-rades  work   with     all    their  might,  To     save  their  chum  fuom  drown-ing  quite,  While 

« « ,*_ 


— ^ — I fc-F*11^ — 3 — -S-F? — «>—«»> — g-F^1 


_*- 


i *» J- 


=P 


^=Jl 


2=1 


3 


9.J 


2£* 


^Eir 


r— »— g=g= 


£ 


-£=j* 


J*=f- 


:Uz*=*=*l 


:J=S= 


— *- 


»=S=S: 


-V 


^=5= 


*=t 


:*: 


noth  -  ing     like        it    'neath     the     sun.    }   Fros  -  ty     whis  -  kcrs,      I     -     cy     nose,     chattering   teeth,   and      fro  -  zen     toes,      All       for    pleas -nre, 
la     -    dy     lose      her     wa     -    ter  -  fall.     j| 

J*— I 14- 


-I 


r 


-r 


^,-j 


==i: 


— L-. o g 


=$C 


T 


ur  -   chins  laugh      to      see        the    plight.      Fros  -  ty     wins  -  kcrs,      I 


*= 


:*~bf 


cy     nose,     chattering   teeth,   and      fro  -  zen     toes, 

h* — m — 0-a 


All 


for     pleas  -  ure, 


:tz: 


1= 


:tz=t 


^=^: 


^s=: 


•  From  tho  SumiyfUde  Glee  Hook.     i\y  permissiojij, 


SXil^TING^    OLEE.      Concluded. 


=S= 


^=5: 


3=2: 


^^== 


-p--- 


-fc 1- 


=3= 


75 


so  it      goes,  When     we        go      out        a        ska  -  ting, 


[NF=* *= 


^-j=?=J: 
±J=P:E*_: 


"rnrr-r 


iEfeS 


gzg-J — |-zW=t-— -* 


_p_j._ 


When     we         go      out        a         ska  -  ting,       Oh  ! 

3=£=:p: 


-K- 


S=-^=a= 


it      goes,  When     we        go      out        a        ska  -  ting, 


m 


=s= 


2=^ 


When     we         go      out 


ika  -  ting,       Oh 


M 


Efc 


:p=i=: 


i&> 


Allegro. 


-m~m 


RE    CONTENTED 

prp^rcprrpz 


-*— = • 1 — 

r  •    r  •     ' 


S: 


3: 


=>»- 


C.  P.  HOFFMAN. 


:£*=: 


:^^gP:^p[^P-J_JJ^E 


W-W- 


:tst 


p=p: 


:Prf3 


-J*-°-=j&.-^-±\ 


■zzti 


1 — f 
1.  The  world  grows  old,  and  men  grow  cold  To  each  while  seeking  treasure  ;  And  what  with  want,  and  care,  and  toil,  Wo  scarce  find  time  for    plea  -  sure. 

I 


y  "*■>!■'*  g-yr'r  err  yf^rii 


Stsafcjfc 


2.     If  adverse  storms  break  o'er  your  head,  And  fortune  show  re  -  sent  -  ment,  A  trust  in  God  will  light  the  way,  And  with  it  teach  con  -  tent-ment ; 


1     i   Jg-JS~-fJ=J--g=d=4-l— -i — Fg ^gF 


=1=, 


»* 


W: 


■£■-<*-, 


te^E^^S^^SE 


p=p=p: 


TZL 


-m-0- 


tt£±=S2 


:fe*t 


-P-*- 


:a-m- 


:zr 


:p 


But  never  mind, 


Not  much  to  be, 


^ 


\£L-*- 


-w~w-w- 


&=& 


35=0^- 


^=F=F=pp: 


:*L 


:p=prp: 


Pip: 


M 


:c*:=p— p=rp 
:p~l \—t 


G 


=t 


J   J     ,  ! 


But   nev    -    er  mind,  that  is    a       loss  Not  much         to  bo     la-  ment  -  ed,  Life  rolls  ou  gai  -  ly,      if    we   will  But  smile  and  bo   con- tent- cd. 


!%BB= 


r    1  -M-J-r J P*-* 1   ,  ^    I 4-H M rH 1 fl-j3rj ^-J |-r- *f^ 


fe^ 


Then  nev     -    er  mind,  press  on  your  way,  And  give        no  room  to      sor  -  row  ;  To-day  may  cloud  your  path  in  shado,  But  gives  you  joy  to    mor-row, 

Pr£— Ps> |-r-4 


££=£: 


z^-f-r~r~r  i  _ 

y-t*-V-?  — |     [P— P       P — p 


tt=t=: 


i?=£=p-p 


^-t:^:- 


-»»-^-b» 


'      #-tj== 


P~*~^ 


PP=P= 


:p: 


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76  "  STAIVI>    13 Y    THE    FLAG."      F*T»tion»l  Anthem.  HENRY  TUCKER. 

Maestoso  c  marcato.  by  permission  of  w.  a.  pond  &  co. 


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2.    Stand    by    the  flag ;  though  death-shots  round  it  rat  -  tie,    And    un  -  der  -  neath,  As      way  -  ing  folds  have  met, 


In       all     the  dread    ar  - 


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ry,     Of    Free  -  dom's  tri  -  urnphs    o  -  ver    all     the    globe.     Stand    by    the  flag     on    land  and     o  -  ceah  bil  -  low ; 


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ray     of     sanguine    bat  -  tie,    The   guid  -  ing    lance    and      glit-t'ring  bay  -  o  -  net 


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Stand    by    the  flag,    all  doubt  and  ti'ea  -  son  scorn  -  ing, 


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By     it    your  Fathers  stood,  unmoved  and  true;    Liv  -  nig,  de-fend-ed,        dy  -  ing,  from  their  pil  -  low,With  their  last   blessing  passed  it    on     to     you. 
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Be -Here,  frith  courage    firm,  and  faith  sub-lime,  That  it     will  float  un 


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til   th'e  -  tern  -  al    morning,  Pales  in      its    glo  -  ries     all    the  light  of    time. 

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RINGH    RING!    IfclNG!      A.    New    Year's    Song. 


T.  F.  SEWARD.     <-?  ry 


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1.    King  I    ring!    ring!     How   sweet  the    chimo   of       mer  -  ry       bells,    Ringl   ring!    ringl      The      cheer  -ful      mu  -  sic      swells.         Ring 


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2.  Ringl    ring!    ring 

3.  Ring 


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!     Re  -  sound- ing     ech  -  oes      fill      the      air,        Ringl   ringl    ringl      And       ban  -  ish      ev  -    ery     care.  With 

I      How  sweet  the    chimo   of       mer-  ry       bells,    Ring!   ring!    ring!      The      cheer -ful      mu  -  sic      swells.        May 


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out        our       joy  -    ful       greet 

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ing,     To  hap  -  py     hours   so       fleet    -    ing,     The        old      and      new    year    meet  -    ing,     With 


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ken,     Are        kind  -  est      wish  -  es       spo 

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fu  -   ture  bless-ings  share 

mer  -  ry    peal  of     bells 


Ring !  ring  I 
Ring  1  ring ! 


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ring !     He  -  sounding  ech    oes    fill    the    air,    Ring  I  ring  !  ring  I   And  ban  -  ish    ev  -  ery  care, 
ring  I    How  sweet  the  chime  of    mer  -  ry     hells,  Ring  I  ring  1  ring !   The  cheer-ful    mu  -  sic    swells. 


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78 


THE    "WHVOS    AlfcE    ALL    IIUSI-IJED. 

(QuAETETTE   FOR   MALE   VOICES.) 


Serenade. 


SOLON  WILDER. 


„uJ    JotA 


1.  The  winds  are   all  hushed,  and  the  moon    is      high,  Like  a  queen  on    her    sil  -  ver  throne    Tran  -  quil  and  dark    the    deep  woods  lie,     Scarce-  ly     a 

2.  The  song    of    the    night  -  in  -  gale  stirs    the      air,    And  the    bri  -  ers  sweet  breath  is    blown ;  Come  in    thy  bloom,  be  -  yond  com-  pare,      I'll  clasp  thee 


cloud  sails    o'er    the     sky,     None   are  a  -  wake  save  the   stars  and      I.      Sleep -est  thou  still,  mine  own,  mine  own,    Sleep-est  thou  still,  mine    own? 
close,  and    call    thee    fair,     Kiss     off  the    dew  from  thy   gold -en      hair.    Sleep -est  thou  still,  mine  own,  mine  own,    Sleep-est  thou  still,  mine    own? 

J-JLJ. 


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MEN    OF    STRENGTH.      (Foe  M*le  Voices.) 


1    J^^^^^r,^S^z^d:=j=^^|    J    ..J.J    J_±\ 


J.  H.  TENNEY. 


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1.    0  shout,  men  of  strength,  your  massive  hammers  wielding,  Come,  hammer  out  the    des-ti-ny,   of     all    here  be -low:     For  gleaming  axe,  and  hoi- low  gun,  And 


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ar  -  mor  flash  -  ing     in      the     sun,     The       sol  -  dier  comes  to  you,   ere     mect-ing    the     foe. 


Uj    r   i    i     r 


2  And  lords  of  the  soil,  for  all  their  tools  of  labor, 

Must  come  to  you,  and  enter  at  the  smith's  swarthy  door ; 

Then  soon  he  guides  the  shining  shave 

Through  loamy  fields,  and  everywhere, 

He  strews  the  scattered  seed  for  glad  Autumn's  6tore. 

3  0  shout,  men  of  strength  1  behold  your  iron  coursers, 
That  yonder  rush,  with  fiery  breath,  away  o'er  theiea  ; 
And  o'er  the  surging  sea  and  main, 

Your  engines  track  the  watery  main. 
And  yours  the  honor  be,  on  land  and  sea. 


SFAIfcKlLIIVO    WATER.      Temperance  Glee. 


T.  F.  S. 


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1.  Come,    let       us      sing      of       fount  and    spring,  Of    brook  -  let,  stream  and      riv 

2.  Downfall      the    showers  to      feed      the  flowers,  And     in      the      sum-  mer,    night 

_l- 


er,    And    tune      our    praise    to       Him 
ly,    The      bios  -  sorns      sip    with        ro    ■ 


1 1 — 

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ring  -  ing,     At    stream-let's     brink,  will    blithe 
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ter     can     com  -  pare,  That      na  -  ture      loves     so        dear    -    ly  ?    The 

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sing  -    im 


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wa  -  ter,  wa  -  ter    that     spar  -  kles      so     clearly.* 

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sweet  -  est    draught  that    can       be    quaffed,  Is       wa  -   ter.  wa  -  ter, 


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ter    tliat     spar  -  kles      so     clearly. 


:*_"*: 


80 


"C^L.L.    JOHN. 


99 


W.  B.  B.     From  the  "  Shawm. 


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John !    John ! 


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Cull  John ! 


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louder,  louder,  louder !    John  1         Johnl  John!  John  ! 


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John! 


John  [John  I         Johnl 


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Call  John ! 


John!  John! 


John ! 


John ! . 


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"Well,  well,  what  d'ye  want  of  John, 


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O  John! 


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John,  can  you  tell  us  ? 


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Well,  John!  John!  John! 


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Tell  you  what  ? 


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Tell  you  whal  ? 


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How  to     sing   this  song?  Yes,  yes,  yes,  yes,    yes.     Mi,      re,     do,     mi,    re, 


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Sol,   fa,      mi,        re,      do,     mi,     re,      do, 


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John  -  ny,    can    you    tell        us,      Tell    us     how    to     sing  this 

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song  ?     John,       John,       John,  ha,   ha,  ha,   ha,   ha,   ha,   ha,  ha,    Jolm,      John,    John,   John,  John,     we  have  learned    this     song. 

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ha,  ha,  ha,  ha,   ha,    John,  John,  John,    John,  we  have  learned  this  song. 

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teach  you  how  to   sing,  no  I 


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Such  a     set    of      blunder  heads, 


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blunder  heads,  never'll  learn  to   sing. 


8;^  QUARTETTE  FOB    MALE   VOICES.     "Am  I  Dreaming  ? " 

Composed  by  GEO.  T.  EVANS. 

1st  Tenor     Moderato.  >.  ,  i  ,  >  I  ^      o^  Dedicated  to  M. 


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2d  Tenor. 

1.  Am      I        dream-ing,    beau  -  ty,      dreaming?      For    a       spi  -    rit        in       thine    eyes 
1st  Bnss.  _  :> 


To  '  my    fan  -  ey      is      re  -    veal  -  ing     A     dis 


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2.  Am     I        wak  -  ing,  beau  -  ty,      wak    -  ing?    For    a       spi  -    rit 

'1A  Bass.  >  ,  i 


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To     my  sens  -  es      is       be  -    tray  -    ing,  Flcet-ing 


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EaLient.       .      .      .        __ 
dreara-ing,     beau  -  ty,       dream-Lag? 
& — 0 _ 


After  2d  Verie. 


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PARTING    S^ONG.    For  the  Closing-  of  !?4cliool-term. 

Words  by  FANNIE  CROSBY.  FOR  THREE  EQUAL  VOICES.' 


83 


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1.     Lo!  an  -  oth-er  term  com-plet    -    ed,  Brings  our  an  -  ni- versary   day,        Hope  her  ro  -  sy  wreath  is  twin     -    ing,     While  we  sing  our  parting  lay  ; 


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2.    Happy  schooldays,  bright  with  promise,  Have  we  prized  them  as  we  ought,  Have  we  found  the  pearl  of  wis  -  dom,  Won  by  toil  and  earnest  thought? 


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Time  has  borne  us  sweetly     on -ward,  With  our  books  and    teachers  dear,  While  wo  drank  the  stream  of  knowledge  Flowing  like  a    fountain  clear. 


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While  unhid  -  den    tears  are  fall  -ing,  Like  the    gen  -  tie       A  -  pril  rain,  Friendship  whispers,  soft-ly  whispers,  Schoolmates,  shall  wo  meet  again? 


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Lo !  an  -  other  term  com-plet    -    od,  Brings  our  an  -  ni  -  versary  day,        Hope  her  ro  -  sy  wreath  is  twin  -  ing,  While  we  sing  our  parting  lay. 


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Lo !  an  -  oth-er  term  com-plet     -     ed,  Brings  our  an  -  ni  -  versary  day,         Hope  her  ro  -  sy  wreath  is  twin  -  ing,  While  we  sing  our  parting  lay. 


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86  "WHEN    THE    MORN    A'WAKirVG^" 

Words  by  FANNY  CROSBY. 


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1.  When  the  mora  a  -  wak  -ing,     O'er     the  earth  is     break-ing,      Light  -  ing    the    for  -  est    with  her  gold-en     ray,     Dane  -  ing  o'er    the  mountain, 

2.  When  the  day    is    brightest,    When    our  hearts  are  light  -  est,      When      summer     ros  -  es     blos-sorn  where  we  tread ;     Still     the  gen  -  tie  eho  -  rus 


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Float  -  ing  sweet-ly     o'er  .   us,    Leaves  a  charm  that  lin  -  gers  when  then-  shade  has   fled : 


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SOTVGS-    OR    DUETT.      "We   loved  Her." 

With  accompaniment  for  Piano  Forte  or  Cabinet  Organ. 


T.  F.  SEWARD. 


87 


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With    an  -  gel  bands  a    -    bove;...     And  joins   the  ser-aph     voi  -  ces 


Then  pass'd  for  -  ev  -  er       by ; 
To    yon  -  der "  shining     shore." 
In  rapturous  strains  of     love. 


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weary,  Her  bliss — her  Heav'n  would  know.  We  loved  her,  oh !  we  loved  her, Yet  we  would  ne'er  detain, ) 


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T.  F.  SEWARD. 


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With  many  a  curve  my   banks  I    fret,    By  many  a  field  and   fal-low,     And  many  a    fai  -  ry    fore-land  set   With  wil  -  low-weed  and  mal-low. 
And    here  and  there  a      foam-y  flake    Up  -  on    me,  as      I      trav-el,      With  many  a    sil-very   wa  -  ter-break  A  -  bove  the  gold  -  eu  grav-el: 

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I      slip,     I    slide,  I    gloom,  I  glance,  A  -  mong  my  skimming  swallows,     I    make  the  net  -  ted  sunbeam  dance  A-gaiust  my  sand  -  y   shal-lows. 


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I     chat  -  ter,  chat-ter     as      I    flow,  To    join   the  brimming  riv  -  er,      For  men  may  come,  and  men  may  go,  but    I      go    on    for  -  ev  -  er. 
1     draw  them  all    a  -  long,  and  flow,  To    join   the  brimming  riv  -  er,      For   men  may  come,  and  men  may  go,  but    I      go    on    for  -  ev  -  er. 

^ L      _.k.      J^__. _*. , , PS |S_j fig.,      i  w       *•»  K       .«•* 


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90 


A.    HOME    OTV    THE    RUSHING    SEA. 


T.  F.  S. 


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1.  A      home 

2.  Tliere  bright  . . . 
Alto. 


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a     homo . 
at    eve . . . 


on  the    rush 
is  each  kind 


rag  sea, . 
ling  star, 


Where  the  waves        are  wild. 

Where  the  vea      -      pers  sweet . 


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and  the 
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1.  .A    home,   a  home  on  the      rush  -  ing  sea,       A       home,     a  home  on  the    rush  -  ing  sea,  Where  the  waves  are  wild  and  the  winds  are  free,  Where  the 

2.  There  bright  at  eve   is  each  kind  -  ling  star,    There  bright    at  eve  is  each  kind  -  ling  star,  Where  the  ves  -  pers  sweet  ech  -  o     from      a  -  far,   Where  the 
Tenor.       i  k.      i*>      r*      ^ 


w  aves  are  wild,  and  the    Minds  are  free,  Where  the  dash  -  ing  spray    is  tossed    in  glee,    Where  the    dash  -  ing  spray  is  tossed    in    glee,    And  the 
ves    -    pers  sweet  ecli  -  o     from     a   -   far,  Where  the  o   -    cean  mur  -  murs  lie    and  dream,  Where  the    o  -  cean  mur  -  murs  lie     and  dream,    In  the 


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foam  is         as    light  as    foam 

depths        where  now  sleeps the  pearl's 

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foam     is        light  as    foam    can  be,       As    light    as     foam    can    be. 
depths  Where  sleeps  the   pearl  -  y  beam,  Where  sleeps  "the  pearl  -  y       beam.  J 

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IOME    OW    TI  JELT  IlJSGi    SEA.      Concluded. 


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German  Melody.    From  "  Song  Garden,  No.  2." 


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^    5  I'm     a    shep  -  herd  of    the    val  -  ley,    La    la      la     la  la  La  la    la      la     la ;  )  W1         ..     .  ,  .  .       „,       ' ,     ,       ,     . 

X-  {With  my  sheep  I     wan-der  dai  -  ly.     La    la      la  La  la    la      la     la.  J  TVhere  theten  '  ^er  grass  is  growing,  Where  the  laugh  -  mg  wa  -  ters 


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0    5  In      the  fresh  and  dew  -  y     morning,    La     la       la      la    la   La  la  la      la     la  ;1    w,       .      r  „  .    >      .     .%.      ,  ,  , 

2-  hvhen  the  first  grey  light  is    dawninf,La     la      la     la    la  La  la  la      la     ia  J   ^  ak  •"  mS  from  my  peaceful  slumber,  Loud  re  -  sounds  my  cheerful 


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play ;  Where  the  ver  -  nal  winds  are  blowing,    With  my  flock       I    love  to    stray,    La  la     La    la   la,  la    la    la  With  my  flock      I  love  to    stray. 


-» — way 


1 


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song ;     Up  the  mountain  then  I  clam  -  her  With    my  sheep         a    hap  -  py  throng, 


La    la     la, 


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-fer-*4 


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92 


SOLO. 


"ONCE    MORE    I    SHARE     THE    JOYS    OE    HOME." 

Woeds  by  Geo.  W.  Bibdbeye.  SOLO  WITU  VOC.MZ,  JlCCOjnPJtJYIJflEJS'T.  T.   P.   S. 


zg: 


1.  Once      more      I   share  the   joys    of      home, 

2.  Once      more    my  fa  -  ther's  gladdened    eyes 


^ — Is* — 


— - — w- 


The        lov  -   ing  heart,  the  smil  -  ing 
Look      on       me  with  their  old  -  en 


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1.  Once     more      I      share 

2.  Once      more     my      lii 

TENOB.^.  _  ..  _ 


the        joys      of     home,    Once      more    I     share  the 

ther's    glad-dened  eyes,    Once     more  my    fa      -       ther's 


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joys      of      home,    The        lov  -  ing  heart, 
glad-dened  eyes      Look       on     me    with 

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lent    to       her 

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dwell  -  ing      on  a 

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dwell  -  ing      on  a 

sis  -  ters,  broth    -    ers, 


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home-ward  speed-ing     o'er    the      sea, 
warm  and  heart,  -  felt    wel  -  come    give, 


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for  -  eign    shore, 
'round  me     stand, 

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me 
each 


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*  For  tbo  riauoforto.  Fluto,  or  o<cor  lusinitoont.    Those  nccomiiauimcnu  should  be  played  an  octavo  higher. 


OJVCE    310RE    I    SHARE    THE    JOYS    OF    HOME.      Concluded.      93 


TENOR. 


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ing  heart,  the     smil  -  ing      face; 

— & fit— — M 3! — S ^j — 


lov    -    ing  heart,   the     smil 

-&-± — « — ^ — m — &— 


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face; 


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CRADLE    SONG. 

WOEDS  BY  THE  AUTHOR  OP  "  THE  WIDE,  WIDE  WORLD." 


■3=*—?- 


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w-  rm  m- 1* 


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1.  O,  ht-tle  child,  he  still  and  sleep,    Jesus  is  near,  Thou  needst  not  fear ;(  No  one  need  fear  whom  God  doth  keep,  By  day  or  night, 

j  Then  lay  thee  down  in  slumber  deep,  [Omit ]    Till  morning    light. 


»— <f— # — m— hoi — *— «i- — — m—m—m—o 

l.  l*  i      l*    ^    wp-m-  h  i,  i.  r 


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+^— h;  i  ,.  i** — i  ■  .i. 


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2.  O,  lit-tle  child,  he   still  arid  rest:  He  sweetly  sleeps  whom  Jesus  keeps,  j  And  in  the  morning  wake_so  blest  His  child  to      be; 


as 


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to 
Love  every  one  but  love  Him  best,  [Omit ]    He    first  loved  thee. 


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)4  ONCE    MOXfcE    Jl    SONG,    GOOD    IVIGS-HT. 

Allegro.  Alia  Barcarolli. 


W.  B.  BRADBURY. 


1 


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1.    Once  more  a    song,  a     song,  a     song,  The    day      is    past     and  gone,  Soon  parts  our     bap 


py  throng,  our  throng, When  evening's  com  -  ing 


:zjszzf5=|: 


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1.    Once  more  a   song,   a     song, 


The    day       is    past     and  gone, 


Soon  parts  our  hap  -  py  throng, 


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Ho: 


Whcn  evening's  com  -  ing 


P 


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2.  Sound  now  the  mcr  -  ly    strain,  the  strain,  Let     all      our  voi  -  ces  swell,  For  now    we     part 

, — m — m — *- 


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a  -  gain,    a  -  gain,  All     hap  -  py,  gay    and 

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3.      So      a  good  night  to      all,    to      all,  Good  night,  good  night,  good  night!  To    all,  both    large 


and  small,  and  small ;  Good  night,  good  night  to 


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on,  coming  on,Wheu  evening's  coming    on, 


:g==g: 
1 — ; 1" 


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■o--—m — W- 


And  thus  a  -  round  us    far,  Drops  all  her    cur    -     tains    down,  curtains  down,  Jewelled  with  many  a 


g 


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well, gay  and  well,  Let  none  of    us     be  sad — Let  part-ing    cause 


"  9 


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no       pain ;  But  let     us    all 


be 


glad,  all  be  glad,  For  we  shall  meet  a- 


1- 


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all,  large  and  small,  We  part,  but  not   in  pain;  Goodnight,  goodnight,   good     night,We  nope  to   meet         a 
HOLD    FAST     TO     TRUTH. 


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gain,  meet  again  ;  Good  night,good  night.good 

MfJSIC  FROM  THE   GERMAN. 
_| 1 |__J- 


-S— (®- 


1 — T 


czzzzt:rztrp-L— 4J- 


i  i             iii               k    y .  I  | 

Holdfast  to     truth        In    age  and  youth,  Shar-ing    its  lot  cheerful -ly,  Brav-ing   its    foes  fear-less-ly,      In  age  and  youth,  Hold  fast  to    truth. 

i         i        i          i               i        i        i          i  i  i        r         i  i        i        I 

A  A  J.    J      m.  A  A-  J          ---            ---  -=-  ---  ■*■  -*-  -*  -^-  ■  -*■  ■*  A 


i 


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ONCE    MORE     A    SONG,    GOOD    NIGHT.        Concluded. 


95 


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star; 


Goodnight, 


star ; 


:a*: 


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good  night,  We  hope   to  meet  a  -  gain,        Good  night,  good  night,  good  night,  good  night.We  hope  to  meet  again. 


z± 


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Good  night, 

T 


_ff — «,_ — _, — «, — _ — ^=p_ 

good  night,  We  hope    to  meet  again,  Good  night,  good  night,      good  night,  We  hope    to  meet  a  -  gain. 


tfc 


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Good  night,  good  night,  good  night,  good  night,We  hope  to  meet  again, 

_£2n  ~^rz>  • 


Good  night,  good  night,  We  hope    to  meet  a  -  gain. 


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night, We  meet  a-gain,  Good    night, We  hope    to  meet  a   -   gain, . 

"HEARTS    AND    HOMES." 


-& — &~ 


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We  hope    to  meet  a  -  gain. 

^  J.  M.  PELTON. 
Ores. 


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EjEtafci*:. 


Hearts  and  homes,  sweet  words  of  plea  -  sure,  Mu-sic    breath 

. mp 


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flaking    each the  oth  -  ere 


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— : — &— e>-& 


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Once  di  -  vi  -  ded,  di  -  vi  -  ded  los  -  ing     all,    los -ing  all, 
r-   |    m/A        ^   J..  J.  ^.J.        S|         SI         IS 


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Z0zzm~&: 


1 — 1?~|- 


=ffi=g=az:p:p:i 


±r. 


"HEARTS     A.TVI3     HOMES/'       Continued. 


-1 1- 


^sH- 


— *-* t*- 


:e>z 


-<■! ml— je mi — as*-* 


■Mzuzm. 


-  lone can  make  you    ho 


ly; 


Hav  -  ing  love    it    boasteth  all. 


"I 5^5= 


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Ilearts  a  -  lone  can  make  you    ho     -     ly ; 


^"      -9t-  -mi-      -mf  "W"' 

Be     the  dwelling  e'er   so  small,  Hav  -  ing  love    it    boasteth  all.     Be     the  dwelling  e'er   so  small, 


1    M     r»  i     >    \ 

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1 — m-o— '-H- 

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Be     the  dwelling    e'er     so    small,     Hav -ing  love     it    boast  -eth    all,         Be     the  dwelling    e'er     so    small, 

fc— J fc—, ,— 


zmzzzmzzzzzzmzzzzsz 


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m-m- 


Hav-ing  love     it   boast -eth    all, 

i_   *  i    s  ri-J*  A 


Be 

I 

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z^zzz^zzzzzzz^z 


z*zzzzpz. 


the  dwelling    e'er     so    small,     Hav -ing  love     it    boast -eth    all,         Be     the  dwelling   e'er     so    small, 

ji  jv  j  j-  J  ^  <i  *s-i-  i  *^  .*v  Ji 


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"HEARTS    ^JVI>    HOMES." 

Ores. 


Concluded. 


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breath 


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Mak  -  ing    each the  oth  -  ers'     treas   -   lire, 


Once  di  -  vi 
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clod  los 


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P-P^P^H 1 — *-r  F— —l — *~i       *    I *-H  i-^i  i g 


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»/ 


Mu  -  sic  breathing  as    they  fall,    Mu  -  sic  breathing  as 
I  "  '  *     1       >   I      >   J        J         hi         >     I 


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CVes. 

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98  &Q1SG-    OF    SPIfclTVO. 

Allegro  Vivnce. 


□ 


"The  ^vinter  storrtis  are  over." 


T.  F.  SEWARD. 


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How  sweet,  the  birds 

A  -  wake,  A  -  wake 

1.     The   win  ter  storms  arc  o    -    ver,  Be-LolJ  the  gen-tle  Spring,  How  sweetly  now  the  wood-land  birds,  Their  cho  ral      anthems  sing.         To  God,  the  great  Cre- 

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tor      Of  earth  and   sea    and  skies,   Who  decks  the  world     in      beau-ty,    Let  hymns  of  praise     a-  rise. 


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hold  the  gentle  Spring,  How  sweetly      now   the  wood-land-birds  Their  cho-ral       an-thems  sing. 


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O    happy,  hap-  py  Spring  -  time,  Thy 


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hold  the   gen-tle  Spring,  How  sweetly      now    the  wood-land-birds  Their  choral       an-thems  sing. 


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SONG-    OF"    SPRING.      Concluded. 


99 


cheerful  smile  be  -  stow    -    ing.    Thy    pearly  showers  de  -  scend    -    ing,  Thy    crys-tal  fountains  flow,   Oh    how     we     Jove      to        see,  Thy    blossoms     on      the 

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1.    Fare  -  well,   fare  -  well,  for    now   the  greet  -  ing 


Of       eve  -  ning    bids        us      part ; 


I |- 

But     love,  which  gave    us        meet 


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«THE    SUNBEAMS    ARE    GLANCING." 

Waltz  Movement.  .  


I 


J.  H.  TENNEY. 

-I 1= 


101 

m 


j  The     sun  -  beams    are        glanc  -  ing      o'er 

•*■•     "l    Tiif'a        Ain  ill  tllP  HtTAaTTl         fit'  lllO, 


fin- 


est,   and  moira  -  tain,    The 


hill 


(  Let's    dip 


stream    of       the       bright    flow  •  ing    foun  -  tain,    And        steal       its   sweet 


tops     are        tinged  with     the      last       fee   -   ble      ray;   ) 


vio 


lets     and      li    -    lies        a  -  wayff 


Let's       go        to 
The      lau  -    rel 


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the        peak  where    the 
we'll    wreath  with    our 


— m- S»  F  '    * » »— P-^—O 4* *— L-g =d- 


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last      sun  -  beam      lin  -  gers,    And    gaze       on        the        day  -  god      as      calm  -    ly        he    sinks ;     ) 
own      fai  -    ly    .fin  -  gers,    And       rob      the      night  -  shade    of      the      dew    that        it   drinks;    J 


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<  The       wild    rose    and       myr  -  tie   then-    soft  leaves  are    clos  -  ing,   The    cow  -  slip    is     catch  -  ing    the    dew      in       its    bell ;  > 
I  The       ring  -  dove    and    thrush    in  their  nests    are      re  -  pos  -  ing,  And  young  leaves  are    sigh  -  ing       to    day  -  light    fare-well ;  $ 


Fare  -  well ;    faro- 


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I      '     I     I 

s  go      to        the       val  -  ley  where  dark  -  ness    is  wreath  -  ing,  And  mock  the  cool  stream  as       it       murmurs    a   -   long 

s       count  the      wild      flow  -  ers  whose       o  -  dors   are  breath  -  ing,  And  make  hill    and       val  -  ley     re  -    ech  -   o     our    aong 


<  Let' 
\  Let' 


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well,       To    day  -  light  fare-well ;    Fare-well,     fare-well,         to    day -light    fare-well;       And    young  leaves  are        sigh -ing     to      day  -  light  fare  -  welL 


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well,        To    day  -  light  fare-well ;     Fare-well,      fare-well,         to    day-fight    fare-well;        And    young  leaves  are       sigh -ing     to      day-light    fare  -  welL 


r 


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THE    SLEIGH    I&IJ3E. 


~S    Is    I 


m-m-± 


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From  "  SrmNYsroE  Gleb  Book.'      By  permission. 


S=i: 


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^ 


1 


Jing-a-ling,  jing-a-ling,  Jing-a-ling,  jing-a-ling, 

1.  He-w  bright  and  clear,  The  moou-beaiiis  sparkle      far    and  near/With  hearts,  so  light,  We  greet  this   joy  -  ful  night. 


4- 


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2.  How  swift, 


i    r 

we   go, 


I 


-i — r 


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-i- 


— i- 


i 


«— 


-4- 


3=p: 


r=3: 


<=£ 


1 


So  hght  -  ly    o'er    the      fros  -  ty  snow,With  friends 


i$=~: 


zwzwzp: 


W= 


-&=& 


:«: 


-F 


:£: 


H*-*-P" 


^rtc 


beside,  How  nier  -  ri  -  ly      ive  ride, 

H9S 


V-V-l 


:gc 


Jing-a-ling, 


jing-a-ling, 


Jing-a-ling, 


jing-a-ling, 


3 


II 


:t 


:t 


± 


± 


± 


± 


:t 


D 


Bril  -  liant    stars      so        bright  -  ly      shin  -  ing,    Snow  -  drifts     up      the       hill  -  sides    climb  -  ing,    Hoofs   that  dance  with       ruu  -  sic's  chim  -  iug, 


-4- 


+ 


:»: 


:*— *: 


W&—Q7 


5^2 


w-p—wz=z<s—zp 


1 


III!  I         I         I         I  I         I         !         I  I       I         I         >  I         I      I         I  I    .  I         i         f 

Bril  -  bant    stars      so        bright  -  ly      shin  -  ing,    Snow  -  drifts     up      the       hill  -  sides    climb  -  ing,  Hoofs    that  dance  with       mu  -  sic's  chim  -  ing, 


m=£ 


--i — i- 


* 


-a — t 


I 


Hi 


-&- 


-*—&— w=m— P—& 


^=tc 


:k=t 


:p=P=^=^=P=p: 


Sc=fc: 


:k=k: 


What      a       scene      of      gay       de   -    light! 

_^ 1 1=^. 


Jing-a-ling,     jing-a-ling,     Jing-a-hng,     jing-a-ling, 
Jin    -     gle.       go         the     bells        so       mer-ri  -  ly,    Hap  -   py    hearts    and      fa  -   ces     beam  -  ing, 


Se^ie 


v.  hat     a 


ZjBZ 


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m. 


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zwtzz^z 


-0 — « — a- 


=t=l 


-m « 


scene     of      gay       de   -   light! 


Jin 


gle 


1  I  I  W     ««•     I  I  I 

the     bells         so        mer-ri  -  ly,    Hap  -   py    hearts    and 


I  i       |  I         I 


pr^^c 


re?: 


irMtzj: 


:*»~g: 


zmzzuz 


Z&ZZZ&Z 


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:«— *       tf~  >— ■!= 


4=1: 


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fa 


ces     beam. -ing, 


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Jing-a-ling,      jing-a-ling,     jing-a-ling,     jing-a-ling, 


THE    SLEIGH    RIDE. 


Concluded. 


103 


$ 


± 


-e=Bz 


-r=B=ei 


&=& 


&=&: 


Jing  -  a  -  ling-,      jing  -  a  -  ling,      jing  -  a  -  ling,      jing  -  a  -  ling, 
Yoi       -      ces       sing      -      ing        out  so        cheer-  i  -   ly,       What 


7£ 


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I 

Voi 


ces 


sine 


I 
ing,       out 


so 


cheer  -  i 


^=EH x- 

zm=±z^E%l 


joy 

— i- 


fui. 


joy 


Jing  -  a  -  ling,      jing  -  a  -  ling, 
fill    night.  Jing       -      le         go  the 

PP 


cza: 


32=6= 


^—^ 


iy, 


What 


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a 


i 
joy 


CZ& . ^_ 

# 1 — & *- 


fill, 


joy  -   fill    night. 


Jing  -  a  -  ling,         jing  -  a  -  ling,         jing  -  a  -  ling,        jing  -  a  -  ling, 


Jing 

rite 


le 


the 


j* — *Z 


Jing  -  a  -  ling,        jing  -  a  -  ling, 


=tz=tsc 


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± 


jing -a 
bells 


ling, 
so 


jing  -  a  - 
men  -  ri 

->'■"'■  fr 


ling, 

-  ly,        Hap  -  py    hearts  and 
cresc. 


:=!= 


i — a £ 


fa  -    ces    beam  -  ing, 

-. 1 1 r^ 


Jing  -  a  -  ling,       jing  -  a  -  ling,       jing  -  a  -  ling,        jing  -  a  -  ling, 
Voi      -     ces        ring     -     ing         out  so       cheer  -  i  -    ly, 

/  •    .  1  ^       IS       I 


T 


m 


bells 

— N~ 


mcr  -  ri 


iy, 


i        i        !        I 

Hap  -  py    hearts   and 


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I 

ces    beam  -  ing, 


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I 
ces 


zmzzx. 


nn« 


out 


so 


cheer  -  i 


iy, 


:tz=t*: 


jing  -  a  -  lint 


jing  -  a  -  line 


jiug  -  a  -  ling,        jing  -  a  -  ling,        jing  -  a  -  ling,        jing  -  a  -  ling, 


i 


qv^= 


=£=^: 


r^: 


--St—W—W- 


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Jing-a-lLna 


^  joy 
-I- 


i'ul     night!  With  hearts 

h — i-r-L— 

a to — I — ,= 


so    light 


jing-a-hng, 


"M 


jing-a-ling, 
We  greet       this 

//    "         . 


jing-a-ling,    jing,  jing,  jiug. 
joy    -    ful    night. 


i      i      i      i      r 

joy   -   ful     uight !  "\\  ith  hearts 

U      I         1 


:*: 


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so     liirht 


We  greet       this         joy 


ful    niifht 


11 


'&— S_^_ 


r.t2=£jg=t 


--W—&— <&z 


:tz=ztH=t 


zp—fr—p-- 


,W    V 


■&=&=3=. 


■=x 


Jing-a-ling, 


jing-a-ling, 


jing-a-ling,         jing-a-ling,     jing,  jing,  jing. 


104 


"O'ER,    CRESTED  "WAVES." 


T.  F.  S. 


&-fc£ 


g/P 


-*-t 


m 


p=tp=p=:p=p; 


1 1st  time 


2nd  time 


^=t=:^r 


:*=£=£: 


1.    O'er  crested  waves  we're  sail-ing,With  courage  still  unfail-Lug,  As  on  we  go,  now  swift  now  slow,  Across  the  wondrous  deep. 

Is      ,       n>    I       V^i        Ik  w     ,       w       .       w     ,       ^  w  ».  > 


Z> 


T 


2.    Still  on  with  joy  we're  gliding,  All  gloomy  care  de  -  rid-ing,  With  fav'ring  gale  and  trusty  sail  (omit . )    Our  steady  way  we    keep. 


*t-rJ     SJ N— I l-n 


-m-~-m—m-*—m 


j=gE5^5^^gg=g£^ 


£.— ffzzp: 


:*-*: 


t*F^5»- 


T--^; 


— fr-i — *- 


P^P- 


I 


Inst. 


fV 


IS 


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^ 


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£^ 


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jggg 


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V— r— ^-Lr 


1- 


T 


V-l- 


P=r;!?r=»=:PzirPrc 
f=fp— pzzg:=gzf 

b* — Li L, —  i u* — L 


E 


Oh  !  what  care  we    for    rag  -  ing  sea,    Or  wind  that  howls  a  -  long !        O'er  foam  -  ing  tide  we     gai  -  ly  glide,  And  raise  our  cheer-ful  song,  and  still    pro- 

S      I     ~:      I     — -       I         I         N       i 


ztzzz^- 


tzz 


-?=-•- 


--fzzzez 


:fczt: 


^-d 


--^zzzz^zz^z 


JjJ.  J!  J.  jW  J* 


ezzEz 


Still  on  with  joy  we're  gliding,  All  gloom  -  y  care  de  -  rid  -  ing,  With  fav'ring  gale  and  trust  -  y  sail  Our  stead-y  way  we    keep. 


I*    I 


^z^zz.azzr^^z^zzzazzzzzz 
pr-:z:f!zFp:=P=§=^ 


,     M   J*  J.    I     h  _,   _^   ,     >    i     i_ 

—l — m-m — m   ■  ^  •  9 — m— , — I P — I — ^—rM-. — >— 


-*—r 


P-, — i S — 1 — ' — N-, — i V— 1 — m— rJ — 


_£_I_J^I — I- 


long  our  chorus  strong.^       Still  on  with  joy  we're  gliding,  All  gloom  -  y  care  de  -  rid  -  ing,  Will  fav'ring  gale  and  trust  -y  sail  Our   stead-y  way  we    keep. 


(frT^rrri^Bfiirsrc-if 


-P — P-P—P-.-^--^- 


i 


:prrp— p: 

zfrzrczzzzUz 


:pZLz»zzz*z:hB:zz?zzmzmmz 


ztzzzz&ztuzzUzzb 


z&z 


«2*. 


"O'ER-   CRESTED   WAVES." 


:P=P= 


'&=& 


p=rp_p_p_ 


£=&=£: 


Concluded.. 


105 


fc=fcc 


^=P=?: 


g— fe 


*=fc 


But  Hark !  Hark !  Hark !    '  Tis  the   hur-ri-cane  dash-ing  so     wild  o'er  the  main,  And  dark,  dark,  dark         Are  the  clouds  with  their  fierce  driving  rain. 


*-*n 


gg.g  g  Ig'C  g 


^ 


•      i  jf.  if    .  k  "  B»       if  P"-"^    S*      HTTFT 

But  Hark !  Hark  1  Hark !     'Tis  the   hur  -  ri-cane  dashing  so    wild  o'er  the  main,  And  dark,  dark,  dark 

p— 


_!»     |»     K— »>__ft^fc. 


!pW 


■+s-^ 


:p: 


if  f     if    p      k    if  f    p     r^n 

Are  the  clouds  with  their  fierce  driving  rain. 


pn==jr=p=r*: 


*c*c 


p^p    m    p    p_ 


^=^=^c=tc=f^=tz=tf^=tz=t?. 


pzzp=«: 


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p—  P— P— P— P— P- 


:tf=t2=^=f=t2=f^ 


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£=£=£: 


:ff=r 


if    if 


£ 


P    P    P    ll 

Jf=tZ=tfZ=t= 


£==£: 


£=£=p: 


tf— tf- 


s_p__a_ 

£2:rtf:=t2=£=£=£: 


Gur  gal  -  lant  ves  -  sel     la  -  bors  cheer-i  -  ly,  Rides  unharmed  through  wind  and  through  wave,  While  all  on  board  are  singing  merrily,  '•  Health  to  the  sailor  so 


JUn 


i — Ft — k1^- 


=s=^ 


^J1  h 


33 


K     fc     N     \ 

K  99     P         ^ 


Our    gal  -  lant  ves  -  sel     la  -  bors  cheer-i  -  ly,  Rides  unharmed  through  wind  and  through  wave,  While  all  on  board  are  singing,  merrily, "  Health  to  the  sailor  so 
sfz 


fcrs 


& 


:L 


Now 


our 


ves 


sel 


la 


T 


bors 


on 


While 


all 


on 


board 


p=p=p=^=£=»: 

t?— l?-tf— fcf— »- 


q* 


sing, 


'Health to  the    sail-or    so 


brave."    But  Hark !  nark !  Hark !  'Tis  the  hur  -  ri-cane  dashing  so  wild  o'er  the  main,  And  dark,  dark,  dark   Are  the  clouds  with  their  fierce  driving  rain. 

=*.     =7    >  i  =r    -    -  .       PC 


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JU3H 


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»=i: 


3*= 


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3*«S=*=»: 


P-p-r-f— P"' 

?  f      k    k       p*  *»    if    5T 


/    ?    f    t" 


_s„>__fr__£-_N__fc_£_fc 


> — P- — 13 — 13 — 1> — r* — i— -J^rP-f^^ — rr 

Wry7 — ^Vlrr^ — "- 


brave."    But  Hark  !  nark !  Hark !  'Tis  the  hur  -  ri-cane  dashing  so  wild  o'er  the  main,  And  dark,  dark,  dark   Are  the  clouds  with  their  fierce  driving  rain. 


!!§Efc 


pzz^=pz=p: 


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P=P=P^p: 


£:=£=t2:=t2:z&2=tz: 


-P — P- 


&=&=&■- 


^m 


.^—^—rm  p   p  e—*—m- 


1 


106  SAD    MEMORIES, 

Words  by  Carrie  Covington. 


AGNES  BURNEY. 


* 


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:*=3C=:*i 


1.  Fai  -  ry    like,  fai  -  ry    like    o-   vcr    my    spir     -    it,  Steal-eth     re  -  membrance  of    bap-  pi-   cr    boms; 

Fai      -    ry    like,   fai      -     ry    like 


Ten-dcr  -  ly,        Ten  -  der  -  ly 


fit?  j: 


.-J J, 


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r    >     > 


r 


SE 


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I 


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I  II  I       I  •      •      |  •      •      | 

2.  Graceful  -  ly,         graceful  -   ly,  down   in    yon  mea  -  dow,  Bend-etli     tlie      wil  -  low   bough  o  -   ver   each  giave  ;  Blight    -    ed  and    with  -  ered    lie 

H 


m. 


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:& 


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Cre*. 


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£=P=£r£a 


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:fc=t 


e'en    as    the     fra-grance,  Of  sweet  scent  -  cd,    fad  -  cd,    au  -   trim  -  nal  flowers;     'Beau- ti  -  ful,        beau-ti  -  ful,    all   were    my  loved  ones,  Pur  -  er  than 


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i      i      I  •   I        i      I-  u»  i*  i         k  !•   i      i      i      ' 


3c:x 


S=^S^*==g=^- 


I         I"  I      i "   "I      I      l  *  \  l«  ^l*r        U*   u»    Is"     i       !       l      '         '      i       U*»   I 

all    the    fair  flow  -  ers,  All    that    I    most  cher-ished,  but  could     not    save;         Des-o-lale,       des  -  o  -  late,  now    is     the  hearth-stone,  Drear  are  the 


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CVes. 


Dim. 


^m 


rrzac::gr^z  '    g1 — g~ at— 


~&~ 


:z2: 


lil  -  ies     my  bios  -  soms  now  sleep ;  Si  -  lent-ly, 

=3= 


si- lent- ly,    like    fall  -  ing  snow-flakes,  They  left  me     in      sor  -  row    a  -  lone        to    weep. 


ZJ 


i    i    i    i    i    i      r  >  >  f  r  £  £  r  r  r  r  i    i    r    TTT-TTTfT 


m= 


halls  which  re  -ech-oedwith    glee 


i=-=^^=fefel=^=fc#=-«E*=fc 


I 

V>'ca-ri  -  ly,        wea  -  ri  -  ly.    pass-  eth    the  lone  hours  Of    wait-ins,     be-  lov  -ed,     to    come     to    thee 

J 1 1 ,_. , r-4 


X 


zzzzzzzz=c?=z:am:±—tmz 


IBZtQ 


■>zzbzrrtt 


T^WILXGKHT    THOUGHTS. 

Words  by  JAMES  MCINTOSH. 

-I 1 fc- 


E.  VOSSELLER. 


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^ 


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3fe 


£ee3* 


zi=: 


=t 


107 


ifeE 


1.  I  am     think  -  ing,      sad    - 

2.  Think  -  ing      of        the      days 


ly       think  -  ing,      With        a       heart 
of      child  -  hood,  When      I      lived, 


by      care       op  -  pressed,        As        the     gold  -    en        lines        of 
a       hap    -    py      boy,        'Mong      the    scenes      a   -    round     our 


£ 


^ 


3E 


-: 13 — I — 


is> 


^ 


-<9 — l 


I'll     stay       my 


sad 


J 

re 


pin  -    ing,     What  though  sor    ■ 


^ 


row's    drea  -  ry 


pall 


Ga   -    ther   round     tlie 


&: 


=¥ 


S^&=fe 


T 

drea 


— S- 


J 

ry 


5: 


if 


Fine. 


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at 


sun     -     set         slow        are      fad     -     ing 
home  -  stead,     Quaff  -    ing  draughts     of 


pur 


the     west; 
est       joy; 


As 
Ne 


the       hu 
ver     dream 


mid     shades 
inff        that 


s* 


of 

the 

— 6>- 


even 
fu 


ing 
ture 


Dark 
Would 


er, 
be 


^=2= 


T 


-,V 


Si 


pre 


sent. 


As 


0      !     ' 

the    shades 


of         eve    -    nine; 


* 


fall; 


Soon 


9    ' 

the     day 


will      dawn 


up  -  on 


I 
me, 


u 

When 


life's 


3S 


:& 


:at 


isL 


:=£: 


d.  a 


i 


J; 


F 


dark 


3*: 


122: 


clo?    -     er,      gath  -    er     round, 
hold        my     plea  -  sures    die,    • 


Hid 

As 


ing      all 
the     gold 


k       u<         £ 
some    night     is 


J 


:<^_::z : 


;£ 


tlie 
en 

J* 


glo    -    rious    land  -  scape      With 
hues         of       sun    -    set         Fade 


£ 


— m- 


S: 


=1t 


oer; 


Whose  bright  sun, 


:K=tt: 


for 


ev 


5 
er 


* 


521 


a         si  lent    gloom    pro  -  found 

up  -  on  the    west  -  ern       sky. 


shin 


Brine; 


=t 


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eth      joy 


for 


^ 


er      more. 


■t- 


— -^itBbEi 


*?: 


—Ei 


:c£ 


108  SOIVG^    OF    THE    GIPSIES. 

Con  spirilo.  . 


T.  F.  SEWARD. 


£=£: 


^=^ 


p=g^JJ^g^g=£^ 


ir—r- 


3E£ 


?=? 


* 


Sing-ing    mer-ri-ly,    sing-ing    mer-ri  -  ly,       Dancing   in    the  sha  -  dy  grove  so  glad     and     free,  Naught  can  trouble  us,  Naught  can  trouble  us, 


^  r    ^ — p»  Li — * — * — s— g— — ^s— ?— g— £— k— 5 — 5—g— t?- 


-f — b»- 


Sing  -  ing    mer-ri  -  ly,    sing  -  ing    mer-ri  -  ly,      Dancing   in    the  sha  -  dy  grove  so  glad     and     free,  Naught  can  trouble  us,  Naught  can  trouble  us, 


m-    -m- 


J-A'V   V    E  t=S 


S 


g— ^ — « — * — «— , j- fc K }- 


^==tz: 


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^^ 


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— <fc-J8— MS— »— ■ %-JS— 1*=-^    ^    fry- -j^—^— fr— g-» —m—m-m — m —    -=c 


Oh  I      a        gip  -  sy's    life    for    me,      for      me.         Not  a  care,  free  as    air,  Not  a  fear  have  we  here,  Now  a-gain  strike  the  mer-ry  tarn  -  bo  -  rine. 


Oh !      a        gip  -  sy's     life    for    me,      for      me.         Not  a  care,  free  as    air,  Not  a  fear  have  we  here,  Now  a-  gain  strike  the  mer-ry  tarn  -  bo  -  rine. 


-£=&. 


=£=£ 


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\* — w — I— - 


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K— tPj — r:- 


gzjg — >— ^  i*    >  »►— fee — fr— »— 


fi  f  I  6  S  r    £.££££    P    1*    r 


Staccato. 


$=$=& 


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Tra  la    la      la    la    la,    Tra  la    la       la     la    la,      Tra  la    la      la    la    la    la    la      la      la.        Sing-ing    mer-ri-ly,     sing-ing    mer-ri-ly, 


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Tra  la    la      la    la    la,    Tra  la    la      la     la    la,      Tra  la    la      la    la    la    la    la      la      la. 


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SOTVO    OF    THE    GIPSIES.       Continued. 

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*  Go  from  here  to  the  word  "  Hark,"  middle  of  the  lower  brace.    The  second  ending  and  the  next  six  measures  arc  to  be  sung  only  in  the  Da  Capo. 


no 


SONG    OF    THE    GIPSIES. 


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SON&    OF    THE    GIPSIES.        Concluded. 


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"IN    .A.    NOOK    SO    STILL.    ATV33    GREEN." 
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Melody  by  DONIZETTI. 

FBOM   "  SOKG  G-iEDEN,  No.  3." 


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(  In  *a     nook  so  still  and  green,    Lovelier    ham-let  ne'er  was      seen;) 

\  O  -  ver  -  head  on  ridg  -  es    high,      Loft  •  y  pines  that  hide   the       sky;  J  Down  be  -  low  the  stream  flows  near,      And  the    air    is     mild    and    clear; 


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d.  c.  Earthly  cares  may  ne'er  mo- lest,       In    this  vale,  my  peace  -  ful      rest. 


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112  THE   L^JNTI}    WE   LOVE.      Chorus  for  the  4th  of  Jnly. 

Written  by  GEORGE  W.  BIRDSEYE. 


T.  F.  SEWARD 


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f>.  C.  1.    To      thee    be     glo  -  ry        in      the   com  -  Lng  years,  Land  we    love,   Land  we  love !  By       fa-thers'  blood,  and      by      our    mo-thers'  tears,  "We'll 

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stand  by    tliec,  Oh  !  land      we    love  ! 


When  we  shat-ter'd     the  sword     of    England's  might,  Freedom  called      this  '  dear 


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lands  shall  praise  thee,  Land    we    love!      ~.  .  .      ,  , 


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Now    the  Heav'ns  kind  -  ly     bend     to     thy       embrace,   While  the  starr'd  skies    thy 


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land    her    own;    And     the    darkness    gave  place      to    gold  -  en     light,   For  through  the  clouds,  oh !  land     we    love,  The  stare      of      glo  -  ry  shone  I 


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banners     are;    May    the    God    of      our       na  -  tion    show   His  grace,  And  spread  His      all-    pro  -  tect  -  ing  arm      A  -  bovc     each   State  and  Star! 

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THE    TEMPLE    CH 


AXNOOTXRT.      L.  1VI. 


Dr.  LOWELL  MASON. 


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1.    The  praise    of    Zi  -  on  waits  for  thee,  Great  God !  and  praise  becomes  thy  house ;  There  shall  thy  saints  thy  glo  -  ry     see,  And  there  perform  their  public  vows. 


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2.    O      thou  whose  mercy  bends  the  skies,  To    save  when  humble  sinners  pray,    All  lands  to  thee     shall  lift      their  eyes,  And  grate-ful  isles  of    ev  -  eiy  sea. 


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3.     Soon    shall  the  flocking  nations  ran      To      Zi  -  on's  hill,  and  own  then-  Lord  ;  The  ris  -  ing     and  the       set  -  ting  sun    Shall  see  the    Savior's  name   a-dored. 


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W.  B.  BRADBURY. 


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1.  God   of  my  life  !  through  all  my  days      My  grateful  powers  shall  soimd  thy  praise  ;  The  song  shall  wake  with  opening  light,  And  warble     to     the    si-  lent  night. 


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2.  "When  anxious  care  would  break  my  rest,  And  grief  would  tear  my  throbbing  breast,  The  tuneful    prai-ses  raised  on  high,     Shall  check  the  murmur  and  the   sigh. 


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114  Ai^mEN'G-.     l.   m 

Willi  firmness  and  dignity.  , 


long  ;  Crown  him  ye  na    -    tions,        in    your         song;       His  wondrous  name  and  power  re-hearse,  His  hon-org    shall 


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2.  God   is  our  shield,  our    joy,      our       rest:    God   is  our   King,    pro   -    olaim    him      blest;    When  terrors  rise,  when  na  -  tions  faint,  He     is      the     strength     of     eve  -  ry    Baint. 


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ASHWELL.      L.    M. 


Dr.  L.  MASON. 


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I     I     I     I     i     '     I  1     '     I 

1 .  When  we,  onr  wearied  limbs  to  rest,  Sat  down  by  proud  Euphrates'  stream,     We  wept,  with  doleful  tho'ts  oppress'd,  And  Zi  -  on  was  our  mournful    theme. 

2.  Our  harps  that,  when  with  joy  we  sung,  Were  wont  their  tuneful  parts  to  bear,  With  silent  strings  neglect  -  ed  hung   On    wil-low  trees  that  withered   there. 


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ASHTON.      L.     IML. 


J.  H.  TENNEY. 


1. Come, Ictus  sing  with  glad  ac-cord,  The  goodness  of  our  gracious  Lord:  Come,  bless  Hs  name  and'joyful  raise,  Loud  hal-le  -lu-jahsto    his    praise,  Loud  hal-le  -   lu  -jabs    to        his  praise. 


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2.    O  Lord,  descend  from  hcav'n,  thy  throne,  And  claim  this  building  as  Ihine  own;  Our  j»y  and  glory  let  it  be,  That  we  have  reared  it  here  for      tbec,    That  we  have  reared  ii    here       for  thee. 


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115 


1.  And    art  thou,  gracious  Master     gone,     A  mansion    to  pre-pare  for    me?   Shall    I     be-hold  thee  on    thy  throne,  And  there  for  -  ev  -  er,  sit  with    thee? 

2.  Should  I,      to  gain  the  world's  applause,     Or    to      es-cape  its  harm-less  frown,  Re  -  fuse    to  love  and  plead  thy  cause,  And  make  thy  peo-ple's  lot  my    own — 

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3.    No,   let  the  world  cast  out  my    name,  And -vile    account  me,  if    they  will;      If    to    con-fess  the  Lord    be  shame,    I     pur-pose    to    he    vil  -  er     still; 


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Then      let    the  world  approve  or    blame,      I'll    tri-umph  in      thy    glo  -  nous  name. 
What  shame  would  fill  me  in       that    clay,    When  thou  thy  glo  -  ly    wilt      -.lis  -  play. 


»~rg — g~~  — as~ 
I      k     5   k 


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For     thee,  my  God,  I      all      re  -  sign,       Con-tent,    if     I      can    call   thee    mine. 


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1.  Dear     is  the    spot  where  Chris-tians  sleep,  And  sweet  the 


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2.    Safe  now  from  eve  -  ry       mor  -  tal     care,    By      sin    and 


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strains  their  spir-its        pour, 


O  why  should  we  in      anguish  weep  ?  They  are    not    lost,  but     gone  be  -  fore,    They  are   not     lost,  but    gone    be  -  fore. 


i 

sor-row  vexed  no     moreT 


E-tcr-nal  hap  -  pi  -  ness  they  share,  They  are    not    lost,  but    gone  be  -  lore,  They    are  not     lost,  but    gone    be-   fore. 


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ALDERWAY 


L.  M. 


GEO.  F.  ROOT.    From  this  "  Diapason. 


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1.    Rte  -  turn,  my  soul,  and  sweet-ly  rest      On  thy  ahnight-y    Father's  breast;  The.  bounties  of      his  grace  a  -  dore,  And  count  his  wondrous   mercies    o'er. 


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2.  Thy  mercy,  Lord,  preserved  my  breath, And  snatched  my  fainting  soul  from  death;  Removed  my  sorrows,  dried  my  tears.And  saved  me  from  sur-round-ing  snares. 

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From  "Carmin a  Sacra." 


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I       ■       ,       .                                                .        ,                                                        ...                                    I             i        I        I        I        I  1 

1.    God    in  his  earth-ly  tem-ple,  lays    Foun-da-tion   for  his  heavenly  praise ;  He  likes  the  tents    of  Ja- cob  well,     But  still  in     Zi-on    loves to    dwell. 


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1.  Wake,  O  my  soul,  and   hail   the  morn,    For   un-to    us  a   Sav-ior's  born ;  See  how  the  an  -  gels    wing  their  way,    To   ush-er       in    the      joy  -  ful      day. 


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2.  Harkl  what  sweet  music,  wh%t  a  song,Soundi  from  the  "Bright  celestial  throng.  8w«et  song,  whose  mdtmgsovmdshnpartr  Joy  to  each  raptured,     list  -  'ning   heart. 


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I    LOVE    THE    SABBATH-SCHOOL. 


SOLO,    OR    A    FEW    VOICES. 


DIALOGUE     SONG. 
1st  chorus.*   2d  CHORUS.        SOLO 


w. 


J—J--*  -   #— • — ,, — THP^- 


1 s- 


II 


.  /I  love  the  Sabbath-school,  So  do 
'  I'll  mind  its    ev  -  ery    rule,  So  will 

0  I  I  love  the  Book  of  truth,  So  do 
\  I'll  prize  it     in     my  youth,  So  will 


I, 

I, 
I, 

I. 

■*-    *-    M. 


.-  „ ^ 

So   do    I,  I      love  the  Subbath-school, 

So  will  I,  I'll  mind  its     ev  -  ery  rule. 

So    do    I,  I      love  the  Book  of  truth. 

So  will  I.  I'll  prize  it      in     my  youth 


So  a 
So  wi. 
So  do 
So  will 


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0  happj-,  happy  they   who  on    this  day.  Have  met  to  read,  and  sing,  and  pray,  In      joy-  ful      lay, 

1  learn  my  du-ty  there,  my  cross  to   bear,  And    in      its      pa-ges  brightand  fair,    I       learn  to     raise 


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.FULL  CHORUS.  „. 


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sing  God's  praise,  On  these  precious,  precious  Sab-hath    days.         Then  joy- ful,   joy- ful,   joyful  may  we  I 
heart     in  praise,  On  these  precious,  precious  Sab-bath    days.         Then  joy  -  ful,  etc. 


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*  These  responses  should  be  given  promptly  by  the  two  choruses    or  divisions  of  the  school,  as  :    1st  Boys,  'Jd  Girls,  etc 


THE    WATER    OF    LIFE.    Concluded. 


SI 


^^HNi=i 


Flowing,  free-  \y   flow-ing,  Tlie  fountain  of  life    is    flow-ing,    Ib  flowing,  for  you  and  for  ir 


il 


H l-r-H h- 


as  promised  a  robe  of  white, 
■ly,  freely,  freely, 
s  promised  a  robe  of  white, 
y  to  those  that  love  him  ; 
■ms  of  glory  and  crowns  of  light, 
eely,  freely,  freely, 
oms  of  glory  and  crowns  of  light, 
ely  to  those  that  love  him.    Cho 


*>     V    V     I        V 

Jesus  has  promised  eternal  day, 

Freely,  freely,  freely, 
Jesus  has  promised  eternal  day, 
Freeh-  to  those  that  love  him  ; 
Pleasure  that  never  shall  pass  away, 

Freely,  freely,  freely, 
Pleasure  that  never  shaJl  pass  away, 
Freely  to  those  that  love  him.  Cho. 

BROWN.    CM. 


5  Jesus  has  promised  a  calm  repose, 
Freely,  freely,  freely, 
Jesus  lias  promised  a  calm  repose, 

Freely  to  all  that  love  him  ; 
Come  to  the  water  of  life  that  flows 

Freely,  freely,  freely. 
Come  to  the  water  of  that  life  flows, 
Freely  to  all  that  love  him.   Cho. 

WM.  B.  BKADBUKY. 


4-: 


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When  I     can  read  my  ti-tle  clear  To  mansions  in  the  skies,  I'll  bid  farewell  to  every  fear.  And  wipe  my  weeping  eyes. 
— I  want  to  go,  I  want  to  go,  I  want  to     go  there  too.       I  want  to  go  where  Jeaueis,  I  want  to  go  there  too. 


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hould  earth  against  mj-  soul  engage, 
And  fiery  darts  be  hurled, 

lien  I  can  smile  at  Satan's  rage, 
And  face  a  frowning  world.     Cho. 


3  Let  cares  like  a  wild  deluge  come, 
And  storms  of  sorrow  fall — 
So  I  but  safely  reach  my  home, 
My  God,  my  heaven,  uiy  all,    Cho, 


4  There  I  shall  bathe  inv  weary  sonl 
In  seas  of  heavenly  rest, 
And  not  a  wave  of  trouble  roll 
Across  my  peaceful  breast.     Cho. 


AUSTIN  BTJR.G-.      L.  Pvl. 


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# 


117 


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—  i         i  —  i  -     —  — 

1.  Stand  up,  my    soul !  shake  off  thy  fears,  And  gird  the    gos  -  pel    ar  -  mor  on  ;  March  to  the    gates      of  endless  joy,  Where  Je  -  sus,  thy  great  Cap  -  tain's  erone. 


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2.    Hell  and  thy    siu        re  -  sist  thy  course,  But  hell  and  sin   are  vanquished  foes ;  Thy  Jesus     nailed    them  to  the  cross,  And  sung  the     tri  -  umph  when  he  rose. 


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ARCHDALE.     L.  IVX. 


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I  spread  my  sins  be-forc  the    Lord,  And  all  my    se  -  cret  faults  con-fess;    Thy  gospel  speaks  a  pardoning  word,  Thy    Holy    Spi  -  rit     seals  the  grace. 


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1.  Come,  O  my  soul !  in    sacred  lays,    Attempt  thy  great  Cre    -    a    -  tor's  praise.  But  0  what  tongue  can  speak  his  fame !  What  mortal  verse  can  reach    the  theme ! 

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2.  Raised  on  devotion's  lof  -  ty  wing,  Do  thou,  my  soul,    his     glo    -   riessing;  Ajad  let  Lis  praise enfploy  thy  tongue;  The  listening  worlds  shall  join    the  sons 

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11.8  B^£MVAX£X>.      L.  M.. 

Mvderato  Maestoso. 

_ i U- aB-rap r n r_,_-j_r_L_.4_r__ 


J.  H.  TENNEY. 


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2.    Let  loft- y  songs,  let  boundlest  joy,  Our  noblest  powers  of  praise  employ,      Let     art     her    high -est  skill     as-sign,    To  swell  the  liar  mo  -  ny     di-vine. 


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2.    Loud  let  the  peal-ing  organ's  lays,  Pour  forth  the  burst-ing  song  of  praise;  Tim-  brel    and  harp  may     best     ac-cord   Triumph  and  hon  -  or    to    the  Lord. 


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3.    Let  nature's  voice  a  -  loud  proclaim,  The  greatness  of  Je  -  ho  -  vah's  name ;  From  earth  let    high  ha  -  san  -  nas  rise;  Let  hal-le  -  lu  -  jahs  fill  the  skies 
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1.     O  that    I    could   for  -  ev -  er  dwell,  De  -  light-ed,  at  the  Sav-ior's  feet,    Be-hold  the  form     I  love    so    well,  And  all  his       ten    -  dor  words  re  -  peat. 


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2.  Thus  would  I    live      till  na-ture  fail,    And  all  my    for-mer  sins  for-sake ;  Then  rise  to    God    with -in  the    vail,  And  of    e 


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BECKFORD.      L.  IMC. 


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A  beautiful  German  Melody 

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1.  How  vain  is      all    be-neath  the  skies !  How  transient  ev  •  eiy  earth-ly  bliss  I  How  slen  -  der  all    the  fond -est   ties    That  bind  us     to     a  world    like  this 

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1.  We  bless  the  Lord,  the  just,  the  good,  Who  fills  our  hearts  with  joy  and  food.  Who  pours  his  blessings  from  the  skies,  And  loads  cur  days  with  rich  supplies,  And  loads  our  days  with  rich  supplies. 


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2.  lie  sends  the  sun  the  circuit  round,  To  cheer  the  fruits,  to  warm  the  ground  ;  lie  bids  the  clouds  with  plenteous  rain,  Re-fresh  the  thirs-ty    earth  a -gain,  Refresh  the  thirsty     earth  a  -  gain. 


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With  majesty. 


BRANTFORD. 


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WM.  U.  BUTCHER. 


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Je  -  sus,  thy  blood  and  righteousness   My  beau-ty     is,    ray  glorious  dress  ;    ilidst  flamingworlds  in  these  airayed,  With  joy  shall  I      lift      up  my  head,  Withjoy  shall  I       lift     up  my  head 


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BOSWORTH.        L.  M.. 

With  clear  enunciation. 


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WM.  B.  BRADBURY. 


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1.  Wide  dotli  the  mighty  thunder  fill        The  darken'd  earth  with  dread  dismay ;    But  mightier  for  is  He -whose  will        The  lightnings  and  the    storms  o  -  bey. 


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2.    The  mighty  billows    to    the  land       Roll  loudly  thrcat'ning  from  the  main ;   But  mightier  is    his  wondrous  hand,   That  doth  their  rest  -  less  power  re  -  strain. 


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US  BARNARD.      L.  M. 

Moderate  Maestoso. 


J.  H.  TENNEY, 


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2.    Let  loft-  y  songs,  let  boundlest  joy,  Our  noblest  powers  of  praise  employ,      Let     art     her   high -est  skill     as-sign,    To  swell  the  bar  mo  -  ny     di-viue. 


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2.    Loud  let  the  peal-  ing  organ's  lays,  Pour  forth  the  hurst-ing  song  of  praise;  Tim-  brel    and  harp  may     best     ac-cord   Triumph  and  lion  -  or    to    the  Lord. 


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3.    Let  nature's  voice  a  -  loud  proclaim,  The  greatness  of  Je  -  ho  -  vah's  name ;  From  earth  let    high  h»  -  san  -  nas  rise;  Let  hal  -  le  -  lu  -  jahs  fill  the  skies 
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1.     O  that    I    could   for  -  ev -  er  dwell,  De  -  light-ed,  at  the  Sav-ior's  feet,    Be-hold  the  form     I  love    so    well,  And  all  his       ten    -  dor  words  re  -  peat, 


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2.  Thus  would  I    live      till  na-ture  fail,    And  all  my    for-mer  sins  for-sake ;  Then  rise  to    God    with -in  the    vail,  And  of    e    -    ter  -    nal  joys  par-take. 

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A  BEAUTIFUL  GERMAN  MELODY. 

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BECKFORD. 


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1.  How  vain  is       all     be-r.r'atli  Ihc  skies  !  How  transient  ev  -cry  earlh-ly  bliss  !  How  slen  -  der   all     the  fond -est    ties     Thatbind   us     tO_    a  -world like  this 

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1.  We  bless  the  Lord,  the  just,  the  good,  Who  fills  our  hearts  with  joy  and  food.  Who  pours  his  blessings  from  the  skies,  And  loads  our  days  with  rich  supplies,  And  loads  our  days  with  rich  supplies. 

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2.  He  sends  the  sun  the  circuit  round,  To  cheer  the  fruits,  to  warm  the  ground  ;  He  bids  the  clouds  with  plenteous  rain,  Ee-frcsh  the  thirs-ty    earth  a  -  gain,  Ee  fresh  the  thirsty     earth  a  -  gain. 


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BRANTFORD. 


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WM.  U.  BUTCHER. 


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Je  -  sus,  thy  blood  and  righteousness   Sly  beau-ty     is,    my  glorious  dress  ;    Jlidst  flaming  worlds  in  these  oirayed,  With  joy  shall  I      lift      up  my  bead,  With  joy  shall  I       lift     up  my  head. 


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BOSWORTH.        L.  ]\1. 

With  clear  enunciation. 


WM.  B.  BRADBURY. 


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1.  Wide  doth  the  mighty  thunder  fill        The  darken'd  earth  with  dread  dismay ;    But  mightier  far  is  He  whose  will        The  lightnings  and  the    storms  o  -  bey. 


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2.    The  mighty  billows    to    the  land       Roll  loudly  thrcat'ning  from  the  main ;   But  mightier  is    his  wondrous  hand,  That  doth  their  rest -less  power  re  -  strain. 


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BRAYTON.      L.    M. 

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1.  Dear    is  the  spot  where  Christians  sleep,  And  sweet  the  strains  their  spirits  pour;  Oh,  why  should  we  in    an-guish  weep  ?  They  are  not  lost,    hut    gone  be -fore. 


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2.     To    Zi  -  on's  peaceful  courts  a  -  bove,    Iu     faith  tri  -  nmphant  may  we  soar,  Em  -  brae  -  ing,  in    the  arms  of  love,  The  friends  not  lost,  but    gone  be  -  fore. 

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1.  Up  to   the  fields  where  an  -  gels  lie,    And  living  wa  -  ters  gcnt-ly  roll 


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Fain  would  my  thoughts  ascend  on  high,    But  sin  hangs  heav  -  y        on    my  soul. 

S   i        I  1,1  i    ,^  _V-  J.  ^   !      J. 


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1.  Why  should  we  weep  for  those  who  die,  Those  blessed  ones  who  weep  no    more?    Je-sus  hath  called  them  to  the  sky,  And  glad-  ly  have  they  gone    be    -  fore. 


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2.    Far     in  the  distant  heav'ns  they  shine,  But  still  with  borrowed  lus-tre      glow,     Sav-ior,  the  beams  are  on-ly  thiuc,   Of  saints  a-bove   or  saints    be    -    low. 


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BLOOMFIELD    OHA-NT.      L.     MT. 

4- 


Wm.  B.  BRADBURY. 
From  the  "  Ketnotk." 


121 


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c  1.  Ye  Christian  heralds,  go  proclaim  Salvation  in  Immanuel's  name ;  To  distant  climes  the  tidings  bear,  And  plant  the  rose  of  Sharon  there,  And  plant  the  rose  of,  &c. 


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c  2.  He'll  shield  you  with  a  wall  of  fire,  With  holy  zeal  your  hearts  inspire ;  Bid  raging  winds  their  fury  cease,  And  calm  the  savage  breast  to  peace,  And  calm  the  savage,  &c. 


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BOWEN.      L.    31. 


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fr'F"     '     '    l    "I     l"J   '     !      ' 

Come,  weary  souls,  with  siu    distressed,  Come,  and  accept  the  prom-ised  rest;  The    Sav  -  iors  gra-cious  call    o  -  bey,      And  cast  your  gloomy  fears    a -way. 

I   J        I 


III       IJ     I 


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I        1.  Give  thanks  to  God,  he  reigns  above,  Kind  are  his  thoughts,  his  word  is  love ;  His  mercy     a    -    ges  past     have  known,  And  ages  long       to  come  shall  own. 


With  energy. 


I3TJX£TVEY.        L.  1ST. 


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T.  F.  SEWARD.    From  the  "  Psalm  King,"  by  permission. 
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2.  Oh,  let  the    saints  with  joy  re  -  cord  The  truth  and  goodness  of  the  Lord ;  How  great  his  works,  how  kind  his  ways,  Let  eve  -  ry  tongue  pronounce  his  praise. 
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122 


COURT     STREET.        L.  M. 


T.  J.  COOK.    By  permission. 


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1.  Great  God !  let    all       my  tuneful  powers  A-wake  and  sing  thy  migh  -  ty  name ;  Thy  Land  revolves  my    circling  Lours,  Thy  band,  from  whence  my  be-ing  came. 

4* 


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2.     Thus  will   I    sing,     till  na- ture  cease,  Till  sense  and  language  are       no  more;  And,  af  -  ter  death,  thy  boundless  grace,  Thro'  ev-  er  -  last-  ing  years    a  -  dore. 


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1.   Come,  dearest  Lord,  thy   children  cry,    Our  gra  -  ccs  droop,  our  corn-forts  die ;     Re- turn,  and  let   thy  glo-ries  rise      A  -  gain    to    our    ad  -  mir  -  ing  eyes. 

.      J       J*   J        1  ■       ,        . 


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CONSTANTINE.        L.  IVI. 

Siw^r  ici^  delicacy  but  firmly. 


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1.    In    ev-ery  note  that  swells  the  gale,    Or  tuneful  stream  that  cheers  the  vale,    In  caverned  depth  or     echoing  grove,     A    voice  is    heard  of  praise  and  love. 


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2.  That  love  should  still  each  vain  desire,    And  calmer,   purer  thoughts  in-spire,  From  earth  the  pen-sive    spi-rit   free,     And  lead  the  softened  heart  to  Thee. 


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With  great  energy.  These  two  tunes  may  be  sung  in  connection  as  one  descriptive  piece. 


T.  F.  SEWARD. 


123 


53 ^-J=fi 


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1.   Now  for  a  tune  of  loft-y  praise,    To  great  Je-ho  -vah'se  -  qual    Sou;         A  -  wake,  my  voice,       in  heavenly     lays;  Sing    all  the    wonders  he  has  done. 


2.  Among  a  thousand  harps  and  songs,  Jesus  the  God     ex-alt    -    ed    reigns,    His      sa  -  credname      fills    all  their  tongues,  And  echoes  thro' the    heavenly  plains. 

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3.     Deep  in  the  shades  of  gloomy  death,  Th' almighty  cap-tive  prisoner  lay;  Th'almigh-ty   cap-tive    left    the  earth,  And  rose  to      ev  -    er-last-ing  day. 


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3.  Deep  in  the  shades  of  gloom-  y     death,  Th' almighty  cap  tive  prisoner  lay;  Th' almighty  cap-tive    left    the  earth,  And  rose  to     ev  -    er-last-ing  day. 


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1.  I    love  the  Lord  who  died  for  me,       I    love  his  grace  di-vine    and  free;    I     love  his  word,  for  there  I  read,  That  lie  loved  me,  and  for  me     bled. 

2.  I    love  his  peo-ple  and  their  ways,    I    love  with  them  to  prav  and  praise ;  I    love  the  Fa-ther    and  the  Son;    I    love  the  Spir- it        he  sent    down. 

I*     i  i       *  J*  J    -  J      J*    1*  J       J        f*   >  J      !        I*     i*     I      -J-    J*  J*     I  V*    J      J 


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WM.  B.  BRADBURY. 
Moxt  Claik,  June  8d  1867. 


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1.  Our  Lord  is  ris  -  en  from  the  dead,  Our  Je  -  sus  is  gone  up     on    high,    The  powers  of     hell     are  cap-tive      led,  Dragged  to  the  por-tals    of      the       sky. 


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2.  There  his  tri-urnph-al  chariot  waits,  And  an-gels  chant  the  sol  -  emn    lay;     Lift  up    your  heads,  ye  heavenly  gates,      Ye    ev  -  cr  -  last  ing  doors  give      way. 


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1.    "What  various  hindran -ces  we  meet,      In  com-ing   to      a     mer-cyseat;  Yet  who  that  knows  the  want  of  prayer,  But    wish-es  to      be    of- ten       there. 

i    i   Pi  ,    i    i    i      ,    i   i  j    i    p  i    i     —    i    i   n  ,    i    i    ,     r»,    ,    ,    , 


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My     Pav-ior,  thou  thy  love    to    me,      In    want,  in  pain,  in  shame,  hast  shown,For  me  up  -on    tli'  ac  curs-cd  tree,  Didst  by  thy    precious  death  a-  tone; 
D.C.   Tliy  death  up  -  on    my  heart  im-press,  That  noth  -  ing  may  it  thence  e-rase. 


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CONFIDENCE.        L.  M. 


HARRY  SANDERS.  125 


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1.  As  when  the  weary  traveller  gains,  The  height  of  some  commanding  hill,     His  heart      re  -  vives   if   o'er        the  plains  He  sees  his  home,  tho'  dis  -  taut  still. 


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2.  So  when  the  Christian  pil-grim  views  By  faith  his  man-sion    in  the  skies,  The  sight     his  strength  a  -  gain 


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re-news,  And  wings  his  speed  to   reach  the  prize 


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CALLICOON.        L.  ]Vt. 


Dr.  LOWELL  MASON- 


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1.  Ahl  hap  -  py  hours,  whene'er  up-springs         My  soul    to      yon    e  -  ter  -  nal     source;      And  whence  the  riv    -    cr    down-ward  sings,         And  fills  with  good  -  ness  all    my    course. 

2.  Our  faith  shall  rise   to    sight   ere   long;        Soon  will  that    hour  of    trans-port     come,        When  we      shall  join      the    an  -   gel's  song  Of  praise  to      him     who  brought  us  home. 

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1    Servants  of  God  I  in    joy -ful  lays,    Sing  ye  the  Lord  Je  -  hovah's  praise  ;  His  glorious  name  let  all     a  -  dore.  From  age   to    age    for  -  ev  -  er  -  more,  From  age  to     age    for  -  ev  -  er  -  more. 


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2.   Blest  he  that  name,  supremely  blest,  From  the  sun's  ris-ing   to    its  rest;  Above  the  heavens  its  pow'r  Is  known,  Thro' all    the  earth  his  goodueso  shone,  Thro'  all  the   earth  its  goodness  shone. 


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126 


X>IGS-I-ITOTV. 


L.  M. 


WM.  B.  BRADBURY. 


Gracefully 


1.    While  foes  are  strong  and    danger  near,    A    voice  tails  gen-tly  on  my    ear;       My    Saviour  speaks,  he     says  to    me,   That  "as  my  days  my  strength  shall  be." 


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2.     With   such  a  prom  -  ise    need  I    fear,    For    ail  that  now  I  hold  most  dear?     No:     I    will  nev  -  er      anxious  be,     For  "  as  my  days  my  strength  shall  be." 

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3.     And  when  at  last    I'm  called  to  die,    Still    on  this  promise  I'll  re  -  ly;        Yes,  Lord,  I    then  will  trust  in  thee,  That  "as  my  days  my  strength  shall  be." 


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O  thou,  who  hast  at    thy  command  Theheartsof    all      men  in   thy  hand!  Our  wayward,  err  -  ing  hearts  in-  cline,    To  know  no    oth  -  er  will  but  thine. 


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1.    How  Tain  is     all  beneath  the  skies  1  How  transient  ev  -  ery    earthly     bliss!  How  slender    all     the  fondest    ties,  That  bind  us      to     a    world  like  this. 


2.   BTTttho7  earth's  fairest  blossoms  die,     And    all    be  -  neath  the  skies  is     vain;  There  is     a  land,  whose  confines  lie,     Be-yond  the  reach  of    care  and  pain. 


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8.  Then  let  the  hope  Of   joys  to   come,  Dis  -  pel  our  cares,  and  chase  our    fears:    If    God  be  ours,  we're  traveling  home,  Tho'  passing  through  a    vale  of    tears. 


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1.    Oh,  hallowed  is  the  land,  and  blest  Where  Christ  the  rul  -  er    is    eon-fess'd;  Oh,    hap-py  hearts,  and  happy  homes,  To  which  the  great  Redeem- er    comes. 


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2.  Fling  wide  the  portals  of  your  heart :  Make  it    a       tem  -  pie   set    a  -  part       From  earthly  use,  for  heaven's  employ,  Adorned  with  prayer,  and  love,  and  joy. 


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ofglo-ry    waits :  The  King  of  kings  is  chawing  near ;    The  Savior    of      the  world  is  here. 

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Re  -  deemer,  come !  I  open  wide 


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Lord,  I  will  bless  thee  all  my    days ;  Thy  praise  shall  dwell  upon  my  tongue :  My  soul  shall  glory    in    thy   grace,  While  saints  re  -  joice  to     bear  the    song. 


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1.    Oh,  sweetly  breathe  the  lyres  a-bove,  When  angels  touch  the  quiv'  ring  strings,  And  wake  to  chant  Immanuei's  love,  Such  strains  as    angel-lips  can  sing. 


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2.  And  sweet,  on  eartli,  the   cho  -  ral  swell,  From  mortal  tongues,  of  glad-some  lays ;  When  pardoned  souls  then-  raptures  tell,  And,  grateful,  hymn  Inmianuel  praise. 


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The  Lord  the  lone  -  ly  cap-tire  cheers  ;    The  Lord  dries  up  the  mourner's  tears,  Binds  every  wound,  bursts  eve-ry  chain,     And  helps  when  oth-er  help  is  vain. 

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1.  Fa-therl  Iwouldnol  seek     to    know     The  num-bei  of   my  earth-ly  hours,  Nor    if   the  path  that    I  must  go  Be  paved  with  thorns,  or  strown  with  flowers. 

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2.     it     is    e-nough  for     me      to      see         My   all    is  governed  by  thy  will,  And  that  which  I    re  -  ceive  from  thee    Has  been, and  will  be  kind  -  ness  still. 


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1.    Let  me  be  with  thee  where  thou  art,  Jly  Savior,    my    e  -  ter  -  rial    rest ;  Then  on  -  ly      will    this  longing    heart  Be    ful  -  ly      andfor-ev-er       blest. 


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2.  Let  me  be    with  thee  where  thou  art,  Where  none  can  die,  where  none  remove:  There  neither  death  nor  life  will  part  Me  from  thy  presence  and  thy  love. 


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Oh !    happy  day  that  fixed  my  choice  On  Thee,  my  Savior     and  my        God,  well  may  this  glowing  heart  re  •  joice,  And  tell  its  raptures  all     a  -  broad. 

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1.   The  Lord  is  King !  Lift  up  thy  voice,  O  earth,  and  all  ye  heavens,  rejoice !  From  world  to  world  the  joy  shall  ring ;  "  The  Lord  omnip-o  -  tent  is  King." 


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The  Lord  is  King !  who  then  shall  dare  Resist  his  will,         distrust  his  care?  Ho  -  ly  arid  true  are  all  his  ways,    Let  eve    -    ry      1  peak  his  praise. 


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1.  Come,  weary  souls,  with  sin  distressed,  Corue,  and  ac  -  cept  the  promised  rest,   The     Sa  -  vior's  gracious  call     o  -  bey,   And  cast  your  gloomy  fears    a-way. 


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2.  Oppressed/with  guilt,  a  pain  -  ful  load,  Oh,  come  and  bow  be  -  fore  your  God !     Di  -  vine  com-pas-sion,  migli-ty  love    "Will    all    the  painful    load    remove. 

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No  more,  my  God,     I  boast  no  more,     Of    all      the    du  -  ties    I    have  done;    I   quit  the  hopes   I    held    be-fore,     To  trust       the  mer-its    of    thy  Son. 

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1.    Hasten,  O  Lord,  that  hap-py  time,  That  dear,  ex -pec-ted,    blessed  day!  When  men  of  eve-  ry  race  and  clime,  The   Savior's  precepts  shall  o    -    bey. 


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1.  Go   to   his  grave,  but    not  to    weep,  Nor  bathe  with  tears  his  ear  -  ly    tomb ;  That  precious  seed  will  an-gels  keep,  Till  thence  the  immortal  flow'r  shall  bloom. 


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2.  Go   to    his  grave,   but    not  to  mourn  That  he  was  once  so  fair,      so  bright;     Aformfarlov  -   Her  shall  be  borne,  From  that  low  bed  to  bless    thy    sight. 


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3.  Go   to    his  grave,  to       of  -  fer  there,      As  laid   on    thy  Re-deem  -er's  shrine,  That  love-ly  flow'r,  thy  firstborn  fair,  And  say, "  He  was  not  ours,  but  thine." 


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Dear   is  the  spot  where  Christians  sleep,  And  sweet  the  strain  which  angels  pour;  O  !  why  should  wc  in   an  -guish  weep  ?  They  are  not  lost  but  gone  be  -  fore. 
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1.  Far  from  my  thoughts,  vain  world,  be  gone,  Let  my  re-  li-gious  hours  a-  lone;  Fain  would  mine  eyes  a  Sav  -  ior    sec;  I   wait  a      vis -it,  Lord,  from     thee. 

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2.  O  warm  my  heart  with   ho  -  ly    fire,    And  kin-die  there  a  pure    de  -  sire ;  Come,  sa-ered  Spir  -  it    from     a  -  bove,    Andfillmy  soul  witli  heaven-ly      love. 


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'3.  Blest  Sav-ior,  what  dtj  -  li  -  cious  fare ;  How  sweet  thy  en-ter  -  tainments  are ;  Nev  •  er  did    an -gels  taste      a  -  bove,      Redecm-ing  grace  and  dy    -    ing    love. 


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1.  From  age  to  age  exalt  his  namc,V»*hosc  love  and  grace  arc  still  the  same;  The  hungry  souls  he  fills  with  food,  And  feeds  the  poor  With  every  good,  And  feeds  the  poor      -with     ev  -  cry  good. 


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2.  May  all  the  sons  of  men  record,  The  wondrous  goodness  of  the  Lord  I  How  great  his  works,  how  kind  his  ways  1  Let  every  tongue  pronounce  his  praise,  Let  every  tongue  pioucuncc  his  praise 


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EVENING     HYMN.        L-  31. 


TALLIS. 


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Glo-ry    to  thee,  my  God,  this    night,  For  all   the  blessings  of  the  light;  Keep  me,    O    keep  me,  King  of    kings,  Beneath  the  sha-dow         of  thy  wings. 


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ELMENDORF.        L.  31. 

With  jeding.     /^-.  .  » 


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1.  Ah!  wretched,  vile,  un-grate  -  ful  heart,  That  can  from  Je  -  sus   thus    de  -  part ;  Thus  fond  of    tri  -  fles,  vain  -  ly  rove,    For-get-ful    of      a.     Sa  -  vior'slove. 


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2.      0    let   thy  love,  with  sweet  eon  tro],    Bindev-ery  pas  -  sion  of      my  soul ;    Bid  ev -cry  vain    de  -  sire    de-  part,  And  dwell  f<>r-  ev  -  er      in      my  heart. 


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1.  What  sinners    va  -  lue    I     re-sign;    Lord,  'tis  en-ough  that  thou  art  mine;     I  shall  be-hold     thy      blissful    face,     And  stand  complete  in    right-eous  ncss. 


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2.  This  life's  a  clrcam,  an    empty   show ;  But  the  bright  world  to  which  I  go,  Hath  joys  sub-stan  -  tial     and    sincere;     "When  shall  I   wake  and  find  me  there. 


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Breathe,  Holy     Spirit,  from     a    -  bove,     Un-til  our  hearts  with   fcr-'vor     glow:  O   kindle  there    a    Savior's      love,  True  sympathy"  with    hu  -  man    woe. 


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AGNES  BURNEY. 


J.   Come,  doarest  Bord  I  descend    and  dwell,    By   faith  and  love     in      evc-ry  breast ;  Then  shall  we  know  and  taste  and  feel,    The  joys  that  can  not  be  expressed 


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2.    Now  to  the  God,  whose  power  can  do     J.'ore  than  our  thought,  and  wishes  huow,   Bo    c-vcr-lasl  -  ing    honors   done.  By  ail  the  church  through  C  Lrist  his  Sou. 


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8s&4.   There  is    a  cairn  for  those  who  weep,     A     rest  for  wea  -  ry    pilgrims  found  ;  They  softly  lie  and     sweetly  sleep,     Low     in      the      ground. 


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1  Arise !  arise !  with  joy  survey,  The  glory    of the  lat-ter  day ; . 


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2  Behold  the  way !  j-e  heralds  cry :  Spare  not,  but  lift your  voices  high, Convey  the  sound  from  place  to  place;Glad  tidings, to  the  captive  race. 


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Mv  drooping  soul,  with  grief  op-pres'd,  Whence  those  wild  tumults  in  my  breast?  Is      there  no  balm  to  heal  my   wound?  No  kind  physician    to      be    found? 

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1.    Oh,  not  my  own  these  verdant  hills,  And  fruits  and  flowers,  and  stream  and  wood, But  his  who  all  with  glory  fills,  Who  bought  me  with  his  precious  blood. 


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Wm.  B.  BRADBURY. 


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1.    Awake,  my  soul !  lift  up  thine  eyes ;  See  where  thy  foes     against  thee  rise,     In  long  ar  -  ray      a  numerous  host ;    A- wake,  my  soul,  or  thou   art    lost. 


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2.  Thou  tread'st  upon   enchanted  ground  ;  Per -ils  and  snares  be  -  set  thee  round  ;   Beware  of      all ;  guard  ev-ery    part;  But  most,  the   trai-tor    in    thy  heart. 


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0  where  is  now  that  glowing  love    That  marked  our  union  with      the  Lord  ?  Our  hearts  were  fix'd  on  tilings  a-bovc,    Nor  could  the  world  a    joy    af  -  ford . 

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1.  There  is     a  stream,  whose  gentle  flow  Supplies  the    ci  -  tv      of     our      God;  Life,  love,  and  joy,  still  glid-ing  thro',  And  watering  our      di  -  vine    a    -    bode 


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HARMONY    CRAJVT.        L.  AS. 


WM.  B.  BRADBURY.  From  "  Jubilee." 


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[Commence  with  tones  slightly  aspirated,  increasing  in  clearness  and  intensity  to  the  end.\ 


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1.  Behold  Unexpected  time  draw  near,  The  shades  disperse,  the  dawn  appear !  Behold  the  wilderness  assume  The  beauteous  tints  of  Eden's  bloom,  The  beauteous  tints,  &c 


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*"        2.  Events  with  prophecies  conspire  To  raise  our  faith,  our  zeal  to  fire :  The  ripening  fields,  already  white,  Present  a  harvest  to  the  sight,  Present  a  harvest  to  the  sight. 


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My  God,  how  end -less    is    thy  love;   Thy  gifts  are   ev  -  cry  eve  -  ning  new ;    And  morning  mer  -  cies  from  a  -  bove,    Gen-fly  des-cend  like  ear  -  ly    dew. 

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1.  Praise  ye  the  Lord;  'tis  good  to  raise  Your  hearts  and  voi  -   ces    in   his  praise;  His  nature  and    his  works  in -vite,    To    make     this  du 


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tTER^LIX        L.  M. 


With  spirit. 


T.  C.  COOK.  137 

From  the  "  Olive  Branch."  By  permission. 


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1.  Ye  Christian  heralds,  go  pro-claim      Sal-va-tion  in"  Im-manuel's  name;    To  distant  climes  the  ti  -  dings  bear,    And  plant  the  rose  of    Sha-ron  there. 


3.    Put  all  thy  beauteous  garments  on,       And  let  thy  cx-ccl-lence  be   known  ;Deck'd  in  the  robes  of  righteous  -ness,     Thy  glories  shall  the  world  con  -  it  ss. 


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Be -hold,  a  stranger  at  the  door:  He  gently  knocks,  has  knock' d  before ;  Has  waited  long,  is  wait-ing  still:  You  treat  no  oth  -  er  friend  so     ill. 

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1.   Oh,  happy    day,   that  fixed  my  choice  On  thee,  my  Sav  -  ior    and  my  God  !  Well  may  this  glow  -  ing  heart  re  -  joice,  And  tell  its    rap  -  turcs  all     a  -  broad. 


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GEO.  J.  WEBB. 


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wake   the      trumpet's  lof  -  ty    sound,  To  spread  your  sacred    pleasures  round ;  Awake  each  voice,  aud  strike  each  string,  And  his  eter  -  nal  praises 

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all      whom  life    and  breath  inspire,  Attend   and     join   the   bliss-ful    choir;    But  chiefly     ye,    who  know  his  word,  Adore,  and  love  and  praise  the 


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Lord,      But  chiefly     ye,  who  know  his    word,    Adore,  and   love  and  praise  the    Lord. 


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1.  When  soft  the  dews  of  kind  -  ly  sleep,  My  wearied  eye-lids  gent  -  ly  steep,  Be    my  last  thought,  how  sweet  to  rest,  For  -  ev  -  er    on    my  Sa  -  vior's  breast. 


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2.    A-bidc  with  me  from  mom  till  eve,  For    with-out  thee  I     can-  not  live  ;  A  -  bide  with  me  when  night  is  nigh,  For  with-out  thee  I    dare    not  die. 


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ISLINGTON. 


31. 


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Dr.  L.  MASON. 


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1.  "  We've  no  a  -  bid  -  ing        cit-y     here,"  Sad  truth  were  this  to       be  our  home,    But  let  this  thought  our  spirits  cheer,  "Wc  seek  a       cit  -  y       yet    to  come." 

2.  "We've  no  a-  bid  -  ing        cit-y     here,"  We  seek  a      cit-y      out    of    sight;    Zi  -  on  its  name,  the  Lord  is  there,    It  shines  with  ev  -  cr  -  last  -ing  light. 

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DARIUS  E.  JONES. 


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1.      Awake,  my  soul,    in  joy  -  ful  lays,  And  sing  thy  great  Redeem-er's  praise;     He  justly  claims  a  scng  from  me  :   His    lov  -  ing  kind-ncss,  01  how  free  !  His   lov  •  ingkind-ness,  O  I   hewfree. 


2.    He  saw  me   ru  -  ined  in    the  fall,  Yet  loved  me  ijpt-withstanding  all:        He  saved  me  from  my  lost  estate  :  His   lov  -  ing  kind  -  ness,  01  how  great!  His  lov  -  ing  kind  -  ness,  01  how  great! 


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3.  Soonshalll    pass    the  gloomy  vale,  Soon  all  my   mor- tal  powers  must  fail ;      O  may  my  last    ex  -  piring  breath,  His  lov   -  ing  kind-ness  sing    in  death,  His    lov  -  ing  kind -ness  sing    in  death. 


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LATJIfcTJS.     L.  M. 


G.  F.  R.    From  the  Diapason. 


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1.  Still  evening  comes,  ■with  gentle  shade,  Sweet  liar-  bin  -  ger  of  balm -y    rest  From  toilsome  hours  and  anxious  thoughts  Re-volv  -  mg  in     the    pcn-sive  breast. 


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2.  Re  -  ful  -  gent  day  in  dark  -  ness  sets ;  The  nois  -  y  crowds  are  hushed  in  sleep ;  Harsh  sounds  to  gentle  "murmurs  turn,  As    o'er    the  fields  the  zephyrs  sweep. 


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Praise  ye  the  Lord — let  praise  employ,  In  his  own  courts,  your  songs  of  joy;  The  spacious  fiftnamcnt  around  Shall  echo  back  the  joyful  sound,Shall  echo  back  thejoyful  sound. 


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1.  Bless,   O     my  soul!  the    living  God,  Call  home  thy  thoughts  that  rove  a-broad,      Let  all  thy  powr's  with-in    me  join,    In  -work  and  worship   so      di  -  vine. 

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2.  Bless,   O    my  soul!  the  God  of  grace ;  IBs    fa- vors  claim  thy     high-est  praise;  Why  should  the  wonders  he  hath  wrought,  Be  lost  in    silence    and    for   -   got? 


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1.    My  heart  is  fixed  on  thee,  my  God,  Thy  sacred  truth  I'll  spread  a -broad;  My  soul  shall  rest   on  thee  a  -  lone,  And  make  thy  lov 


ing     land-  ness  known. " 


2.  With  those  who  in  thy  grace  a-bound,  I'll  spread  thy  fame  the  earth  a-round ;  Till  ev  -  eiy  land,  with  thankful  voice,  Shall  in  thy    ho 


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From  ev-ery  storm  -  y    wind  that  blows,  From  ev-ery  swell  -ing    tide  of  woes,  There  is     a   calm,    a     sure  re -treat — 'Tis  found  beneath  the    mer-cy  seat 

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1     (  How  vain    is    all     be  -  neath  the  skies !  How  transient  ev  -  ery  earth  -  ly  bliss !  ) 
'  |  How  slender    all    the  fond -est  ties,    That  bind  us    to      a    world  like  this !  \  The  evening  cloud,  the  morning  dew,  The  withering  grass,  the   fad  -  ing  flower, 
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j    (  But  though  earth's  fairest  blossoms  die,    And    all     bc-ncath  the  skies   is  vain  ;  ) 

(There  is      a  land  whose  con-fines  lie,      Be  -  yond  the  reach  of   care  and  pain.  ,  Then  let  the  hope  of    iovs    to  come,  Dis- pel  our  cares  and  chase  our  fears: 


D.  c.    If     God   be  ours,  we're  traveling  home,  Tho'  passing  through  a  vale    of  tears. 

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MARGUEDOC.        L.  31. 


JOLO. 


T.  P.  SEWARD. 
Fkom  the  "Psalm  King."   By  permission. 


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1.0    that     I  coiild  for  -  ev    -    er  dwell,  De  -  light  -  ed  at  the  Sav  -  ior's  feet;  Be  -  hold    the  form  I     love     so  well,  And  all     his    ten  -  der  words  re-peat. 


O  that  I    could     for  -  ev-er    dwell,       Delighted    at        the  Savior's  feet ;        Behold  the  form        I  love  so  well,        And  all  his    ten  -  der  words  re  -  peat. 


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2.  The  world  shut  out     from  all  my  soul,    And  heav'n  brouglit  in  with  all  its  bliss ;      Oh  !  is  there  aught  from  pole  to  pole,        One  moment  to      compare  with  this  ? 


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J.  II.  TENXEY. 


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There  is   "       a  stream  whose  gen  -  tie    flow,  Sup-plies      the      cit    -     y     of    our  God ;    Life,  love,  and    joy     still    glid   -   ing   thro',  And  wa  -  tering  our         di  -  vine         a  -  bode. 


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1.    O,  that  my  load  of     siu  were  gone,      O,  that    I      could  at       last  sub-mit      At  Jesus'   feet    to    lay     it    down,    To    lay    my    soul  at    Je  -  bos'   feet. 


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2.  Best  tor  my  soul  I     long  to    find:    Sav-ior    of      all,    if     mine  thou  art,  Give  me  thy  meek  and  low  -ly    mind,  And  stamp  thine  im-  age  on    my  heart. 


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OLA.      L.  M. 


1.  From  eveiy  stormy  wind  that  blows,  From  ev  -  ery  swelling  tide    of  woes,    There  is    a    calm,    a    sure  retreat,      T'is  found  beneath  the  mer  -  cy    seat. 

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2.  There  is    a  scene  where  spirits  blend,  Where  friend  holds  fellowship  with  friend,  Tho'  sundered  far,  by  faith  they  meet,    Around    one  common  mer  •  cy    scat ! 


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3.     Ol  let  my  hand  for-get  her  skill,     My  tongue  be    silent  cold,  and  still,    This  throbbing  heart  for-get  to    beat,       If      I        forget  the  mer  -  cy    scat. 


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1.    There  is     a    calm  for  those  who  weep,  A  rest  for  wea-ry     pil-grims  found  :  They  soft-ly    lie,    and  sweet-ly  sleep,    Low  in  the  ground,  Low  in  the  ground. 


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1.    Be    still,  my  heart !  these  anxious  cares   To  thee  are  burdens,  thorns,  and  snares ;  They  cast  dishon-or     on  thy  Lord,  And   con- tra -  diet  bis    gracious  word. 


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2.  Brought  safely  by    his  hand  thus  far,   Why  wilt  thou  now  give  place  to      fear  ?  How  canst  thou  want  if   he   pro  -  vide,  Or     lose  thy  way  with  such  a  guide? 


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PACKER.  L.   MI- 


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1.  Je  -  sns,  the  sin  -  ners  friend,  to  thee,  Lost  and  undone,  for  aid    I        flee ;  Weary  of  earth,  my  -  self,  and      sin ;    0  -  pen  thine  amis  and  take  me    in. 


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1.  Come,  weary  souls,  v.-itli  sin  distressed,  Come,  and  accept  the  promised  rest ;  The   Saviour's  gracious  call   o-  bey,  And  cast  your  gloomy  fears  a  -   way. 

2.  Oppressed  with  grief, — a  painful  load, — Oh,  come  and  bow  before  your  God !  Di-vine  com  -  passion,    mighty  love  "Will  all  the    painful  load  re  -  move. 

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1.     A-wake,  my  tongue,  thy  tribute  bring  To  him  who  gave  thee  power  to  sing :  Praise  him  who  has  all  praise  above,  The  source  of  wisdom    and  .of      love. 


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2.  Through  each  bright  world  above,  behold  Ten  thousand  thousand  charms  unfold;  Earth,  air,  and  seas  shall  all  combine,  To  speak  his  wisdom  all  di  -  vine. 


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1.  Tkro'  ev  -  ery  age,  e  -  ter  -  nal  God,  Thou  art  our  rest,  our  safe a  -  bode ;  High  was  thy  throne  ere  heav'n  was  made.  Or  earth  thy  hum-  hie  footstool  laid. 


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2.  Long  hadst  thou  reign'd  ere  time  began,  Or  dust  was  fashioned     in    -    to        man :  And  long  thy  kingdom  shall  en  -  dure,  When  earth  and  time  shall  be  no  more. 


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Thou '  whom  my  soul    admires    a-bove       All    earthly  joy,    and  earthly  love, — Tell  me,  dear  Shepherd!  let  me  know,  Where  do  thy  sweet-est  pastures  grow? 

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1.    How  sweet  the  hour  of  closing  day,  When  all  is  peaceful  and     se-rene,    And  when  the  sun,with  cloudless  ray,   Sheds  mellow  lustre   o'er     the  scene. 
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2.     Such  is    the  Christian's  parting  hour;    So  peaceful -ly    he  sinks    to    rest;  When  faith  endued  from  heav'n  with  power,  Sustains  and  cheers  his  languid  breast. 


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1.  From  deep  distress  and  troub-led  tho'ts,    To  thee,  my  God,  I  raise  my  cries ;     If     thou  severely    mark  our  faults,  No  flesh  can  stand  he-fore  thine  eyes. 


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2.  But  thou  hast  built  thy  throne  of  grace,  Free  to  dis-pense  thy  pardons  there ;  That  sin-ners  may  approach  thy  face,     And  hope  and  love,  as  well  as    fear. 


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1.  Wake,  O  my  soul,  and  kail  the  rnorn,     For    un  -  to  us       a      Sa-vior's  bom;  See,  how  the  an-gels  wing  their  way,     To   ush  -  er    in      the     joy  -  ful  day 


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3.  Come,  join  the  an  -  gels  in  the    sky,      Glo  -  ry    to    God  who  reigns  on  high;  Let  peace  and  love  on  earth  a  -  bound,  While  time  revolves,  and  years  roll  round. 


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2.  Hark !  what  sweet  music, — what  a  song — Sounds  from  the  bright,  cedes-tial  throng !  Sweet  song,whose  melting  sounds  impart  Joy  to  each  rap-tured,  list-ening  heart. 


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Come,  join  the  an    gels      in      the    sky,     Glo  ■  ry    to    God,  who  reigns  on  high;  Let  peace  and  love  on  earth  a-bound,  While  time  re-volves,  and  years  roll  round. 


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1.  Come,  dear-est  Lord !  des-cend  aud  dwell  By    faitli  aud  love    in  eve-ry  breast;  Then  shall  we  know,  and  taste,  and  feel    The  joys  that  can -not  be  expressed. 

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2.    Now  '  to  the  God  whose  power  can  do  More  than  our  tlio'ts  and  wishes  know,     Be    ev  -  er  -  last  -  ing  hon-ors  done       By    all  the  church,  thro' Christ  his  Son. 


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THORLEY,  or  SEYMOUR.      L.  31. 


Wm.  B.  BRADBURY. 
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With  broken  heart  and    con- trite  sigh,    A   trembling  sin-ner,    Lord,  I  cry  ;  Thy  pardoning  grace    is  rich  and  free  ;     O  God,  be  mer-ci-tul    to    me. 

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1.    From  ev'-ry  storm  -  y  wind  that  blows,  From  ev' -  ly  swell  -  ing  tide    of  woes,    There  is     a  calm,  a     sure  re-treat,    'Tis  found  beneath  the  mer-cy-seat. 


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2.  There    is    a  place  where  Je  -  sus  sheds   The  oil    of  glad  -  ness  on    our  heads;    A  place  than  all    be-sides  more  sweet,    It      is   the  blood-bought  mer-cy-seat 

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3.  There    is    a  place  where  spirits  blend,  Where  friend  holds  fellowship  with  friencVThOugh  sundered  far,  by  faith,  they  meet    A-round  one  common  mer  -  cy  seal 


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WESTFIELD.        L.  31. 

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1.  Wea-iy 'With,  sin,     I     lift   mine  eyes,  To  liim,  who  toiled  and  died  for  me;    My  struggling  spir-  it  longs  to     rise,    And  reign,  my  Sav  -  ior,  one  with  thee. 


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2.  For  thee  I    count  all  things  but  loss ;     So    let  me  gain  thy  promised  throne ;  For  me.why  didst  thou  bear  thy  cross,     If    not    to  make  me  share  thy  crown  ? 


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Dear  is    the  spot  where  Christians  sleep,  And  sweet  the  strains  their  spir-its  pour :  Oh,  why  should  we  in  anguish  weep  ? — They  are  not  lost,  but  gone  be  •  fore. 


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^      1 .  How  blest  the  righteous  when  he  dies !  When  sinks  a  weary  soul  to      rest !  How  mild  -  ly    beam  the    clos  -  ing  eyes !  How  gen  -  tly  heaves  th'ex-pir  -  ing  breast. 


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.'.    Bo  fades  a  summer  cloud  a  -  way;  So  sinks  the  gale  when  storms  are  o'er;  So  gen- tly  shuts  the     eye   of     day;    So   dies    a    wave   a  -  long  the   shore. 


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Kain     I     see    the  break .-  ing 


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E.  ROBERTS. 


►^^q^^a^S^^fe^  >  1  Who  are    not  lost,  hut  gone  be -fore. 

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God  is  our   sun.'he  makes  our  day;      God  is  our  shield,  he  guards  our  way ;  From  all  assaults  of  hell  aud  sin,      From  foes  with  -  out  and  foes  with  -  in. 


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Ye  Christian  heroes,  go  pro  -  claim      Sal  -  vation  in     Im  -  man  -  uel's  name ;   To  distant  climes  the  tidings  bear,       And  plant  the  rose  of  Sharon  there 


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Tis  midnight,  and  on  Olive's  brow,     The  star  is  dimmed  that  lately  shone :  'Tis  midnight ;  in  the  garden,  now,    The  suffering  Savior  prays  a   -    lone. 


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God      of      my     life,  thro'  all  my  days  My  grateful  powers  shall  sound  thy  praise ;  The  sound  shall  wake  with  opening  light,  And  warble  to  the  silent  night. 


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O  sacred  day  of  peace  and  joy,  Thy  hours  are  ever  dear  to  me ;  Ne'er  may  a  sinful  thought  destroy,  The  holy  calm  I  find  in  thee,  The  holy  calm  I  find  in  thee. 


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STONEFIELD.        L.  M. 


Ok  6  L.  BY  REPEATING  THE  FIRST  TWO  LINES. 


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0     all ye  people,  shout  and  sing  Ho  -  sannas  to  your    heavenly  King ;  Where'er  the  sun's  bright  glories  shine,  Ye  nations,  praise  his  name  divine. 


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II.  TV".  GREATOREX.    Bt  permission. 


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O  praise  the  Lord  in  that  blest  place,  From  whence  his  goodness  largely  flows ;  Praise  him  in  heaven,  where  he  his  face,  Unveiled  in  per  -  feet   glo  -  ry  shows. 


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Just   as     I     am,  without  one  plea,  But  that  thy  blood  was  shed  for  me,  And  that  thou  bid'st  me  come  to  thee,     O  Lamb  of  God,  I   come,  I      come. 


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DUKE    8TRKET,       L.    M. 


}.  L.  Hation. 


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Un  -  to  the  Lord,  un  -   to      the  Lord,  Oh,  sing  a    new    and  joy  -  iul  song !  Declare  his    glo  -  ly,      tell     a  -  broad  The  wonders   that      to   him   bc-lono-. 


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God    in    his  tern -ple^  let     us  meet;  Low  on  our  knees    be  -  fore  him  bend ;  Here  he  hath  fixed  his    mer  -cy  -  seat,  Hereon  his  Sab -bath    we    at-tend 


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Arr.  from  a  Gregorian  Chant  uy  Dr.  L.  Mason. 


HAMBURG.        L.    M. 


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Thou  great  Instruct  -  or,  lest      1  stray,   Oh,  teach  my  err  -  iug   feet     thy   way  !  Thy  truth,  with  ev  -  er  fresh    dc  -  light,  Shall  guide  my  doubtful  steps  aright, 


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HERRON.       E.    ~M. 


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Dr.  L.  Mason. 


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Thus  far  the  Lord  has    led  me    on;   Thus  far    his  pow'r  prolongs  my  days ;  And   ev' -ry  even-ing  shall  make  known 


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A-sleep   in      Je  -  sus !  bless-ed  sleep,  From  which  none  ever  wakes  to  weep ;    A  calm  and  un  -  di 

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Prais-es      to    lum  who  built  the  hills ;  Prais  -  es    to    him  the  stream  who  fills  ;  Prais-e^i    to    him  who  lights  each  star  That  sparkles    in 


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Great  God,  to      thee  my  evening  song  With    humble  grat  -  i   -  tudc   I  raise  ;     Oh,  let  thy    mer  -  cy    tune  my  tongue,  And  fill  my  heart  with  live-ly  praise! 


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With  one  consent,  let      all  the  earth    To  God  their  cheerful  voic  -  es    raise  ;  Glad  homage  pay,  with  aw-  ful  mirth,  And  sing    be  -  fore  him  songs  of  praise. 

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Who  shall  the  Lord's  c- lect  condemn  ?  -Tis  God  who  jus  -  ti  -  ties  their  souls;  And  mer- cy,  like    a  might-y  stream,  O'er  all  their  sins  di-vine-ly  rolls. 


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There    is    a  stream,  whose  gentle  flow    Supplies  the       ci    -  ty    of     our  God  ;  Life,  love  and  joy   still  glid  -  ing  thro',  And  watering    our   di  -  vine    a-bode. 


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WINDHAM. 


L.    M. 


Daniel  Read. 


Broad  is    the  road  that  leads  to  death,  And  thousands  walk  to-geth- er  there;  But  wisdom  shows   a     nar-row  path,  With  here  and  there  a    trav  -  el   -  er. 


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Je  -  sus  can  make    a      dy  -  lug    bed  Feel  soft  as   down-y     pil  -  lows  are ;  While  on  his  breast      I  lean  my  head,  And  breathe  mv  life  out  sweetly  there. 


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Dr.  LOWELL  MASON. 


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1.    Go    where  I   may,    from  home  re  -  mote,    The    Lord  is    ev  -  er      near:    No     se  -  cret  thought  but     he  can  note,         No  word  but    he      caii    hear. 

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2.    "When  all      a  -  round  are       lost  in   sleep,      His    presence  still      I       find.:     To     me     he    ev  -  er    walks  the  deep,         Or    speaketh    in       the  wind. 


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3.       I      look  up -on      the     star-ry   sky,     And    read  his  glo  -  ries    there:    I       look  with- in       my  -  self,  and  sigh,       Can       I       be  still     his     care? 


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Am     I        a     sol  -  di<  r    of     the  cross,      A      fol-1'wer  of      the    Lamb,     And    shall   I    fear     to      own  his  cause,     Or    blush  to  speak  his    name? 
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1.   Hap  -  py  the  heart  where  graces    reign,  Where  love   in  -  spires  the  breast ;  Love  is      the    bright 

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est     of     the   train,     And  strens-thens  all    the      rest. 


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2.  This    is    tlie  grace  that  lives  and  sings  When  faith  and  hope  shall  cease; 'Tis  this  shall  strike our    joy  -  ful    strings,  In   realms  of    end -less    peace. 

ME 


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1    j    Ho  -  san  -  na !  be    our  cheer-ful  song    To  Christ,  our  Sa  -  vior  King ;  ) 

\  His  praise,  to  whom  we    all     be-long,    Let    all     u  -  [omit 1  j  nite  and  sing ;    Ho  -  san  -  na !  here  in    joy  -  ful  bands,  Let  old  and  young  pro-claim, 

d.  c.  And  hail,  with  voices,  hearts,  and  hands,  The  Son    of   [omit J   Da-vid's  name. 


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„    j    Ho  -  san  -  na !  sound  from  hill  to  hill,  And  spread  from  plain  to  plain ;  ^ 

\  While  iou-der,  sweeter,    clear-er  still,  Woods  e  -  cho  [omit ]  )  to    the  strain;  Ho  -  san  -  na!  on  the  wings  of  light,  O'er  earth  and  o  -  cean    fly, 

d.  c.  Till  mom  to  eve,  and  noon  to  night,  And  heaven  to  [omit j  earth  re  -  ply. 


O,  Thou !  whose  ten  -  der    mer  -  cy  hears    Con  -  tri  -  tion's  hum  -  ble  sigh ;  Whose  hand,  in  -  dul  -  gent,  wipes  the  tears   From  sor  -  row's  weep  -  ing  eye. 

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1,     A  -  niaz-  ing  grace !  how  sweet the  sound,  That    saved      a  wretch  like  me!        I      once  was  lost,   but    now  am  found,  Was  blind  but  now    I        see. 


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2.  'Twas  grace  that  taught  my  heart  to    fear,     And    grace      my  fears  re  -  lieved :   How  precious   did    that  grace  ap-pcar,      The  hour    I     first    be  -  lieved ! 


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ALEDO.      C  M. 


O.  R  B. 


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1.  Sweet  was  the    time  when  first      I     felt,    The     Savior's     pard'ning  blood,    Applied      to  cleanse  my  soul  from  guilt,  And  bring  me    home     to    God. 

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2.   Soon    as    the  morn    the  fight    revealed,    His    prais-es     tuned  my  tongue,  And  when  the    eve-ning  shade  prevailed,    His   love  was     all        my  song. 


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How  sweet    the  name    of    Je  -  sus  sounds,     In     a        be  -  fiev  -  ers    ear ;       It  soothes  his    sor-rows,  heals  his  wounds,  And  chives    a  -  way    his  fears. 


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J.  H.  TENNEY. 


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1.    Thy   goodness,  Lord,  our  souls  confess;     Thy   goodness    we      a-dore;       A  spring  whose  blessings    nev  -  er    fail,         A      sea     without      a   shore. 


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2.     Sun,  moon,  and  stars,  thy    love    declare,       In      ev  -  ery     gold  -  en     ray ;    Love  draws  the    curtain        of     the  night,  And  love  brings  back  the    day. 


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g!      'Tis   nature's  cheerful     voice;      Soft   mu  -  sic  hails  the  love  -  ly   spring,    And  woods  and  fields  re -joice,      And  woods  and  fields  re  -  joice. 


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G.  F.  ROOT.    From  "  Sabbath  Bell.  " 


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Pi.       I 


P"    |  II, 

Tli ere    is     a    glo  -  rious  world    of    fight,    A  -  bove    the      star-  ry        sky,  Where  saints de  -  part  -  ed,  clothed  in  while,    A  -  dore    the    Lord  most  high. 


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1.    Let    all    the  just  to    God  with  joy,     Their  cheer-ful  voic  -  es  raise ;       For  well  the  right-eous  it     becomes    To    sing 


glad  songs  of    praise. 


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2.    For,  faith-ful    is      the  word  of    God;     Ilis  works  with  truth  a-bound,       He   just -ice  loves,  and  all   the  earth     Is    with 


his  goodness  crowned. 


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3.    The  rich-es    of     thy  mer-cy,  Lord,    Do    thou  to   us     ex -tend,      Since  we,  for   all    we  want  or  wish,    On  thee 


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1.    I    love     to    steal    a  -  while    a  -  way  From  ev  -  ery  enmb'ring    care,       And  spend  the  hours  of     set  -  ting  day,     In    hum  -  ble,  grate  -  ful  prayer. 
I       ,         ^      ,        I        I        >    J      J        I        i.      I        I  I  I       I         N    J       4       l         s    J  II.... 


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2.  Come,  O  my  soul,   with   all      thy    care,     And    cast     it      on       thy  God;     He  knows  thy  weakness  and    thy  fear,        And  will    bus- tain    the  load. 
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2.     His  gracious  word  in  -   vites  thee  nigh,    With    all      thy  migh  -  ty    grief,       He  will  at  -  tend    thy  mourn-ful     cry,       And  send    thee  sure    re  -  lief. 


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?,.  Weak  as  thou  art,    ap-proachhis  throne,  Nor    doubt  of      aid      di-vine;     He  makes  thy  sor  -  rows  all      his    own,     And    all      his    blessings  thine. 


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,     (Lord,    I      believe:    thy  power  I    own,       Thy  truth      I    would   o-   bey:) 

\       I    wan  -  der  comfort  -  less  and  lone,    When  from     thy  paths    I     stray,)     Lord,    I     be-lieve:  but    gloomy  fears      Some-times   be -dim     my  night; 
D.  c.  I    look    to   thee  with    prayers  and      tears,    And      cry  for  strength  and  light.  d.  c. 


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BURLING.      C  M. 


GEO.  M.  MONROE 


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Thou  blest  Re-deem  -  cr,     dy  -  ing  Lamb !     We   love     to  hear  of    thee ;        No      mu  -  sic  like  thy  charming  name,       Nor   half    so    dear     can     be. 


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<     (  Oh   for    a-  clos  -  er  walk  with  God,  A  calm  and  heavenly  frame, — 

'   |   A  light  to  shine  up  -  on  the  road    [Omit   ]  That 

o.  C.  Where  is  the  soul  -  refreshing  view,     [Omit J     Of 


leads  me  to    the  lamb !  j  Where  is  the  bless-ed-ness  I  knew,  When  first  I    saw  the  Lord '? 
Je  -  sus  and  his  word.  D-  c. 


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C.  P.  HOFFMAN. 


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1.      Fa  -  ther,    I    stretch  my  hands  to  thee,      No    oth  -  er     help     I    know ;     If    thou  with-draw  thy  -  self  from  me,      Ah !  whith  -  er    shall       I        go  ? 


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2.     O    Je  -  6us    could    I      this  be-lieve,      I    now  should  feel  thy  power ;  Now  my  poor  soul  thou  wouldst  re-trieve,  Nor  let    me  wait     one     hour. 


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"What  did  thine  on  -  ly    Son    en  -  dure,      Be-fore      I     drew  my  breath,  What  pain,  what  la  -  bor       to     se  -  cure      My  soul    from    end  -  less   death 


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Au  -  thor    of    faith    to  thee       I    lift        My  wea  -  ry    long  -  ing    eyes ;     O      let     me  now    re  -  ceive  that  gift ;      My    soul    with-out       it        dies. 


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CRANSTON.      C    IVX. 


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1.  The  God     of  na  -  lure,  and     of  grace,       In    all     his  works  ap  -  pears;        Ilis  good-ness  through  the  earth  we  trace,         His   grand-eur  in     the    spheres. 

2.  Id     eve -ry  stream  his  bounty  flows,       Dif  -  fus  -  ing  joy  and     wealth;        In       eve  -  ry  breeze  his  Spir  -  it      blows,       The  breath   of  lite    and  health. 


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I  f»     I       r*    ,       >.  J.-J*  N      I       I*    I       r*  J.      I.    J.J        J*      l       f*    i       is     I     I 


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1.  Oh!  could  our  tli  oughts  and  wish-  es  fly,         A  -  bove  these  gloom  -  y   shades,        To  those  bright  worlds  beyond  the  sky,    Which  sor- row  ne'er   in-vades! 


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2.  There  joys  un  -  seen     by  mor  -  tal    eyes,      Or  rea  -  son's    fee  -  ble       ray,         In      ev  -  er     bloom-ing  prospect  rise,        Unconscious    of     de  -  cay. 
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3.    Lord!  send  abeam     of    light  di  -  vine        To  guide  our    up  -  ward    aim;      With  one      re-   vi-ving    touch    of  thine    Our  longing  hearts  inflame. 


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CORONATION.      C  ME. 


OLIVER  HOLPEX. 


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All  hail  the  power  of  Jesus'  name !  Let  angels  prostrate  fall ;  Bring  forth  the  royal  diadcm.And  crown  himLord  of  all ;  Bring  forth  the  royal  diadcm,And  crown  him  Lord  of  all 


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1.  There   is      a      land     of      pure  dc  -  light,Where  saints  im  -mor  -  tal      reign;      E  -    ter  -  nal    day     ex  -  eludes  tin-  night,  And   pleasures  '  ban  -  ish     pain. 


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5.    O,    could  we    make  our  doubts  re  -  move,  Those  gloomy  doubts  that     rise,      And    see    the    Ca  -  naan  that   we    love,  With  un  -  be  -  cloud  -  ed     eyes: 


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2.  There  ev  -  er  -  last  -  ing  spring  a  -  bides,  And  nev  -  er     fail  -  ing  flowers ;  Death,  like   a      nar  -  row     sea,    di  -  vides  This  heavenly    land  from  ours. 


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6.  Could  we    but  climb  where  Mo -ses  stood,  Aud  view  the  land -scape  o'er,       Not    Jordan's  stream,  nor  death's  cold  flood,  Should  fright  us  from  the    shore. 


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COTTAGE.        C  »!• 

IFiW  devout  hearts  and  reverent  voices. 


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Our    Pa  -  ther,  God,   who    art    iu   heaven,  All      hallowed  be      thy    name!    Thy    kingdom  come ;  thy    will    be    done,      In    earth  and  heaven  the   same. 


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1.     To      God     I    made  my  sorrows  known ;  From  God    I  sought  re  -  lief;       In       long  complaints  be  -  fore    his  throne      I  poured  out  all     my  grief. 

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3.  Then     did      I    raise    a     loud  -  er   ciy,     And  called  thy  mer  -  cy  near :  "  Thou    art     my  Por  -  tion  when  I     die, —    Be    thou  my  Re  -  fuge  here ! " 


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There  is  an    eye      that    never     sleeps,  Beneath  the  wing    of       night;  There  is  an  ear      that    never     shuts,  When  sink  the  beams  of       light 

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1.    In     vain    we  build  un  -  less    the  Lord,  The    fa  -  brie  will    sus-tain;     Un  -  less     the  Lord  the     ci  -  ty    keep,    The  watchman  wakes  in    vaiu. 


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2.    Ir>    vain    we  rise    be  -  fore  the    day,    And  late    to     rest    re  -  pair;      Al  -  low     no  res  -  pite    to     our   toil,    And   eat    the  bread    of    care. 

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1.    Long  have  I    sat       bc-neath      the  sound        Of      thy  sal  -   va-tion,    Lord;  Yet  still  how  weak  my    faith    is    found,      And  knowledge  of     thy  word! 


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1.  Thou   art    the  Way:    to    thee      a   -  lone    From    sin      and  death  we    flee!      And    he    who  would  the     Fa  -  ther  seek,  Must  seek  him,    Lord,      by    thee. 

2.  Thou   art    the  Truth:  thy  word   a  -  lone      True  wis  -  dom  can    ini-part;    Thou  on  -  ly  canst     in -struct  the  mind,  And  pu   -  ri    -    fy      the    heart. 


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1.  While  Shepherds  watched  their-  flocks  by  night,All  seated  on  the  ground,  The  angel  of  the  Lord  came  down,        And  glo-ry  shone  around,  And  glo-ry  shone  a  -  round. 

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1.    Yes,     I     -will  bless  thee,    O     my  God!    Thro' all    my  earth -ly     clays;    And     to      e  -  ter  -  ni  -    ty     pro -long     Thy  vast,  thy  boundless    praise. 


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2.    Not  death  it  -  self  shall    stop  my  song,  Though  it    will  close  my    eyes ;     My  thoughts  shall  then  to     no  -  bier  heights,  And  sweet  -  er    rap  -  tures   rise. 


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In     ev  -  ery    smil  -  ing,   hap  -  py   hour,      Be    this  my  sweet  em  -  ploy :    Thy  praise  re  -  fines  my    earth  -  ly    bliss,    And  dou  -  bles    all     my     joy. 


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There  shall  my    lips    in      end  -less  praise  Their  grate  -ful    trib-ute    pay;       The  theme  de-mands  an      an  -  gel's  tongue,  And    an     e  -    ter  -  nal     day. 

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My   God !  the  covenant  of     thy     love        A  -  bides    for    ev   -   er      sure;     And    in       its  matchless  grace  I        feel 

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1.  God  of  my  life,  look  gently  down,  Be-hold  the  pains  I     feel;    But  I    am  dumb  be-fore  thy  throne,  Nor  dare  dispute  thy  will,  Nor  dare...     dispute  thy  w  ill. 


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2.    I'm  but  a  stranger  here  below,    As    all  my  fathers  were ;  Slay  I    be  well  pre-par'd  to     go,  When  I  the  summons  hear,  "When  I the  summons  hear. 


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Lord,  at  thy  feet  we    sin  -  ners     lie,       And  knock  at      mer  -  cy's    door;  With  heavy  heart  and  down-casfr     eye       Thy    fa  -  vor      we       im  -   plore. 


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1.  Calm   on     the  bo-som  of    thy    God,   Young  spi   -   rit,  rest  thee    now!    Ev'n  while  with  us    thy  footsteps  trod,      His    seal    was  on    thy    brow. 


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2.   Dust,  to      its   nar -row  house  be -neath!  Soul,   to        its  place  on    high!   They  that    have  seen  thy  look   in    death,    Ko  more  may  fear    to      die 

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3.  Lone  are   the  paths  and  Bad  the  bowers,Whence  thy  meek  smile  is    gone;    But,  ob!      a    brighter  home  than  ours,      In  heaven,  is    now  thine  own. 


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1.  The    Lord     is     King.    His  praise    I'll     sing,    My    heart    is       nil      his      own;      My     high -est  powers,  My    choic  -  est  hours,    I     yield     to      him      a    -   lone. 


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GARNETT.      C.  JM 


J.  H.  TENNEY. 


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1.  There  is      a  place  of  sweet  re-pose,  Where  wear}' souls  may  rest,      From  all  their  sorrows,  all  their  woes.  On  their  Re-deem-er's  breast,      On  their  Re-deemer's  brenst. 

2.  When  worn  with  toil  our  spir-its  faint,  By  thousand  cares  oppressed.     Sweet  is    the  care   for  our  complaint,  Our  Je  -  sua     is    our   rest,  Our  Je  -  sus    is    our   rest 


3.       O  thou,  our  rest;  our  help,  our  all,     Help  us     to  love  thee  more,     Then  at   thy  feet  we'll  joyful    fall,  When  our  last  conflict's  o'er        When  our  last  conflict's  o'er. 


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1.     Dear     Fa-ther,   to      thy     nier  -  cy  -  seat,  My    soul   forshel-ter      flies:  'Tis   here    I    find     a       safe      retreat,  When  storms  and  tempests      rise. 

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2.        My    cheer-lul  hope   can     nev  -  er     die,      If     thou,  my  God,   art      near,  Thy  grace  can  raise  my      corn-forts  high.  And   ban  -  ish    ev  -  try      fear 


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108  HILBERT 

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1.    O    how  I        love    thy    ho  -ly    law!  Tis    dai-]y    my    de- light;  And    thence  my    med 


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2.  No  treas-ures    so         en -rich    the  mind;  Nor  shall  thy  word  be      sold,     For    loads    of        sil    -    ver    well        re-fined,    Or    heaps      of  choic  -  est  gold. 


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Whcn  shall  I  see        the  wel  -  come  hour  That  plants  my  God    in    me?    Spir-  it         of    health,  and    life,    and  power,    And   per  -  feet  lib    -  er  -  fy. 


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J.  II.  TENNEY. 


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1.      Give  me  the  wings  of  faith,  to     rise  With  -  in     the     vail,  and  sec  The  saints  above,  how  great  their  joys,  How  bright  their  glories  be,  How  bright  their  glories  be. 


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1.  Thou  must  go  forth    a   -   lone,  my  soul !  Thou  must  go  forth  a 


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Lord,    hear  the  voice  of  my    complaint ;    Ac   cept  my  se  -  cret  prayer ;  To  thee  a  -  lone,    my  King,    my  God,     Will       I for      help re  -  pair. 


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1.  With  rev'rence  let  the  saints  appear,    And  bow  before  the  Lord ;  His  high  commands  with  rev'rence  hear,  And  tremble  at  his  word,  And  tremble  at  his  word. 


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2.  How  ter  -  ri  -  ble  thy  glo  -  ries  be !  How  bright  thy  armies  shine !  Where  is  the  pow'r  that  vies  wuth  thee  ?  Or  truth  compared  with  thine  ?  Or  truth  compared,  &c. 


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1,      My  God,  rny  Fa  -  ther,  bliss  -  ful  name !    Oh,  may    I     call  thee      mine?        May    I  with  sweet  as  -  su-rance  claim      A      por-tion    so       di  -vine? 


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2.       What-e'er    thy  sa  -  cred  will  ob- tains,    Oh,  give  me  strength  to      bear!         And     let  me  know  my    Fa-ther  reigns,     And  trust  his  ten  -  der   care 


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3.        Thy  sovereign  ways  are    all  unknown      To    my  weak,  err  -  ing      sight;       Yet     let  my  soul      a-    dor-ing' own    That    all    thy  ways  are    right. 


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From  the  "  Hallelujah.  " 


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2.      Loud  roars  the  wind,  and  wild  the  tide,      The      ship  her  course  de  -  layed ;    When    to  their  help    he  came,  who  cried,  "  'Tis       I!     be  not    a   -   fraid  !" 


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2.     VVI10  walks  the  waves  in  wondrous  guise,       By       nature's  laws  un  -  staid?         A    well-known  voice  in    love  re-plies,    '"Tis        I!    be    not    a  -fraid!" 


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3.      Thus  when  the  storm  of     life    is  high,      Let      me    hi  -  vokc  his     aid,        And  hear  the  bless  -  ed     Sav-iorsay,      '"Tis     I!      be   not   a -fraid!" 


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1.   How  sweet    the  name  of     Je    -    sus  sounds,  In       a      be  -  liev  -  er's   ear !         It  soothes    his   sorrows,  heal     his  wounds,  And  drives  a  -  way    his    fear. 


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2.    By    thee,   my  prayers ac  -  cept-ance  gain,    Although  with   sin      de  -   filed:     Sa  -  tan       ac  -  cu  -  ses    me         in  vain,    And       I      am  owned  a     child. 


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It  makes  the   wounded    spir  -  it  whole,  And  calms  the    troubled  breast;  Tis    man-na    .to     the  hun  -„gry    soul,      And     to     the   wea  -    ly    rest. 


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Jc-sus!my    Shepherd,  Guardian,  Friend,  My    Prophet,  Priest  and  King ;    My  Lord,  my  Life,   my  Way,    my  End,        Ac  -  cept    the  praise      I    bring. 


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There     is    an  hour  of  peaceful  rest,  To  mourning  wanderers  given ;  There  is  a  tear  for  souls  distress'd,  A  balm  for  eTery  wounded  breast,  'Tis  found  alone  in  heaven. 


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172  JASPER. 

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Dr.  LOWELL  MASON.    From  "  Asath." 
Dim. 


5~  i    J    Hir^f 


1.  There      is        a      ci    -    ty  fair    and  bright,  That  eye   hath  nev   -    er  seen,  Where    ev  -    er  dwell  -  eth  pure    de-light,   And  heavenly       peace  se  -  rene. 


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3.  There      Uv  -  ing  wa  -  ters  cease  -  less  flow  From  out    the    heaven-ly  throne :  There  fair-  est  fruits  per  -  en-  nial  grow,  And  want    is      nev    -    er  known. 
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5.     Nor       sin     nor  sor  -  row  com  -  eth  there,  Nor    ev  -   er    death  nor  pain,       In     love    a  -  bid  -  ing,  free  from  care,  The  saints  for         ev  -  er  reign. 


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2.  High  walls  of  pre  -  cious  gems  and  gold    Se  -  cure  from  ev'  -  ry     ill Un-heard    of  bliss    and  joys     un-told    With -in     its    bor  -  ders  dwell : 


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4  Nor  sun     by  day,    nor  moon   by  night,  This  hcavendy   ci  -"  ty      needs But    glo  -  ry  sheds  a     crys-tal  light  That  nev  -  er  wanes  nor  fades. 


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6.   A  mong  the   ma  -  ny  man-sions  there,  Oh !   is    there  one     for    me ! . 


Dear  Lord,  an  hum  -  ble  place  pre-pare,  That     I     may  dwell  with  thee. 


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As  pants  the  hart  for  cool-ing  streams  When  heated    in      the      chase,  So      longs    my  soul,  Oh,   God!    for  thee,  And  thy    re  -  hesh-ing    grace. 


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1.  Lord,  when  to  -  geth  -  er  here    we   meet,        And  taste  thy  heav'n  -  ly   grace,    Thy  smiles  are  so     di  -  vine  -  ly    sweet,    We're  loth  to  leave  the  place. 


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2.  Yet,    Fa-ther,  since    it     is      thy    will . .      That  we  must  part    a  -  gain, . .        0,    let  thy    gra-cious  pre-sence    still . .     With    ev'-iy    one    re  -  main. 


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3.  Thus  let  us     all      in    Christ  be    one,       Bound  with  the  cords  of    love,..      Till    we    a -round  thy   glo-rious  throne,    Shall  joy-ous  meet    a  -  hove. 


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Lord,  in    the  morning    thou  shall  hear      My  voice  as  -  cend  -  ing       high,    To    thee  will    I       di  -  rect  my  prayer,    To  thee   lift      up    mine     eye. 


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II 


1.     The  Lord    our  God    is  full     of  might,    The  winds    o  -  bey    his    will ;      He  speaks,  and,  in   his    heavenly  height,  The    roll-ing    sim   stands  still. 


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2.     Ye    na-tions  bend — in  reve-rence  bend ;  Ye     mon  -  archs,  wait  his   nod,     And  bid    the  cho  -  rai    song    as  •  cend     To      eel  -  e  -  brate    our    God. 


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0     1.    My  God,  my  Fa  -  ther,  bliss  -  ful  name,     Oh  may    I     call    thee  mine?    May   I    with  sweet  as.-  sur-  ance    claim 

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2.  Thy  sovereign  ways  are    all     un- known    To  my  weak,  err  -  ing  sight;     Yet  let   my    soul     a  -  dor  -  ing     own  That  all    thy   ways  are  right. 


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How  sweet,  now  heavenly    is     the    sight,  When  those  who  We  the    Lord       In     one    an -oth-er's  peace  de  -  light,    And    so       ful  -  fil     his    word 


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1.  When  Ian -guor  and    di-sease    in-vade    This  trembling  house  of     clay,         'Tis  sweet  to  look    by   faith    a -broad,  And  long    to    fly      a  -  way. 


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2    Sweet  on     his  faith -ful-ness     to  rest,  Whose  love  can  nev  -  er      end;       Sweet  on     his  cov  -  en  -  ant     of  grace    And  on     his  grace  de  -  pend. 

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3.      If    such    the  sweetness    of     the  streams, What  must  the  foun-tains    be,        Where  saints  and  an -gels  draw  their  bliss  From  Thee,  O  God,  from  Thee. 

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1.    Be  -  bold      the    sure  founda        tion  stone,Which  God    in      Zi    -    on  lays,  To  build     our  heavenly  hopes    up  -  on,  And  bis         e   -   tor    ■    nal  praise. 


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2.    Cbos-cn        of    God,  to    sin    -    ners  dear,  The  saints      a   -  dore    bis  name  !  Tbcy  trust  their  whole  sal- va    -    tipn  here,  Nor  sball     they    suf  -    fcr  shame. 


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O.     gracious  God,  in  whom  I     lire,    My     fee  -  ble    ef-  forts    aich 
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Help    me     to  "watch  and  pray  and  strive,  Though  trembling  and  a  -  fraid. 

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1.  Whom  have  we,  Lord,  in  heaven,  but    thee,    And  whom  on    earth  be  -  side  ?  Where  else  for    com-fort    can    we     flee,      Or       in  whose  strength  confide? 


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2.     Thou  ar*  our    por  -  tion  here     be  -  low,      Our    pro-mised  bliss    a  -  bove ;    Ne'er  may  our  souls  an     ob  -  ject  know,    So     pre  -  cious    as     thy    love 


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3.  When  heart  and  flesh,   O    Lord,  shall   fail,    Thou   wilt    our    spi  -  rit    cheer;     Sup -port  us    thro' life's  thorny       vale.      And   calm  <  Lous  fear. 


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1.  As  pants  the      hart    for     cool-  ing  springs,  "When  wearied  in     the    chase,       So.  longs  my  soul,      O      God,  for    thee,  And    thy    re  -  fresh-ing    grace. 


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2.  For  thee,  my    God,  the      liv  -    ing  God,    My    thirst -y    soul  doth    pine:       Oh!  when  shall    I     be  -  hold  thy  face,  Thou    ma  -  jes  -  ty       di  -  vine? 

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Oh!    for      a  thou- sand  tongues  to    sing        My  dear    Re  -  deem-er's     praise !  The    glo  -  rics  of    my    God  and    King,    The    triumphs  of  his  grace! 
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1.  Searcher  of  hearts— from  mine  erase  AlRhoughte  that  should  not  be;  And  in  its  deep  recesses  trace,    And  in  its  deep  re-cess-es    trace       Mygrati-tade   to  thee. 


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e  v.    Hearer  of  prayer  10  guide  arighl  Each  word  and  di  edofflrlne;  Life's  batlle  teach  me  how  to  fight,  Life'sbattle  teach  me  how  to  fight,       And  be  the  vie  -  fry  thine 

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*■'    8.  Qiver  of    all!  for  every  good     In    the    I  met  came,     Fojr  raiment,  shelter,  and  for  food,    For  raiment,  shelter,  and  for  food,        I  thank  thee  in  his  name 

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1.  The  Lord  himself,  the        might  -  y       Lord,  Vouchsafes  to  be  my       guide;    The  Shepherd  by  whose  con  -  stant    care  My  wants  are       all    suppliwl. 


2.  I    pass  the  gloom  -  y         vale     of     death,  From  fear  and  dan  -  ger    free,         For  there  his  aid  -  ing  rod        and    staff  De  -  fend    and     comfort    me. 


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In     ten  -  der  grass  he      makes  me  feed,  And    gent  -  ly     there    re  -  pose,      Then  leads  me  to    cool  shades,  and  where  Re  -  fresh  -  ing  wa  -  ter  flows. 


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Since  God  doth  thus  his     wondrous  love  Through  all  my    life     ex  -  tend,       That  life        to  him    I      will     de  -  vote,  And  m      his       tern -pie  spend 


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By    cool    Si  -  lo    -am'ssha-dy     rill        How  sweet  the    li    -  ly    grows!    How  sweet  the  breath  be  - neath  the  hill,    Of    Sha  -  ron's  dew  -  y         rose! 


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1.  How  calm  the  even-ing  falls    a  -  round,  Each  breath  of     ah         is      still,    Save  where  are  wav'd,  •with  gen -tie   sound,  The  leaves  on     yon  -  der     hill. 


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3.  While  up     to  heaven  our  tho'ts  we  raise,   All    earth -ly     pas  -  sions  cease ;  The  heart  is     filled  with  love  and  praise,  And  all      is     hushed    to    peace. 


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1.  Did'st  thou, Lord  Je  -  sus,  suf  -  fer  shame,  And  bear  the  cross  for     me?    And  shall     I     fear     to     own  thy  name,    Or    thy     dis  -  ci  -  pie    be? 


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For -bid      it,    Lord,  that    I  should  dread,  To    suf  -  fer  shame  or     loss;      O,      let     me     in      thy    foot -steps  tread,  And  glo  -  iy      in      thy  cross. 


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1.     Ob,  for    a     thou-sand  tongues  to    sing     My  great  Re-deem-er's  praise,      Theglo      -      ries    of      my  God  and  King,    The  triumphs      of    his  grace ! 


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2.      My  gracious  Mas  -  ter  and     my    God,     As  -  sist    me    to     pro-claim,      And  spread   through  all   the  earth  a-broad,      The  hon  -  ors    of    thy  name. 


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3.    Je  -  sus !  the  name  that  charms  our  fears,  That  bids  our  sor  -  rows  cease ;    'Tis  mu     -     sic      in      the  sin       -      ner's  ears ;  'Tis   life     and  health  and  peace. 


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1.  Now    to     the  ha  -  ven     of    thy    breast,    0    Son    of  man,     I       fly,  Be    thou  my    rcf  -  uge,  and        my   rest,     For  O !     the  storm    is    high. 

2.  Pro  -  tect    me  from    the    fu-rious  blast ;  My  shield  and  shel  -  ter       be;  Hide  me,  my    Sav-ior,    till        o'er -past,   The  storm    of    sin       I      see. 


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PROTECTION.      C  IVX. 


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E.  H.  BAILEY. 


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I.  When  eve-ning slum- bers  press  my    eyes,   With    thy    pro-tec-tion     blest,       In  peace  and  safe-tly       I  .  com  -  mit       My    wea  -  ry  limbs    to     rest 


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2.      My  spi  -  rit    in      thy  hands    se  -  cure,  Fears    no      ap-proach-ing      ill ;        For  wheth  -  er  wak  -  ing    or      a  -    sleep,    Thou,  Lord,  art  with  me      still 
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'l.  Hear,    gracious    God,    my    hum -ble  moan,    To  thee      I  breathe  my  sighs :  When  will    the   mournful  night    be  gone  ?  When  shall  my  joys      a -rise? 


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2.     Yet,    tho'    my    soul    in      darkness  mourns,  Thy  prom  -  ise    is      my  stay ;  Hore  would    I      rest    till      light  re  -  turns — Thy    presence    makes  my    day. 


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j  How  sweet  and    heavenly    ia     the  sight,  When  those  who  love  the  Lord,   } 

(     In   one      an  -  oth  -  er's  peace   delight,    And      so    ful  -  fil      his  word !  \    Oh !  may    we    feel    each  brother's  sigh,     And  with  him    bear    a     part ; 


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D.C.May  Borrows      flow  from  eye     to  eye,    And    joy  from  heart  to  heart. 


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PATRIA.      C    M. 


183 


1.  Sliine  on  our  land,  Jc-lio-vah,  shine,  With  beams  of  heavenly  grace ;  Reveal  thy  power  thro'  all  our  courts,  And  shew  thy  smiling  face,  And  show  thy  smiling  face. 


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PROCTOR.     <c.    m:. 


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1.  Let  world -ly  minds    the  world  pur  -  sue, 

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It  has  no    charms  for    me;       Once  I     ad-mired    its   tri  -  fles    too.         But  grace  hath  set 

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>    '•    '•  •    1^    l^    i         ^     &  &  ^ i 

2.  Its    pleas-ures  cau       no    long  -  er  please,    Nor  liap-pi    -  ness      af-ford:      Far  from  my  heart   bejo}-slike    these,    Now  I  hay*    seen the  Lord. 


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1.    Ye  heavenly  choirs  pour  forth  to  God,  A  chant  so  loud  and  strong,  That  all    the  sons  of  men  may  hear,  And  ioin  your  ho-  ly    son"-   And  join  vour  ho  -  lv  song. 


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Awake,  ye  winds  awake,  and  bear  A  -  far  the  notes  of    praise,  From  North  to  South,  from  East  to  West,  A  glorious  an-  them  raise,    A    glorious  an- them  raise, 

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184:  JEIOSBOROUG-H.      C.    M! 

Firmly. 

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Wm.  B.  BRADBURY. 
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22: 


1.  Begin,  my  soul,  some  lieav'nly  theme,  And  speak  some  boundless  thing,  The  mighty  works  of  mightier  name,  The  mighty  works  of  mightier  name,  Of  our  eternal  King 


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RA^WLIN^ON.      C.    31. 

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'  2.       His  ve-ry  word  of  grace  is  strong,  As  that  which  built  the   sides ;    The  voice  that  rolls  the  stare  along,  The  voice  that  rolls  the  stars  along,  Speaks  all  the  promises. 

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How   calm  the    evening    falls     a  -  round,  Each  breath  of    air      is    still,     Save  where  are  wav'd  with  gen- tie  sound,  The  leaves  on    yon  -  dcr     hilL 

1      h    m  j      h    k    1    J  ./  J*  J     1     1      1      r*    r>    I    1      r»  "  r»  .'  1     !    j  jj     1      1 

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I 
D.  E.  JONES. 

Griuncll,  Iowa, May  14, 1867. 

n—LS S Sn 


g-|g---g-g-|^g^|^| 


1.    Thy  home    is    with    the  hum  -  ble,  Lord,    The    sim-plest    and    the    best;    Thylodg-ing     is      in    child-like  hearts ;  Thou mak-est    there    thy  rest. 


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2.  Dear  Com  -  fort  -  er !       e  -  ter  -nalLove!      If    thou  wilt  stay  with    me,       Of    low  -  ly  thoughts  and  sim-  pie  ways,    I'll    build    a    house    for    thee. 

H?2i— E c-i — !S IS St n . ■ m -t: «r-i— !S IS S,-, 


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•"..  "Who  made  this  beat-  ing  heart    of    mine,     But  thou,  my    lieav'nly  Guest?    Let    no    one  have     it    then    but  thee,    And    let      it       be      thy    rest. 


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SEWARD.      C.  3WC. 


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J.  II.  MOKEY. 
dim , 


185 


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1.    Thou  blest  Re  -  deem  -  er,  dy  -  ing  Lamb,  We  love       to  hear    of    thee;     No    mu  -  sic  like  the    charm-ing  name,  Nor  half     so  dear    can     be. 


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2.  •  0,  may       I     ev  -   er  hear      thy  voice      In  kind  -   est  mer  -  cy  speak;     In  thee,   my  Priest,  will     I       re-joice,    And  thy       sal  -  va  -  tion    seek 


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as  '    i   T   r  i      rJi    f  f  7  T"Z  r 

1.    For    mer  -  cics  count  -  less    as    the  sands,  Which  dai  -  ly       I       receive         From    Je  -  sus    my    Re-deem-er's  hands,  My      soul,  what  canst  thou  give  ? 

Ill 


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SHAYLER.    C  3£. 


DARIUS  E.  JONES. 


II 


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1.  When  all  thy  mer  -  cies,  0    my    God,     My  ris  -  ing  soul    sur  -  veys,  Trans-port  -  ed    with  the  view,    I'm  lost  In       won  -  der,     love    and  praise. 

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2.     Un  -  num-bered  comforts  to    my    soul,     Thy  ten -der     care    bestowed,' Be  -  fore    my    heart  had  e'er  con-ceived,    From  whom  those    com-  forts  flowed. 


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W.  B.  JiKADUUWi. 
Coda  far  2nd.  Stanza^ 


1R6  TRENHOLM.       C-  M 

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iS^SEi^^^^SZ^^iB-t^-Sr^^C^^1^""    *;^01ilctmerise,Rcjoic-ingiB     thy  love, 
■/f^.  che^t  I  dose  my  ^T«^^^ 


Rejoic-  ingm    thy  love. 


^ 


triumph,     c  m:. 

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J.  B.  CARPENTER. 
_| N-4- 


\i     IT S£Tkrldretlronc)InhUm-ble   posteeg     stand^ 

•         ill.  N 


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r  HENRY  HARDING. 

— CZ ^ — I        t~~  r  TTnio-rif     fflo  -  ry 


?fcSE=te=3=g=^&=f  4?=±^^^£Er=b-t:=^=tzr=^-^ TTJT^S  -  to        the     Fa-ther's    side. 


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187 
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3: 


1 


Let    all    the  just    to     God,  with  joy     Their  cheer  -  ful  voi  -  ces    raise,  For    well  the  righteous     it      be -comes    To    sing  glad  songs  of    praise. 


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2.  For  faith -ful    is     the  word  of    God,     His  works  with  truth  a  -  bound;       He     jus- tice  loves,  and    all     the  earth      Is    with  his  good  -  ness  crowned. 


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2.  What-e'er    the  migh-ty    Lord    de  -  crees,  Shall  stand  for  -  ev  -  er      sure;         The    set  -  tied  pur- pose  of     his    heart     To      a  -  ges  shall    en  -  dure. 


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I        I        I        I        1        I  I  '  I         '        I        I        ■        '        '        i  I'll 

God     is     our     re  -  fuge,  tried  and  proved,  A  -  midst  a    storm  -  y    world ;  We    will    not  fear,  though  earth  be  moved,  And    hills    in     0  -  cean  hurled. 


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1.  That    sol  -  emu  hour  will  come  for     me,  When,  though  their  charms  I     own,     All      hu  -  man  tics    re  -  signed  must  be ;     For      I     must  die         a 


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2.   All    earth -ly  pleasures   will    be     o'er,       All    earth  -  ly      la  -  bora  done,    And      I    shall  tread  th'e  -  ter  -  nal  shore,  And      I     must  die 


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3.   But,    oh,      I  will    not  view  with  dread    That  shadowy    vail    un  -  known :   I       see      a    light  with  -  in       it  shed ;      I       shall  not  die  a 


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j      Ye  wretch  -  ed.  liun  -  gry,  starving   poor,    Be  -  hold     a     roy  -  al    feast ; 
•\   W 


here  mer  -  cy  spreads  her  bounteous  store,  For   eve  -  ly    hum  -  ble  guest,    )   See,    Je  -    sus  stands  with    o  -  pen    arms,  He    calls,  he    bids  3rou  come ; 
D.c.  Guilt  holds  you  back,  and  fear      a  -  larms ;  But   see,  there  yet      is    room  ? 

*3: 


0   j  Room    in      the  Sav  -  ior's  bleed-ing  heart ;  There  love  and    pi  -  ty    meet ;  ) 

{     Nor  will       he   bid    the  soul      de  -  part,  That  trcm - bles    at     his    feet.     )     O    come,  and  with    his     chil  -  dren taste  The  bless-ings     of     his    love; 

re  -  past,    Of 

* — n-°-\ — 


d.c.  While  hope    at- tends  the  sweet    re  -  past,    Of     no  -  bier  joys     a  -  bove. 


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O    for    a  shout   of    sa  -  cred  joy,    To  God,  the  sovereign  King!  Let  every  land  their  tongues  employ,  And  hymns  of  triumph  sing,  And  liymns  of  triumph  sing 


Flouingly. 
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1.  Thou  dear  Re  deem -er,    dy  -  ing  Lamb,    I    love     to   hear    of    thee;        No    mu-sic's  like    thy  charming  name,  Nor  half     so    sweet   can     be. 

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2.    My    Jc  -  BUS  shall     be   still    my  theme,  While  on  this  earth    I      stay;         I'll    sing  my    Je  -  sus'  love  -  ly  name,  When  all  things  else       de  -  cay. 


URANIA.,       c  m. 


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1.    My  bless  -  ed    Sa  -  vior,    is       thy  love      So    great,  so    fuL,  so     free?      Be -hold!    I    give  my    love,  my  heart,    My   life,    my    all     to     thee. 


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2.     I     love    thee  for    thy    glo-  rious  worth    In     thy  great  self    I        see ;         I     love    thee  for    that  shameful  cross  Thou  hast    en  -  dured  for     me. 

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There  is  a  stream  whose  waters  flow  All  wondrous  bright  and  clear ;  Her  floods  are  floods  of  righteousness,  The  fainting  soul  to  cheer,  The  feinting  soul  to   cheer. 

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"UI^BAiX.        C  IV1. 


Wm.  B.  BRADBURY. 


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1.    All    that    I     was,  my    sin,   my  guilt,    My  death, was  all    my      own:  All    that    I      am      I      am     to    thee,    My    gracious   God,  a    -    lone. 


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'2.    The    ev  -  il      of    my    for-mer  state  Was  mine,  and   on  -  ly        mine:  The  good   in  which  I     now    rc-joice      Is   thine, and    on  -  ly       thine. 

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3.    All  that     I     am  e'en  here  on  earth,    All  that    I    hope  to        be,  When  Je  -  sus  comes,  and  glo  -  ry  dawns,   I     owe   it,    Lord,  to        thee 


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190  VALENTIA.      C  M. 

J5o/cZ,  vigorous,  animated. 

IErE 


ARRANGED  FROM  HANDEL. 


1.  O      all      ye  lauds,    re  -  joice    in    God,    Sing   prais-es        to    his    name,    Let     all    the   earth  with     one   ac  -  cord    His  -wondrous    acts    pro-claim. 

2.  And   let      his  faith  -  ful      ser  -  van ts  tell,    How      by    re-deem-ing    love,    Their  souls  are  saved  from  death  and  hell,      To  share  the    joys     a  -  bovc. 

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3.     O,    then,    re -joice,  and  shout  for    joy,      Ye      ransomed  of     the  Lord;       Be   grate  -  ful  praise  your  sweet    em-ploy.      His  presence    your    re-ward. 


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1.     There    is       a  land    of    pure     delight,    Where  saints  im-mor  -  tal  reign;        In-     fi  -  nite  day    ex  •  eludes  the  night,  And     pleasures  ban  -  ish  pain. 


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I).     Sweet  fields  beyond  the  swell  -  ing  flood,  Stand  dress' d  in  liv  -  ing  green ;        So       to      the  Jews  old    Oa  -  naan  stood,  While  Jor  -  dan  rolled  be  -  tween. 


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2.     There  ev  -  er-  last  -ing  spring    abides,    And    nev  -  cr-wither-ing  flowers ;  Death  like      a   nar-row       sea,    di.vides    This  heavenly  land  from    ours. 

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4.    But    tinior-ous  nior-tals    start  and  shrink  To    cross  this  nar  -  row     sea;        And     lin  •  ger,  shivering,      on    the  brink,    And   fear    to  launch  a    -    way. 


Moderate 


WARDWELL. 

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1    0  weep    nor  for    the   joys  that  fade,    Like  even  -  ing  light   a    -  way,        For  hopes  that  like  the  stars      cle  -cayed,  Have  left    thy      mor-tal       day. 


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2.  The  clouds  of  sor  -  row    will   de-part,    And   brill-iant  skies  be      given,       For  bliss      a-waits  the 


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ho  -  ly  heart,       A  -  mid    the  bowers  of    heaven. 


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W.  B.  JBRADBURY.    From  "  The  Jubilee. 


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How  sweet  and  heavenly  is  the  sight,  When  those  that  love  the     Lord,      In      one  an-oth-cr's  peace  cle  -  light, . 


And  thus     ful  -  fill      his    word. 


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i    i    Try    ^  us>      O     God,  and  search  the  ground,  Of    eve    -   ry 
'  \   What  -  e'er    of     sin     in      us      is    found 
D.c.  Let    each    this  friend-ly      aid      af  -  ford, 


sin-ful  heart ;    ) 
O      bid       it        all  cle-  part !    \  Help  us     to  help    each  oth  -  er,  Lord,  Each  ofh-  er's cross  to       bear; 
And  feel     his     brother's  care. 


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2   j    Help     us      to  build  each    oth  -  er     up,"  Our  heart       and    life  improve ;      ) 

(      In  -  crease  our  faith,  con- firm    our  hope,  And    per  -   feet    us    in    love.       J   Up    in  -  to  thee,  our       liy  -  ing  head,   Let    us      iu    all  things    grow; 
d.c.  Till  thou    hast  made  us    free      in  -  deed,  And  spot  -   less  here   be  -  low. 


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J.  W.  CURRIER. 


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..  (  When  brighter  sun  and  mild  -  or  skies  Pro  -  claim  the  opening  year,  ) 
"  |  What  various  sounds  of  joy  a -rise!  What  prospects  bright  ap  -  pear !  J 
D.c.  And    all  that    by     his      merry     live,     To    God    their    of-P ring    raise! 


Earth  and  her  thousand    voi  -  ccs  give  Their  thousand  notes    of    praise ; 


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0    (  Thus,  like    the    morn-ing,  calm  and  clear,    That  saw  the      Savior       rise,  ) 

j  The  spring  of  heaven's  e  -  ter  -  nal  year,  Shall  dawn  on  earth  and  skies ;  f     No      win-tcr    there,  no  shades  of  night,    Ob-scure  those  mansions  blest, 
D.c.  Where  in      the    hap  -  py  fields    pt  light.    The   wea  -  ly     are     at    rest. 


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O       God,  our    help    in      a  -   ges    past,      Our    hope  for    years    to  come,    Our      shelter    from    the    storm-y    blast,     And  our      e  -  ter  -  nal  home. 


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1.  Why  should  our  tears    in       sor  -  row    flow,  When  God   recalls  his  own,    And  bids  them  leave    a   world    of  woe,    For     an      im  -  mor  -  tal  crown? 


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2.  Their  toils   are  past,  their    work     is    done,     And  they  are  ful  -  ly  blest :  They  fought  the  fight,  the    vie  -  fry    Avon,    And    en-tered      in   -    to    rest. 

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WOODFORD.      C.  M. 

Bfow  and  Plaintive. 


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Wm.  B.  BRADBURY. 


193 


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1.    Oh !    for      a     clos  -  er  walk    with  God,      A    calm  and  heavenly    frame, —  A     light    to    shme  up  -  on    the  road     That    leads  me    to     the    Lamb ! 


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2.  Where  is     the    bless  -  ed  -  ness    I   knew,  When  first    I    saw    the    Lord  ?    Where  is     tho    soul  -  re-fresh  •  ing  view     Of      Je  -  sus,  and   his      word  ? 


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3.    What  peaee-ful  hours    I       once  en -joyed !  How  sweet  their  mem' -ry     still!       But  they  have  left     an    ach  -  ing  void,    The  world  can  nev  -  er 


fill. 


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WOODLAND.      C.  M. 


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1.  There  is     an  hour  of  peace-ful  rest,  To  mourning  wanderers  given:  There  is  a  joy  for  souls  distressed,  A  balm  for  ev  -  eiy  wounded  breast,'Tis  found  above  in  heaven- 


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1.  Dear  Fa  -  ther,    to    thy     mer  -  cy  -  seat      My    soul     for  shel  -  ter  flies;     'Tis  here      I      find     a      safe  re -treat     When  storms  and  tern  -  pests  rise. 


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1.     To   whom,  my  Sa  -  vior,  shall  I      go         If       I       de- part  from  thee?       My  guide  thro' all    this    vale    of  woe,      And  more  than  all       to         me. 


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2.    Lord,      I    have  felt    thy      dy-ing   love  Breathe  gen  -  tly  thro'  my     heart,       To    whis-per  hope    of     joys    a -hove —And    can  we     ev  -  er        part? 


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Sweet     Ts    the    memory      of    lliy  grace,    My    God,    my  heavenly  King !         Let    age     to    age    thy    righteousness,       In  sounds  of    glo  -   ry    sing. 


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1.  There  is  an       eye      that  nev  -  er  sleeps,  Beneath  the  wing    of  night,  There    is  an      car      that      nev  -    er  shuts,  "When  sink  the  beams  of  light. 

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1.      Oh,  could  I    find,  from   day    to      day,       A     nearness   to      my     God,  Then  should  my  hours  glide  sweet  a  -  way,    While  leaning    on      his    word. 


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2.    Lord,  I    de  -  sire   with  thee     to      Uve        A-  new  from  day    to       day,        In    joys  the  world  can    nev  -  cr     give,      Nor    ev  -  er     take    a  -  way. 


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1.  Oh,    bap-py  soul,  that    lives  on    high,  "While  men    lie    groveling  here!    His  hopes  are  fixed    a  -  hove   the    sky,      And  faith  for  -  bids    bis     fear. 

2.  His  pleasures  rise  from  things  un  -  seen,    Be  -  yond   this  world  of     time,  Where  nei- ther  eyes  nor    cars  have  been,  Nor  thoughts  of  mor-tals  climb. 


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1.  Dear  re  -  fuge  of     my  wea  -  ry  soul,  On  thee,  when  sor-rows    rise,         On  thee,  when  waves  of  trou-ble  roll,    My    faint  -  ing    hopes  re  -  lies. 


2.  But  O,  when  gloomy  doubts  pre  -  vail,    I     fear    to    call  thee  mine;       The  springs  of  com  -  fort  seem  to    fail,  And     all         my  hopes  de  -  cline. 


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1.    0     sing   ye     now  un  -  to     the   Lord    A     new  and  pleas-ant     song;    The  marvels     of      His  power  re    -  cord,    His  deeds  and     prowess     strong. 


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2.    Be     glad  in     Him  with  cheer-ful  voice,  Ye     peo  -  pie     of     the     earth :  Praise  Him  with  harp,  and  e'er     re  -  joice,  With  songs  of      ho  -  ly      mirth. 


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i.    Oh!  could  I     find    from  day    to    day,     A     near  -  ness  to      my   God,      Then  should  my  hours  glide  sweetly  by     While  leaning  on     His   word. 


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1.  Lord,  when  we     bend     be  -  fore    thy  throne,  And  our    con  -  fess  -  ions  pour,  O    may  we    feel    the    sins  we  own,  And  hate  what  we      de  -  plore. 


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Thro' ail  the  changing  scenes  of  life,  In    trouble  and  in  joy,      The    praises  of  my  God  shall  still    Sly  heart  and  tongue  employ. 


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Lord,  how  se-cure  my  conscience  was,  And  felt  no  in  -  ward  dread ! 


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I     was  a  -  live  with-out  the  law,    And  thought  my  sins  were  dead. 


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0    Je-sus,  thon  the  beauty  art       Of    angel- worlds  above ;    Thy  name  is  mu-sic  to  the  heart,    Enchanting  it  with  love, 

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Thou  art  the  Way :  to  thee  a-lone  From  sin  and  death  we  flee  ,  And  he  who  would  the  Father  seek,   Must  seek  him,  Lord 


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In  mercy,  Lord,  remember  me, Thro'  all  the  hours  of  night  i  And  grant  to  me  most  graciously  The  safeguard  at  thy  might 


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Lord,  let  our  sym-pathizing  breasts  Thy  generous  pleasure  know,  Kind-ly  to  share  in  others'  joys,  And  weep  for  oth-ers'  woe! 


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1.  Come,  sound  his  praise  abroad,  And  hynms  of  glory  sing ;    Je  -  ho  -  vah      is       the  soy  -  ereign  God,    The  u  -  ni-versal  King,  The  u  -  ni  -  yer  -  sal  King. 


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1.      O  Lord,  our  heaven  -  ly    king,      Thy  name  is      all       di  -  vine  ;     Thy    glo  -  rics  round    the    earth     are  spread,    And   o'er  the  heavens  they  shine. 


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2.     Lord,  -what  is    worth  -  less  man,  That  thou  should'st  love  him    so!      Next    to  thine      an  -  gels      he         is    placed,    And  lord   of     all         be  -  low. 


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er    with   the  Lord !      A  -  men,    so      let      it      be !        Life  from    the    dead    is        in    that  word,    'Tis      irn  -  or  -    tal    •    i     -      ty. 


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1.  We  lift        our  hearts    to        thee,       Thou  Day  -  star  from    on    high :      The  sun      it   -  self       is     but    thy  shade,    Yet  cheers  both  e&rth  and    sky. 


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2.     O,      let       thy    ris  -  ing      beams,       Dis  -  pel      the  shades   of     night ;    And    let      the    glo  -  ries    of        thy  love    Come  like      the  mom  -  ing    light  1 

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BERYE. g-  »4- 


"WTLL1AM   MAWii 


i     -*i       lnvn             Audi     -would  fain  o  -  bey ; 
1.1    hear     thy    word  with      lo\e, _r 


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BELBORO'.       S-  M- 


Accept  the    .or -ship    and  the  song,    My    ^^nd^yGod 


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l.DeurSa    •     vior.  we    are  thine,     By      ev     -     a       last    tug  ^  I     I    M       I  I     I      II     I  I       ^^^Ft^^^^ 


=_E}__^--~-«- 1        '  '  last.  ing  hands;  Our    names,  our  ncara,  ««      ™-:r      =- ^— „- 

DeurSa    -    vior.  we    are  thine,     By      ev     -     ei       last    mg    _____~^ rZ===^\=^^F^^J^^^^^^Mf- 


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4=S&S^tfc^tp=fc£E±---| c—  ■"  *  inheav'nhas    fixed    Ins  throne,    He  lite        ll^_      __^^_ 

,7'nceChrTst  and  we    are  one,     ™*^^^ 

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BIR-IGK^S.       ts.  m. 


D.  E.  JONES. 


201 


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1.     Oh,  where  shall  rest     be    found,    Rest    for      the    wca  -  ry     soul  ? 'Twere  vain    the      o  -  cean's  depth    to    sound,    Or    pierce    to       ei  -  ther    pole. 


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2.    The  world  can    ne  -  ver    give       The    bliss    for  which  we    sigh;      'Tis     not      the    whole  of      life       to     live,      Nor     all       of    death    to      die. 

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BURBER.        S.  M.  * 


J.  II.  TENNEY. 


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1.  Go       to      thy    rest,    nvy      child!     Go      to      thy    dream-less     bed,     While    yet    so     gen  -  tie,     un  -  de  -  filed,     With    blessings     on      thy     head. 

2.  Shall  love  with  weak  em  -  brace,    TI13'    up  -  ward  wing  de  -  tain  ?     No !     gen  -  tie     an  -  gel,     seek  thy  place        A  -  mid  the     che  -  rub    train. 


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1.    Sweet  is     the  work,  O       Lord,        Thy  glorious    acts    to      sing,  To  praise  thy  name,  and  hear  thy  word,    And  grate  -  ful  offer -ings   bring. 


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2.    Sweet, at      the  dawn-ing     light,         Thy  boundless  love     to       tell;  And,  when  approach  the  shades  of    night,    Still   on      the  theme  to      dwell. 


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3.    Sweet,  on    this  day     of      rest,  To   join     in   heart  and    voice        With  those  who  love  and  serve  thee  best,    And    in 


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1.    Let    sin-ners  take    their  course,    And  choose  the    road       to    death;'     But     in     the    wor  -  ship    of     my  God,       I'll  spend  my    dai   -   ly    breath. 

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2.    My  thoughts  address      his    throne,  When  mornings  bring     the    light;        I     seek    his   bles  -sing    eve  -  ry    noon,    And   pay    my  vows     at    night. 


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()  where  shall  rest      be    found,        Rest    for    the    wea  -  ry    soul?  'Twerevain    the      o  -  cean's depths  to  sound,      Or  pierce    to     ei  -   ther    pole. 


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1 .  While  my  Redeemer's  near,        My  Shepherd  and  my  guide,       I     bid  farewell  to  anxious  fear;     My  wants  arc  all  sup-plied,       My  wants  are  all  supplied. 

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2.      To  ev- er  fragrant  meads,  Where  rich  abundance  grows,    His  gracious  hand  in-dul-gent  leads,   And  guards  my  sweet  repose,    And  guards  my  sweet  repose. 


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8.  Dear  Shepherd,  if     I      stray,     My  wancTring  feet  restore;        To    thy  fair  pastures  guide  my  way,  And    let    me  rove  no  more,    And  let  me  rove  no  more. 

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J.  H.  TENNEY.      203 


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1.  Far     as     thy  name  is     known,  The  world  de  -  clares  thy      praise;  Thy  saints,  O  Lord,  he  -  fore  thy  throne,  Their  songs     of    lion- or        raise. 

2.  With  joy  let      Ju  -  dah  stand,     On     Zi  -  on's     cho  -  sen        hill;  Pro-claim  the  won-ders  of  thy    hand,  And    conn-  sels   of     thy      will. 


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3.   The   God  we     wor  -  ship  now,    Will  guide  11s       till      we       die; 


1 
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our  God  while  here 


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1.   Liko  sheep  we    went    a  -  stray,  And  broke  the  fold    of     God;   Each  wand'ring  in       a       dif-  fcrcnt  way,    But    all    the   down-ward  road. 


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2.     How  dreadful     was    the    horn-,  When  God  our  wand'rings  laid,    And  did     at    once  his    vengeance  pour    Up  -  on    the   Shep-herd's  head. 
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F.  II.  SMITH. 


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1.  Sweet  is         the    work,     0      Lord,    Thy   glo  -  rious   acta         to     sing,       To     praise  thy     name,  and    hear     thy   word,    And   grate  -  ful     ofFer-ings     bring. 


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2.  Sweet,  at         the     dawn  -  ing     light,    Thy    bound-less     love        to       tell;     And     when  ap-proach      the     shades  of      night,    Still   on         the    theme  to 


dwell. 


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DALMATIA.        S.  TM.     Double. 


Dr.  LOWELL  MASON. 


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1.  Sing    to      the  Lord,  our    Might,     With  ho  -  ly     fcr  -  vor     sing ;  Let  hearts  and  voi  -  ces       all        u  -  nite,        To  praise  our  heavenly .  king. 

D.  c.  Here  he       accepts  the      humblest  vows     That  faith  and  love  can   pay. 

it    N*     rh  J  1        1        1         1  -it     N     Hk  1 


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2.  The  Sab -hath   to     our     sires 


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In     mer  -  cy    first  was  given ;  The  church  her  Sab  -  bath    still      requires      To  speed  her    on      to    heaven. 

D.  c.  And  God     is    still    as      near    His  fold       To     pi  -    ty    and     to     bless. 


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DANTZIC.     S.  M.    Double.    T.F.SEWARD. 


This     is        His  ho  •  ly    house^ 

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And  this   his    fes  -  tal     day ; 


6>        .  .  I 

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1.    We  come  with  joy  -  ful  song,      To      hail  the  hap- py     morn, 


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2.    Glo  -  ry      to  God    on   high,      All      hail    the  hap  -  py    mom; 


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Glad    ti  -  dings  from    an     angel's  tongue, "  This  day     is     Je  -  sus     born ; "    What  transports  doth   his     name 
D.  c.  His   glo  -  rious    ti  -  ties    we    pro-claim,     A     Sa  -  vior,  Christ  the     Lord. 

I 


To     sin  -  ful  men     af  -  ford! 


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«— 


We    join    the    an  -  thems  of      the  sky,     And  sing "  The  Sa  -  vior's  born ; "      Glo  -  ry       to    God     on     high,  All    hail     the  hap  -  py     morn, 

d.  c.  We   join    the    an  -  thems  of      the  sky,     And  sing  "  The  Sa  -  vior's  born." 

w  e  u  j  j  p  ir-f  r  11  nr .  f  r  .g  u  j  11  jir  rrrIJ-J  llj,|r  c  r  r  '^i 


DODSLEY.      S.  M.    Double. 


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1.  My    soul,      it      is     thy     God     Who  calls  thee  by      his  grace ;      Now  loose  thee  from  each  cumbering  load,  And  bend  thee   to      the    race 


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2.  Thy  crown  of     life   hold    fast  ;    Thy  heart  with  cour  -  ago    stay  ;      Nor    let      one  trembling  glance  be  cast      A  -  long  the  backward  way 
M—mzzy:-Z2 P=T  Ty^H^=FP^^— g:^=p£~~£~f*-=£=i::£=:r — ffg=*zx:gi 


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Make  thy    sal  -  va  -  tion    sure ;      All    sloth  and   slum-bcr    shun  ;     Nor    dare    a     mo  -  ment  rest    se  -  cure,   Till    thou  the   goal   hast  won. 


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Thy   path   as  -  cends  the  skies,    With   conquering  footsteps  bright ;     And  thou  shalt  win  and  wear  the  prize,   In       ev  -  er  -  last  -  ing    light 


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DELAVAN.      S.  M. 


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1.    I  love  the  voice  that  calls  To  God's  own  house  of  prayer,  I  love  to  stand  within       its        walls,        For  Christ,  the  Lord,  is  there,  For  Christ,  the  Lord,  is  there. 


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2.  Tis  sweet  to  raise  the  song,    Of  grateful  praise  and  love,      U-nit-ing  with  the  bless  -  ed     throng,         Of   ho  -  ly  hearts  above,    Of  ho-  ly  hearts  a    -    bove. 


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ELSTONs      S.  31. 


DR.  LOWELL  MASON. 


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1.      I      love    the  voice  that  calls      To  God's  own  house  of  prayer,        I    love  to    stand  with  -  in        its    walls,  For   Christ,  the  Lord  is    there. 


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2.  'Tis    sweet  to    raise  the    song    Of   grate-  ful  praise  and  love,         U  -  nit  -  ing   with  the      bless  -   ed  throng,  Of       ho  -  ly  hearts  a  -  bove. 


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With  great  animation.     ENGLEWOOD 
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s.  i\x. 


J.  H.  TENNEY. 


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1.  The  Lord   is  ris'n  in-deedl     At -tend  -  ing    angels,  Lear;  Up  to  the  courts  of  heav'n,  with  speed, Up  to  the  courts  of  heav'n,  with  speed,  The  joy -ful     ti-dings  bear. 


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2.  Then  wake  your  golden  lyres,  And  strike  each  cheerful  chord;  Join,  all  yo  bright  ce  -  les-  tial  choirs,  Join,  all  ye  bright  ce  -  les-tial  choirs,  To      sing  our   ris  -  en   Lord. 


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1.  Far  from   my  heavenly  home,   P'ar   from  my  Father's  breast,  Faint-ing     I  cry,"BlestSpir-it,  come,    And  speed  me  to      my  rest,     And  speed  me  to     my  rest." 

2.  Up-  on     the  wil  -  lows  long,     My    harp  has    si -lent  hung;  How  should  I   sing     a   cheer-ful  song,    Till  thou  in-spire  my  tongue,  Till  thou   in  spir«  my  tongue 

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3.    My     spir  -  it  homeward  turns,   And  fain  would  thither  flee,       My  heart,  0     Zion,  droops  and  yearns,  When  I      ro-mem- ber  thee,  When  I       re-member  thee. 


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Vvm.  MASON. 


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1.    How  charm-ing      is      the         place     Where  my    Re-  deem  -§r 


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Un-veils    the     glo  -  ries     of     his     face,  And  sheds  his    love  a-broad ! 


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2.     Here  on    the     ruer  -  cy        seat With  ra  -  diant  glo    -    ry     crowned,      Our  joy  -  f ul   eyes    be  -hold  him    sit,    And  smile    on     all      a -round. 


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3.      To  him    their  prayers  and        cries         Each  con  -  trite      soul    pre  -  sents : 

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And  while  he    hears  then  hum  -  ble  sighs,  He  grants  them  all  their  wants, 

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With  deep  feeling. 


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Geo.  M.  MONROE. 


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O,   may    we       ev  -  cr    keep    in    mind.    The  night    of  death  draws  near, 
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1.    Sweet  is  the  work,  O    Lord,     Thy  glorious  acts  to    sing,      To  praise  thy  name,  and  hear  thy  word,  And  grateful  offerings  bring,  And  grateful  offerings  bring. 


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2.     Sweet,  at  the  dawning  light,      Thy  boundless  love  to  tell;  And,  when  approach  the  shades  of  night,  Still  on  the  theme  to  dwell,  Still  on  the    theme    to  dwell. 


3.     Sweet,  on  this  day  of       rest,      To  join  in  heart  and  voiceWith  those  who  love  and  serve  thee  best,  And  in  thy  name  rejoice,  And  in  thy     name    re-joice. 


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1.     0,cease,my  wandering  soul,  On  rest-less  wing  to    roam;    All  this  wide  world,  to  #ei  -  ther  pole,  Hath  not  for  thee  a      home,    Hath  not  for  thee  a    home 


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2.     Be-hold  the  ark  of    God!    Be-hold  the  o  -  pen    door!    Oh,  haste  to  gain  that  dear    abode,  And  rove,  my  soul,  no    more,      And  rove,  my  soul,  no  more. 


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3.    There  safe  thou  shalt  a-bide,  There  sweet  shall  be  thy  rest,    And  eve  -  ry  longing    sat  -  is-  fied,  With  full  sal  -  va-tion    blest,      With  full  sal-va-tion  blest. 


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FURIN1SS.      JS.  »1. 

With  a  flowing  movement.    _  t*^       ,         P^     ^     * 

1.      To    bless    thy    cho  -  sen    race,        In     mer  -  cy,  Lord,    in  -  cline ; 


T.  F.  SEWARD. 


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Gracefully. 


FOSTE3R.      S.  1VI. 


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And  cause  the  bright-ness      of     thy    face,      On      all     thv  saints  to      shine. 

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l.  Blest  are        the  sons       of  peace,  Whose  hearts  and  hopes' are    one,  Whose  kind       de  -  signs      to  serve      and  please  Thro'       all    their        ac  -  tions  run. 

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2.  From  those    ce  -  lcs    -  tial  springs,  Such  streams  of  pleas  -    ure  ilow,    As      no 

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1.  My  few    re  -  volving  years,  How  swift  they  gMe  a  -  way !  How  short  the  term  of  life  ap-pears !  When  past,  as  but     a     day /When  past,  as     but 


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2.    A  dark  and  cloudy    day,  Made  up     of  grief  and  sin;    A  host  of     en  -  e-mies  with- out,     Of    guilt-y  fears  with  -  in,       Of  guilt- y     fears     .  with -in. 


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If,     on      a      qui    -    et      sea,  Tow'rd  heaven  we  calm  -  ly     sail,     With  grate-fid    hearts,    O     God,     to     thee,    We'll  own     the    fav  -  'ring  gale. 

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1.   Still    with    thee,    0       my     God,      I      would  de  -  sire     to       be;      By      day,    by    night,    at     home,  a  -  broad,     I     would  be     still   with  thee. 


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2.  With    thee  when  dawn  comes  in,      And      calls    me    back    to      care ;  Each    day     re  -  turn  -  ing      to       be  -  gin      With  thee,    my    God,    in    prayer. 


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3.  WTith    Uiee,  when  day      is      done,    And      eve-ning    calms  the    mind,    The      set-  ting,    as       the      ria   -   ing     sun,    With   thee    my  heart  would  find. 


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21 0  GUERNSEY.      S-  M. 

Sempre  Legato. 


C.  P.  MORRISON. 


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1.    While  my     Re  -  deem  -  ers    near,      My    Shepherd    and   my  Guide,     I        bid    fare-well       to     eve  -   ry    fear,      My   wants   are     all      sup-plied. 


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2.     To       ev  -  er    -    fra  -  grant  meads,  Where  rich    a  -  bun-dance  grows,  His     gracious    hand    in    -  dul  -  gent  leads,  And  guards  my    sweet   re-pose. 


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GORTON.      S.  M. 

Slow  and  soft. 


BEETHOVEN. 


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While   my    Re  -  deem-er's   near,         My  Shepherd  and     my  Guide,        I       bid  fare -well    to      ev  -  ery  fear;       My  wants  are     all     sup  -  plied. 


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1.  If    Je    -    bus  be     my      friend,         And     I        to  him    be    -    long, 


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I    care    not  what  my    foes    intend,  Though  fierce  they  be    and     strong. 


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2.  Our  God  hath  built    a 


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A       ci  -  ty   fair  and      new,        Where  eye   and  heart  shall  see  and  prove,  What  faith  has  counted        true. 
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3.  The  sun  that  lights  my     eyes, 


Is  Christ,  the  Lord    I        love ; 


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I      siug     for  joy      of  that  which  lies,  Stored  up      for  me       a    -    bove. 


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1.      And        is    there,    Lord,      a       rest,      For  wea  -  ly       souls  de-signed,  Where  not      a     care   shall      stir    the    hreast,  Or       sor  -   row  en-trance  find  ? 
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Is  there   a    bliss    -    ful    home,  Where  kin-dred  minds  shall  meet,         And  live  and    love, 

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a  -  ged,  hith  -    er  come,      For     ye      have  felt       his  love ;    Soon    shall  your  trem  -  bling  tongues  be  dumb,  Your  lips     for  -  get         to    move. 


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1.    Sweet  home,  when  God     is    there,       And  love  fills    ev'  -  ly   breast ;  Where  one  their  wish  and  one      their  prayer,    And   one   their  heaven-ly     rest 

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3.  Dear  home,  where  prayer  is  heard,     And  praise  is    wont  to    rise;      Where  pa -rents  love  the      sa    -    cred  word,       And   live    but       for    the  skies. 


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I      shall  be     well    sup  -  plied ;    Since  he     is     mine,    and      I     am    .his,     What  can       I    want   he  -  side  ? 


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3.  If       e'er    I       go        a    -    stray,       He      doth  my       sold    re  -  claim ;    And  guides  me  in        his      own  right  way,      For  his     most    ho  -  ly     name. 

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2.  He 

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4.  While  he     af  -  fords  his     aid,  I         can  -  not   yield  to     fear  1      Tho'     I  should  walk  thro'  death's  dark  shade,  My  Shep  -  herd's  with  me  there. 


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1.  I        love  thy  king  -  dom,  Lord,    The    house  of    thine    a   -    bode-      The  church  our  blest    Ke  -  deem  -  cr  saved    With  his  own    pre-cious  blood. 


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213 

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1.  Put      thou  thy    trust   in    God,       In      du  -  ty's     patli  go       on;        Walk    in    His  strength  with  faith  and    hope,'    So     shall  thy  work  be    done; 

D.  C.  W^lk  in  his  strength  with  faith  and  hope,    So    shall  thy     work  be     done. 


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2.  Com  -  mit  thy  ways   to    Him,      Thy  works  in  -    to       His    hands,     And    rest    on  His    un  -  changing    word,      Who  heaven  and  earth  commands ; 

D.  C    And  rest  on  his  unchang  -  ing  word,    Who  heaven  and  earth  commands. 


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1.    Oh,      for    the  death  of     those      Who      slum-ber    in     the    Lord !      Oh,      be     like  theirs  my   last   re  -  pose,    Like  theirs  my  last   re    -  ward ! 


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1.  The  Lord  my  shepherd  is,         I       shall  be    well  sup -plied,  Since  he   is    mine  and  I     am  his  What  can  I  want  beside, What  can  I  want  be -side? 


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2.  He  leads  me  to    the  place    Where  heavenly  pas-turc  grows ;  Where  living  wa  -  ters  gently  pass,  And  full  salva-tion  flows,        And  full    sal- va  -  tion  flows. 


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LANDSEER.      S.  1ST. 


W.  B.  BRADBURY. 


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1.  Grace  I 'tis  a  charming  sound— Harmonious    to    the  ear;    Heaven  with  the  eoho  shall  resound,  And  all   the  earth  shall  hear,  Heaven  with  the  echo  shall  resound.    And  all  the  earth  shall   hear. 


2.  Graco  first  contrived  the  way     To    save  re-bel-lious  man;     And  all  the  steps  that  grace  display  Which  drew  the  wondrous  plan;  And  all  the  steps  that  grace  display  Which  drew  the  wondrous  plan. 


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1.  Be  -  hold,  the  morn-ing    sun  Be  -  gins    his    glo -rious  way ;  His  beams  through  all    the    na  -  tions  run,      And    life    and  light  con  -  vey. 

2.  But  where  the  gos  -  pel  comes,  It    spreads  di  -  vin  -  er   light ;         It     calls  dead  sin   -   ners  from  their  tombs,  And  gives  the  blind  their  sight, 
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E.  VOSSELLER. 


1.      Is      this     the     kind  re-tum?        Are  these  the  thanks  we      owe?     Thus    to        a  -  buse    e  -  ter  -  nal love, "Whence all       our  bless- ings  flow? 


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2.    Let    past    in  -  grat  -  i    -  tude        Pro-vokc    our    wcep-ing  eyes;       And  hour  -  ly,      as    new  mer-ciea    fall,      Let  hour  -   ly  thanks  a-  raise. 

O  i 

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From  the  "  Diapason."    0,1  5 


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1.    What  cheer-ing  words      aretliese!   Their  sweet- ness  who        can    tell?        la    time,  and    to 


e  -   ter  -  nal    days,    "  'Tis  with   the    right  -  eons  well." 


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2.      In      eve  -  ry      state,       se  -  cure,      Kept    as     Je    -    ho      vah's  eye,        'Tis    well  with  them  while  life      en  -  dures,    And  well,  when   called      to     die. 


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2.  Put  thou  thy  trust  in  God ;       In      du  -  ty's  part    go      on ; 


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Walk  in  his  strength  with  faith  and  hope,  So  shall  thy  work,  So  shajl  thy  work  be    done. 


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2.  Commit  thy  ways  to   Him,      Thy  work     in- to    His    Hands,        And    rest  on  His  un  chan^-iug  word.Who  heav'n  and  earth.Who  hcav'n  and  earth  commands. 


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3.  Though  years  on  years  roll  on,       His    cov-'nant  shall    en  -  dure.   Though  clouds  and  darkness  hide  his  path,  The  promised  grace,  The  promised  grace  is    sure 


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1.  Come,  we  who  love  the    Lord,  And  let     our  joys    be  known :       Join     in      a     song  with  sweet  ac  -  cord,    And  thus  surround  the  throne. 


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2.  Let    those  re  -  fuse    to     sing,     Who 


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But     fa  -  vorites  of    the     heavenly  King    May  speak  their  joys  a    -    broad. 


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4.  Then  let    our  songs  a  -  bound,    And 

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1.  And  will  the  Judge  de  -  scend,        And  must  the  dead     a    -    rise,         And  not     a     sin  -  gle  soul     es  -  cape      Ilis  all  -  dis  -  cern  -  ing     eyes  ? 


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2.  How  Will  my  heart  en  -  dure,         The  ter  -  rors  of     that      day,        AVhcu  earth  and  heav'n  be  -  fore    his  face,     As  -  ton  -  ished,  shrink  a  -   way? 


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*■       1.  What  cheer-ing  words  are    these?     Their  sweet-ness,  who  can     tell?         In    time,    and     to      e    -    ter  -  nal  days, "  'Tis  with    the  right-eous    well." 


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2.  'Tis   well  when  joys     a    -    rise ;      'Tis    well  when  sor  -  rows  flow ;        'Tis  well   when  darkness     vails  the  skies,    And  strong  temp  -  ta  -  tlons  grow. 


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3.  'Tis   well,  when    Je  -  sus      calls :    "  From  earth  and  sin      a    -    rise,         To   join     the    hosts  of     ransomed  souls,  Made  to       sal  -  va  -  tion   wise. 


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And    is    there,  Lord,     a      rest,     For    wea  -  ry    souls      de  -  signed,  Where  not  a     care     shall    stir   the  breast,    Or     sor  -  row      en  -  trance  find.? 


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1.  Blest  are       the    sons     of  peace,  Whose  hearts  and  hopes  are     one,  Whose  kind     de  -  sires      to    serve    and  please,  Thro'  all    their    ac  -  tions  run 


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2.  Blest    is        tlie    pi  -    ous  house,  Where  zeal    and  friend  -  ship  meet ;  Their  songs  of    praise,  their  min  -  gled  vows,  Make   their  com  -  mun  -  ion  sweet. 


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WILLIAM  MASON. 


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1.  Here      I      can   rim.-  ly    rest;  I      dare     to  boast    of      this,  That  God,  the    high -est  and    the  best,        My   friend  and     fa  -  ther        is. 


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2.      No  joys  that     an  -  gels  know        No  throne  nor  wide  spread  fame,        No   love,  nor    loss,  nor    fear,  nor  woe,        No   grief    of    heart  or    shame ; 


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3.    Man  can  not  aught  conceive,         Of     plea -sure    or      of     harm,        That  e'er  shall  tempt  my  soul    to   leave         Her     re  -  fuge     in    thine  ann. 


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From  "Carmina  Sacra." 


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1.     A    Make  and  sing  the  song      Of      Mo  -  ses  and  the  Lamb ;  Wake  ev-eiy  heart  and  ev-ery  tongue,  To  praise  the  Savior's  name,  To   praise  the     Savior's  name. 

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1.  Lord,  bid  thy  light  a  -  rise     On  all  thy  people  here;    And  when  we  raise  our  longing  eyes,    O    may  we  feel  thee  near,  O  may  we    feel      thee     near. 


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2.  Let  all  that  own  thy  name,  Thy  sacred  image  bear;     And  light  in  ev  -  ery  heart  the  flame    Of  watchfulness  and  prayer,         Of  watchfulness  and  prayer. 


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My      God,  my  prayer  at   -    tend  ;     Oh,    bow  thine  ear    to         me —  With  -  out  a        hope,  with  -  out  a     friend,  Without        a 

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1.  Come,  Ho  -  ly       Spir  -  it,    come !    Let    thy  bright  beams  a   -   rise :      Dis  -  pel    the    sor  -  row    from  our   minds,  The    darkness  from  our    eyes. 


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2.  Re  -  vive  our     drooping     faith,  Our  doubts  and  fears  re   -   move,  And  kin  -  die    in     our  breasts  the  flame    Of     nev  -  er  -  dy  -  ing    love. 

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1.  Be  -  hold !  the  morning  sun    Be -gins  his  glorious  way;  His  beams  thro' all  the  nations  run,  His  beams  thro' all  the  nations  run,  And  life  and  light  con  -  vey 


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3.  My  gracious  God,  how  plain  Are  thy    di  -  rections  given !  Oh,  may    I  nev  -  er    read  in  vain,  Oh,  may    I  nev  -  er  read  in  vain,  But  find  the  path  to  heaven. 


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WILLIAM  MASON. 


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1.    Je  -  sus,     I     come    to       thee,      A      sin  -  ner  doomed  to        die;      My      on  -  ly      re  -  fuge     is     thy  cross,  Here     at     thy    feet      I         he. 


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1.    Sweet  is         the  work,  O    Lord,  Thy   glo  -  rious  name  to     sing ;     To  praise  and  pray,  and  hear  thy  word,     And  grate-ful     of 


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2.    Sweet,  at        the    dawn-ing  light,    Thy  bound-less  love    to     tell :     And  when  approach  the  shades  of  night,    Still    on    the  theme 


to    dwell. 


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3.    Sweet,  on       this    day    of     rest,     To    join     in    heart  and  voice  With  those  who  love  and  serve  thee  best,     And    in     thy   name 


re  -  joice. 


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SAYLES.        S-  M. 

In  a  gentle,  subdued,  and  tender  manner. 


DARIUS  E.  JONES. 
Ritard. 


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1.    We      lift      our  hearts  to     thee,     Thou  Day  -  star  from  on     high :    The    sun 


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2.    Oh,      let       thy    ris  -  ing  beams     Dis  -  pel      the  shades  of    night;    And     let  the    glo  -  ries     of     thy    love      Come  like    the  morn -ing     light. 


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3.    How    beauteous     na  -  ture    now !    How  dark    and    sad     be  -  fore ! — With    joy  we   view  the  pleasing  change,  And    na  -  ture's God     a  -  dore. 


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1.  Awake,  and  sing  the  song  Of  Moses  and  the  Lamb  !  Wake,  every  heart  and  every  tongue,  To  praise  the  Savior's  name,  Wake,  every  heart  and  every  tongue,  To  praise,  &c. 


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2.  Sing  of  his  dying  love ;  Sing  of  his  rising  power ;  Sing  how  he  intercedes  above,  For  those  whoso  sins  he  bore,  Sing  how  he  intercedes  above,  For  those  whose  sins  he  bore. 


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3.  Sing  on  your  heavenly  way,  Ye  ransomed  sinners,  sing !  Sing  on,  rejoicing  every  day,  In  Christ,  th'exalted  King,  Sing  on,  rejoicing  every  day,  In  Christ,  th'exalted  King. 


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To    God,   in  whom  1       trust,  I       lift    my  heart  and  voice:     O       let     me     not    be     put     to    shame,  Nor     let       my    foes      re  -  joice. 


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1.     Oh,  where  shall  rest     be    found— Rest    for      the    wea  -  ry     soul?   'Twerevain    the      0-  cean's  depth  to     sound,    Or    pierce    to       ei  -  ther  pole. 


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2.     The  world   can    ne  -  ver     give      The    bliss    for    which  we    sigh;      'Tis     not     the    whole   of      life      to      live,       Nor     all       of     death     to      die. 
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3.     Be  -  yond    this  vale     of     tears,    There    is         a       life       a   -  bove,      Un  -  measured      by       the    flight    of    years;    And    all       that    life       is      love. 


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Oh  1  blessed  souls  arc  they  Whose  sins  are  cover'd  o'er:  Divinely  blest,to  whom  the  Lord  Imputes  their  sins  no  more. 


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BOYLSTON.    S.  M.  223 

Dr.  L.  Mason. 

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Stanley. 

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How  perfect  is    thy  wordl  And  all  thy  judgments  just!     For  -  ev  -  er  sure  tby  prom-ise,  Lord,    And  we  sc-cure-ly  trust. 

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WOODMAN. 


Come,eoundhi6  praise  abroad, Andhymnsofglo  -  ry  sing;      Je  -  ho-vah  is    the  sovc-reign  God,     The     u    -    ni  -  versal  King. 


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When,  at  the  hour  of  ris-ing  day,  Chris-tians  unite  in  prayer. 


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My   soul,  re-peat  his  praise,  Whose  mercies  arc    so  great,  Whose  anger  is  so  slow  to     rise,  So  rea-dy     to    a  -  bate 

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1.     Let    all    the  earth  their  voi  -  ces  raise,    To  sing  the  choicest  psalm  of  praise;     To  sing  and  praise  Jehovah's  name :     His  glo  -  jy    let    the     heathen  know; 


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2.   He  framed  the  globe,  he    built  the  sky,      He  made  the  shining  worlds  on  high ;  And   reigns  complete  in  glory  there :    His  beams  are  ma  -  jes 

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His  wonders    to    the  nations  show,  And  all    his   saving  works  pro-claim. 


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His  beauties,  how  di-vine  -  ly  bright ;  His  temple,  how  di-vine  -  ly    fair. 


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Arr.  from  a  Greg.  Chant,  by  Dr.  MASON. 


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I    love  the  vol  -  ume    of  thy  word ;  What  light  and  joy  those  leaves  afford 


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2.  Thy  threatenings  wake  my  slumbering  eyes,  And  warn  me  where  mydanger  lies; 


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To    souls  be-night  -  ed  and  distressed  1  Thy  precepts  guide  my  doubtful  way,    Thy  fear  for  -  bids  my  feet  to  stray,     Thy  promise  leads  my  heart  to  rest. 


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But     'tis  my  oiess  -  ed   gospel,  Lord,  That  makes  my  guilt-y  conscience  clean,  Converts  my  soul,  sub-dues  my  sin,    And  gives  a    free,  but  large  re-ward. 


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LAMBETH.      C  I*.  1VE- 


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1.  O  love  divine,  how  sweet  thou  art !  When  shall  I  find  a  willing  heart    All  tak-en     up    by  thee?       I  thirst,  I  faint,  I  die   to  prove,      The  greatness  of  redeeming 

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2.    Oh,  that  I  could  for-ev-er    sit,      In  transport  at  my  Savior's  feet !     Be  this  my  hap  -  py  choice ;  My    on-ly  care,  delight,  and  bliss,  My  joy,  my  heaven  on  earth  be 


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love,       The  greatness  of     redeeming    love : 
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this, 


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Tlie  love  of  Christ  to     me. 
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To    hear  my  Savior's   voice ! 


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LUDINaTON. 

Allegro  Modtralo. 


C-  r».  i\i. 

II.  HUNTLEY,  Jr. 


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With  joy  shall  I        be  -  hold    the    "  day,     That  calls  my  thirst-ing 


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soul     a  -  way,    To  dwell  among  the  blest !    For,    lo!  my  great  Re  -  decm-er's  power,  Unfolds  the  cv  -  er    -    last  -  ing  door,  And  leads  me  to    Ilis  rest! 


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soul     a  -  way,    To  dwell  a og the  blest!    For,    lo !  my  great  Re  -  deem-er's  power,    Unfolds  the   cv  -  er    -    last  -  ing  door,  And  leads  me  to    His  rest ! 

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ARIEL.      C  F.  JVI. 

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Dr.  L.  Mason.  227 


O,    coula    I     speak  the  match -less    worth,       0,  could  I  sound  the  glories  forth,  Which  in  my  Saviour  shine  I J  I'd  soar  and  touch  the  heavenly  strings,  "I 

(  And     vie  with  Gabriel,  while  he  sings  j    In     notes  almost  di  -  vine, 


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In  notes  al  -  most        di  -  vine. 


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Be  -  gin,  my  soul,  th'exalt-cd   lay,  Let  each  enraptured  thought  obey,  And  praise  fh'Almighty'sname  ;  Lo!  heaven  and  earth,  and  seas  and  skies  In 

one  me  -  lodious    concert  rise,  To  swell  th'inspiring  theme. 

K 


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meribah.    o.  r».  m. 


Dr.  Lowell  Mason. 


31 


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O  thon  who  hear'st  the  prayer  of  faith,     Wilt  thou  not  save    a    bouI  from  death,  That  casts  it  -  self    on     thee?  J    I    have  no    re-fngeof  my  own,) 

\  But  fly  to  what  my  Lord  hath  done, )    And  suffered    once    for     me. 


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When  thou,  my  righteous  Judge  1  shalt  come  To  fetch  thy  ransomed  people  home,   Shall    I     a -mong  them  stand?  (  Shall  such  a  worth -less  worm  as     I,      \ 

\  Who  sometimes  am     a  -  fraid  to    die,    j     Be 


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From  "Asaph." 


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1.  When  I    can    trust  my  all    with  God,   In   tri   -    al's    fear  -  ful    hour,         Bow,  all      re -signed,,  be  -neath  his  rod,  And  bless  his    spar  -  ing  power, 

-4- 


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2.  Oh  !  to     be  brought  to  Je  -  sus'  feet,  Tho'  sor  -  rows  fix    me    there, 


Is      still     a      priv  -  i  -  lege  ;  and  sweet  The  en  -  er  -  gy    of      prayer, 


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A    joy  springs  up  a  -  mid  dis    ■    tress, —  A  fountain    in  the    wil  -  der    -   ness. 


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Tho'  siglis  and  tears  its  language  be, 


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If  Christ  be  nigh  and  smile  on     me. 


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1.  How  pleased  and  blest  was  I     To  hear  the  peo  -  pie  cry, 

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2.  Zi  -  on,  thrice  happy  place,  Adorned  with  truth  and  grace, 


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"Come,  let    us     seek  our  God     to  -  day!"  Yes,  with    a     cheer -ful  zeal,    "We  haste  to     Zi  -  on's  hill,    And  there  our  vows  and  hon  -  ors  pay. 

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And   walls  of  i  <  in -brace  tin  e  round:  In    thee   our   tribes  ap  -  pear,    To  pray,   and  praise,  and  hear    The    sa  -  crcd   gos  -  pel's  joy  -   ful  sound. 


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'.,    j    Rise,  Sun   of    glo  -  ry,  rise,  And  chase  the  shades     of 
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I 
Ught ;  J    O,  chase  those  dis  -  mal  shades  a  -  way,  And  bring  the  bright 


mil  -  len  -  ial    day, 


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2    (  Then  shall  thy  king-dom  come  Among  our     fal    -    len 
■  (    And    all    the  earth  be  -  come  The  temple      of         thy 


race, 


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grace ; )  "Whence  pure  devo  -  tion  shall    as  -  scend,  And  songs  of  praise,  till   time  shall  end, 


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And  songs        of     praise,      till    time    shall  end. 

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MYERS.        H.  1VI 


Geo.  M.  MONROE. 


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1.    Ye  boundless  realms  of    joy,      Ex  -  alt  your  Maker's    fame :    His  praise  your  song  em  -  ploy, 

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2.  Thou  moon,  that  rul'st  the  night,  And  sun,  that  guid'st  the    day,      Ye    glittering  stars  of     light, 


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To     Him  your  hom-age     pay;        His     praise        de 


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SKILLLIVIAIV.      H.    M. 


T.  F.  SEWARD. 


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1.  The    Lord  my  Shep  -  herd    is, 


And     he    my    soul  will    keep,  He    know  -  eth    who    are      his,  And    watcheth    o'er    his    sheep ; 


ife 


2.  His      wis  -  dom  doth    pro  -  vide 


The    pas-tures  where  1 


feed ;        Where    si  -  lent    wa  -  ters    glide,  A   -  long  the       si  -  lent    mead, 


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A  -  way  with  eve  -  ry    anx-ious    fear ;        I    can  -  not  want  while  he   is       here. 


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He  leads   my  feet ;  and  when  I    roam,      O'er-takes  and  brings  the  wanderer  home. 


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J.  H.  TEJSTNEY. 

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1.    Rejoice — the  Lord  is    King !  Your  God  and  king  a  -  dore ; 


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Mortals,  give  thanks  and  sing,  And  triumph  ever-more ;  Lift  up  the  heart,  lift  up  the  voice,  Rejoice  a-loud,  ye  saints,  rejoice,  Re-joice    a  -  loud,   ye  saints,  rejoice. 


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The  key  of  death  and  hell    Are  to  our  Je  -  sus  given :  Lift  up  the  heart,  lilt  up  Ihe  voice,  Rejoice  a  loud,  ye  saints,  rejoice,  Rejoice    a  -  loud,    ye  saints,  re-joice. 


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1.    0      thou  ihathcarcst  prayer!  At-tendourourhumhle  cry  ;  And  letthy  servant  share  Thy  blessing  from  on  high  :       We  plead  the  promise  of  thy  word  ;  Grant  ns  thy  Ho  -lySpir-it,  Lord! 


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2.    Our  heavenly  Father,  thou  ;  We,  children  of  thy  gTace  :  0,     let  thy  Spir-it  now     De  -  scend  and  fill  the  plaoe  I      That  all  may  feel  the  heavenly  flame,  And  all  n  -  nite    to  praise  thy  name. 


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-.    j  Hark  !  hark!  the  notes  of     joy  Roll    o'er    the  heaven-ly    plains,    \ 
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And  grateful  praise  ascend,    Like  in-cense  to  the  skies :    J    Here  may    thy  soul    -con-vert  -  ino-  word 


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With  faith    be  preach'd,  in  faith    be    heard. 


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Give  thanks  to  God  most  high,  The  u-nl  -  ver-sal  Lord  ;  The  sovereign  King  of  kings  :  And  be  his  name  adored .    Thy  mercy,  Lord,  Shall  still  endure,    And  cv  -  er  sure  A  -  bideB  thy     word. 


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Ye     tribes  of    Ad  -  am,    join      With  heaven,  and  earth,  and  seas,     And       of  -  fcr  notes   dl  -    vine       To       your  Cre  -  a  -  tor's     praise:   Ye        ho  -  ly  throng  Of       an  -  gels  bright, 


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In    worlds  of   light,  Be  -  gin    the    song,    In    worlds  of    light,  Be  -    gin     the        song. 


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1.  Lamb  of  God !  0  let  me  live  In  the  off  -  'ring  thou  didst  give ! 


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Let      the  fleec  -  es  thou  hast  worn,        By    the    era  -  el    shear  -  ers  shorn,    Robe  the  scar  -  let   of       my   soul;       In     thy  right -eousness  made  whole. 


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1.  Sweet  the  time,  ex  -  ceediDg  sweet,  When  the  saints  to-  ereth-  er         DiCoii  Wlien  the  Sa-vior  is    the  ui.ui.-,Vvnen  they  join  to  sing    of      him. 


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2.     Sing  we  then  e  -  ter - nal  love,   Such  as  did   the    Fa  -  ther        move; 


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He   De- held  the  world  undone,  Lov'd  the  world  and  gave  his      Son. 


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3.     Sing  the  Son's  a  -  maz-ing  love ;    How  he  left  the  realms  a     -      bove, 


Took  our  na  -  ture  and  our  place,  Lived  and  died  to  save  our     race. 


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1.    Cast  thy    bur  -  den    on    the    Lord ;  Lean  thou  on  -  ly        on    his    word:   Ev  -  er     will     he     be     thy  stay,  Though  the  heavens  shall  melt  a  -  way. 

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1.       Sa  -  vior,  when  thy  loved  ones  stray   From  the  new  and     liv  -  ing     way,         Gen-tly   call  thine  own  byname,    All   our  wand'ring  steps  proclaim. 


2.  Through  the  hours  of    darksome  night    Keep  us     in     thy  watch  -ful    sight, 

— N 1 S-, 1 n 1 K-, 


O'er  each  dead  -  ly     foe    pre -vail,      Let    no  harm  thy    fold    as  -  sail. 


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Bro-ther,  though  from  yon  -  der    sky       Com  -  eth   nei  -  ther  voice  nor   ciy,      Yet   we  know  for     thee    to  -  day        Eve  -  ry     pain  hath  passed  a  -  way. 


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1.     Je  -  bus,   who    up  -  on    the     tree     Wast  an     of  -  fer  -  ing    for     me,     Take  this  throbbing  heart  of    mine,    Lay    it      on      thy  .ho  -  ly    shrine. 


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2.     As     thy    love  ac  -  cept-eth  naught,  Save  what  love   it  -   self  hath  wrought,  Of-  fer    thou  my     sa  -  cri  -  fice,      Else    to  heaven  it     can  -  not    rise 

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3.    Fain  were    I      of      self    be  -  reft,  Naught  but  thee  with -In      me     left;      Liv  -  ing     sa  -  cri  -  fice     I       am,        Of-fered  on   -    ly      in     thy   name. 


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1.    Lord,  we    come  be  -  fore  thee    now;     At    thy    feet   we    hum-bly  bow;     O,     do     not   our  suit   dis  -  dain,      Shall  we    seek  thee,  Lord,  in    vain. 

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2.    Lord,  on     thee  our  souls  de  -  pend,       In    com  -  pas  -  sion  now  de-scend;  Fill   our  hearts  with  thy  rich   grace,    Tune  our      lips  to      sing  thy  praise. 


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1.  Sweet  the    time,  ex-ceed-ing  sweet,  When  the  Saints  to- geth  -  er     meet;  When  the     Sa  -  vior     is      the   theme,  When  they  join    to      sing  of    him. 

2.  Sing    we    then    e  -    ter  -  nal     love,    Such  as    did  the    Fa  -  ther  move ;  He     be  -  held  the  world  un  -  done,  Loved  the  world  and  gave  his  Son. 


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SOLON  WILDER. 


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1.  Crowns  of    glo  -  ry,      ev  -  er    bright,  Rest  up  -  on      the  Conqueror's  head ;  Crowns  of  glo  -  ry      are    his    right,    His  "who  liv  -  etli    and  was  dead." 


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2.    Now  pro -claim  his    deeds   a  -  far,      Fill    the  world  with   his      re-nown;  His     a  -   lone   the     vie -tor's    car,      His    the     ev  -   er  -  last-ing  crowm. 


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SALAMANCA.     7s.  or  ©s  &  7s,  \>y  omitting  ties. 


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Dk.  LOWELL  MASON. 


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1.  Morning  breaks  up  -  on  the    tomb,     Je  -  sus      scat  -  ters  all  its    gloom ;  Day  of     tri  -  umph  thro'  the  skies,    See  the  glo  -  rious  Savior     rise ! 


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2.  Christian,  dry  your  flowing    tears;  Chase  those  un  -  be  - liev - ing  fears ;    Look  on     his      de-sert-ed  grave;  Doubt  no  more  his  power  to  save. 


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SEYMOUR.      7s. 


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Come,  my  soul,  thy  suit    pre    -   pare;  Je  -  sus     loves  to    an-swer  prayer ;  He  him  -  self  in   -  vites  thee     near,    Bids  thee  ask  him,  waits  to    hear. 


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1.  Weary  sih-ner!  keep  thine  eyes  On  th'a  -  ton  -  ing     sac-ri  -  fice ;  View  him  bleeding     on  the  tree,  Pour -ing     out his  life  for      thee. 


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2.  Surely,  Christ  thy  griefs  hath  borne;  Weeping  soul,  no    long  -  er  mourn;  Now  by  faith  the   Son  embrace,  Plead  his     prom      -       ise^  trust  his    grace. 


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R.  S.  WILLIS. 


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Je  -  sus'  name !    Ye    who  his      sal         va  -  tion  prove 


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2.  Murmuring  souls !  dry      up    your  tears :      Ban  -  ish      all  your    guilt  -  y    fears :      See  your  guilt    and    curse   re  -  move, 


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-    deem  -  ing    love, 


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Tri  -  umph  in      re  -  deem  -  ing    love. 


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Can-celled    by      re  -  deem-  ing    love. 


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1.  Now    be  -  gin      the  heavenly    theme!  Sing      a  -  loud    in        Je  -  sus    name, 

2.  Welcome,    all        by    sin      op  -  pressed,  Wel-come    to     his        sa  -  cred    rest, 


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3.     Hith-er        then    your  mu  -  sic      bring,  Strike    a  -  loud   each    joy  -  ful  string; 


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Ye    who  his        sal  -    va   -   tion    prove,        Tri  -  umph        in 

Noth  -  ing        brought  him    from       a    -  bove,      Noth  -   ing         but 


re  -  deem  -   ing 
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love, 
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Tri  -    umph       in        re    -    deem  -  ing        love. 
Noth"  -   iua-         but       re    -    deem  -  ing        lore. 


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Mor  -  tals,         join      the      hosts     a  -    bove,        Join      to 

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praise      re  -  deem   -  ing         love,        Join        to        praise      re 


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GERTRUDE.       7s. 


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Cast  thy  burden    on  the  Lord,  Only  lean  np-on  his  word  ;  f  Thon  wilt  soon  have  cause  to  bless  1  His  unchanging  faithfulness. 

\  His  un-chang-ing  faith-ful-ness,  j 


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HENDON.       7s.    Or  6  lines. 


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To  thy  pastures  fair  and  large,  Heavenly  Shepherd,  lead  thy  charge; 


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HOLLEY.       7s. 


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And  my  couch  with  tenderest  care,  Midst  the  springing  grass  prepare,  Midst  the  springing  grass  prepare. 


Come,  my  soul,  thy    suit   pre  -  pare ;  Je  -  sus  loves     to     an  -  swer  prayer;  He  him  ■ 


Mn-rv   to  Hie  Savior's  tomb,  Hasted  at  the,  ear  -  ly    dawn,     1  J  For  a  while  she  lingering  stood,  1 
1  Spice  shebro't,  and  sweet  perfume,  lint  the  Lord  she  lo-v'd  had  gone:  J  \  Fill'd  with  sorrow  and  surprise;  ) 


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d.c.  Trembling,  whiles  crystal  flood  Issued  from  her  weeping  eyes. 

KE».A.:NIHH    HYMN" 

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Heavenly  Father,  sovereign  Lord;  Be  thy  glorious  name  adored ;  Lord,  thy  mercies  never  fail ; 

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.,ou  my  spirit  turns, \ 
Tunis,  a  fu-gi-tive  unblestij 


TPeo  -  pie  of  the  liv-ihg  God,  I  hare  sought  the  world  a-round,  \  /N 

\  I'h  lh. -of  sfal  and  sorrow  trod,  Peace  and  comfort  nowhere  found  :/\T 


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Rock   of     A  -  ges!  cleft  for  mo,  Let   me  hide  my-solf  in  thee; 
d.c.    He     of  sin  the  per-fect  cure,  Save  me,  Lord, and  make  me  pure. 


D.c.  Brethren!  where  your  altar  burns,  0  receive  me  into  rest. 
\   i()T.A.        7s-     Double. 


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/Let   the  wn  -  tor  and  the  Mood,   \ 

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sinners!  turn;  why  will  ye   die?    God,  yonrMak-er,  asks  yon— 'Why  T> 
God,  who   did     your  lie-  ing  give,  Mafic  you  with  liini-solf     to 

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Sinners  turn;  why  will  ye      die?    God,  your  Sav  -  ior,   nsks  yon    why: 


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BETHAVEN.      ®s  &  7s. 


T   F.  SEWARD. 


241 


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1,    Tar  -ry  with  me,      Ojriny    Sa-vior!        For  the  day      is      pass-ing  by;       See!  the  shades  of    eve-ning  gath  -  er,        And  the  night    is    draw-tag  nigh 


2.     Tar  -  ry  with    me,    0,  my    Sa-vior!       Lay  my  head    up  -  on  thy  breast,    Till  the  mom  -  iDg  then    awake      me,       Morn-ing  of         e    -    ter-nal  rest! 


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BITHRON.      8s  &  7s. 


Tenderly. 

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D.  E.  JOISES. 


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Sweet  the    moments,  rich  in    bless-ing,  Which  be-fore  the  cross  I    spend ;     Life  and  health,  and  peace  pos-sess-ing,      From  the    sin-ner's  dy  -  ing  friend 

m     S      I        I'KKI  K     hi      ^     h     ,        ,1  N     hi      I         I        N     K      I        I  hi     fc>      *     I*       I 


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BELGRAVIA.      8s  &  7s.    X>onl>le. 


F.  H.  SMITH. 


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^    <  Savior,  breathe  an  evening  blessing,Ere  repose  otvr  spir-its  seal,  ) 
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Sin  and  want  we  come  confessing4(oMiT j )  Thou  canst  save  and  thou  canst  heal,  Tho'  destruction  walk  around  us,  Though  the  arrows  past  us  fly, 


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d.c.  Angel  guards  from  thee  surround  us,(o:.iit )  We  are  safe       if  thou  art  nigh. 

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242 


CALNEH.    ©s  Sc  7s.      Double. 


T.  F.  «EWARD. 


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1.  Take  my  heart,    0    Fa  -  ther,  take  it!  Make  and    keep     it    all  thine  own;  Let  thy  Spir   -   it  melt  and  break  it — This  proud  heart  of  sin  and  stone. 


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2.  Ev  -  er     let      thy  grace  sur- round  it ;  Strengthen  it    with  power  di  -  vine,  Till  thy  cords    of  love  have  bound  it :  Make  it     to         be  whol  -  ly  thine. 


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Father,     make  it  pure  and    low  -  ly,     Fond  of    peace,  and  far  from  strife ;  Turning   from  the  paths  un  -  ho  -  ly       Of  this    vain     and  sin  -  ml    life. 

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May  tlic  blood  of  Je  -  sus    heal    it,      And  its     sins      be  all  for  -  given ;    Ho  -  ly     Spir  -  it,  take  and  seal    it,     Guide  it      in        the  path  to  heaven 


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EDWARD  EVERETT  QUBIBY. 


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1.  In  the  cross  of  Christ  I  glory,  Tow'ring  o'er  the  wrecks  of  time ;  All  the  light  of  sacred  stoiy  Gathers  round  its  head  sublime,  All  the  light  of  sacred  story  Gathers,  etc. 


'>.  When  1  In-  woes  of  life  o'crtake  me,  riopes  deceive  and  fears  annoy,  Never  shall  the  cross  forsake  me ;  Lo !  it  glows  with  peace  and  joy,  Never  shall  the  cross  forsake,  etc. 


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<  Lord,    I  bear    of  show'rs  of  blessings,      Tliou  art  scattering  full  and  free;) 

<  Sbow'rs  tbe  thus  -  ty    land    re-fresh  -  ing,        Let  some  droppings  fall    on    me,  $ 


E  -  ven  me,       E_-  ven  me, 


Let  some  droppings  fall  on    me. 


j    Pass    me  not,    0     God,  my  Fath-er,        Sin  -  fufcthough  my  heart  may  be ;      ) 

j  Thou  might'st  leave  me,  but  the    rath-er         Let    thy  mer  -  cy    light  on  me, —  J       E 


ven  me,       E  -  ven  me,         Let    thy  mer  -  cy  light  on    me. 


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EPHESUS.      8s  &  7s. 


SOLON  WILDER. 


1.  Come,  thou  long  ex-pect  -  ed    Je  -  sus,    Born  to      set    thy  peo  pie     free     From  our  fears  and  sins     re  -  lease  us, 


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i   uj  ■    i   •       P"  r    i   uj  '   '*j  r>-r  r    !  .  '         i   «    i    i 

2.  Israel's  strength  and  con  -  so  -  la  -  tion,  Hope  ot       all    the    earth  thou  art ;    Dear  de  -  sire      of    ev  -ery    na  -  tion, 


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Let    us  find    our      rest     in  thee. 

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Joy    of    ev  -  ery    long  -  ing  heart. 


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1.  Hark!  what  mean  those  ho-ly      voi-ces,      Sweetly    sounding  thro' the    skies?      Lo!   th'an-ge  -  he  host  re  -   joices  ; 
:25r=dz:Z]Vr-^ : k— -*r— J h-n f*H*r-~-i >— *— I r-i—     — n ^— fcn— n , — &- 


iuf&i  i  n^^^^4^^4^H^ 


Heavenly  Halle  -  lu  -  jabs  rise. 


2.    Hear  lliem  tell    the  wonthous  sto  -  ry  ;   Hear  them  chant  in  hynms  of   joy; 


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Glo  -  ry    be    to  God  most  high. 


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244 


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FLORIAN.      @s  &  7s.    Double. 


J.  M.  PELT  OX. 


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1.     Savior,  source  of      eve-ry    bless  -  ing,   Tune  my  heart  to     grateful  lays,  Streams  of     mer-cy  ncv-cr     ceas  -  ing,        Call     for  eeaseless  songs  of  praise 
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2.  Thou  didst  seek  me  when   a      stranger    Wandering  from  the  fold  of    God;     Thon,  to  save  my   soul  from     danger,      Didst    re  -  deem  me  with  thy  blood. 


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Teach  me  some  me  -   lo  -  dious  measure,    Sung  by    raptur'd  saints  a-bove;    Fill  •  my  soul  with   sacred      pleasure,     While    I     sing  redeem -ing  love. 

I       I       i     I       I        I      II        I      III      I     I       I     bJ  J-    J"?  I      I     I      ife    J        fl    '"*•■ 


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By     thy     band  restored,       de  -  fended,    Safe  through  life  thus  far  I've  come ;  And,  O    Lord,  when  life  is      end-ed,      Bring    me    to    my  heavenly  home. 


•FRANCONIA.      @s  &  7s. 


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V  I   .    V    I       Q      I      I      •      I  ^      ""*      I       |       f —  i 

1.    Praise  to  thee,  thou  great  Cre-a  -  tor ;    Praise  be  thine  from     ev  -  eiy  tongue ;  Join  my  soul,    with    ev-ery  creature,    Join    tke     u  -  ni 

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2.     For     ten  thousand    blessing    given,      For      the  hope    of        future    joy,      Sound  his  praise  thro' earth  and  heaven,  Sound  Je     ho  vah's  praise  on  high. 


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Joy  -  ful  -  ly     on  earth  a  -  dore  him,     Till     in  heaven  our  song  we    raiso,  There,  din-raptured,    tall      be -fore  him,    Lost     in    wonder,  love  and  praisS 


GKREEIVBJLIN'IC.      @ss  &  7s.      Peculiar. 


J.  E.  HOPKINS. 


245 


.,    j  Come  to  Calvary's    ho  -  ly  mountain,      Sinners    ru  -  in'd  by     the  fall ;  ) 

(Here    a  pure   and  heal  -  ing  fountain,  Flows  for   ev  -  eiy   [Omit ]       thirs-ty  soul,  )    In      a    full 


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n    i  Come  in   sor  -  row  and    con-lri  -  tion,    Wounded,  im  -  po  -  tent  and  blind  ) 

(  Here  the  guil  -  ty  free    re  -  mis  -  sion,   Here  the  lost      a     [Omit ]    re  -  fuge  find,  C  Health  this  fountain  will  restore ;  He  that  drinks  need  thirst  no  more. 


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J.  D.  VINTON. 


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1.  Let  me  go,    the  day  is  breaking,  Dear  companions,  let  me  go  ;    Wehavespent  anight  of  waking,    In  the  wilderness    he-law;   I'pwardnow  Ibendmy  way,  Part  we  here  at  break  of  day. 


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2.  Let  me  go  ;     I  may  not  tarry,  Wrestling  thus  with  doubts  and  fears  ;  Angels  wait  my  soul  to  carry,  Where  my  risen  Lord  appears ;  Friends  and  kindred,  weep  not  so,  If  ye  love  mo  let  mo  go, 


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3.  Wo  have  travelled  long  together, 


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Hand  in  hand  and  heart  in  heart, 


And  'tis  hard,  'tis  hard  to  part. 


While  I  sigh  "  Farewell "  to  you 


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Answer  one  and  all  "  Adieu." 


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GALILEE.      8s  &  7s. 


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22.TZ: 


1.  Je  -  sus  hail !  enthroned  in  glo   -    ry,    There  for  -  ev  -   er    to      a  -  bide ;        All  the  heaven-ly  hosts  a  -dore    thee,      Seat-ed     at      thy  Father's    side. 

2.  There  for  sin  -  ners  thou  art  plead  -  ing,  There  thou  dost  our  place  prepare ;        Ev  -  er     for       us    in  -  ter  -  ced  -  ing,      Till    in    glo  -   ry  we    ap  -  pear. 

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3.  Help,  ye  bright  an-ge-lic     spir-its!    Bring  yoursweetest,    noblest  lays:      Help  to    shig  our  Savior's    nicr-iis;      Help  to  chant  Immanaers  praise. 

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246 


RATISBON.    8s  &  7s. 


iAMES  M.  NORTH. 


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1.  Peaceful   be   thy  si  -  lent  slumber,  Peaceful      in      the  grave  so  low;      Thou     no   more  wilt  join  our  numbers,  Thou  no  more  our  songs  shall  know 

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2.  Yet     a -gain  we  hope  to  meet  thee,  When  the  day    of  life     is   fled,      Then     in  heaven  with  joy  to  greet  thee,  "Where  no  farewell  tear. ..  is      shed. 

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j  j  Ho  -  ly    Father,  Thou  hast  taught  me,  I  should  live  to    thee  a  -  lone,  > 

'/  Year  by  year  thy  hand  hath  brought  me  On  thro'  dangers   oft  un  known.  5 


D.  G.    Still  thine  arm  has  been  around  me,    All  my  paths  were  in   thy 


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. — * 


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known.  5  When  I  wandered  thou  hast  found  me ;  When  I  doubted,  sent  me  light, 
sight. 

J I.     fr   *    i „_.*_*_| k— >    *     i 


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2  j  In   the  world  will  foes  as -sail    me,  Craftier,  stronger     far  than  I; 
'  /  And  the  strife  may  uever   fail    me,    Well  I   know,  be  -  fore   I 
D.  C.    Through  the  prayer  of  faith  receiving  Strength — the  Spirit's  strength  in 


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die.      i  Therefore,  Lord,  I  come  believ  -  ing  Thou  canst  give  the  pow'r  I  need ; 
deed. 


jSLd — mm* 


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I.  CONKEY. 


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1.  God   is  love;  his  mor - cy  brightens     All   the  path  in  which    we  rove;    Bliss  he    wakes  and    woe       he  lightens;      God  is  wisdom,    God  is    love. 


1    i    i      r  i   i       i    r  i    r  i     '   i    ;       i    i    r      r  i        iii 


i     '  '        ■   •       i     i    i     r  i        '  ' 

2.  E'en  the  hour  that  darkest  seemefb      Will  bis  changeless  good    new  prove;  From  the  gloom  his  bright  -nessstaeameih;  God  is  wisdom,    God  is    1 

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AUTUMN. 


8s  &;  7s.    Don'-W 
4-n 


247 


,.n„  -  l.i,  Lord!  0    gent -ly  lead    us,   Thro' this  lone  -  ly   vale    of    tears:    Thro' the  changes  thou'st  decreed    us,       Till  our   last  great  change  appears:  When  tempta  -  tion's  darts  as-sail    us, 
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Let  thy  good-ness  nev  -  er    fail      us,      Lead  us     in     thy   per  -  feet  way. 
GREENVILLE.       8s  &,  7s.    Double. 


EOCSSKAC. 


When  in     de-vious  paths  we  stray, 


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f  Par  from  mor-tal  cares  re  -  treat-ing,    S*r  -  did  hopes  and  vain    de-sires,  \ 

\  Here  our  will-ing  foot-steps  nicot-ing,    Eve  -  ry  heart  to  heaven  as-pires.  j   From  the  fount  of     glo  -  ry  beaming,  Light  ce  -  les  •  tial  cheers  our  eyes, 


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d.  c.  Mer  -cy   from  a-  bove  proclaim  -ing,  Peace  and  par-don  from  the   skies. 
MOUNT    "VERNON.        8s  &  7s.  Dr.  L.  JUson. 


Hi 


feM 


i — l- 


OVIO. 


8s  Sc  7s. 


jT»-*--^  "■'  "  I    " *  "-  r- 

Sister,  thou  wast  mild  and  lovelv,  Gen-tle  as  the  summer  breeze,  Pleasant  as  the  air  of  evesing,  When  it  floats  among  the  trees. 


.S^EfcESEt 


3?-__e_ 


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I  would  love  thee,  God  and  Father!  Jly  Re-deemer  and  my  King1. 


%<— t- 


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t=t 


I  would  love  thee  ;  for  without  thee,  Life  is  but  a  bit-ter  thing. 


SICILIAN    HYMN. 

_j — I,    r*g   „,-i — L, 


£*3Sg3SSfgIl 


^J^il^^# 


I     I  U 

Come,  thou  long-expected  Je  ^sus,  Born  to  set  thy  peo-ple  free  :  From  ottT  fears  and  sins  re-lease  ns,  Let  us  find  our  rest 


imm 


I 

iu  thee. 


Silently  the  shades  of  evening,  Gather  round  my  lowly  door  :    Si-lent-ly  they  bring  before  me,  Fa-ces     I  shall  tve  no  more. 


-*.    *±M, 


Wt 


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Lo !  the  Lord  Je  -  ho-vah  liveth  :  He's  my  rock,  I'll  bless  his  name: 


f±S=^ 


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8s  &  7s.     Double. 


ISis^ 


He,  my  God,  sal-va-tion   giv-eth  ;   All  ye  lands  ex-alt  his  fame. 


g^^zfea^zEfefgffi 


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(  Cease,  ye  mourners,  cease  to  languish  o'er  the  graves  of  those  ve  love!  )  shade, 

t  Pain  and  death,  and  night  and  anguish  Ln-ter  not  the  world  a-bovel  j  While  in  darkness  yon  are  straying.  Lonely  in  the  deep'niug 


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i  o.   filn-rr'fl  hvif  htfst.  bpams  arp.  nlavino-  Knnnd  th'imninrtnl  snirit's  heath 


mm 


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248 


THE     BJEfclSAKirjXti-    I>AY. 


7  s  &  4. 


f^^rprp: 


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ss5  '«r  s 

T .      f        T        f 


W.  B.  BRADBURY. 


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i  fea  :  we  trust  the  day  is  breaking,   Joyful  things  are  near  at  hands    I. 

V God,  the  mighty  God,  is  speaking     By  his  word  in     ev  -  cry  land  ;   f  When  he     chooses- 


-M± 


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spread  his  t 


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Darkness  flies  at    his  command;  When    he    chooses— 


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Darkness  flies  at    his  command. 


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j  While  the  foe  becomes  more  daring,  While  be   en  -  ters  like    a    flood,     I 

J    God,  the  Savior,  is  pre  -  par-ing  Means  to  spread  liis  truth  a-broad  ;    J      Ev  -  cry    language 


Soon  shall  tell  the  love   of    God  ;    Ev  -   cry     language 


2 


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Soon  shall  tell  the  love  of  God. 


-xzw- 


-m: 


SURREY    CHAPEL. 


&s5  7"s  &,  4s. 


T.  F.  SEWARD. 


See,  from   Zi  -  on's     sa  -  cred  mountain  Streams  of    liv-ing      wa  -  ter   flow; 


I  JSe<- 

{  God  has    o-  pened  there    a      fount-ain     that   sup-plies  the    world  be  -  low 

-+-J * 


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They  are  blessed,         They  are  bless-ed    Who    its     sovereign    vir  -  tues  know. 


at 


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77? — p~'^~i   i  r_^~^1   «    i   i    rT~~r~r~~P" 

„  (  Through  ten  thousand  chan-nels   fi)W  -  ing,  Streams  of  mer-cy      find   their  way:  ) 

j  Life,  and  health,  and  joy      be  -  siow  -  hag,    Wak  -  ing  beau-  ty     from    de  -  cay.      \        O    ye   na  -  tions,  O    ye   na  -  tions,  Hail  the  long  -  ex  -   pect  -  ed    day. 

WE. 


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AMELIA.        8s,  7s  &  4s. 

ls£  time.  2nd  time. 


From  the  "  Diapason,"  by  permission.     GEO.  B.  LOOMIS. 


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.    (     Sav-ior,  like   a  shepherd  load  us;  Much  we  need  thy  tender  care  ; 

J'|     In  thy  pleasant  pastures  feed  us;    [Omit ]     For  our  use  thy  folds  prepare  ;    Blessed  Je  -  sus !  Blessed  Je  -  sus !  Thou  hast  bought  us,  thine  we  are. 


n  rr  n  rr  j*  i  n    if 


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{Thou  hast,  promised  to  re-  ccire  us,     Poor  and  sinful  though  we  be  ; 
T 


htm  hast  mer-cy    to  re-  licve  us,     [Omit ]Grace  toclcause,andpowerto  free;  Blessed  Jesus!  Blessed  Je- sus  1    Lotus   ear-lyturnto  thee. 


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1      *   i      i       i      '      '      I         i      k  i      £d  I 

.     j    Men    of  God,  go     take  your  stations ;     Darkness  reigns  tliroughout  the  earth ; 
'    (    Go —  proclaim   a  -  mong  the   na -  tions,     [Omit 


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r.  e.  s.        249 


■ao-i— s# — <p- 


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j  Bear  the    tidings,  Bear  the    tidings, 
Joy  -  ful  news  of     heavenly  birth :  \  Bear  the   tidings,  Bear  the    tidings, 


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BRADBURY.      @s5  ^s  &  4s.    Or  @s,  ^s  <&  12s. 

J.  H.  TENNEY. 


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Tidings   of  the  Savior's  worth ; 

[Omit ]     Tidings  of    the  Savior's  worth. 

1  A.     j£-j£AJ5    i    i     , 


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1-.  Lo,  becomes — the  King  of  glo  -  ry!     With  his  chos  -  en  tribes  to  reign;  Countless 


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As8s,  7s  &  12s.  Hear  the  Chief  among  ten  thousand,  Thus  address     his  faithful    few:  "Come,  ye 


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hosts    of  saints  and  an  -  gels    Swell  the  mighty  Conqueror's  train  :  2Tow  in      triumph,  Now  in    .  hi -umph  [Omit ]     Sin  and  death  are  cap  -  five    led 

J.  j.  A  ^  j    Jl  j.  A.  A  A  J.   „     .j.  j.  J.    |    |    ,     i  jiii   ,    jjj    i  j      i 


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bless  -  ed    of  my    Fa-ther,     Heaven     is     prepared  for    you;       I    was  hun-  gry,     I    was  thir  -  sty,      I  was  naked,      Aaadye    miu-is-tered     to     me." 

SAWYER.      @s9  ^s  «&  4s.  j.  D.  yinton. 


1    (Guide  me,  O  thou  great  Je  -  ho-vah,  Pilgrim  through  this  barren  land; 
•  '  }        I  am  weak,  but  thou  art  mighty ;  Hold  me  with"thy  [Omit 


hty;  Hold  me  with "thy  [Omit ]  powerful    hand  :  Bread  of    heaven,  Bread  of     heaven,      Feed  me    till     I   want  no    more. 

j^jj.jj.j _2*fl_j An- 1  -i J? 


250 


OLIFII^JNTT. 


8s,  7s  &>  4s. 


From  "  Carmina  Sacra," 


iiiigiii^ipi^if^iii 


j— j- 


ffiS^SEgZE 


P 


:=2z:s<: 


-*§— &— 


Hen    of  God,  go,  take  your  stations ;  Darkness  reigns  throughout  the  earth;  Go— proclaim  a-  mong  the  nations,    Joy-ful  news  of  heavenly  birth :  Bear  the  ti-dings — Bear  the  ti-dings — Ti  -  dings  of   the 


42-    42. 

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42-42-  f    l-|S.    _q_ 


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Sav-ior's  worth, 


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Tidings    of    the    Savior's  worth. 


X=g-=&^ 


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V 


:£: 


f? — fg~ 


HARWELL. 


8s  &>  7s. 


De.  l.  mason. 


D.C. 


I  Hark  !  ten  thousand  harps  and  voices  Sound  the  notes  of  praise  above,! 

j   Je-susreigns,  and  heaven  rejoices  i.Iesus  reigns,  the  Uod  of  love.  J  See!  he  sits        on  yonder  throne ;  Jesus  rules         the  world  alone. 
D.  C.  Hal-le   -  In- jah !  hal-le-lu-jah !    Hal-  le  -  In  -  jah !  A    -    men. 


\Ai*i*tt 


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Sir*: 


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3=3= 


-*--*--*-  42. 


z}{iia-ti»fr— Vr£:W:p= 


OSGOOD.        8s,  7s  &  4s. 


From"  CarmiDa  Sacra," 


(  Hear,    0     sin-ner!    mer  -  cv    hails  yoH,    Now  with  swect-est  voice  she  calls,  t 

(    Bids  you  haste   to  seek   the   Sav-ior,      Ere    the  hand   of  jus-tice  falls;  j    Hear,    0  sin-ner,  Hear,    0     sin-ner,    'Tis  the  voice  of  mer-  cy   calls, 


:£==:=^==S==M=N-l=g^^^»=*-*-g 


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Tis  the  voice  of     mer 


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cy  calls. 


IlLA-MiDETV.        8s,  7s  «&>  4. 


ALVAN.        8s,  7s  «&>  4s. 


Dn.  L.  MASON. 


pfpgj^iilSigfelll 


f  Gnide  me,  0  thou  great  Jehovah,  Pilgrim  thro  this  barren  land;     1 

)  I  am  weak,  but  tlmu  art  might}  Hold  me  with  thy  powerful  band;  j  Bread  of  heaven,  Food  me  till  1  want  no 


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a -=c^— 0-<^>     *-*-&— w^ ' r~i=> — m    =)  — a_^ L-«=-"-t 


j  In  tbv  name.  0  Lord,  assembling.  We,  thy  people,  now  draw  near:  I 

I  Teach  us  t»  rejoice  with  trembling,  speak, and  tetthy  servants  bear:  (Hear  with  mcek- 


[ness, 


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ZION. 


Hrar  with  meekness,  Hear  thv  word  with  godlv  fear. 


mw^i\:i 


8s,  7s  &>  4. 


I 


Da.  TIIOS.  HASTINGS. 


=r^ii3al^^&^^^li!|11filIfPiSSi!ii^. 


On  the  mountain's  top  appearing,  lol  the  sacred  herald  sfahde  I  I  ....    [sinii|l<",setby  bands. 

Welcome  new.-  to  H-on  bearing,  Zi-nn  long  In/hostile  lands.    (Mourning  captive  I  God  himself  shall  loose  thy  bands;  Mourning  captive!  (.»d  unjsej 


jr-m     s, 


42.  jS 


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r 


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HARDWICK.      7s  <&  t>s. 


251 


1.  In     heavenly    love      a 

2.  Wher-ev  -  er     he      niav 

-I s~m — f* 


bid 

guide 


ing,     Kd  change  my  heart  shall   fear, 
me,      No    want  shall  turn    me      bad 


Jz=^-  -r— > — rPr r— s?    f — cr 


-a — I— -«►- 


'id     safe     in     such   con  -  fi 
My    Shepherd   is        be  -   side 


* 


3.  Green  pas-tares  are      be  -   fore 


i    j,  r  >  i  -i 

me,  Which  yet       I    have  not      seen  ; 


I* 


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f— ^ — r— ?: 

Bright  6kies  will  soon  be 

m—  »z:z:ai: 


r+f^Jciq^zr; 


ding,  For    noth-ing   changes   .here, 
me,    And    noth-ing   can      I         lack. 


T 


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me,  Where  dark  -  est  clouds  have  been: 


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Tlie  storm  may  roar    with  -  out 
His   wis  -  dom    ev  -    er      wak 


me.    My     heart  may  low      be      laid, 
eth,    His     sight    is     nev    -  er      dim : 

_£ ^    J>|     p>  | 


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But    God     is      round  a   -    bout         me,    And    can      I        be      dis  -  mayed. 
He  knows  the     way    he       tek      -    eth,    And     I      will     walk  with    him. 


fi    f|     K|    I  ft|-J — J-^rJJ  "HV.y   II   JR 


can  -  not     nieas 


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ure,   My     path      to     life        is      free  ; 


£     3 


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My     Sa-viourhas     my      treas    -    ure.    And    he    will     walk  with    me. 


u—  fc*- 


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2.  <    At    the      mer-cy  - 
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d.  c.    He  whose   mer  •  cy   k 

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252 

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1  3  .1TPIELD.      7  s  &  C5s.    JPecxxliar- 


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Arr.  from  Donizetti,  by  L.  W.  BACON. 


=3=5 


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1  Ilal-le      -     lu  -  jaM Praise  the  Lord,      In      the  heights  of      glo  -  ry ;     Hosts    of  heaven !  with  one      ac-cord,    Shout  the      joy  -  ful      sto   -  ry; 

2  Praise  him      with    the    trumpet's  tongue,  Far    and   wide  re  -  sound  -  ing ;    Praise   him    with    the   harp  well  strung,  While   your  hearts  are   bound- ing  ; 

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Praise  him    for      his    mi"ht-y    deeds,   Praise   ye     him  whose  grace  ex-cceds        All     that  heaven  in   songs  con-cedes;  "Worlds  of  bliss!  his  praise  re- cord. 
•  him  with   the  sweet-toned  lyre  ;    Let      his  praise  the    lute     in  -spire  ;    Praise  him       in       a     might-  y    choir  ;— Let    his  praise  be   loud  -  ly  sung. 


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Roll      on,    thoumight-y        o-   cean ;  And,   as     thy      bil-lows   flow,  Bear    mes-sen-gers    of      mcr  -   cy       To      ev  -  ery   land    be  -  low. 


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A  -  rise,   ye    gales,  and    waft    them     Safe    to    the    des  -tined  shore ;     That  man  may  sit      in     dark  -  ncss,     And  death's  deep  shade,  no  more. 


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1.  I       lay    my    sins    on      Je  -  sus,        The    spot  -  less  Lamb  of     God ;         He    bears  them  all    and    frees  us 

2.  I       lay     my  wants  on       Je  -  sus;         All      full  -  ness  dwells  in      him;         He    heals    all     my    dis  -   eas  -  es, 

'A  J  J    A  A     A  A  A  A  A  A_ J    JJA  A  J    A  A 


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He     doth    my  soul    re  -  deem ; 


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I      bring  my  guilt    to      Je  -   sus,      To     wash  my   crim  -  son  stains         White  in      his   blood  most  pre  -  cious,       Till      not     a      stain     re  -  mains. 
I  •    lay    my  griefs  on     Je  -  sus,      My     bur -dens  and    my    cares;         He     from  them  all     re  -  leas-  es,  -       He      all    my    sor  -  row  shares 

!     .     r,  !    _n  J    A.     J    J2A._J._1   A  A     A  A  A  A 


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1.  When  shall  the  voice    of      sing  -  ing 

2.  Then   from  the  crag  -  gy    mount-ains 


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Flow     joy  -  ful  -  ly      a    -   long  ?     When  hill     and  val  -   ley,    ring  -  ing       With  one     tri  -  umphant    song, 
sa  -  cred  shout  shall   fly  ;         And  sha  -  dy  vales    and    fount  -  ains      Shall    ech  -  o     the     re  -  ply  : 


The 


Pro  -  claim  the  con  -  test    end  -   ed,        And    Hifn,  who  once  was    slain, 
High  tower  and  low  -  ly     dwell  -  ing       Shall    send  the     cho  -  rus    round, 


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MISSIONARY    HYMN.        7  s  &  6.s 


Dr.  L.  MASON. 


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From  Greenland's  icy  mountains, From  India's  coral  strand, 


Where  Airic's  snnny  fountains  Roll  down  their  golden  sand 

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I  ff*T n — I — I — l-i — 1 m 1  I      n     ?,n rj— !— '— fr-!         II       I     i    ■■*    ■  !      I  iH-n- 


They  call  us  to  deliver  Their  land  from  error's  chain. 

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7s  &  6s. 

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GEO.  JAMES   WEBB. 


Fine. 


D.S. 


1.  The  niorn-ing  light  is  breaking,  The  darkness  dis  -  ap-pears,    The  sons    of  earth  are  wak  -  ing    To  pen  -i-  ten-tial  tears  ;  Each  breeze  that  sweeps  the  0 -cean,  Brings  tidings  from    a-   far, 

D.  S.  Of  na-tions   in  com  -  ino  -  tion,  Prepared    for  Zi-on'swar. 


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I  ^S^^J^^S^i^^^ff^SS»i  \ Sm  and  moon  and  stars  dMay !  Time  sha" soon this  carth rem0Te !  Kise' my  son1' and  haste a  ■ way    To  seats  prepared  a  • t0Te- 


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By  using  small  notes  as  in  Soprano — Sec  Hymn,  "  Sing  hallelujah,  praiso  the  Lord." 


TTJLLY. 


7s  &,  6s. 


Dn.  MASON. 


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1.  In    heavenly  love    a-bid-ing,  Nb change  my  heart  shall  fear,    And     safe  Is  such  con-  fid-  fcg,     For  nothing  changes  here.  The  storm  may  roar  with-out  me,    My  heart  may  low  be    laid, 

D.  S.    But      God   is  round  a  -  bunt    me,    And  can   I    be    dismayed? 

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W.  U.  BUTCHEi:. 


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Je  -  sus     be    thou     my  guide,  My  steps   at  -  tend ; 


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0    keep  me    near     thy  side,     Be   thou   my   friend ; 
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Be    thou  my    shield   and  sun; 


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Je  -  sus     be    tbou     my  guide,  My  steps  at  -  tend ;  0    keep  me    near     thy  side,    Be  thou  my  friend  ; 


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Be    thou  my   shield   and  sun ; 


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My    Savior    and  my  guard ;  And  when  my  work  is  done,  My  great  re  -  ward. 


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1.  Praise  ye    Je  -  ho-vah's  name,    Praise  thro' his  courts  proclaim  ; 


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2.    Now   let    the    trumpet  raise     Sounds  of     tri-umph-ant  praise 


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Wide     as      his     fame:     Tbere    let     the     harp    be  found,       Or  -  gans,  with    sol-emn  sound,       Roll  your  deep  notes  around,       Filled  with    his     name. 


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1.  My  country,' tis  of  thee,  Sweet  land  of  liberty,  Of  thee  I  sing  :  Land  where  my  fathers  died  ;  Land  of  the  pilgrim's  pride  ;  From  ev'ry  mountain  side  Let  freedom  ring 

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1.  Come,  thou  almighty   King,  Help  us  thy  name  to    sing,  Help  us  to  praise !  Father  all    glo-ri-ous,   O'er  all  vic-to-  rious  Come  and  reign  over  us.  Ancient  of  Day 

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|       |       |"       '       "    '  '  i       |-     |       I       -  I       I       |-      |       I       ^  I       i  [greatmight. 

1.  God  bless  our  native  land,  Firm  may  she  ever  stand  Thro'  storm  and  night !  When  the  wild  tempests  rave,  Ruler  of  wind  and  wave !  Do  thou  our  country  save,  By  thy 

i        i    i*  i    J  J    i    i    f*  j  A  J  j    i  j "  ,  j    i  J*  i  A  A  J    ' 


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1.  Low-ly  and  sol  -  emn  bo     Thy  children's  cry    to  thee,      Father    di  -  vine —        A  hymn  of  suppliant  breath,  Owning  that  life   and  death    A -like  are  thine. 


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From  "  Sabbath  Hymn  and  Tune  Book."     QST 


1.  Near  -  er,  my  God,  to  thee,  Near-er    to    thee 

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Still    all  my  soug  shall  be,  Nearer,  my  God,  to  thee, 
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1.  There  is      a     hap  -  py  land,     Far,    far     a  -  way,  Where  saints  in   glo  -  ry  stand, 


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Bright,  bright  as     day ;       Oh,     how  they  sweet  -  ly   sing,     Wor-thy     is      our     Sav  -  ior   King  I    Loud   let    his    prais  -  es   ring,    Praise,  praise  for    aye. 


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1.  My  faith  looks  up  to  thee,  Thou  Lamb  of  Calvary,    Sav-ior  divine  :  Now  hear  me  while  I  pray;  Take  all  my  guilt  away;  0  let  me  from  this  day  Be  whol-ly   thine. 

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(  Child  of  sin  and  sor  -  row,  Fill'd  with  dismay,  ) 
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Dr.  L.  MASON. 


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Oh,   list  -  en     now ! 


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2. 

Child  of  sin  and  sorrow, 

Why  wilt  thou  die? 
Come,  while  thou  canst  borrow 
Help  from' on  high: 
Grieve  not  that  love, 
Which,  from  above, 
Child  of  sin  and  sorrow, 
Would  bring  thee  nigh. 


3.  To-day  the  Savior  calls : 

For  refuge  fly : 
The  storm  of  justice  falls 
And  death  is  nigh. 

4.  The  spirit  calls  to-day 

Yield  to  his  power: 
Oh,  grieve  him  not  away 
'Tis  mercy's  hour. 


ANOTHER    YEAR. 

+ 


4s  «&.  6s. 


W.  B.  BRADBURY. 


fas     told     its     four -fold     tale.     And      still     I'm      here,      A       trav-cler     in      tin: 


Has    told    its     four -fold 
Who  seemed  life's  toil     to 

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FAREWELL. 
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Why  am  I  spared 
To  see  another  year  ? 

Why  have  I  shared 

So  many  mercies  here? 

From  God  alone 

My  mercies  I  receive : 
To  him  alone 

I  would  for  ever  live. 


Farewell  I  my  soul  will  weep 
While  mem'ry  lives: 

From  wounds  that  sink  so  deep 
No  earthly  hand  relieves. 

Farewell !  oh,  may  we  meet 

In  heaven  above, 
And  there,  in  union  sweet, 

Sing  of  a  Savior's  love. 


COLLINS.      5s  8c  T's. 


From  "Asaph." 


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(   Sa-vior,  'tis     to    thee,     In    my  grief      I       flee;    ) 

|   'Tis    to    thee     a  -lone,    Filling  heaven's  nigh  throne.  )  Tis    a  throne  of  grace,  I  know,-Near  it     else     I     dare  not    go. 


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259 


Let  me  tell  thee  all, 

Be  it  great  or  6mall, 

All  I  feel  or  fear; 

Thine  it  is  to  hear, 
Sin  and  shame  belong  to  me ; 
Love  and  pity,  Lord,  to  thee. 


bdzrrbd^drjri^^, 


Prom  the  "  Hallelujah." 


-•-   -p- -o- -p- -&>-  |       |      |    _|       |       |       ||     -f-  -*--*«9- -&■        I       I      I      I      I       I       |      I      i 


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1.    Behold  how  the  Lord  Has  girt  on  his  sword,  From  conquest  to  conquest  proceeds !  How  happy  are  they  Who  live   in   this  day,  And  witness   his  won-der-ful  deeds. 

J*   i      I  i  ":  i- '..i  T ■,  J     -I      I     t     J   JJ-i.i.    .1     I  -f*-  J,  -" 


i        ill       i        i      . i     ..1.  .  r,J„ ,„., . ,.,„„      .  _  .    ..       I     ..'_ 


*  The  same  meter  is  sometimes  marked  lis  &  9s,  or  lis  &  Ss.    The  hymns,  "  Rejoice  in  the  Lord,"  "Come  let  tis  ascend,"  "  How  happy  are  they,"  "Come  away  to  the  skies," 

and  others,  may  be  suny  to  this  tuno  by  a  proper  application  of  the  small  notes. 


i  ,r  'T1 

'  Be  joyful  in  God," 


GALLIOPOLIS. 


6s  Sc  5s. 


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1.    Tes,    I    ■will    ex 


35 


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For  thine  arm   up  -  held    me,     Turned  my  foes    to    flight. 
11  N      h      *      *       I 


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CROMWELL.      3s  &  6s. 


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2  I  implored  thy  succor, 

Thou  wast  swift  to  save, 
Healed  my  wounded  spirit, 
Brought  me  from  the  grave. 

3  Grief  may,  like  the  pilgrim, 

Through  the  night  sojourn,' 
Yet  shall  joy,  to-morrow, 
With  the  sun  return. 


T.  F.  S. 


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1.  Sin  -.ner,  come,      'M:d   thy  gloom,      All    thy    guilt    con  -    fess    -   ing ; 

2.  Sin  -  ner,  come,    While  there's  room,  While  the   feast      is       wait   -   ing, 


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J^JkJSlHA^S .        6s.    r>oxxble.* 


W.  B.  B. 


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,    j  My    Je  -  sus,     as      thou      wilt  1       Oh,    may  thy    will       be      mine ;  ) 

/In  -   to      thy    hand      of       love  I     would  my     all         re   -  sign;   \  Thro'    s 


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D.  o.  And  help   me    still        to        say,         My    Lord,  thy   will       be      done. 

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or  -  row    or       thro'     joy,         Con  -  duct  me     as      thine    own, 


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•  Adapted  also  to  the  hymn,  "  Fling  to  the  heedless  winds,"  ic.    For  6s.  four  lines,  omit  the  repeat,  and  repeat  the  last  two  lines  of  each  stanza  to  the  D.  C. 

ANCIENT    OF    DAIS.        5s  &  .11. 


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1.  The    An  -  cient  of    Days      His    glo  -  ry     dis- plays,    And  sliines  on    his   peo  -  pie  with  cher-ish  -  ing    lays. 


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2.  O  Jesus,  our  Lord, 
Thy  name  be  adored 

t    For  all  the  rich  blessings  conveyed  through  thy  'word. 

3.  Thrice  happy  are  they 
"Who  hear  and  obey. 

Who  share  in  the  blessings  of  this  gospel  day. 

4.  These  blessings  be  mine, 
Through  favor  divine ; 

And  let  all  the  glory,  my  Savior,  be  thine. 


ALCEHOZV.        5s  &  7s. 


G.  F.  ROOT.     From  "  Sab.  Bell." 


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Ol     I  III11         I 

1.  For-give  my   fol  -  ly,         0  Lord  most  ho  -  ly  ;  Cleanse  me  from  ev  -  ery   stain  ;  For  thee  I     languish  ;     Pi 

i       i       I        I        i  i        i       i        I        I  I       I       '  '  ii  I       i       I       i        i 

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SEVERN. 


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k  p  k  ^  r       -^ -  -p-  ^  *•  i     i       *•  ■•  >■  >•  j 

I  would  be    in    mind,    I 

Ev-ery  du  -  ty   find;   J  Hop-ing  still  and  trust-ing       God  without    a    fear, 


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Pa-  tient-1  v    be  -  liev  -  ing     He  will  make  all  clear. 

r»*>Ni  *  i*  r>  s   ! 


LEEDS. 


@s  &  6. 


261 


1. 

2.  W 


O  Lord,  thy  heavenly  grace  impart,  And  fix  my  frail,  inconstant  heart ;  Henceforth  my  chief  delight  shall  be,  To  ded  -  i  -  cate  my  -  self  to  thee — To  thee,  my  God,  to    thee, 
hate'er  pursuits  my  time  employ,  The  thought  shall  fill  my  soul  with  joy ;  That  silent,  secret  thought  shall  be,  That  all  my  hopes  are  fixed  on  thee — On  thee.myGod.on  thee. 


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CHANEY.        6s,  @;  1 0  &  4. 


1.  Whate'er 

2.  Whate'er 


r  r '   r  i  i .  •  r  i  •  r  r  i  r  ■  "i  p  r  r  r.r  vvrr^-Frrr" 

God  does  is  well !  His  children  find  it  so:  Some  doth  he  not  with  plenty  bless,  Yet  loves  them  not  the  less  ;  But  draws  their  hearts  unto  himself  away — 0  hearts,  obey  1 
God  does  is  well  I  In  patience  let  us  wait :  He  doth  himself  our  burden  bear,  He  doth  for  us  take  care,  And  he,  our  God,  knows  all  our  weary  days.  O,  give  him  praise ! 


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God  will  never  leave  thea 
All  thy  wants  he  knows, 

Feels  the  pains  that  grieve  thee, 
Sees  thy  cares  and  woes. 

Raise  thine  eyes  to  heaven 
When  thy  spirits  quail, 

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Heart  and  courage  faiL 


cor^woor>. 


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1.  Lord,  thy-self  re  -    veal,    Do      thou  our  sorrows    heal,    "Warm  each  frozen  heart,  And  bless  us    ere     we       part. 


2.  Hear  us  when  we  pray, 

Drive  every  doubt  away ; 
Ease  each  burden'd  breast, 
In  thee  may  we  find  rest. 

3.  Faith  and  hope  increase, 

Fill  every  soul  with  peace ; 
Raise  our  hearts  above 
And  fill  ua  with  thy  love. 


262 


DALNA.      Gs. 


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2.  Wherewith     I     longed  for    thee, 


And    left     my     Fa  -  ther's  throne :     From  death    to       set     thee    free,  And  claim  thee      for       my      own 


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From  the  depths  I  have  sent  up  my  cries,  Hear  the  voiee  of  my  calling,    0  Lord !  Should  offen  -  ces  be  marked  by  thine  eyes,  Who  is  he  shall  a  -  bide  the  reward  ? 


From  the  depths  I  have  sent  up  my  cries,  Hear  the  voice  of  my  calling,    0  Lord  1  Should  offen  -  ces  be  marked  by  thine  eyes,  Who  is  he  shall  a  -  bide  the  reward  ? 


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PILGRIM    IS    THY    JOTJR1VEY    DREAR.      7s  Sc  «s. 

From  "  Pilgrim's  Songs."  By  permission. 


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«_o '  cp^^-t2_Dz=^_^_^=n Ll — i-      'j     1      'rfl    r 


1.  Pilgrim,    is    thy  journey  drear?  Are  its  lights  extinct  for  cv-er?  Still  suppress  the  rising  fear;  God  forsakes  the  righteous  never      Never,        never!         No,        never  I 


2.  Storms  may  gather  o'er  thy  path,  All  the  tics  of  life  may  scv-er;  Still,  a  -mid  the  fear  of  death,  God  forsakes  the  righteoAffl  never  J    Never,       never]        No,        never  1 


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263 


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1.  Let  tears   descend  !  Man's  no  -  blest  lriend   In  deeds  of     love    un  -  tir    -    ing,       Now,  a  -  mid    re-proach  and  shame,      Is  with  thieves  ex  -  pir  -   ing. 


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2.  Let  tears    descend  I  Man's  suffering  friend  His  soul    to     God    is     breath  -  ing  :      Ran-  som  for     a    guilt  -  y   world        By   his  death  be  -  queath-ing. 


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i  And  Je  -  sus,  by     re -deeming  blood,         Is     bring-ing  sin  -  ners  back  to    God,      j  And  guides  them  safedy    by    his  word        To  end-  less    day 


2  \   ?! 
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Hail  I  Je  -  sus !  all    vie  -  tor  -  ious  Lord !       Be   thou   by     all    man -kind  a-doredl 


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1.  The    Sab-bath  day  has  reached  its  close !  Yet,  Sav-ior,  ere      I     seek    re -pose,  Grant  me  the  peace  thy  love  be-^tows — Smile  on     my     eve  -  ning     hour  I 

5^4. 


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2.     If      ev  -  er    I     have  found  it  sweet     To   wor-ship  at     my    Sav-  ior's  feet,     Now  to   my  soul  that  bliss  fe  -  peat —  Smile  <  i     my      eve 


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1.  Onward  speed  thy  conquering  flight.  Angels,  onward  speed  I  Cast  abroad  thy  radiant  light,  Bid  the  shades  recede ; 

2.  Onward  speed  thy  conquering  flight,  Angels,  onward  fly  1  Long  has  been  the  reign  of  night,  Bring  the  morning  nigh  : 


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Tread  the    i  -  dols  in  the  dust,  Heathen  fanes  destroy ; 
Un-to  thee  earth's  sufferers  lift  Their  ini-plor-ing  wail; 


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A  8  breeze  of  even  : 
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That  speaks  of  heaven. 

3  And  all  the  good  that  we  possess, 
His  gift  we  own  ; 
Yea,  every  thought  of  holiness, 
Aud  victory  won. 


CALM.        ©s  Sc  -is. 


H.  HARDING.         265 


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1.   There  is         a      calm  for  those  who  weep,  A    rest    for    wea-ry    pilgrims  found ;  They  soft-ly    lie,    and  sweetly    sleep,  Low  in  the  ground,  Low  in  the  ground 

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2.  The  storm  that  racks  the  win-t'ry  sky,     No  more  dis-turbs  their  deep  re-pose    Than  sum-mer  evening's  lat  -  est   sigh,  That  shuts  the  rose,  That  shuts  the  rose. 

3.  I      long    to      lay    this  pain-ful  head   And  ach  -  ing  heart  be-neath  the  soil ;    To  slum-ber,  in    that  dreamless  bed,     From  all  my  toil,  From  all  my  toil. 


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1.    The       God    of     Abrah'm  praise,      Who    reigns  enthroned  a  -  bove ;         An    -  cicnt   of      ev  -  er  -  last  -  ing   days,      And      God        of        love ; 


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all      on    earth  for  -  sake,         Its         wis-dom,  fame,  and  power ;      And       him    my     on  -  ly       por  -  tion  make,      My    shield    and       tower. 


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( Ye  simplesouls,  that  stray  Far  from  the  path  of  peace,  ]  j  How  Ion.;:  will  ye  your      tol    -  ly   love,   And  throng  the  downward  road, 

"(That    unfrequented  way,  To  life  and  hap-pi-ness ;    f  (And  hate  the    wis-dom  from  a    -    bove,        (omit )And  mock  the  Son  of  God  ? 

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God    is  our  refuge  ev-er    near,  Our  help  ill  trib-ii  -  la  -  tion,    )  „.    ,  .  .      „        ,.    .  .        ,    ,      ,    ,  .     1  ,    ,     .,        ,.-,        ,-,  „,,    T      , .  ,     ,. 

Therefore  his  people  shall  not  fear,   A -mid  a  wrecked  creation:  \  riio'mountamsfromtheirbasebehurled.Andoceanshakethesohdworld.TheLordisoursalvation. 

i  J   i   i   i   i   i     I  J  W-  i   i   i   n     i      i  .J.  J.  J  j  J   i    ,    j    i  nj   i   I  j     i  J  J.  i   i   i   n, 

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1  Babbath  ho-lyl  To  the  lowly,  Still  thou  art  a  welcome  day,  When  thou  comest,  earth  and  ocean,  Shade  and  brightness,  rest  and  m»tion,TIelp  the  weary  heart  to  pray. 
2  Sabbath  ho-lyl  For  the  lowly, Paint  with  tlow'rs  the  glitt'ring  sod;  For  affliction's  sons  and  daughters  Bid  the  mountains.woods  and  waters,Pray  to  God.our  father's  God. 

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A  -  las !  how  poor  and  lit  -  tie  worth  Are    all  these  glittering  toys  of  earth  Thatlure   us  here!  J  Dream  of  a  Bleep  that  death  must  break: 

I    A  -  las!  be -lore     it     bids  us  wake,  They  dis-ap-pear. 


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1.  Shcp  -  herd     while      the     flock 

2.  While     the      storm       of       life 


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1.    Let  earth  and  heav'n  a-gree,     An -gels  and  men  be  join'd,    To    eel  -  e-brate  with  me      The  Sa  -  vior  of  man-kind :    To'a-dore  the  all    a  -  ton  -  ing  Lamb, 


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2.    Je  -  sus !  transporting  sound  !  The  joy    of  earth  and  heaven ;  No    oth  -  er  help  is    found,  No    oth  -  er  name  is  given,    By  what  we  can  sal  -  va-  tion  have, 


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And  bless  the  sound  of  Je  -  sus  name. 

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G.  M.  MONROE. 


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1.  Ere    I    sleep    for    ev  -  eiy    fa  -  vor,    This  day  showed  By    my  God,       I      do  bless  my     Sa  -  vior. 

2.  Leave  me  not,    but  ev  -  er    love  me,     Let  thy  peace   Be    my  bliss,     Till  thou  hence  re  -  move  me. 


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3.     And  whene'er     in  death  I     slum-ber,      Let  me    rise,    With  the  wise,     Counted    in    thy    num  -  ber. 


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W.  U.  BUTCHER. 


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1.  This  world    is      all        a      fleet-  ing  show,  For  man's    il   -   lu  -   sion    giv'n;     The  smiles   of    joy,     the    tears    of     woe,    l)e  -  ceit  -  ful  shine,    de  - 

2.  And  false    the  light    on      glo  -  ry  s  plume,  As     fad  -  ing  hues     of      ev'n ;     And   love,  and  hope,  and   beau  -  ty's  bloom,  Are  bios  -  soms  ga  -  ther'd 


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I  i  I  ■  I  I  -^       |  II    ~W|  |  I  si/  SI/ 

3.    Poor  wand'rers    of        a      storm  -  y     day,  From  wave    to    wave  we're  driv'n;  And    fan  -  cy's  flash,  and    rea  -  son's  raj-,   Serve   but     to    light    the 

P—T7Z) ="-  — r- r— I—  — — -r— i r 1— r-  — — j-p    '  ft     p>       f—y 


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°f  r  "  tl'1  tomb'  Thcrc's  nolhing  tn,e  but    beav'n,    There's  no  -  thing  true     but     heav'n ! 


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trou  -  bled  way ;  There's  nothing  true    but    heav'n,   There's  no  -  thing  true    but     heav'n ! 


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1.  Here    is    my   heart!  my    God,    I    give    it    Thee; 

2.  Here    is    my    heart !  my    heart  so  hard  be  -  fore, 


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3.  Here    is    my    heart ! — in  Christ  it's  longings  end, 

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I  heard  Thee  call  and  say,"X<>t  to  the  world.my  child.but  unto  me,"  I  hcard,and  will  obey.  Here  is  love's  offering  to  mj:  king,"\Vhich  in  glad  sacrifice  I  bringjlere  is  my  heart. 
Now  by  Thy  grace  made  meet ;  Yet  bruised  and  wearied.it  can  only  pour  Its  anguish  at  Thy  feet ;  It  groans  beneath  the  weight  of  siu,lt  sighs  salvation's  joys  to  win, My  longing 

. .    _     heart 


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I  '       I       I       1       ■       ■  11  -11 

Near  to  His  cross  it  draws ;  It  says, "  Thou  art  my  portion,  O  my  friend  !  Thy  blood  my  ransom  was."  And  in  my  Savior  it  has  found  "What  blessedness  and  peace  abound,  My 

& _, . __^=# „ __0-  ^M  heart 


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w    (     How  tedious  and  tasteless  the  hours,  when  Je  -  sus  no    Ion  -  gcr  I    see!  !  Ti,n  m^o„mmo^ «„n  cWr,no  i„,f  ri;m  ti,„  «„i;i«  „*,•      •        •    *    i     i 

l.i  c,        .  iv  j         n  i  i      i     tt  n  i    *  n    •  ..,  >  1  lie  midsummer  sun  slimes  out  aim,  1  lie  nulcls  strive  in  vain  to  look  "nv  • 

(  Sweet  prospects,  sweet  bnxls,  and  sweet  flow  rs,  Have  all  lost  their  sweetness  with  me.  S  '  wiuuB.gn.jr, 


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d.  c.  But  when  I    am  hap  -  py  in   him    De  -  cember's  as  pleasant    as    May. 


i         III  |rT|  ilill         I       I       I         I       I 


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1.  Thewin-ter    is       o  -  ver    and  gone,   The  thrush  whistles  sweet  on  the  spray,  The  turtle  breathes  forth  her  soft  moan,  The  lark  mounts  and  warbles  a -way. 


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2.  Shall  all   liv  -  ing  creatures    a  -  found,  Their  voi  -  ces     in    con -cert    u  -  nite,    And   I,  the  most  favored,  be  found,  Inprais-ing    to  take  less    de- light? 


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1.  This  God  is    the  God  we  a   -  dore,  Our  faithful,  un  -  changeable  Friend ;  Whose  love  is  as  great  as  his  power,  And  knows  neither  measure  nor  end. 


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2.  'Tis    Je  -  sus,  the  first  and  the   last,  Whose  spir  -  it  shall  guide  us  safe  home ;  We'll  praise  him  for  all  that  is  past,      And  trust  him  for  all  that's  to  come. 


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SOLO,  DUET.  OP.    TRIO. 


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1.  Come,  vi-  I'i-i-rnn-sn.late,  where'er  ye  lan-gnish:    Come  at  the  mercy-seat  fer-vent-ly  kneel;     Hece  hring  your  wounded  hearts,  here  tell  your  anguish;  Earth  lias  no  sorrow  that  heaven  cannot  heal. 
.2.    Joy     of  (he  ties-  o  -late,  light  of  the  stray-ingj    Hope  of  the  pen-  i-tent,  fadeless  and  pure;  Here  speaks  the  Comforter,  ten -der-ly    say-ing,  Earth  has  no  sorrow  that  heaven  cannot  cure 

I  I     .  II 


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PPPPPS 


tr     r  m  i    i    i    i  1. 1    i         rri    !    '    is  i  i    r-  1    *  <•  vi     r  i     i ;  i     i 

1.  Appointed  by  thee,  'we  meet  in  thy  name,  And  meekly  a-gree  to     follow  the  Lamb;  To  trace  thy  example, the  world  to  disdain,  And  constantly  trample  on  pleasure  and  pain. 


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From  NAGELI. 
!  4  J,     I 


1.  Tne  Prince  of  sal-va-tion  in   triumph  is  riding,  And  glory  attends  him  along  his  bright  -way — The  news  of  his  grace  on  the  breezes  are  gliding,  And  nations  are  owning  his  sway. 


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lls&  ®s.     Or  lls&  9s  o.y  the  sm£ill  notes. 


From  "  Asaph." 


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rfcfeiaafegij_iiid:: 


1.  Bo  joy-ful  in  God,  all  ye  lands  of  the  earth;  Oh,  serve  him  with  gladness  and  fear  :  Ex- ult  in  his  presence  with  music  and  mirth,  With  love  and  de-vo-tion  draw  near 

ii        I     I    I    I     I    I  J   J        I      !    I    I  -m-A  J      I 
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KELLOUG.       12s  <&   lis. 


T.  F.  s.    271 


1.  Thou  art   goue  to  the  grave,  but  we   will    not  deplore  thee,  Tho'  sor  -  row  and  darkness  eu  -  compass  the  tomb  ;     The        Savior  has  passed  thro' its     por  tals  before  thee, 

I    __j|_Jj-, — |—     —-ft — i Ps-i     i^.     k ■ n r-    : : : 1 IS — !**■ 


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2.  Thou  art  gone  to  the  grave,  we  no       long-er    behold  thee,    Nor  tread  the  rough  paths  of  the  world  by  thy  side,    But  the  wide  arms  of  ruer-  ey    are  spread  to  enfold  thee, 


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And  the  lamp  of   his  love  is  thy  guide  thro'  the  gloom. 


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And      sinners  may  hope,  since  the  sinless  hath  died. 

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E.  ROBERTS. 


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1.  Breast  the  wave,  Christian,  when  it     is  strongest,  Watch,  where  the  night-shade  Lingers  the  long- est ; 

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2.  Stand  the  storm,  Chns-tiau,   Je  -  sus    is     o'er  thee;     Fear  not  the  tem-pest,  Heaven  is  be -fore  thee; 


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On  -  ward  and    on  -ward  still    Be    thy   en-  deav-  or ;     There    is      a    rest   for  thee,  Peace-ful   for  -  ev  -  er ;     There    is      a    rest   for  thee,  Peaceful   for  -  ev  -  er. 


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Go  where  thy    du  -  ty  calls  ;  Foes  may  as  -  sail  thee  ;     God     is  thy  strength  and  shield,  He  will  not  fail  thee,     God     is  thy  strength  and  shield,  He  will  not  fail  thee. 


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272  KUSDitoiv. 

Legato. 


lis. 


T.  F.  SEWARD. 


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1 


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].  Thou  sweet  glid- ing    Ke-dron,  by    thy      sil  -  ver  stream,     Our  Sav  -  ior  would  lin  -  ger     in   moonlight's  soft  beam ;    And    by     thy  bright  wa  -  ters    till 


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2.  How  damp  were  the  va  -  pors  that   fell      on   his   head!     How  hard  was  his    pil  -  low,  how  hum  -  ble   his   bed  1       The     an-  gels,  be  -hold -ing,    a  - 

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IP^TJLIIV  A.     lis. 


Arr.  L.  W.  BACON. 


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midnight  would  stay, 


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And  lose)  in     thy  murmurs,  the  toils   of    the    day. 


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mazed  at   the   sight, 


At  -  tend-ed  their  Mas-  ter  with  solemn    de- light. 


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2.  While  look-  ing  to      Je  -  sus,  my  heart  can-not  fear, 


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off     un-to    Je  -  sus,  now  sor- row  no   mon!     The  light  of   his  coun-tenance  shin-  eth.  so  bright,    That  here,  as    in      heav-  en,  there  need  be  no  night. 

-4— I 


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i      I     I     I 

trem  -  ble  no  more  when  I      see     Je- sus  near;       I    know  that  his  presence  my  safe-guard  will  be,     For,  "  Why  arc  you  troubled  ?"  he  saith  un  -  to    me. 


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O^LIHi^^L.      lis  Ac  lOs. 
(May  be  sung  at  Funerals.) 


Ait.  from  CZERNY. 


273 


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■59 & — 0 Of — 


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1.  Come  un  -  to    me    when  shadows  darkly  gath  -  er,     When  the  sad    heart    is      weary   and   distressed,       Seek  -  ing  for    com  -  fort  from  your  heav'nly 


o- 


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i     i    r  i-  i    i     i      i     i    i    iu r  i    r  i    i    i    r "     i     i     'i     i^i  i    i    i 

2.  Ye  who  have  mourn' d  when  sweet  spring  flow'rs  were  taken,  When  the  ripe  fruit  fell  rich  -  ly  to   the  ground,  When  loved  ones  slept,   in  brighter  homes  to 

3.  Large  are  the  mansions    in    thy  father's    dwelling,      (Jl.id  are  the  homes  that  sorrows  nev  -  er   dim,        Sweet  arc  the  harps    in  ho  -  ly  mu  -  sic 

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IVJOIfcLEY. 


lOs. 


T.   F.   S. 


1 — i — r 

Father,  Come  un  -  to  me,   and   I    will  give  you  rest 


,cS=«!=*rg^T=j=±=J— rp— — n: 


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waken,  Where  now  their  brows  with  spirit  wreaths  are  crowned, 
swelling,  Soft  are  the  tones  which  raise  the  heav'nly  hyrnn. 


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1.  I  thought  upon  my  sms,  and  I  was  sad ;    My  soul  was  troub-led  sore  and  fill'd  with 

-N-i 1 -n 1— i 1 -s: b E c s: hi fc- 


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2.  I  saw  my  sad  estate — condemn'd  to  die ;  Then  terror  seized  my  heart,  and  dark  de- 

3.  I  saw  that  I  was  lost,  far  gone  a  -  stray ;    No  hope  of  safe  return  there  seem'd  to 


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GEO.  M.  MONROE. 


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1.  The  Lord     is     great!  ye  liosts  of  heaven,  a-dore  him,     And   ye,      who     tread       this  earth  -  ]y       ball,  In      ho  -  ]y     songs     re-joice  a-loud  be- 

2.  The  Lord     is     great;  his   ma-jes-ty,  how  glo  -  rious !     Re-sound  his        praise      from  shore    to     shore;      O'er    sin     and  death,  and  hell  now  made  vic- 

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3.     The  Lord     is     great;  his   mer-cy,  how  a  -  bound-ing !     Ye     an  -  gels,      strike      your  gold  -  en     chords;     0,     praise  our    God,  with  voice  and  harp  re- 


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fore  him,    And  shout   his    praise  who  made 
to  -  rious,    He     rules     and  reigns  for     ev   - 

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sound -ing,     The  King    of    kings   and   Lord   of     lords. 


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19s  &   1  Is. 


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1.  0   Lord,    let  our  songs  find  ac"-  cep-tance  be-fore  thee, And  pierce  thro'the  skies  to  thine 

2.  Our  Fa  -  ther,  our  Fa  -  ther,  we  ask   thee  to  guide  us,And  keep  us  from  sin      till  life's 


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ii.  Vw.'     '       ■      i         r 

3.  Then,  then  will  we  sing  the  sweet  song  of  the.  bless  -  ed,  And  mingle  our  strains  with  the 


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own         glorious  throne :  Thou  stoop-esfc    to 
jour   -    ney     is      o'er;    The     last  sigh   of 


list  -  en  when     mor  -  tals    a    -   dore   thee,  And    send -est    thy     bless -ings  like     mes  -  sen-  gers  down, 
na  -  ture,  what  -  e'er     else   be  -  tide      us,    Shall   waft     us     to       glo  -  ry    when   time     is     no      more. 


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si  1  ■ains  that  our  tongues  e'er  have    ut-tered,  And     Je  -  sus     the       cho  -  rus  and       in    -    Ii    -    nite  love. 


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CHIASM:  US. 


II*  Jfc   lOs. 


t.  P.  s.     275 


&& 


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1.  Bright- est  and   best     of    the    sons     of    the  morning, 

h-J- 


V — V- 

Dawn     on   our  dark  -  ness,  and  lend     us  thine  aid  ; 


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Star       of    the   East,   the    ho 


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2.    Cold      on    his    era  -   die    the    dew-  drops  are  shin-ing : 


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Low     lies  his   head    with  the  beasts   of    the   stall ; 


An  -    gels     a  -  dore   him,    in 


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ri    -   zon  a  -  dorn  -  ing,  Guide  where  our  in  -  fant  Re-deem-er     is     -laid. 


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slum -ber   re  -  clin  -  ing — Mak  -  er,  and  Monarch,  and  S-iv- ior    of     all. 


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1.  Hail    to    the  brightness  of  Zion's  glad  morning  !      Joy     to    the 


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2.  Hail    to   the  brightness  of  Zion's  glad  morning!     Long   to    the 


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lands  that    in     dark-  ness  have    lain  ;      Hush'd  be   the     ae  -  cents,  of     sor  -  row  and    mourning,  Zi  -  on     in      tri-umph  be  -  gins  her  mild  reign, 

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Tho'  faint,  yet  par-sni-injr,  we  go    on  our 

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:•  way  ;    The  Lord  is  onr  Lead-er,  his  word    is  or 


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ir  stay;    Tho*  suffering  and  sor-row,  and bn  -  al   be  near,     The  Lord  is  our  ref-uge,  and  whom  can  we  fear. 


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PENITENCE. 

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Je-sns,  let    thy  pi  -  tying  eye    Call  back  a  waiul'ring  sheep,  False  to  thee,  like  Pc  -  ter,    I    Would  fain  like  Pe  -  ter  weep.     Let    me    be  by  grace  restored;    On    me    be    all  long-suffring  shown  j 


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Tarn,  and  look    up  -  on    me,  Lord,  And  break  this  heart  of  stone. 

PORTUGUESE    HYMN.       lis. 

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How  firm    a  fmiml-a  -  Han,  ye  saints  of  the  Lord,      la    laid  for  your  faith  in  his  cx-cel-lent  word!  What  more  can  lie  say  than  to  yon    lie  hath  said,    AVho   un-to  the  Sa-vior  for  ref-uge  have    fled, 


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Who    un  -  to  the  Sa  -  vior  for    ref- ngc  have  fled. 


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Come   a  -  way  to  the  skies,  My    be-lof^d    a -rise,    And  re-joice  in  the  day  thou  wort  born;  On  this  fes-ti-val  day,  Come  ex  -  ull-ing  a  -  way, 

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And  with  singing  to    Zi  -  on  re  -  turn,  And  with  singing  to     'IX  -  on     re  -  turn. 

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The  voice  of  free  grace  cries,  Kscape  to  the  mountain;  For  Ad-am's  lost    race  Christ  hath  opened  a  fountain; 


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I'nr        sl ni    un  -  clcan'-nc  ry  trans-gresslon,     His  blood  flows  most  ftee-ly,     in    streams  of   sal  -  Ta  -  tion,    His  blood  flows  most  free  -  ly      in  streams  of     sal  -  ra  -  tion. 

Hal-le  -  lit  -J:ih    to  the  Lamb  who  atl par-don;  We'll  praise  him  a    -  gain  when  we  pass    o-vcr   Jor-dan,    We'll  praise  him  a    -  gain,    when  we  pass    o  -  ver    Jor-dan. 

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HYMNS   FOR   THE  PRAYER  MEETING   AND  THE   SOCIAL  CIRCLE. 


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W.  B.  BRADBURY.    Words  by  Faust  Ceosby. 
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1.  Sweet  hour  of  prayer !  sweet  hour  of  prayer !  That  calis  me  from  a  world  of  care,  And  bids   me  at  my  Fa  -  fher's  throne  Make  all  my  wants  and  wishes  known : 


2P3«&i 


2.  Sweet  hour  of  prayer !  sweet  hour  of  prayer !  Thy  wings  shall  my  petition  bear    To  him  whose  truth  and  faithfulness,  En-ga 

3.  Sweet  hour  of  prayer !  sweet  hour  of  prayer !  May  I  thy  con  -  so  -  la  -  tion  share ;  Till  from  Mount  Pisgah's  lofty  height,  I  view  my  home,  and  take  my  flight ; 


1     V  ' « .  >. 

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In  sea  -  sons  of    dis  -  tress  and  grief    My  soul  has  of -ten    found  re  -  lief ;  And   oft  escaped    the   tempter's  snare-By  thy    return,  sweet  hour  of  prayer. 

/rv 


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And  since  he  bids  me  seek  his   face,  Be  -  lieve  his  word,  and  trust  his  grace,  I'll    cast    on   him  my   ev  -  eiy  care,  And  wait  for  thee,  sweet  hour  of  prayer. 
This  robe  of  flesh  I'll  drop,  and  rise   To  seize  the  ev  -  er  -  last  -  ing  prize ;  And  shout,  while  passing  thro'  the  air,  Farewell,  farewell,  sweet  hour  of  prayer. 

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H.  P.  MAIN.    Words  by  Dr.  John  B.  Peck. 

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!.  Come,  come  to   Je  -  bus  !     He    waits  to    ran  -  som  thee,      O    slave  !  e  -  ter  -  rial  -  ly ;    Come,  come     to  Je  -  sus ! 
3.  Come,  come  to  Je-,  sus!    He   waits  to    light  -  en  thee,     O    burdened  I  gra  -  ciously ;    Come,  come  to    Je-sus! 

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4  Come,  come  to  Jesus ! 

He  waits  to  give  to  thee, 
O  blind !  a  vision  free ; 
Come,  come  to  Jesus ! 

5  Come,  come  to  Jesus ! 

He  waits  to  shelter  thee, 
O  weary  !  blessedly ; 
Come,  come  to  Jesus  1 

G  Come,  come  to  Jesus  1 
He  waits  to  cany  thee, 
o  Lamb  !  so  lovingly; 
Come,  come  to  Jesus 


J278 


'•MY    I»ILGM£II\1    "WAV." 


From  the  "Golden  Censer."    Wm.  B.  BRADBURY 


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1.  Je .  sus,  while  this  rough  and  de  -  sert   soil  I 

2.  Je  -  sus,    here    in  hea  -  vi  -  ness  and  fear,        'Mid 


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tread,  be    thou    my     guide  and  stay ;     Nerre    me    for    conflict  and  for      all     the     toil ;     Up- 
cloud,  and  shade,  and    gloom    I  stray;      For  earth's  last  night  is  draw-ing      ve  -  ry  near;      Oh, 

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hold  me     on  my  pil-grim  way. 

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Wm.  B.  BRADBURY. 


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1.  Christian  the  morn  breaks  sweetly  o'er  thee,  And  all  the  midnight  shadows    flee,  Tinned  are  the  distant  skies  with  glo  -  ry,      A    boa-con  light hung  out  for  thee. 

2.  Toss'd  on  time's  rude  re-lent  -  less    sur  -  ges,  Calm-ly  composed  and  dauntless  stand,  For  lo !  beyond  those  scenes  emerges,  The  heights  thai  bound  the  promised  land. 

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er  ii]),  cheer  up,  the  day  breaks  o'er  thee,  Bright  as  the  summer's  noontide  ray,  The  Star-gemmed  crowns  and  realms  of  glory,  Invite   the  hap-py    soul    a-way 


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A  -  rise,  a-risc,  the  light  breaks  o'er  thee,  Thy  name  is  graven  on  the  throne,        Thy  home  is    in  the  world  of     glo  -  ry,  Where  thy  Redeemer  reigns  a  -  lone.. 
Behold !  Behold  !  the  land  is  near-ing,  Where  the  wild  sea-storm's  rage  is  o'er,  Hark !  how  the  Heav'nly  hosts  are  cheering,  See  hi  what  throngs  they  range  the  shore. 

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Away,  a-M-ay,  live  all     for    glo-ry,  Thy  name  is  grav-en    on  the  throne, 


Thy  home  is  in    the  world  of     glo  -  ry,Where  thy  Redeemer  reigns  a-lone. 


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"HAIL!    THOU  ALMIGHTY  lillVG^." 

4* — W~ ' 


Arranged  from  PELTON. 
From  •' Apples  op  Gold." 


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1.  Hail !    Thou  al  -  might  -  y  King,    An  -  gels     a  -  dore  Thee ;  Saints,  while  they  sweet  -  ly  sing,  Cast  their  crowns  be  -  fore  Thee ;  Gird  -  ed  with  strength  di-vine, 

2.  Light     of       e  -  ter  -  nal  truth,  Star     of      the  morn-ing ;  May      we      in      ear  -  ly  youth,  Heed  Thy  geu  -  tie  warn-ing ;     Sin      is       a        thor  -  ny  way, 


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at     our    post    to     be,  Firm  and  faith  -  ful     ev  -  er,    Now,  while  our  hearts  we  raise, 


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All   power  possess  -  ing,    Hon  -  or     and  praise  are  Thine,  Wis-dom,  glo  -  ry,    bles-sing ;    Hon  -  or     and  praise  are  Thine,  Wisdom,    glo  -  ry  bless  -  ing. 
Cloud  -  ed  with  sor  -  row ;  Give      me  your  hearts  to  -  day,  Wait  not    for  the     mor-row.    Give     me    your  hearts  to  -  day,  Wait  not    for    the  mor  -  row. 


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to      the   song    of  praise,  To  Thy  throne  as  -  cend-ing.     List       to      the  song    of  praise,  T^    Thy  throne  as  -  cend-ing. 


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SWEET    LAIVI3    OE    REST. 


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W.  B.  BRADBURY. 

REFRAIN. 


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1.  Sweet  land  of  rest!  for  thee    I    sigh,  When  will  tbe   moment    come  ?  When  I   shall  lay   my  armor  by,  And  dwell  with  Christ  at  home.  Home,  home,  sweet,  sweet  home,  And 

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2.     No    tranquil  joys   on  earth  I  know,  No  peace-ful,  sheltering  home — This  world's  a  wil-  der-  ness  of  woe.  This  world  is  not  my  home.  Home,  home,  sweet,  sweet  home,  This 


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dwell  with  Christ  at    home.         home. 

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1.  They  are   go  -  ing,   on  -  ly     go  -  ing ;  Je  -sus  called  them  long  a  -  go,      All  the   win-try  time  they're  passing,  Softly 

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as       the  fall- ing  snow,Whcn  the  vio- lets    in  the  spring-time  Catch  the  a  -  zure  of  the  sky.  They  are  car  -  ried  out  to   slum-ber,  Sweetly  where  the  violets    lie. 

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to      each  si-lent  breast,  When  the  Autumn  hangs  red  banners  Out  a  -  bovc  the  harvest  sheaves,  They  are  go  -  ing,  ev-  er    go  -  ing,  Thick  and  fast,   like  falling  leaves. 


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"THE    SHINING    SHORE." 


From  "  Sab.  Bel. 


G.  F.  BOOT. 


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1.     My    days  are  glid  -  ing     swiftly    by,    And     I,  a     pil-grim  stran-ger,  Would  not  de-  tain   them    as  they  fly !  Those  hours     of  toil  and   dan  -  ger, 


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2.  We'll  gird  our  loins,  my    brethren  dear,  Our     dis  -  tant  home  dis-cern- ing;    Our     ab-sent  .Lord  has     left   us  word,  Let     ev   -    ery  lamp  be   burn -in" 

3.  Should  coming  days  be    cold  and  dark,  We    need    not  cease  our  sing  -  ing ;   That  perfect   rest  nought  can  mo-lest, Where  gold  -  en  harps  arc  rin"- -  in- 


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For     ohl  we  stand  on    Jordan's  strand,  Our  friends  are  passing      o   -   ver,    And   just  be- fore     the     shining  shore  We    may 

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JESUS,    OUR    FRIEND." 


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1.  Sweet 'tis  to    sing   of  thee,    Je  -  sus,  our  friend ;    Of  thy  great  love  so  free,    Je  -  sus,  our  friend ;    Oh,  for    a  heart  to  praise,  Through  all  our  early  days, 

d.  s.  Thy  wondrous  works  and  ways,  Je-sus,  our  friend. 


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2.  When  thou  wert  here  below,    Je  -  sus,  our  friend ;  Thou  didst  our  sorrows  know,  Je  -  sus,  our  friend  ;  Grant  to  each  heart  to  feel,  That  thou  hast  power  to  heal 

D.  s.  And  oh,  thy-  self   re  -veal,    Je  -  sus,  our  friend 

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BEAUTIFUL    HOME    ABOVE. 


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1.     0,      bow  my  spir-it      longs  for  thee,    Beau -ti  -  ful      home    a   -    bove,       Where  I      may  rest  from  sor-row  free,     Beau-ti-  ful      home    a  -    bove  • 

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2.  To    reach  thee  safe    I         dai  -  ly    pray,     Beau  -ti  -  ful      homo    a    -    bove,         And     trav  -  el     in      the      toil-some  way,      Beau  -ti  -  ful      home    a  -    bove  ; 

3.  Thy   shin -ing  walls  by     faith    I     see,       Beau -ti  -  ful     home    a    -    bove,  The    mansions  fair   pre  -  pared  for   me,       Beau-ti-  ful      home    a  -    bove; 


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With -in      the    gold -en     gates  of   light,  Ar  -  rayed  in     gar-  ments  pure  and  white,  I'll   walk  with  an  -  gols   fair    and   bright,     In      my  home  a    -    bove. 


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My    wear  -  y      feet   are  bruised  and  sore,  But    Je  -    bus's  feet  were  bruised  be  -  fore,  To    bring  me    to     the     o  -    pen  door,        Of     my  beautiful    home. 
O,      let      me    keep  my     long -ing  eyes   In  -  tent- ly     fixed  up  -on      the  prize,  Till   an  -  gels  bear  me      to      the  skies,        In      my  home  a    -    bove. 


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BUfcTH-D^Y    OF    WASHINGTON. 

Words  by  FANNY  J.  CROSBY. 


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T.  F.  SEWARD.  283 


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1.  Birth-  day   of    "Wash  -  ing-  ton, 

2.  Sound     it    from  East    to    West, 


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Wei  -  come  thy     light       as      it      streams  thro'    the    skies 


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deur       the       0      -      cean     re  -  plies, 
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OH!    MAKE    ME    TIIIIVE.      8s  &  4s. 


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1.  My  Fa  -  ther,    I    would  be    thy  child,    I    know  I'm  sin  -  fnl,  wayward,  wild ;  To  thee  I  would  be  re  -  con-ciled ;    Oh !  make  me,  Oh  !  make  me  thine. 

2.  With  patience    I      the    race  have  run,  No£  look  -  ing  back  when  on.ee  be-gun ;  And  seek  sal-va  -tion  thro'  thy  Son,  Oh !  make  me,  Oh  !  make  me  thine. 


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3.  The  nar-rowway    I      fain  would  tread,  And  by  thy  gen -tie  hand  be    led,  With  heavenly  manna  dai  -  ly    fed,      Oh '.make  me,  Oh  !  make  me  thine. 

4.  Make  me  to    love  thee  more  and  more,  Thy  ho  -  ly    Spir  -  it     on    me  pour ;  Grant  me  of  grace  a    plenteous  store,  Oh !  make  me,  Oh  !  make  me  thine. 


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984  I    AJML    WAITING    BY    THE    RIVER. 

Words  by  Wm.  0.  CUSHING. 


HUBERT  P.  MAIN. 


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1.  I      am    wait-ing    by  the     riv  -  er;    And  my  heart  has  wait-ed  long;  Now    I    think    I    hear    the    chorrus    Of    the    an  -  gel's  wel  -  come  song. 

2.  Far      a  -  way    be-yondthe   shad-ows,  Of    this    wea-ry    vale    of    tears  ;  There  the  tide    of    bliss     is  sweeping  Through  the  bright  and  changeless  years. 


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3.  They  are  launching  on  the     riv  -  er,  From  the    calm  and  qui  -  et    shore,  And  they  soon  will  bear  my    spir  -  it,  Where  the    wea  -  ry    sigh  no  more. 


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O,      I      see    the  dawn  is  break  -  ing    On  the    hilltops    of    the    blest,  "  Where  the  wicked  cease  from  troubling,  And  the    wea-ry     are     at 
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^  There  is    no  name  so  sweet  on  earth,  No  name  so  sweet  in    heav-en,  ) 

The  name  be-forc  his  woud'rous  birth  To  Christ,  the  Savior,  giv  -  en.    )  We  love  to  sing    a-round  our  King,  And  hail  him  bless-ed     Je 

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OHIRISTIVIAS    CAROL. 


From  Sunnyside  Glee  Book.    By  permission.   T.  F.  SEWARD.    285 


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-  i    -     ly      hung     is        our   Christ  -  mas  -  tree,     'Tis      bur  -  dened   well       for      you       and      me, 

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sun    -   light  breaks,  And     all         the     world      to       glad 
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so  low  God       giv    -     eth      all ; 


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lit   -   tie   brooks'  tongues  are    tied      with     cold ;  But     bells    may  ring     and     chil  -  dren  sing,    For     safe      is      our     dear     Shepherd's  fold, 
hear  -  eth    them,     so  let      us         be   -   gin;    Ho     hears     al  -  way    when   chil  -  drcn  pray,  For      he      him -self       a       child  hath  been. 

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sor  -  row  -  ing    soothe,    tho     cap  -    tive      free,  And   think,    we  pray,     on      this     glad  day,     Of     those   who  have    no      Christmas-  tree. 

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BEAUTIFUL    RIVER. 


Rev.  R.  LOWRY,  by  permission. 


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1.  Shall  -we    ga  -  ther  at     the    riv 

2.  On    the  mar -gin  of     the    riv 

3.  Ere    we  reach  the  shin  -  ing    riv 


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er,  Where  bright  an  -  gel  feet  have  trod, 
er      Wash-ing  up      its    sil  -  ver    spray, 
er.       Lay  we    ev  -  ery  bur  •  den    down ; 


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With  its  crys  -  tal  tide    for  -  ev  -  er    Flowing  by     the  throne  of     God? 

We  will  walk  and  wor-ship  ev  -  er,    All  the  hap  -  py  gold  -  en      day. 

Grace  our  6pi  -  lit  will   de  -  liv  -  er,  And  pro-vide     a    robe  and  crown. 


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Saints  whom  death  will  never    sev  -  er,  Lift  their  songs  of    sav  ■ 
Soon  our  hap  -  py  hearts  will  quiv  -  er  With  the  mel  -  o  -  dy 


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Ycs,  we'll  gather  at    the    riv  -  er,    The  beau-  ti  -  ful,  the  beau-ti  -  ful     riv  -  er 
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See,  we'll  gather  at    the    riv  -  er,    The  beau- ti  -  ful,   the  beau-ti  -  ful     riv  -  er- 


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Gather  with  the  Saints  at    the    riv  -  er,  That  flows  by  the  throne  of  GocL 

U  *  U  bs  i     ''   "   r     i    i    f  >   !*  r  tr  i 

Gather  witli  the  Saints  at    the   riv  -  er,  That  flows  by  the  throne  of  God. 


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TWILIGHT    I-IYIHIV. 

Words  by  AGNES  BURNEY. 

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1.  Slow-ly     now  the    sun      is      set  -  ting,  Shadows  deepening    in      the  west;    All    the  birfls  their  nests  are    seek-ing,    It       is      now   the   time    of     rest 

2.  Heavenly  Fa  -  ther  thou  hast  brought  us   Safe  -  ly  through  an  -  oth  -  er     day,    Thou  hast  watch'd  us,  thou  hast  kept  us,   That  from  thee    we   not  should  stray. 
8.  Thanks  we  of  -  fer     for     thy  good-ness,  Thou  to     us    this    day  hast  shown ;  For  thy    bless-ings    ev  -  ery    mo-meut  On    our    path-way  thou  hast  6trown. 


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1.  Go  and  tell   Je  -  sus,  weary,  sin-sick  soul,He'll  ease  thee  of  thy  bur  -  den,  make  thee  whole ;  Look  up  to  Him,  He  on  -  ly  can  forgive,  Be  -  lieve  on    Him,  and 

2.  Go  and  tell  Je  -  sus,  when  your  sins  arise  Like  mountains  of  deep  guilt  be-fore  your  eyes ;  His  blood  was  spilt,  His  precious  life  he  gave,  That  mercy,  peace,  and 


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3.    Go  and  tell   Je  -  sus,  He'll  dispel  thy  fears.Will  calm  thy  painful  doubts  and  dry  thy  tears ;  He'll  take  thee  in  His  arms  and  on  His  breast,  Thou  may'st  be  happy, 


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thou  shalt  surely  live.  ('Go  and  tell  Je  -  sus,  He  on-ly  can  for-give,  ) 
pardon  you  might  have.  ]  Go  and  tell  Je  -  sus,  O,  turn  to  Him  and  live,  f  Go  and  tell  Je  -  sus,  Go  and  tell  Je  -  sus,  Go  and  tell   Je  -  sus,  He  on  -  ly  can  forgive. 


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and  for  ev  -  er  rest.     (  Go  and  tell  Je  -  sus,  He  on  -  ly  can  for-give, 


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Go  and  tell  Je  -  sus,  O,  turn  to  Him  and  live,  f  Go  and  tell   Je  -  sus,  Go  and  tell  Je  -  sus,  Go  and  tell   Je  -  sus,  He   on  -  ly  can  forgive 

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TWILIGHT    HYMN. 


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Soft  -  ly        still    the    light    is        fad -big,  Calmly    clos-es     up     the        day;  All  our  care  and  la  -  bor  end  -  ed,  Now  we    lift  our  hearts  to     pray. 

Now  when  eve  -  ning  sha  -  dows    ga  -  ther  In    the  twilight  hour    of  prayer,  We    a  -  gain   to  -  geth-er    seek  thee,  We  thy  blessing  still  would  share. 

WTilt  thou  watch  us,    Heavenly     Fa  -  ther,  Thro'  this  night  that's  coming       on ;  Be   thou  ev  -  er  roimd  a  -  bout  us,  Keep  us  safe  from  ev  -  ery    harm. 

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E.  ROBERTS.    From  "  Apples  of  Gold. 


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1.  Eve  -  ry  day  hath  toil  and  trouble,  Eve  -  ry  heart  hath  care  ;  Meek-ly  bear  thine  .  wn  full  measure  And  thy  brother's  share.  Fear  not,  shrink  not,  tho'  the  burden 

2.  Pa  -  tient-ly    en-dur  -  ing    ev-er    Let    thy  spir-it      be,    Bound  by  links  that  can-not   sev-er,  To    hu-man-i  -    fry.         La-bor,  wait ;  thy  Master  perished 

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3.  La  -  bor,  wait,  tho'  midnight  shadows  Gather  round  thee  here,  And  the  storm  above  thee  lowering  Fill  thy  heart  with  fear.   Wait  in  hope :  the  morning  dawneth 


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WORK. 


Du.  LOWEL  MASON. 


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Heavy  to  thee  prove;  God  shall  till  thy  mouth  with  gladness  And  thy  heart  with  love. 
Ere  His  task  was  done;  Count  not  lost  thy  fleeting  moments,  Life  has  but  begun. 


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When  the  oight  is  gone,  And  a  perfect  rest  awaits  thee  When  thy  work  is  done. 

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1.  Work,  for  (he  night  is  coming,  Work  thro'  the  morning  hours  ;  Work,  while  the 
2..  Work,  for  the  night  is  coming,  Under  the  sunset  skies ;  Fill  brightest  hours  with 


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la  -  bor,  Rest  comes  Bure"and~80on.     Give  eve-  ry  fly  -  ing  min  -  ute  Something  to  keep  in  store;  Work,  for  the  night  is  com  -  ing,  When  man  works  no  more. 


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are  glo^i  ing,  Work,  for  daylight  flies.      W< 


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BEAUTIFUL    LAND     OF    EEST, 

DUET.  CHORUS.  DUET. 


E.  LOWRY.    By  permission.      289 

CHORUS. 


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sa  -  lem,   for    ev  -  er  bright, — Beau-ti  -  ful   land   of     rest !  No   win  -  ter  there,  nor  chill  of   night, — Beau-ti  -  ful  land   of     rest  I 


lem,    for    ev  -  er    free, —  Beau-ti  -  ful   land    of     rest ! 
lem,    for    ev  -  er    dear, —  Beau-ti-  ful   land   of     rest! 


The  soul's  sweet  home  of   Lib  -  er  -  ty, —  Beau-ti  -  ful  land   of     rest  I 
Thy  pear  -  ly   gates    al  -  most  ap  -  pear, — Beau-ti  -  ful  land   of     rest ! 


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The  gyves  of  sin,    the  chains  of    woe,  The  ransomed  there  will  nev  -  erknow, — Je 
And  when  we  tread  thy  love  -  ly  shore,  We'll  sing  the   song  we've  sung  be  -  fore, — Je 


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Beau  -  ti  -  ful   land,  Beau  -  ti  -  ful   land,  Beau  -  ti  -  ful   land   of     rest ; 
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Bean  -  ti  -  ful   land,  Beau  -  ti  -  ful    land,  Beau  -  ti  -  ful   land   of      rest. 

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Beau  -  ti  -  ful  land,  Beau  -  ti  -  ful  land,  Beau  -  ti  -  ful  land   of     rest ;  Beau  -  ti  -  ful  land,  Beau  -  ti  -  ful   land,  Beau  -  ti  -  ful   land  of     rest. 


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Words  by  BONAR. 

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1.  This    is    not     my  place    of    rcst-iug,  Mine's  a     cit  -  y      yet      to    come;    On -ward  to      it        I      am     hast-ing,    On      to    my      e   -  ter  -  nal  home. 

2.  In      it     all       is     light  and   glo  -  ry,     O'er    it  shines  a     night -less    day;      Ev  -  ery  trace  of     sin's  sad     sto-ry— All    the  curse  has  passed  a  -  way. 

3.  Soon  we  pass  this  drear  -  y     des  -  ert,    Soon  we  bid    fare -well    to     pain,     Nev  -  er-more  be      sad     or     wea-ry,    Nev  -  er-more  to      sin      a  -  gain. 


Nev  -  er  -  more,    Xev  -  er  -  more,    Ne\ 
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From  "  Fresh  Laurels.''     Wm.  B.  BRADBURY. 


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WELCOME    TO    THE   SABBATH. 

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.     j  Welcome,  welcome,  day  of    rest,   Sweet  re -lief  fromev-'ry    care,) 

]    Grateful    to   the  wca-ry    breast  [Omit J  Are  the  joys  thy  moments  bear;  God  of  love,  thy  grace  im- part,    Comfort    ev -'ry  mourning  heart ; 


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God  of     love,  thy  grace  im  -  part,     Comfort      ev  -  'ry  mourning   heart. 


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2   Welcome,  welcome.  Sabbath  bells, 
Chiming  on  the  fragrant  air, 

Pealing  o'er  the  flowery  dells, 

Calling  to  the  house  of  prayer: 
Those  who  long  the  way  have  (rod, 
Those  who  love  to  worship  Cod. 

:;    Precious  words  of  life  we  hear, 
From  our  pastor's  lips  they  fall, 
Strains  of  music  greet  our  oar, 


Lord,  we  praise  thy  name  for  all; 
On  the  wings  of  faith  we  rise 
Upward  to  our  native  skies. 

•1  When  these  mortal  seencs  decay, 
When  the  (oils  of  earth  are  past, 

.  ,  may  we  hear  thee  say, 
Welcome,  faithful  ones,  at  last; 
Of  my  Father  you  are  blest, 
Enter  now  eternal  rest. 


HE    LEAH ETH    3JE. 


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1.  He  lead  -  eth  me  !    O,   bless  -ed  thought,  0,  words  with  heavenly       comfort  fraught,  WhateVr      i     do,  -where'er     I     be,      Still    'tis  God"s  hand  that    lead  -  eth  me  ! 

2.  Sometimes  'mid  scenes  of  deep-est  gloom,  Sometimes  where  E  -  den's     bow  -  ers  bloom,  By    wa  -  ters  still,  o'er  troubled  sea — Still    'tis  God's  hand  that    lead  -  eth  me! 

3.  Lord,   I  would  clasp  thy  hand  in    miue    Nor    ev  -  er    mur-  mur       nor    re  -  pine—  Con-tent,  wkat-ev  -  er      lot     I    see,     Sineo  'tis   my    God    that    lead  -  eth  me  ! 

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He   lead -eth    me!  He   lead  -  eth    me!     By    his   own  hand  he       lead -eth    mc ;     His  faith -ful    fol-lower    I    would  be,    For    by   his    hand  he       load  -  eth 


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1.    0,       to     be       there,  Where  nev  -  er    tears    of     sor  -  row   Shall   dim  the    eye,  nor    ach-ingpain  nor  care     Shall    o  -  ver -cloud    our     mor  -  row ! 


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2  0,  lovely  home, 
Thy  fragrant  thornless  flowers, 
Droop  not,  nor  die,  but  everlasting  bloom 
Crowns  all  thy  golden  hours ; 
0,  lovely  home. 


3  0,  let  me  go  I 
Death  shall  not  there  dissever 
Our  loving  hearts.     Where  streams  of  pleasure  flow 
At  God's  right  hand  forever : 


0,  let  me  go  I 


292  Jis&rcjs, 

With  earnest,  tender  expression. 


JLOVER 


OP    MY    SOUL. 

Song  wrra  Vocal  or  Chorus  Accompaniment. 


WM.  B.  BRADBURY.  From  "  Fresh  Laurels." 


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Let    me     to   thy  bo-sorn     fly ; .  . 
Hangs  my  helpless  soul  on     thee  ; 


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Leave,  ah  1  leave  me  not    a  -  lone, 


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-■While  the  tempest  still  is    high, 
Still  sup-port  and  comfort  me ; 


Hide  me,  0  my  Savior,     hide, . . 
All   my  trust  on  thee  is     stayed, . 


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0       re  -  ceive  my  soul  at     last ; 
With  the   sha-dow  of  thy   wing ; 


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MY    HOME    IS   THEBE. 

Words  by  Mrs.  M.  A.  KIDDER. 


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From  "  Fresh  Laurels,"  by  permission.     Wm.  fi.  BRADBURY 


293 


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2.  Where  liv  -  ing       fount    -    ains  sweet  -  ly 

3.  A  -  way   from       sor      -      row,  doubt  and 


flow,    Where  buds   and       flowers      mi  -  mor  -  tal         gi'0Vfrj  Where  trees    their       fruits        ce  -  les  -  tial 
pain,  A  -  way   from       world    -    ly     loss     and       gain,        From   all      temp    -  ta     -     tion,  tears   and 


Cnop.us. 


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my  home    is        there.  My    beau  -ti  -  ful     home, . 


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294 


I    COME    TO    THEE. 


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L.  ]M.m    I>out>le. 


Words  and  music  furnished  by  SYLVESTER  MAIN. 

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1.  I  come  to  thee,  I     come  to  thee !  Thou  precious  Lamb  who  died  for  me,       I        rest  con  -  fi  -  ding  on  thy  word,  And  "  cast  my  bur  -  den  on  the  Lord.'1 

d.  c.  Thy     blessed  name  my  on-ly  plea,  With  this  0 Lord,  I    come  to  thee! 


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■f"  |       I        I      i     .|  I        I      I      I  I     I      l      I  I      I     ",*-  I       I       I      I      I  I'      I      |      I      I  I 

2.  I  come  to  thee,  whose  sovereign  power  Can  cheer  me  in    the  darkest  hour,     I    come  to  thee  through  storm  and  shade,  For  thou  hast  said, "  Be  not  a  -  fraid." 

D.  c.  Thou  precious  Lamb,  who  died  for  me,      I  come  to   thee,  I  come   to    thee  ! 

3.  To  thee  my  trembling  spir  -  it  flics,  When  faith  grows  weak  and  comfort  dies    I       bow  a  -  dor  -  ing  at  thy  feet  And  hold  with  thee  communion  sweet- 

D.  c.  Thou  precious  Lamb  who  died  for  me,     I    come  to  thee !  I  come  to  thee ! 


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I  come  to  thee  with  all  my  grief,  Dear  Savior  help  my  un  -  be  -  lief, 

'  I        J        J  i.J 1 ,       ■■  I.I 1 1 rJ 1- 


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I  come  to  thee  with  all  my   tears,  My  pain  and  sorrow,  doubts  and  fears, 
O  wondrous  love !  O  joy  di  -  vine !    To  feel  thee  near  and  call  thee  mine ! 


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1.  Fade,  fade  each  earthly  joy,  Jc-sus  is  mine;   Break,  ev  -  cry  tender  tie, 
_J_^_^_, : „    ^1    1      !,|      „      1 


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2.  Tempt  not  my  soul  a  -  way,  Jc-sus  is  mine;  Here  would  I  ev  -  er  stay, 

3.  Farewell  ye  dreams  of  night,  Jesus  is  mine ;  Lost  in  this  dawning  light, 


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jS-^J_r,_7*=a- i k— -I * — i-rI—   —  b>I— d: 


lone  can   bless,    Je  -  sus      is        mine. 


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sus     is       mine;        Per  -  iah-ing    things  of  clay,    Born  but    for     one  brief  day,  Pass  from  my    heart  a  -  way,     Je  -  sus     is 
sus      is       mine;        All      that    my    BOul    has  tried,    Left    but     a       dis  -  mal  void — Jc-sus    has      sat  -  is    -   tied,    Je  -  sus     is 


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Joyfully. 

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ANTHEM.    "Exalt  Him,  all  ye  People."* 

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peo  -  pie,  And      let     your  songs   a 


ex  -  alt  -   ed     num-bers,  "While  heav'n  and   earth     re    -    plies. 

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CHORUS. 

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:  Exalt  lam." 


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In      yon  -  der  arch    of     blue,      And     fonn    the    bow    of     prom  -  ise   "With      ev    -  er       va  -  lied      hue. 
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From  "  FiiKsn  Lathjels,"  by  permission. 


296 


"  Exalt    Irlim,  all   ye    People."      Continued. 


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The    ra  -  diant    stars    that     glis-ten,    Like      an    -  gel 


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Ex  -  alt      him, 


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ex  -  alt     him,    ex  -  alt     the    King  of 
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ev  -    er,  Whose  king-dom  lias    no     end. 


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claim,  His    might-  y    works  pro  -  claim, 

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and    bless,    and    bless     his      ho    -    ly        name,  And  bless,  And  bless, 
£ -fry      h |S! ^     g),       I     , !*-,—>- 


-m- 


bless, 


fcfc 


^ 


and    bless      his        ho    -  ly 


S-^,—^; 


and    bless, 


g =?_ 


and     bless    his       ho  -    ly     name, 


name,  And    bless, 


and      bless, 


:*: 


:£: 


—  b* — «— F- P- F*- 

k      k      > 

and     bless    his       ho 


r— 1£=*=: 


V— y     U~ frc 


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3C 


ly    name, 


:£z:fc» 


^-|  J    J. 


s= 


his        name,    bless 
-5 — ,      J & — 


his        name,    bless 


:^: 


r=r^; 


his        name,    bless 

. fS 


P  \  > 

his        name,    bless 


1* — i — l — 


=Jtl 


1*1 


"ST 


* 


his 


name,    bless 


his 


his 


name,    bless 


his 


II 


name, 

I 


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name, 


bless 


:afi 


r^: 


his 


ho 


iy 


name. 


i 


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bless 


his 


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ho 


ly 


name . 


t=z=dfc=r 


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=t=i=i£— (r=t— -=rfc 


298  INTROIT. 

Andante. 


m 


Tliou.  art  my  hiding-  IPlace." 

-1- 


WM.  B  BRADBURY. 


:gS=P= 


:s»: 


■el- 


Thou  art    my    hid-ing  place,  0     Lord,     0    Lord, 


*=o 


V 


** 


^ 


i 


zr-^rw-^ 


--£-*- 


-J 1- 


*__fc_-^-« -S— N S-r 


*  u  i    r  f1  i    '  ■    ■    n  i    '    ■      w  v 

Thou  art    rny    bid-big  place,  O     Lord,     0    Lord,      Thou  shalt  pre  -  serve  rue,   pre  -  serve     me  from  trouble, 


¥f 


^   *-   ^  ^ 

Tliou  shalt  compass  me    a  -  bout  with 


Thou 


shalt 


fep 


c; 


!^^«E£=^i§^E 


:*=^= 


1= 


^ 


Thou 


shalt 


de 


Pi 


t7 


p 


compass  me  a  -  bout  with     songs      of 

p=p:z£=g=r£: 


songs, 


with 


songs. 


1 ^ jK il» 

^  Ijs  r     i 

of     de    -    Uv-erance,     With 


i- 
Uv  -  er-ance,    with    songs 

4- 


gE^^E=P 


-^ &—< 

of      de    -   liv    -    cr  -  ancc, 


j^t. 


S 


£=£: 


=st 


S=S: 


:fci=£3=: 


songs, 


with      songs 


cr  -  ancc, 


^ 


coin-pass   mc     a  -  bout  with    songs, 
ff 


nt=x 


■r   £-p — p- 


^f—^zz.^ 


&—-&—W- 

&=&=&■- 


w 


--&-- 


m 


-r 


^zzzz^zz^: 


=^== 


^ 


Thou        shalt    corn-pass  me      a  -  bout  with    songs         of     de    -    liv    -    cr  -  ance. 

ff)  I       J*     K     *     *     i     . 

-j cJz 


A    -    men, 


A  -    men. 


— =f= 


A    -    men. 


Thou      elialt    corn-pass  me     a  -  bout  witli     songs       of     de 


i==I 


■e'- 


er -  ance.       A    -    men, 


^±=t=*= 


:t=: 


k — e — »- 


-P- 


^^=>,. 


±Eg=E 


Hi 


A 


men, 


A    -    men, 


T 

men. 


5= 


— P 


3 


SEIVTEIVCE.      «  From  the  rising  of  the  Sun."     Mix.  i:ll. 

Let  the  movement  be  well  marked.  For  Jttonlhlt/  Concerts  anil  other  Jlllsstonnrt/  occasions. 


T.  F.  S. 


299 


$§—, 


zs>z 


=£=: 


z±&z3zz¥zzzz&z 


-*-«<- 


JStZ 


_q_. 


:*= 


res: 


zzsz 


z&zzjbz 


:p^P 


'qj  -&-.   -a- 

From  the      ris  -  ing     of    the      sun        to      (he      go  -  ing    clown      of     the    same,    My    name    shall   be      great  a 

r 


:?=: 


t= 


--w- 


±1=1= 


g3g=£ 


mong        the    Gen  -tiles, 


L-p-'^^* f*-- '-» « L 


From  the      ris  -  ing     of    the      sim       to     the     go  -  ing    down      of     the    same,    My    name    shall  he      great  a 


the    Gen  -tiles. 


4g— l 


:£==i 


:£: 


:£r_ 


fc* 


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zzz*zzp?z-     -*-•- 


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tz=g: 


IZfc 


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:& 


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— 9- 


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_£2_j-_i3LiSCZp_p-_ 

=t=z3=t=l 


:p: 


:g: 


it 


And       in    eve   -  ry    place 


in  -  cense  shall  be       of-fered    un  -    to 


pppllppiil 


-1 PL— fc-, 


:s: 


-4- 


■c 


And       m    eve  -  ry    place 


k?     i      i      f- 

in  -  cense  shall  be       of-  fered    un 


my    name ;         in  -  cense,        in  -  cense  and     a      pure 

-4- 


!==^==d±ri:r*=r* 


4- 


-0 0 


5 


:*=?V 


off 'ring,  For  my 


MzzzW 


-&r 


to 


my    name ; 


in  -  cense, 


in  -  cense  and     a      pure 


— I 1- 


=S=S 


of-f 'ring,  For  my 


1 


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zpzzz: 


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j^zzzzz  £—~z±z»z 


i       i  " 


23E^S=ff=, 


ESEt 


-i — t 


:an=s 


:H=*r=s 


:=at=e=P=* 


rilard. 


S 


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&=&=&: 


t= 


:£: 


£: 


:c£ 


=t 


_r^L 


32Z 


:fcz=fc»z=ti= 


izz 


H 


name    shall    be    great,    shall  be    great      a  -  mong  the     hea  -  then,  Saith  the  Lord,     the     Lord       of    Hosts,  Saith  the    Lord,    the  Lord   of     Hosts. 


^Mzzzz&z 


'*»      "       '         ""      "      "       '  >      ?       I  I        |  I 

name   shall    be    great,    shall  be    great      a    mong  the     hea -then,  Saith  the  Lord,     the     Lord       of    Hosts,  Saith  the    Lord,    the  Lord    of     Hosts 
-(S1-  -0-  .  s-     -&■  •    -0-        .        .         «» 


:i?:d 


-»---« ,»-- (ff 9 0jZ\—,ffZ 1_ 


rM: 


=§q==l==1rq=^: 


Fg=Ztf^rg: 


=t 


:cJ nst: 


:^: 


~S" 


-! te» 


S=^ 


Bl 


- 


.  —V* - 

•  7 * — >- 


>Me»«ed  is  he  tlmt  co„Hid,rct]1  the  Poor.' 

B  A.  SMTH;  (of  England.) 


"rf     l"      h':       UM    «■  » -  eft    the    poor, 


^S 


> 


^ljl  -r-_.:  5  "•«-«■ ':  cc; 


i r 


fczt 


*  a  •  er  -  effa    ih7  | 


'       Tj"    ^'1  will     dc  Jiv  •  or     him     in 

The   J'or'J  »^n    de  -  liv  -  ^      him    in 

(^ — 1 —     \m      l 


of      tron  -  Me, 

-— fc — | 


J;:    •  "  ■•     Mew-ed,    The  Lordwffl  dc  -  Jiv  -  or     jJuTt, 


3^2= 


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3=£ 


o' 


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Of        troi.  Lv  i 


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' 


In       titat>        of  ble,  ,,     prc. 

1    -3~# 


in 


LCI 


e 


The     Cord    will     j,™  . 


In      time       of 


tron-bk,        The      Lord    v.iii    pre  - 


^&l 


S 


^ —        ,7,7    '   "      ';  r  ":  ""-""'  And  -,  r  te  ■*-•- *^f^z 

—  I-  -4        i         '  k.      r  -^ -■■      I  I  .  ^  w  i 

'  32 *-^-r^= 


g 


=  -=5=  s         -  •     fcJ^L^LJ* __^_*      b^>     **     *      *-H     be      t*       ,  I       „p   .   on 

■*  «•  0 — L-i . ~T~. — — = \-C^t ^ r — ■ . 


— *— K '.  22 


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+ 


1 1" 


f?        ft 


i_C i 


t=t 


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^ 


HEWAS    l>15fijil>lfe41j:0. 


fe 


* 


(FOB  COMMUNION.) 


T.   : 


^Ol 


^m 


»    ■ 


>   * 


,2 


Ho     was     des  -  pised   and     re   -  ject  -  ed       of     nun.         He     was     des  -  pised  and      ro   -  ject  -  ed       of 


W^± 


:rj: 


J 


V  „ 


:3k=^s 


I 


1; 


.- 


^}=rs==s 


^ 


l^=ifeiS|"=f=! 


: 


:- — -=g 


,       Z 


i      1         1      u     ^     '      U     ^     "     >     1 

He     was     dea  -  pised   and     re   -  Ject   -  ed      of     men.         He     was     dea  -  pised  and      re   -  ject  -  ed       of      men,       He     was 


bfc2: 


^4 


*  .    * 


=t 


=S S — qp 


-• 


— 


* 


$_£ — =) — ff 9 — PI' 


■ 


> 


*—*=&z 


3— P — P^p: 


t?     U     k 


;::i 


s 


£    : 


lie    was   des  -  pised, 


>  ->- 


S 


I 
-   pised, 


rnr 


I 


He    Mas  dea  -  pised,  was     dea  -  pised    and     re  -  ject   -  ed       of        men,         re   -  Ject   -  ed       of 

4- 


:ife^ 


IP       ? 

llo     Mas     dos  -  pised, 


•         * 


VI 


\ 


**    *^ 


4. 


r 


I  •  V 

He     was     des* pised    and     re  •  Ject   -  ed       of       men 


5 


s 


>    : 


re   -  j  ec< 


d      of 


ib    M    r*   h  » 


~t£: 


* — P — ar 


* — fs — fr- 


it-«c  -«: «z^ii 


:P_-_«cr : 


r2 — * 


x 


s 


9  I  tr        ^ 


llo    was   dos  -  pised, 


llo    was  dos  -  pised,  was     dos  -  pised    and     re  -  Ject   -  ed       of        men,         re   -  Ject   -  od       of 


it?: 


:q_=3  :-!—,— jxr^fEg^mj^r^^: 


K      q 


H=E&g 


--• 


man 


Of       sor    -rows,       and        ao   -quaint  •  ed        with      grief,      And        ae  -  quaint    -   ed        with      grief,        with 


'        : 


rr  ' 


men. 


A 


0      m 


J  j  j 


J  - 


man 


P»  (  I  >  > 

Of       sor    -  rows,       and         ae    -quaint   -  ed        with       grfof,      And         ao  ■  quaint    -   e.l         with 


C"   5   T"  1 


:. 


B 
I 


r : 


1 


IfStF1  r  I  »   .  ■    p    I  i  ■      P       J*  '      PI  ~p P~         ,     r— 


•      ^ 


= 


■/- 


Si!; 


302 


i-IYMN.       "  Weary  ol"  Wandering." 


Words  and  Music  by  AGNES  BURNEY. 


±E: 


-<s>—9- 


-I    *  L- 


=t 


3=2: 


-1 — r 


:«?: 


:=1 


=t 


*~ffi  z  t3~T~  : : 


12— g- 


g=g: 


itrtzzt 


r=3r 


:t=: 


■(^— p- 


«J 


1.  Weary  of  wandering  from  my  Savior ;    numbly  a  -  gain  I'll  seek  his  face ;      Pleading  his  prom-is  -  es   to    save  me,    Tasting  a-gam  his  pardoning  grace. 


- 


gfepg 


V 


-4-, 


=X- 


-a — s> — *-r-?"5 — , 

1 — r—  r 


:=4 


=t 


^: 


«? 


-p-ft—p 


:- 


=t 


i 


strf— s»: 


i      i      I 


:=n 


-&>- 


« a « 1 

:p»— p±g=£=£— f 


I      I 


p^i 


X=M. 


=st 


:m=^i 


I  fill  lli  I        I       <       I       I       I     „  1       I        I  I 

2.    Sin  -  ful,  un-worthy,  but  re-pent-ing,  Prostrate  I  how  be-fore  thy  throne;  Seeking  forgiveness  and  thy  blessing,  Comfort  and   peace  from  thee  alone. 


e^E=:^-£zr»=  B-3- 


« r( 1 n_( 1 ,— C, 1 1 1__  L 


-(^y (^ 1^— 


^==1=^^ 


=^=i±^=^: 


:£2=pz=s=F*=p=p:zp: 
■II      II 


■^ 


3 


:|        I     I 


I       I     I— U 


^=(2: 


=P2 P— P=h 


pi— 


a 


M= 


:g: 


:^: 


-I— 


:£: 


it: 


:^= ^: 


-»-- — i- 


IpOfc 


z2: 


Je  -  bus,  my      Savior,  have   mercy,      Free  -  ly  for-give    and  re-store;   •       O,     for  thy  love,  have  compassion,     Keep  mc  from    sin     cv  -  er-more. 


-1- 


=K3j  rz=z 


-,-j- 


:^=rr^— 3= 


44- 


3==J 


i   i    i 


i    i   i 


g~-?=ttg--g 


!— -4—rfi 


:S«t 


:*=*: 


-I- 


•<s>- 


T 


2=t 


TT"  r~T 


-1- 


=± 


V&EEtt. 


m 


-&- 


Savior,     Redeem  -  er,    ac-ceptme,    Grant   mc  thy  presence  and  love;      Bear  with  my  weak-ness  and  fol  -  ly,      Send  mc  thy  strength  from  a-hovc. 


EE|i      L_E: 


■&=&=: 


g: 


— <      I 


-—i 1 — i-  -S? 

-*--*- zs ad 1 


-p— r-g 


:£2=3p— pr 


4=t= 


^— & 


:^=g: 


:c2 «_P: 


^ 


SABBATH    EVENING    -A.T     HOME. 

AtfocZcrato. 


T.  J.  COOK.     By  permission. 


L"7 


.8. 


:*_ 


:firr*: 


3=jV 


:^-~Pz 


I      M     M-4 


:P=P: 


II 


^-•H- 


:i=*: 


1.    When  Sab-bath  bells  have  ceased  their  sound,  And  hours  of  day  are  past,      And  twi-light  draws  its   cur  -  tain  round,  And  sha-dows  gath  -  cr       fast- 


3=t 
:P: 


-\>~t;T. 1 ^ 1 ^ fc'l 1 ^ — ^ ^-i 1— —I 1 ^ 1 ^ Vi 1 N — rt l>-r- 


lajTU 


u   *j  ^ 


w*i    > 


'««l    "  I 


2.    That  spot     is  home;  its     sa  -  cred  walls  Ad  -  mit   no  dis  -  cord    then;      Nor  crowded  marts,  nor  fes  -  tive  halls,  Nor  gay  -  est  haunts  of       men; 


-b:g=zrtf-p^z— E:p=rLz-| -LzzE._!E=7tf-E:^--gzgr=ezE:^^:rt=P=— 


:*=p: 


:t2=t===t?: 


EVENINGS-    X*I£A.YE:iR.     "God  who  madest  Earth." 


&m 


S *r 


SE! 


ZZ2Z 


=z2: 


ic£ 


-^- 


J.H.TENNEY.     308 


_fi5. 


-t~ 


2± 


E*=* 


§ 


God    who  mad  -  est    earth    and  heaven,  Dark- uess    and     light!         Who     Die    day    for     toil      hast    given,     For    rest    the     night!    May  thine 


^m 


-*- 


-j- 


T» 


— r-cJ— bias1 — - 


~i*~ 


:23: 


:q*,_zv 


~p 


I         *      -  -      -  'I  '        I         1 

.Guard    us    when  we    sleep     or      wake,     And  when  we       die, 


zzzrzzze: 

-& a &- 

1^       ic5"       ^ 


152: 


-<s>- 


(S>" 


=tr^=H- 


1        1         I         I  ^      > 

Wilt    thou  then  in      mcr  -   cy        take       Our    souls    on      high;    When  the 


m. 


*=& 


=£=s±= =» 


B 


:s*z=_=* 


£2: 


brci: 


:a: 


jzt. 


:fiz=tz=t 


SS 


I3?_ 


— fo ^1 


:^v 


MZ 


-fc— =& 


=K= 


as y 


:»=.*: 


E^£ 


an   -  gel  guards  de  -  fend      us,      Slum-ber  sweet    thy  mer  -  cy    send      us,       IIo  -  Iy   dreams  and  hopes  at  -  tend    us ; 


This  live  -  long    night 


fc*=d 


m--—&- 


ZSZZZZZZ^Z 


-f — f »T 

f      *      \? 


•x 


J&Z 


-* 


1^        ^       '^ 
t>J         cS         >? 


-0 S- 


B 4B <4B 1— *B J 


last    dread  call  shall  wake    us,       Do    not    thou,    our  Lord,  for  -  sake      us,      But    to    reign     in    glo  -  iy      take    us, 


<*=-! 


'»        l-j        i^t 
r'         v*        i? 


II  I!" 

\\  ith  thee     on      hisrh. 


&z^=pn=:ss=:^r=^: 


EEfcf 


J^ZZZJJSf: 


=p 


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ip=Z? 


.  _jfR — : — ^p_ 

:t=62=tdEt=^: 


^ 


:*=rs=i- 


:c2_~7z 


SABBATH    EVENING    AJT     HOME. 


Concluded. 


-J- 


i 


:e=g 


=;*: 


T=^V 


■J-v^     J- 


ac 


:*— at 


:=t 


-- £ 


:=srq: 


atrai: 


m 


There  is     one  spot,    and  that    alone,  Round  which  our  hearts  must  cling,  And  fond  -  est  mem-'ries,  one      by  one,  Their  choic-est  txeaa  -  nres    bring. 


m^r 


J»-r-l— -J*-J- 


Is — «? — rtg — \-&-±-& — &>  —\-S 


2cq=HSi 


q: 


:*-S=y 


•0-    I*     -&- 


-o — a- 


«-•*?- 


Can  know  a    joy        so    real  and  pure,  None  such  to  them  is     given':  Might  joys    like  these  for     aye       en-dure,  This  earth  were  quite    a     heaven. 


W- 


pzz»z»: 


-<3- 

^2: 


:£t:tr=£:r 


— — f*~  — =*»- 


tt==*: 


=5C 


Mi 1 


v 


't=t==«: 


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*=t: 


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I 


304 


TU^IVIiSO-IVITVG-    AINTTHEM.        "Praise   Him."  THEO.  F.  BEWAED. 

From  the  New  Yor3  Musical  GiZErtE. 
Visoroso.  ^      ^        ^Fiffi 


-»-r- 


"t h 


± 


-S>- 


:ama: 


<t/ 


Praise  him ! 


Praise  him ! 


Praise  the    exeat  Je  -    ho  -  yah ! 


\ i— , 

Blessing, 


:£: 


-4 — gr— =1- 


3=d 


^£!     J |_ ^3-rJ -I 1 1 — r— I , «*^-r— I r~ 

]ZJ  *-L^ — — a lt> . » jj j- 0 1 — a l-d-*-  -* H — ^ I— I— 

t— r t— r— f-r— i — r r~  r 


■t 

Hon  -  or, 

f*^T-J — =3- 


:s>=*=je: 
1       I       1 


t= 


:22: 


Glo  -  ry     he      mi   -   to     his     name. 
w*3_     I        i  J 


H=t 


Praise  him ! 


Praise  him ! 


Praise  the  exeat  Je  -    ho  -  vah ! 


Bles-sing, 


i — r 

Hon  -  or, 


:=t 


■4—4 


:=?=cS: 


i 


:-:^rg: 


i*z=S;^: 


22: 


:t=: 


t=t 


:=t 


_4^ aJ  jj 


:a — azg: 


| j p— p- 

Glo  -  ry      he      un    -    to      his    name. 

J: 


t=t 


:s? 


:s: 


-)9 iff- 


-—I 1 tz 


t=3EE3: 


^ 


T=?=iT 


fcrf P-^-g: 


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prate,  him  for    bis  great  and  wondrous  works ;    And  w  oukla X-^===^=^=^=^==^^^^^^^^^^L 

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■  lad  would  all  ex  -  alt  bim.  And  would  all  ex-alt  bim, 


i      ■      ■    <- 


20 


306 


QUARTETTE. 


QUARTETTE   &   CHORUS.    "Sweetly  come  those  Strains." 

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c     1.   Sweetly  c»mc  those  strains  me    -    lo  -  dious    From  the  dis  -  tant  cha  -  pel  dim;        On  the    ho  -  ly      calm  of     even-ing    Swells  the  sol  -  emn    deep  toned 


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2.   Hear  a  -  gain  those  strains  en  -  tranc-ing,     Still  up -on    the    air  they  come;       On  their  wings  our     spi  -  rits     bearing,      Upward    to    our    heavenly 


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05 


"  Sweetly  come  those  Strains  Melodious."        Concluded. 


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HYMN.    "  -A.s  down  in  the  sunless  Ifcetreats." 


Dr.  LOWELL  MASON. 
From  the  "  Asaph." 


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I  So  deep  in  my  heart,  the  still  prayer  of  devotion,  Unheaf  d  by  the  world,  rises  silent  to  thee.  )        My     God,     si -lent  to   thee — Pure,  warm,  si -lent  to  thee. 

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308  SENTENCE.      "Ifthon,  Loi-cl,  skoulclst  mark  Iniquities." 

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31 0        SENTENCE.    "  Thine,  O  Lord,  is  the  greatness."    I.Cheon.  xxix,  11.      Db.  MASON. 

From  "  Cong.  Church  Music,"  pub,  in  London 
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COMFORT    YE    MY    PEOPLE. 

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Reverentially. 


ANTHEM.      "JLo!     <j-ocl  is  liex*e.95  Feom  the  Diai>aso*t,  by  permission,  G.  F.  ROOT. 


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sil  -  ent  how  be-fore  his      face. 


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thy     sove  -  reign    will. 


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INTROIT.      "How  Holy  is  tlie  Place." 


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How    ho  -  ly    is  tliis  place,  How  ho  -  ly     is  this  place,     This     is  none  other   than  the  house   of    God,  •  the  house  of     God,     and 

Tins  is  none  oth-cr  than  the  house 
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How    ho  -  ly    is  this  place,  How  ho  -  ly     is   this  place,    This     is  none  other  than  the  house    of    God,  None      other  than  the  house  of     God,      and 


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this  is  the  gate  of  heaven ;  this  is  none  oth.  -  er  than  the  house  of      God,  and    this    is   the  gate   of  heaven.  How   ho  -  ly    is  this  place,  How  ho-ly  is  this  place 


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314  ANTHEM. 

Spirited,  vigorous. 


"Be  joyfVil  in  the  Lord.. 


99 


W.  B.  BRADBURY. 


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Be    joy  -  ful,    be     joy  -  ful,    be     joy-   ful      in     God!    Trust  in     him    at        all    times;  Be      joy  -  ful,    be     joy-ful,    be     joy-  ful     in     God! 

J & K 1 J , 1 \—r~l 3 „^ ^ 1 , V.J h- 


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all     times ;  Be      joy  -  t'ul,    be     joy  -  ful,    be     joy  -  ful     in     God ! 


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joicc,      The    Lord   reign  -  eth,    the     Lord    reign-eth,     Therefore    will    I        re 


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«Be    Joyful    in    God."        Concluded. 


315 


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more,  And  praise  his  name  for  -ev  -    er  -   more,    for    ev  -  er,     ev  -  er  -  more, 

Mc  KENZIE.        O.  M.  (For  male  voices.) 


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There  is  an  eye  that  never  sleeps  Beneath  the  wing  of  night ;  There  is  an  ear  that  never  shuts  When  sinks  the  beams  of  light,  When  sinks  the  beams  of  light 


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P=zr:z^cfcE^=tr=4^cpSpzffi 


316 


Encraico. 


ANTHEM.    6t  J31essecL  toe  tlie  Name  ortlxe  Lord." 

(SUITABLE  FOR  TUANKSGIVIKG  OR  OTHER  PUBLIC  OCCASIONS.)         From  the  Sacred  Lute.    By  permission.    T.  F.  8. 


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Bless-ed    be    the  name  of  the  Lord,  for  his  ben  -  e  -  fits  un  -  to         his   peo  -  pie.    Blessed   be    the  name  of    the  Lord,  for  his  ben  -  e  -  fits  un  -  to 


Bless-ed    be    the  name  of  the  Lord,  for  his  ben  -  e  -  fits  un  -  to 


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his    peo  -  pie,    Blessed    be    the  name  of    the  Lord,  for  his  ben  -  e  -  fits  un  -  to     -    his 

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peo- pie.  Sound  forth  his  praise  with  joy    and  gladness,  Sound  forth  his  praise  with  joy  and  gladness ;  Glo-ri  -  fy    his  name    for  -  ev  -  er-more     Glo-ri-fy    his 


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pco-plc,  Sound  forth  bis  praise  with  joy    and  gladness,  Sound  forth  his  praise  with  joy  and  gladness ;  Glo  -  ri  -  fy   his    name  for  -  ev  -   er-more   Glo-ri-fy    his 


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QUIMBY.    lis.      Concluded. 


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318 


ANTHEM.    "  Thou  wilt  keep  Hini  in  pei-fect  Peace."    theo.  f.  seward. 


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Whose      mind         is      stayed  on     thee, 
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320 


SENTENCE.      -'Ho!  every  one  tliat  Tliifstetli!" 


J.  II.  TENNEY. 


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llo!   cvc-ry  one  that  thirst-eth,     Ho!    every  one  that  thirst  -  eth,     Ho !  eve  -  ry  one  that  thirst-eth, 

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wa  -  ters !    Come  ye     to     the      wa  -  ters !  come !    come !  come !        And    he    that  hath    no     mon  -  cy,     And  he      that  hath    no  mon  -  ey,     Come, 

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buy     and       cat;     Buy  wine  and  milk  with  -  out  mon-cy    and  with  -  out  price ;         Buy    wine  and    milk  with  -  out    mon-ey,  and  with  -  out  price. 


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buy      and       cat;    Buy  wine   and   milk  with  -  out  mon-cy    and  with  -  out  price;         Buy    wine1  and    milk   with  -  out    mon-ey,   and  with -out   price. 


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SENTENCE.    « Unto    Thee    lift    I   up    mine    Eyes."    Ps.  cxxm. 

WM.  B.  BRADBURY. 

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So    our    eyes  wait  up  -  on  the   Lord    our    God,  the    Lord    our    God,     un  -  til     that      He    have  mer  -  cy,    have    mer  -  cy     up  -   on    us. 

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bo    our    eyes  wait  up  -  on  the  Lord    our    God,  the    Lord    our    God,     un  -  til     that      He    have  mer  -  cy,    have    mer  -  cy     up  -    on    us. 

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MOTETTE.      "Praise.the  Lord,  iox*  He  is  gflorions."  From  MOZART 

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323 


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324  QUARTETTE.      "  Go  to  %  rest  in  peace."    A  FUNERAL  DIRGE.  t.  p.  a. 

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The    Lord    is   my  light,  is  my  light  and  my  sal  -  va-tion,      Whom  shall      I        fear  ?    The    Lord     is  the  strength,  is  the  strength  of  my     life ;  Of 


The    Lord    is  my  light,   is  my  light  and  my  sal  -  va-tion,      Whom  shall      I        fear?    The    Lord     is   the  strength,  is  the  strength  of  my     life;   Of 


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1.  O    show    me  not    my    Sa- viour  dy-ing,      As    on      the  cross    he   bled;    Nor       in    the  tomb    a    cap  -  tive  ly-ing,    For    he    has    left    the  dead. 

2.  Weep  not    for  him     at    Calvary's  sta-tion,  Weep  on  -  ly    for    thy    sins ;  View  where  he    lay    with  ex  -  ul  -  ta  -  tion ;  'Tis  there  our  hope  be  -  gins. 


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bid    me   not  that  form    ex-tend-ed      For    my    Re-deem  -  er    own,  Who,  to      the  high  -  est  heaven  ascended,  In    glo  -  ry  fills 

stay    not  there,  thy  sor  -  rows  feeding,      A  -  mid    the  scenes  he    trod;  Look  up      and  see    him  in  -  ter-ccd-ing,  At  the  right  hand 

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"  The  Lord  is  my  Light."      Concluded. 


327 


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I  may  dwell  La  the  house  of  the  Lord  all   the  days   of  my  life,    all  the  days   of  my  life,   all  the   days,  all  the  days  of  my     life,        life. 


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RESPONSE.      "  The  Law  of  the  Lord  is  perfect. 


99 


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SENTENCE. 


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SENTENCE.        "  I  have  set  the  Lord."  Rev.  L.  W.  BACON. 


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"  I    love    the    Lord.-"        Oonclxided- 


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hand,  Because     He      is      at      my  right  hand,  Because   He       is  at     my    right    hand.  I       shall  not         be 

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330 

With  precision 


SENTENCE.    "  ^Vait  on  tlie  Lord." 


J.  H.  TEKNEY. 


"Wait     on    the    Lord ;    Wait     on    the    Lord ;     Be     of   good     cour  -  age ;     Be       of   good    com-  -  age ;    Wait     on    the  Lord ;      Wait     on      the 


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"  Wait  on  the  Lord."      Concluded.. 

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CfcUARTETTE.      Hear  the  Bell  so  sweetly  pealing.  „ 


Dr.  LOWELL  MASON. 


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1.  Hear  the  hell    so      sweet 

2.  Lo     the  tern -pie     door 

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ly        peal  -  ing,    Come,  oh     come ! 
un  -  clos  -  es,      Come,  oh      come! 

PP 


Ye    who  par  -  don,  com 
There  the  heart  in     peace . 


fort     need  -  ing 
re   -   pos  ■    es, 


Haste   ye     home. 
Haste   ye     home. 

PP 


8.     Rest    is  wait -ing     for. 


the     wea  -  ry,    Come,  oh     come! 


Hope  is  faintj  the    path is      drea  -  ry,     Haste   ye     homo. 


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On      our  way  the  mu  -  sic    meets     us,      Ev  -  ery    ten  -  der  tone  en  -  treats    us,    "  Oh,     no      Ion 
Love  and  power  from  heav'n  de-scend  -  ing,     Gent  -  ly    plead,  in  mer  -  cy     bend  -  ing,  "  Oh,     no      Ion 


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ger    roam ! "  "Oh, 
ger    roam!"  "Oh, 


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no       Ion  -  ger     roam!" 
no      Ion  -  ger     roam!" 


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Turn -ing  from  each  vain  em  -  dea  -  vor,    Here    our  faith  would  dwell  for  -cv    -    cr,       We      no      Ion  -  ger    roam!    We 


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332 


Moderate. 


THE    LORD    REIGNETH. 

Ps.  XCIX.  1,  2,  3,  &  9. 


Anthem. 


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The  Lord  reigneth  I       Let  the  peo-ple  tremble  ;    He    sit  -  teth  between    the    cher  -  u-  bim  ;  Let  the  earth   be      mov  -  ed, 
ff   !         J  J_N   ,±_J> !_/ . *^_J -jS-r-j P>     I         h 


Let  the  earth  be 


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The  Lord  reigneth  1       Let  the  peo-ple  tremble  ;     Ho    sit  -  teth  between    the    cher  -  n- bim  ;  Let  the  earth  be      mov-ed, 


k   i*» 

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moved.         The  Lord  is  great  in     Zi  -  on,      And  he    is  high    a  -  bove  all   peo  -  pie,    Let  them  praise  his  glorious  name,  for     it       is      ho  -  ly. 


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moved.         The  Lord  is  great  in    Zi  -  on,      And  he    is  high    a -bove  all  peo-ple,     Let  them  praise  his  glorious  name,  for    it 


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Ex -alt    the  Lord,  our  God! 

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Inst. 


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THE    LORD    REIGNETH. 

Dim.  Rit. 


Concluded. 


333 


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God,  and  worship  at     Lis     ho  -  ly        hill,      For  the  Lord,  our  God,    is        ho  -  ly. 


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God,  and  worship  at     his     ho  -  ly 
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Inst. 


A   -  men, 


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A    -    men. 


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hill, 


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1221 


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66  THE    LORD    H.A.TH    GIVEN."      For  Funerals. 


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22: 


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The  Lord      hath     given,  And  the  Lord  hath    tak  -  en    a  -  way,        A  -  way  1  Yet   blessed      blessed  be  the  name    of  the  Lord,  For  though  he 


cause 


-*— IV 


7T 


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The  Lord      hath     given,  And  the  Lord  hath    tak-en    a  -  way, 


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A  -  way !  Yet   blessed       blessed  be  the  name    of  the  Lord,  For  though  he 

Its 


1 

cause 


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e: 1 — 5: d t K K E ~ I — = = _ = 

grief,  Yet     will  he  have  compassion,     Ac  -  cording    to  the  mul-ti  -  tude 

1- h h fe . .. .*> v ]*__ £ fti 


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of        his  mer-cies.  Blessed   is    bis  name  for        ev-er-more. 


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Blessed   is    his  name  for 


ev  -  er  -  more 
V 


334  ^WHY    ART    THOU    CAST    I>O^VIV 


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Why  art    thou  cast  down,  0     my       soul ! 


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T.  F.  SEWARD. 


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soul !                And  why  art     thou  dis  -  qui  -  et  -   ed,   And 
-— ; _|— urn *__^_^_ 


^~ 5" 


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CC? —    C^ 


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Why  art    thou  cast  down,  O     my        soul ! 


Why  art    thou  cast  down,  O     my 


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4- 


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And  why    art    thou  dis 


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why     art       thou    dis  -    qui  -   et    -    ed       with  -  in 

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me,  with  -  in 


me,  with  -  in 


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Hope  thou  in      God,    who    is 


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light      of       thy    coun  -  te  -  nance ;    Hope   thou  in       God    who      is       the      light      of     thy  coun  -  te  -  nance ;   Hope   thou      in      his    mer  -  cy,      O 


3P=S=3: 


« 


light     of       thy   coun  -  te  -  nance ;    Hope  thou  in      God    who     is      the     light      of 


thy  coun  -  te  -  nance ; 


-m — *-m — m- 


For    I      will  praise  him, 


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WHY    AR,T    THLOTJ    CAST    DOWN? 


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Concluded. 


335 


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^: 


^ 


hope    thou    in*     his    mer  -  cy,     0      hope  thou   in     his    mer  -  cy,   Who  is      the    light  of      my     coun-te  -  nance 


A    - 


4* — pt 


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For  I      will  praise  him, 

m — <* — m- 


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For     I     will  praise  him  who    is      the    light  of      my      coun  -  te-nance, 


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hope  thou  in      his    mer-cy,      0        hope  thou  in     his    mer  -  cy    who  is       the    light  of     my     coun  -  te-nance,       A      -      men,      A       -       men. 
SABB  ATH     EVEIVIP^Gr     BLYIVUV.  Words  translated  from  the  German.        J.  M.  PELTON. 


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2.  My 


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Sab  -  bath  now    is        o  -  ver,  What  most  I    would  dis  -  cov  -  er,      Its    Lord  has  shown  to     me ;    He 
heart  on   God     is     rest  -  ing,  And  now  no     care  mo  -  lest  -  ing,    I      wel -come  balm »y     sleep,  No 

— \— J \-r~4- 


by     his  truth  has  led     me,    With 
dread  of     ill         alarms     me,    AVitli 


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336  ANTHEM. 

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J.  H.  TENNEY. 


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I  will  uphold  thy  goings  ;|  thou  shalt  |  praise 
Me  I  for  each  I  step,  a- 1  bove." 


5.  "  Oh,  Father,  I'm  weary."  | "  Child,  lean  thy  |  head 
Upon  my  breast.    It  was  my  |  love  that  |  spread 
Thy  rugged  path ;  hope  on  till  1 1  have |  said, 
Rcst,|rest,  for|aye  a-|boYC  " 


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"O    THOU    WHO    DWELL'ST." 

A  'dante. 


E.  II.  BAILEY. 


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0  Thou  who  dwell'st  in  Heaven    above,  Thou  Cod  of  grace  and  boundless  love,  To  thee  our  offerings  now  we  bring,  Help  us,  O    Lord  thy  praise     to    sin;:; 


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And     thou      art    my     hope,     niy      hope,    0     Lord,  God,  Thou    art    my         trust,     my    trust  from    my     youth,     Thou   art      my 


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And      thou      art    my      hope,    my       hope,     0     Lord,  God,  Thou  art     my        trust      my      trust  from     my      youth, 


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"O     THOU    ^WHO     DWELL'ST."        Concluded. 

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Help  us  0    Lord  to    hear  thy  word,  And  to  us    all     thy  peace  af  -  ford,    Help  us    0    Lord  to    hear  thy  word,    And  to    us      all    thy    peace    af  -  ford. 

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344  .AJSTXiElVl.      Bless  tlie  Lord,  O  my  soul. 

#  Allegretto. 


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Bless    the  Lord,  Bless  the  Lord,  O       my  soul,    And    all      lliat  is    -with  -  in    me    bless  his   great  and   ho  -  ly    name;    Bless    the  Lord,  Bless  the  Lord, 


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Bless    the  Lord,  Bless  the  Lord,  O       my  soul,    And    all      that  is    with  -  in    me    bless  his   great  and    ho  -  ly    name;    Bless    the  Lord,  Bless  the  Lord, 


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O      my  soul,      O 


bless 


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Lord, 


O 


bless 


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Lord, 


And  for  -  get    not     all     his     ben  -   e  -  fits.  Who  for  ■ 


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Affetuoso. 


SENTExNCE.      Cast  me  not  oil: 


Fine. 


Clf  AS.  P.  HOFFMAN 


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Bless  the  Lord.,  O  my  soul.       Concluded. 


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345 


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giv  -  eth      all  thine  in  -  i  -  qui-ties,    Who   for  -  giv  -   elh       all      thine  in   -   i  -  qui-ties,     Who  crowneth   thee   with  lov  -  ing     kind-ness,    and 


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giv  -  ctli      all  thine  in   -  i  -   qui-ties,    Yv'ko   for  -  giv  -   eth       all      thine   in   -  i   -   qui-ties,    Who  crowneth   thee   with  lov  -   ing     kind-ness,    and 


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with    his    ten  -  der     mer  -  cies,    Who  crowneth  thee  with  lov-  ing     kind-ness     and  with    his     ten  -  der    mer-cies. 


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with   his     ten  -  der     mer  -  cies,    Who  crowneth  thee  with  lov  -  ing     kind  -  ness     and  with    his     ten  -  der    mer  -  cies. 


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Cast  me  not  offi      Concluded 

\ ,*__*_, p^ *_* ■ * - 


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tli       me 

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sake    me    not,  When  my      strength        fail  -  eth      me,     When  my      strength,     when  my      strength,        When  my      strength.      fail  -  eth       me. 
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346  MOTETTE.      "Glorious  tilings  of  Tliee  are  spoken." 

j*  Mlegro.  mU  f 


MOZART. 


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Glo  -  rious  things  of    thee     are      spok  -  en,         Zi  -  on,       ci  -    ty      of      our     God ;     He  whose  word    can  ne'er    be        bro  -  ken,    Chose  thee 


~ 


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r 

Glo  -  rious  things  of    thee     are      spok  -  en,         Zi  -  on,      ci  -    ty      of      our     God ;     He  whose  word    can  ne'er    be        bro  -  ken,    Chose  thee 


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for    his  own   a    -    bode. 


*-V- 

Lord,  thy  church    is  still    thy  dwell  -  ing,  Still  is       pre  -  cious,  Still      is        pre 


cious  in  thy 


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QT'AETETTE. 


Still 


is 


pre  -  cious      in        thy 


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for    his  own  a    -    bode.         Lord,  thy  church  is  still    thy    dwelling,  Still     is     pre  -  cious,  Still  is      pre  -  cious,  Still     is      pre    -    cious  iu        thy 

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Moderate, 
m  ,         , 


SENTENCE.      «  G^i-ant9  we  beseech  thee." 


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i      i      i      P    -.*-  i      p    -s-      i      r  r  ^  r  r 


_s__*_ >- 


Still 


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is        pre  -  cious      in        thy 

J.  II.  TENNEY. 
P 


•    •    r    *    I      I  I        ^    1^    *    u    I 

Grant,  we     be  -  seech  thee,      mer  -  ci  -  Jul     Lord,     Grant  to    thy  faithful  people,       Grant  to    thy  faithful   people,        Par-don   and  peace,  sweet  peace. 


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fcC  Glorious  thing-s  of*  Thee  are  spoken,"      Concluded. 

.  .  TUTTI f 


34,7 


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sight.    Still    is       pre  -  cious    in 


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thy    sight ;  Ju  -  dah's    tem  -  pie  far       ex    -    cell  -  ing,    Beam-ing     -with   the  gos  -  pel's    light,     Ju  -  dah's 


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sight,   Still    is        pre  -  cious    in  thy      sight; 


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Ju  -  dah's    tem  -  pie  far      ex    -    cell  -  ing,    Beam-ing     with  the  gos  -  pel's    light,     Ju  -  dah's 

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tem -pie  far       ex    -    cell -ing,     Beaming    with    the  gos  -  pel's    light,    Beaming  with  the  gos -pel's    light,    Beaming    with  the    gos -pel's    light, 


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tem  -  pie  far       ex    -    cell  -  ing,      Beaming    with    the  gos  -  pel's    light,    Beaming  with   the  gos  -  pel's    light,    Beaming    with  the    gos  -  pel's    light, 


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"  Grant,  we  beseech  Thee."       Concluded. 

dim.  p 

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Grant  to  thy  faithful  people,  Grant  to  thy  faithful  people,     Pardon  and  peace,  Sweet  pardon  and  peace,  Sweet  peace,  sweet  peace,  sweet  peace,  sweet  peace. 


I        l\ 


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348  ANTHEM. 

d  Allegretto.     t 


"  Tliou.  -wilt  show  me  the  I*atli  of  Peace." 


Rev.  L.  "W.  BACON. 


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Thou    ■wilt      show     me    the     path      of       peace, 


Thou    ■wilt      show        me    the      path      of       peace. 


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of 


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peace, 


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Thou    wilt      show 

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In      thy     pres  -  ence, 

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me    the      path      of       peace. 


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In 

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thy      pres- ence, 

i  N       K 

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tliy      pres  -  ence     is       ful  -  ness    of       joy ! 

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ful   -   ness,      ful 

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In  thy       pres  -  ence, 


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thy       pres  -  ence      is 


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ful  -  ness    of       joy ! 


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n  5 — £    *    * 

L                               ^         j„ , 

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At     thy  right  hand, 


At     thy  right  hand, 


rhMH 


m. 


At     thy  right  hand  are 


At     thy  right  hand  arc 


"  Thou,  wilt  show  me  the  JPath."        Concluded. 


349 


u«-JL — 1- 


£ 


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31 


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pleas  -  ures,     are      pleas  -  ures     for      ev    -     er 


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At     thy  right  hand,                                    At     thy  right  hand,      at 
At      thy     right    hand, At     thy  right    hand, „. 

— S * fc 


pleas  -  ures,     are      pleas  -  ures     for      ev 


er 


more, 


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At     thy  right  hand, 


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At     thy  right  hand,      at 


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zsz 


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thy     right   hand    are     pleas  -  ures,  pleas  -  ures    for     ev   -    er  -  more,     At      thy     right   hand    are     pleas  -  ures,  pleasures  for     ev  -    er  -  more 


P*, J?,-  I 


r — r 


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thy     right   hand    are      pleasures,      pleasures       for     ev 


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er  -  more,     At      thy     right   hand    are     pleasures,      pleasures  for     ev  -    er  -  more. 


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22: 


fFfi/i  expression 


HEART    BE    STILL.     3s  &  7s. 


"Words  from  the  German. 
rit. 


1.  Heart  be     still!  In  the  darkness  of  thy    woe,     Bowthcc  si-lent-  ly  and    low;  Comes  to  thee  whate'er  God  will,     Be  thou    still!     Be  thou    still. 
I       "H  -      .    ■  .         I  ...       I 


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rzi: 


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■sp- 


t^: 


2.     Be  thou  still!  Vainly     all  thy  words  are  spoken,  Till  the  word  of  God  hath  broken ;  All  the  mysteries  of  His   will,      Be  thou    still!     Be  thou    still. 


:^=3: 


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1 — 1     r 


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■jcH 


122: 


350 


Alleej'lto. 


SIIVO    YE    JEHOVAH'S    PRAISES!    (Thanksgiving  Anthem.) 

From  the  "  Psalm  King,"  by  permission.         T.  F.  S. 


4- 


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Sing  ye     Je  -  ho  -  vah's  prais  -  es, 


Praise  ye     his  name  for  -  ev  -  er,       Earth  now  to  heav  -  en     rais 


es    Her  voice  in    grate  -  ful     lays. 


I         *      $    I        f      P     ^ 
Sing  ye      Je  -  lio  -  vah's  prais  -  es, 


Praise  ye     his  name  for  -  ev  -  er,       Earth  now  to  heav  -  en     rais 


S}«T 


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es   Her  voice  in    grate  -  ful     lays. 

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ri 


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f        I 

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Sing  Lis  praise,  Sing  his  praise,  Sing        his        great        sal      -      va  -  tion,  Sing  his    praise,  Sing  Ms    praise, 

Glo  ri  -  fy  him,  Glo    -    -    -      ri  -  fy  him,  Let  his  great  salva  -  tion  now  t\p  -  pear,  Glo    -      -      -    ri  -  fy  him,   Glo    -    -      -    ri  -  fy  him, 


i — ---r=t 


t)  *      P      W 

III  r 

Sing  his  praise, 

/_w  .    ' •» -» 


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■» » ■» 


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va  -  tion, 


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Sing  his    praise, 
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T     I      I 

Sing  his    praise, 


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t  t 

13= 


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|lst  time)        2d  time. 


ri 


53: 


»-—«*—*- 


:^=3: 


3k: 


S=?: 


Send      the         joy    -    ful  news, 

Send  the  joyful  tid-ings  far  and  near, 


^ 


J*_ M. 


news, 
near. 


Sing  ye     Je  -  ho  -  vah's  prais  -  es,  Praise  ye  his  name  for  -  ev  -  er,  Earth  now  to  heav-en 


-S— K. 


I  I  I 

Send       the         joy 


=*=-3izz\ 


:*=«=5: 


L^ p SJ 


fal 


news, 


news. 


r  z  ?  r  r  p  t 

Sing  yc      Jc  -  ho  -  vah's  prais  -  es, 


ri 


SS 


f 


~wswrv 


^ 


F  ^  'Iff  P  P 

i      *    f  \     \ 

Praise  ye    his  name  for  -  ev  -   er,  Earth  now  to  heav-en 


3t 
t 


(p'r ; 


^=g-i — r 


T 


ri 


0 

rto 


SING-    YE    JEHOVAH'S    PRAISES.        Concluded. 


351 


4- 


all  have  strayed,      Yet,  yet    his  love, 

J*    *    N 


■I — — \-2 — P — •-*fS— LiS'- 


r— trt?-^-if-ua 


-Hp 


T 


as 


rais    -    -    es    Her  voice  in      grate-ful  lays. 


Far 


a    way 


from  him     his   peo-ple  all  have  strayed,     Yet 


his 


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22^: 


^ — e 


Far,    far    a  -  way,        Far,  far     a  -  way,     Ail, 


all 


have  strayed,       Yet,  yet     his  love, 


L* 


=t 


^--=5= 


yet,    yet    his   love, 


zPizzP; 


^=^= 


=fi 


:qz=^v 


=T 


-JS=3=gi 


«t 


-P— q- 


glllil 


kiud-ncss  ncv  -  er      is       de  -  layed. 


Sing  ye     Je  -  ho  -  vah's  prais  -  es, 


Praise  yc      his  name  for   -    ev  -    cr, 


J l-n 


>=^:gr^ ^ JZIE£:L-1_  4_gE5: 


^      f*       ty>     *V 


y-t — r 


3t=SI 


If     ^ 


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z?=&. 


>—X- 


P=*: 


x 


22 


kind-ness  nev  -  er        is      de  -  layed. 


Sing  ye    Je  -  ho   -  vah's  prais  -  es, 


er=5: 


1  raise  ye     his  name  for  -    ev  -  er, 


,■      B      r        r-.      Xr 


ft 


:£*: 


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yet,   yet   his  love, 


T~" 


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Rilard. 


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g: 


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3SE 


es    Her  voice  in     grate-ful      lays,        Hal    -    le  -  lu  -  jah,    A 


iJ+JLLj* 


*>  -rt'tr 


?* 


m 


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Earth  now  to  heav  -  en     rais 


I-1  f=f=^z 

es    Her  voice  in      grate-ful      lays, 


J^bsbd: 


-JZt 


men,      Hal    -   le  -    lu    -    jah,     A 

4- 


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72* 


p:gb=3* 


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Hal 


le  -  lu  •  jah,    A 


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i 

men,      Hal   -   le  -    lu 
.1    ,  t. 


jah,     A 
„      .     1 


m 


-t— 
men. 


men. 


35 


.^o 


AN  rri-lJEJMC.      Blessed  are  tliey  that  do  his  Commandments/       L.  0.  EMERSON. 


7T 


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I 


Ble99  -  ed   are    they    that    do      his  commandments ;  Bless  -  ed   are    they    that    do      his  commandments,      That  the}-  may    have        right    to    the 


fch 


jl-+ 


35 


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wt 


'*» 


Y   \r 


^_4*_ K 


-m — L-« <s» — «— '-» <s> — •-« « — •-- '-» 


~V 


>     > 


_^ 1_       j. 


>     + 


>  v  Z> 


-o- 


Bless  -  ed    are    they    that    do      ins  commandments ;  Bless  -  ed    are    they    that    do      his  commandments,       That  they  may    have        right    to    the 


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H 


3? g=:a: 


3=1?: 


tree      of       life,    And  may    en  -  ter        in,    And  may    en  -  tcr         in    thro'  the    gates  in    -    to       the      ci  -  ty,  And  may    en  -   tcr        in      thro'  the 


tr 


— r— it — :s~s    ^r~ir  r — *—*  — - — — -—    — * —     - — r •— •  -&«---£r-^=^i^ 


3=«S» 

tree     of       life,    And  may    en  -  ter        in,    And  may    en  -  ter         in    thro'  the    gates  in    -    to       the      ci  -  ty,  And  may    en 


tcr 


«= 


zp     g: 


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*£*=£* 


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g 


in      thro'  the 


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gales     in 


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PP 


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^=^= 


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b — fc — K — fc — I- 
—3^-3=3=3: 


to        the        ci  -  ty.  And  the    Spi-rit,     and    the  Bride,  say    come!  And    let    him   that    htar-eth    say    come.    And  let 

-r 


gates     in    -    to        the        ci  -   ty.  And   the     Spi-rit,     and     the   Bride,  say    come!  And    let    him    that    hear-eth    say    come,    And   let 


?  7 — I 1 — 


*  From  tlio  "  Tubilalo,"  hy  pormlsaioil. 


•V — k*- 


-* — »- 


it=: 


Blessed  are  they  that  do  his  OoiTiiruxxidmeiits.      Concluded. 


353 


1    Q    \)   L- 

rrv*"^ 

5 , 

— 

!^ 

_- ™ 

™ 

■  V-i  / 

' 

i^: 

him  that  is       a  - 

thirst        come,  and 

who  -  so  -  ev  -  er 

-& m — m S — i 

will, 

-A- 

-0— 

and 

fc. 

who  -  so  -  ev  -  er 

will 
1 

=2= 

let 

him 

IS 

l<3 

take     of     the 

wa  -  ter 

P"!    r> 

of 

— Kl 

life 

NftE 

>    > 

him   that  is       a   - 

— ni 

thirst 

1           k 
come,  and 

who  -  so  -  ev  -  er 

F— 

will, 

— li- 
fe-1 

and 

who  -  so  -  ev  -  er 

will 

—1*2- 

let 

him 

JsaJ ^ u_J 

take     of     the 

wa  -  ter 

of 

_«* — «    : 

life 

« 

Dim. 


# 


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1 — 

which  tes  -  ti  -  fl  -  eth  these  things  saith, 
S_J*_ 


free  -  ly, 


QZ ^ L.^_? — mZ 1_^ — 


He        which  tes  -  ti  -  fi  -  eth,    He 
He  which  tes  -  ti  -  fi  -  eth  these    things  saith, 


ezzmz 


■«— f 


-«*= 


j,-^ 


5 


free  -  ly,       He    which  tes  -  ti  -  fi  -  eth,    tes  -  ti  -  fi  -   eth   these    things  saith, 


<6>- 


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-ft— (• *» 


}2=£=iz: 


I 


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He 


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^ fr 


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e: 


at 


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Sure  -  ly    I     come  quick-ly, 


±z7zzz&z—^— 


Sure  -  ly    I     come  quick-ly, 

-> !- 


A 


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f: — g" 


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3E 


men,      Ev  -  en      so 

■4-r h-r 


come,    Ev  -  en      so       come,  Lord    Je 


mm 


^zzzByXzz^Zuz 

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m 1 — 


Sure  -  ly    I     come  quick-ly, 


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men,     Ev  -  en      so       come,    Ev  -  en      so       come,  Lord    Je    -    sua. 


:^=i 


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TZZZteZ 


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354 


Maestoso. 


ANTHEM.    "Holy  Lord  G^ocl  of  Sabaoth." 


NAOMI. 


gjE^^F^-F1 


1~ 


3=E 


V— 


z±i EEFF — 


-s?- 


-*—&- 


=»=7B^=ff 


:?=zrp: 


Ho  -  ly!     Ho-  lv!    Lord  God    of       Sa  -  ba-otb,    Ho  -ly!       Ho  -  lv    Lord  God     of 

i     i      i     .,  _r*    i     »   i     .     i      i     i     i 


1 f*_J_r— !_, 

k   r      1       t" 


ezr: 

£2T 


-<e5'- 


._z±:3i 

-i — r— r* 


Sa  -  ba  -  otb.    Lord  God    of 


Sa 


ba  -  otb. 

-4* 


:4 


Ho  -  ly!      Ho  -   ly!    Lord   God    of        Sa  -  ba-otb,    Ho   -ly!       Ho   -  ly    Lord   God      of 


-4— i-J-  .-J £-4-r— I J U — U_J p» — ] 

rj   i    £  i    i    ii    ri    k   i 

3od     of  Sa  -  ba  -  otb,    Lord  God    of       Sa     -     ba      otb. 


^z: 


:c2i 


^ 


zt^iic^ziw^—^ 


tr 


Iigl^ls^?=l 


?= 


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4^: 


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ii 


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iff: 


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-i— 


r^zrp: 


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=5=tt2=fci: 


=3= 


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=3-P= 


^c: 


-JS K- 


^z=tz=t=tz: 


I 


Heav'n  and  earth  are    full,       Heav'n  and  earth  are    full      of     thy      glo  -  ly,     of     thy    glo 


J*—e£- 


-m — & — f» — p- 

k     k     k     k 


-tg ~m <y — F~         g g — 9 — » — i-9—a> 


ry. 


Ho 


M 


U»U»kkl  kkkkl  kkU»k>>» 

Heav'n  and  earth  are    full,        Heav'n  and  earth  are    full      of    thy      glo  -  ry,     of     thy    glo 


san  -  na     in     the    higb-est,    Ho  - 

y-z h; I* <s m m «- 


g>-j «— ^H** 

iy,  Ho  -  san  -  na     in     the    high-est,    Ho 


r£ 


S=^ 


:tz=tz: 


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:k=k: 


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zgz=k — k- 


£ 


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P 


^f 


5: 


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:=S: 


feE 


3— 


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^=s 


^SZZTql 


san    -  na 


m 


the    high   -  est,      Ho   -   san 


na 


in      the     high  -  est,     the 


i * S r" * * « — L-»- 


-4- 


•5-      (• 
k      k 


:s>: 


E h 


-&- 
-br 


high 


2=t 


-  est. 


Ho  -  san  -  na       in     the  high  -  est,    Ho  - 


San  -  oa 


in 


the    high    -    est, 


y       >>      >•      k      k      l 

Ho   -  san    -    na        in       the       high   -  est,      the 


1        ~] 
high    - 


-gz: 


I  k     k     k     k     k     I      L     k 


e  i. 


llo  ■   san  -  na      in     the   high  -  est,     Ho  - 


:p: 
:k: 


:^c 


-«* —  «- 


fc^: 


■» ^ 


4= 


^§: 


3± 


-=1— 


9-- 


"  Holy  Lord  Grod  ofSabaoth."      CJoncluded. 


355 


--*-=j=w-- 


na 


:& 


:?=- 


san 


in 


$ 


rs= 


the      high 

-* -J- 


est,     Ho  -    san    -    na 


'-» 0 >M 


k  %> 

san    -  na 


tt* — fcp — »- 


in 


the 


high 


k 
est, 


-0-_ 
k         k 
Ho  -    san 


-- 


i       the 

* — %•— 


high 


est. 


Ho    -    san  -  na 


in        the      high 
>  I*  -59 


k 
na 


k 
in 


E 


the 


est,     Ho 


— V- 


:■*=*: 


high 


est, 


k 

k 

k 

k 

k 

Ho 

-   san  - 

na 

in 

the 

-W—&- 


high 


~^~- 


:cs: 


=S=F 


k       * 

est,     Ho 


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& 

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* 

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san  - 

— I* 
— *— 

na 

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-* 

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in 

"k= 

the 

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higli  - 

est, 

V 

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Ho  - 

-k- 

san  - 

> 

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-¥— 
na 

— »— 

k= 

in 

-k — E— - 
the  high 

i»    ! 

— 0 ff — 

-  k— k 

-  est,  Ho    - 

-  k 

san  - 

k= 

na 
S 

¥ — k    i~- 

in    tlie    high 

!*       N     -1 
m      *      0 

— k- 

-  est, 
— e— 

k 

And 
—et — 

-k= 

glo  - 

k 

-0— 

k~ 

in 

k= 

the 
IN 

high  - 

— s=— 

k- 

est, 

_    N_ 

and 

4* 

k 

san  - 

-• — 
k 
na 

k 

in 

— » — 

k 
the 

-cr 

high  - 

est, 

-*— 1 

If 

Ho  - 

be 
k 

san  - 

-  k~ 

—»— 
— i 

k 
na 

m 

k 
in 

-fr- 

-k- 

— » « — 

k       ' 
the  higli 

k      * 
-  est,  Ho    - 

•0-      ~ 

=5= 

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earth    peace, 


Ho    -  san  -  na       in      the    high  -  est,    Ho 


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356  ANTHEM.      Sing-,  O  heavens,  and.  be  joyful,  O  earth. 

Allegro  moderato. 


Wm.  B.  BRADBURY. 


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Sing,      0    heavens,  and  be     joy  -  ful,  O   earth,  Break  forth  with    sing-ing,   O         moun  -  tains,  Break  forth    with    sing-ing,  O         moun  -  tains,  Break 


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Break  forth break  forth,  break  forth,  break  forth  with    sing  -  ing,  Break  forth, 

Tx «• — _  38 p»         — 


break  forth, 


break  forth,  break  forth  with     sing  -  ing. 


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Break  forth, break  forth,  break  forth,  break  forth  with     sing  -  ing. 


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Break  forth, break  forth, 

Moderato.  p 


The    Lord 


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com- fort -ed     his    peo  -    pie,      He      will  have    mer  -  cy      on-    his         af  -  flict  -    ed,       He 


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He      will  have  mer  -  cy     on      his         af  -  flict  -  ed,       lie 


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.  f/»vf  _  c\A  \\\a  Y\e*s\      _      nln 


Sing-,  O  heavens,  and.  be  joytvsl,  O  earth. 

Tempo. 


Oontinixed. 


357 


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af  -    flict  -  ed.  The    Lord    shall    com  -  fort      Zi   -    on,        The    Lord    shall    com  -  fort      Zi   -    on,         He    will 


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The    Lord    shall    com  -  fort      Zi   -    on. 


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com  -  fort 


He  will    com  -  fort     all    her  waste  pla  -  ces,  waste       pla  -  ces. 

all    her  waste  pla   -  ces,  all  her  waste      pla  -  ces. 

K     fc     I         J  i 


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He  will  make  her   wil  -  der  -  ness  like    E    -   den,       and  her 

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He  will  com  -  fort    all 

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den,       and  her 


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He  will   com  -  fort     all    her  waste  pla  -  ces,  waste        pla  -  ces. 


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de  -  sert  like  the  gar  -  den  of    the    Lord,     He  will  make  her  wil  -  dcr-ness  like    E  -  den,       and  her    de  -  sert  like  the  gar  -  den  of    the    Lord. 


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358  Sing-,  O  heavens,  and.  be  joyful,  O  esxvtli. 

Presto  con  sjnrito. 


Continued. 


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Joy  and 


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glad  -  ness,       joy  and     glad  -  ness,       joy 

J     i      rJ    'iii 


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360 


MOTETTE. 


"  JPraise  the  Lord." 


* 


Largo. 


Allegro. 


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Praise  the  Lord,    Praise  the    Lord,    Praise  him,  Praise  him,  Praise  his     ho  -  ly      name;        0        sing    to  him,   all      ye     peo-ple,  Praise  him  ev  -    er 


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Praise  the      Lord,  Praise  the    Lord,    Praise  him,  Praise  him,  Praise  his     ho-  ly     name;        0        sing    to  him,  all      ye      peo-ple,    Praise  him  ev  -    er   - 


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more,  For  it    is      a     good  -  ly  thing,  a     good-  ly  tiling  to     tell     of    all     his        -ways. 


Be     joy  -  ful        all     ye    lands,  sing  and  be 


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Be     joy  -  fill      all    ye      lands, 


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Be       joy-ful, 


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/  J         I  I  1         1  I         I         I  l!i 


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be      joy  -   ful    in      tlic  Lord,  For  he      is     great,  His  love  for-  ev  -  er     shall  en  -  dure,  His  love  for  -  cv 


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Be    joy  -  ful,    all     ye    lands. 


THANKSOIVIIVO    ANTHEM. 

Moderate  con  spinto. 


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T.  J.  COOK       * 

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I  I  I       _^     *s     i  i  _     w*»      I  _f^ 


1 1 MgN 1' 

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362  THAJVItSGi-IVriVG-    ANTHEM. 

Andantino.  Soprano  Solo.  „- -^ 


Con  tin  vie  d  . 


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THAJVKSGMVIIVC^    ANTHEM.        Concluded. 


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Allegretto. 


GMVE    UNTO    THE    L<XR,X>.    Anthem.        Ps.  xcvi.  6.7.8. 

Composed  for  the  dedication  of  the  First  Presbyterian  Church  of  Sfiddlctown,  IV    T.  1867,  and  instribed  to  the  Pastor,  Augustus  Seward,  D.  D.  by  THEO.  P.  REWARD. 


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Give  on-  to    the    Lord,    ali   ye     kindreds  of   Lis      people,      Give  un  -  to   the     Lord,  all  ye     kindreds  of    his   people,         Give  un  -  to       the     Lord, 


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I.      I        '  >      I      '        I  '        ' 

Give  un-  to    the   Lord,    all    ye     kindreds  of    his      people,      Give  un  •  to   the     Lord,  all  ye     kindreds  of     his    people,        Give  un  -  to       the     Lord, 


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Give  un-to     the     Lord, ....  Give   un  -  to       the     Lord  glo  -  ry      and  strength.  0,   give   un  -  to       the     Lord  the       glo  -  ry      due     his       name,   0, 

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Give   un  -  to       the     Lord  glo  -  ry      and  strength.  0,   give  un  -  to       the     Lord  the       glo  -  ry      due     his       name,  0, 

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give   un  -  to       the      Lord  the      glo -ry  due   his    name,  Give   un  -  to      him,   give   glo-ry,     the    glo  -  ry      due  his    name,  Give  un  -  to      him,  give  glory,    the 


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give    un  -  to       the      Lord  the      glo-ry  due  his    name,  Give   un  -  to      him,   give   glo-ry,     the    glo-ry      due  his    name,  Give  un  -  to      him,  give  glory,     the 


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C*1VJ±:     UIN^rO     THJi    l-i<J±£JL>.     Continued. 


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give  nn  -  to   the   Lord     the  glory  due  his  name, 


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give  glo    -    ry,  give  glo-ry     to    his  name,  give  glo  -   ry,  give   glo  -   ry, 

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O  give  un  -  to   the   Lord    the  glory  due  his  name, 


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366 


GJ-IVE  TJJXTO  THE  LORD.      Continued. 


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off    -     'ring,   bring      an  off     -      'ring,  bring 


— c — 1 0 — 49 


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ye  kindreds  of  the  peo-ple,  give    un  -  to     the   Lord, 


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ye  kindreds  of  the  peo-ple,  give    un  -  to     the   Lord, 


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glo  -    ry      and  strength,  0     give    un  -    to      the     Lord,    the     glo  -   ry      due     his     name,    O     give     1111  -    to      the     Lord,    the      glo  -  ry      due     his     name,     give 

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Lord,  glo  -  ry   and      strength, 

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A  -  meu  !       men  !    Sing  Hal-le  -  lu  -  jahs  to   his  name  for  -  ev   -   er    -    more. 


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A  -  men  ! 


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EEFEEEr? 


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368  GREAT    ATVI3    MARVELOUS, 

Allegro  Maestoso. 


From  HENRY  FARMER'S  celebrated  Mass  ln  B  Flat, 

By  permission  of  S.  T.  Goedom. 


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Great  and  marvelous  are  Thy  works,  O   Lord,    Great  and  marvelous  are  Thy  works,  O   Lord,    Great  and  marvelous,  Great  and  marvelous     are  Thy  works, 

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m-T—l P-iz: 1 1 — «- 

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GREAT     A.T^jy    B&AJR  VENOUS.      Continued. 

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Lord     God  Al  -  migh  -  ty, 


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SELECTIONS    FOR    CHANTING. 


375 


R  UI/ES  AND  SUGGESTIONS. — Chanting  is  a  form  of  utterance  intermediate  between  speaking  and  singing.  It  differs  from  the  former  in  being  fixed  upon 
a  musical  tone  ;  from  the  latter,  in  not  being  measured  by  a  regular  rhythm.  For  lack  of  a  full  appreciation  of  these  distinctions,  two  sorts  of  faults  in  chanting  prevail :  I.  A 
tendency  to  vary  from  the  exact  pitch  in  the  recitative.  Most  choirs  will  need  training  to  keep  them,  in  a  long  recitative,  from  beginning  each  clause  by  gfiding  up  from  a 
fourth  below  the  pitch.  II.  A  teudcney  to  regard  the  notes  of  the  chant  as  indicating  rhythmical  proportion,  and,  accordingly,  1.  to  rattle  swiftly  through  a  long  recitative  ; 
2.  to  drawl  the  syllables  of  a  brief  one  ;  S.  to  fall  into  a  slow  sing-song  movement  on  reaching  the  cadence  ;  4.  to  dwell  on  the  concluding  syllable,  as  if  it  were  necessary  to 
give  its  complement  of  time  to  the  whole  note  with  which  the  strain  terminates ;  5.  to  accent  or  emphasize  the  first  syllable  of  a  recitative,  as,  "  A-a-nd  kneel  before,"  "  A-a-nd 
th'str'ngth'the  hills."  The  rule  can  not  be  too  strongly  enforced  that  time,  and  accent,  and  emphasis,  in  chanting,  are  to  be  determined  by  the  words  to  be  uttered,  according  to  the 
principles  of  good  reading,  and  not  at  all  by  the  musical  notation.  The  notes  of  a  chant  give  no  indication  of  time,  but  only  of  pitch.  Even  in  the  cadence,  where  two  equal 
notes  are  written,  it  may  often  be  better  to  sing  one  long  and  the  other  short.  Inasmuch,  then,  as  the  study  of  chanting  is  rather  a  study  of  elocution  than  of  music,  the  pastor 
of  a  church,  or  some  other  person  who  has  studied  the  principles  of  elocution,  may  often  be  invited,  to  advantage,  to  aid  the  choir  in  this  part  of  their  rehearsal. 

These  rules  and  suggestions  have  been  written  with  special  reference  to  Choir-chanting.  When  the  object  is  Congregational  chanting,  the  words  must  be  pointed  for  very 
short  recitatives,  and  nothing  more  attempted  by  the  choir  than  such  a  steady  and  distinct  reading  of  the  words  as  the  people  will  be  most  apt  to  fall  in  with. 


No.  1. 


/>     K\ 


SELECTION  1.— Ps.  51:  1-4,  10-13. 

1.  Have  mercy  upon  me,  O   God,  according  to  thy  | 
loving-  |  kindness; 

2.  According  to  the  multitude  of  thy  tender  mercies  | 
blot  out  |  my  trans-  |  gressions. 

3.  Wash  me  thoroughly  from  my  iniquity,  and  cleanse 
me  |  from  my  |  sin. 

4.  For  I  acknowledge  my  transgressions  ;   and  my  |  sin 
is  |  ever* be-  |  fore  me. 

6.  Against  thee,  thee  only  have  I  sinned,  and  done  this 
evil  |  in  thy  |  sight. 

6.  That  thou  mayest  be  justified  when  thou  speakest, 
arid  be  |  clear  when  |  thou  —  |  judgest. 

7.  Create   in  me  a  clean  heart,  O  God;  and  renew  a 
right  |  spirit 'with-  |  in  me. 

8.  Cast  me  not  away  from  thy  presence ;  and  take  not 
y  |  Ho-ly  |  Spirit  |  from  me. 

9.  Ri  store  unto  me  the  joy  of  thy  salvation,  and  uphold 
me  with  |  thy  free  |  Spirit : 

10.  Then  will  I  teach  transgressors  thy  ways  ;  auJ  sin- 
ners shall  be  con-  I  verted  I  unto  I  thee. 


No.  2. 


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SELECTION  2.— Ps.  121. 

1.  I  will  lift  up  mine  eyes  unto  the  hills,  from  whence 
|  cometh- my  |  help. 

2.  My  help  cometh  from  the  Lord,  which  made  |  heaven 
•and  |  earth. 

3.  He  will   not  suffer  thy  foot  to  be  moved :  he  that 
keepeth  thee  |  will  not  |  slumber. 

4.  Behold,  he  that  keepeth  Israel,  shall  not  |  slumber 
•nor  |  sleep. 

5.  The  Lord  is  thy  keeper  ;  the  Lord  is  thy  shade  upon 
thy  |  right  —  |  hand. 

G.  The  sun  shall  not  smite  thee  by  day,  nor  the  |  moon 
by  |  night. 

7.  The  Lord  shall  preserve  thee  from  all  evil :  he  shall 
pre-  |  serve  thy  |  soul. 

8.  The  Lord  shall  preserve  thy  going  out,  and  thy  com- 
ing in,  from  this  time   forth,  and  even  forevermore ;    | 
A I  men. 


No.  3. 


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SELECTION"  3.— Ps.  92. 

1.  It  is  a  good,  thing  to  give  thanks  |  unto 'the  1  Lord;|| 
and  to  sing  praises  unto  thy  |  name  —  |  O  most  |  Highest. 

2.  To  tell  of  thy  loving  kindness  |  early  in  the — morn- 
ing; ||  and  of  thy  |  truth 'in  the  |  night  —  |  season. 

3.  Upon  an  instrument  of  tea  strings  and  up-  |  on  the 
|  lute ;    ||  upon  a  loud  instrument,  |  and  up-  |  on  the  | 

harp. 

4.  For  thou,  Lord,  hast  made  me  glad  |  through  thy  I 
works ;  ||  and  I  will  rejoice  in  giving  praise  for  the  ope-  | 
ration  |  of  thy  |  hands. 

5.  Glory  be  to  the  Father,  and  |  to  the  |  Son,  \  and  | 
to  the  |  Holy  |  Ghost; 

6.  As  it  was  in  the  beginning,  is  now,  and  ]  ever'shall 
|  be,  ||  world  without  |  end.     A-  |  men.     A-  |  men. 


376 


SELECTIONS    FOR    OHL^IVTIIVG^. 


No.  4. 


No.  5.. 

Unison  or  Solo. 


No.  6. 


SELECTION  4. 

1.  Behold,  the  Lord's  hand  is  not  shortened,  that  it 
cannot  |  sa.Te;  |  neither  his  ear  heavy,  |  that  it  |  cannot 
hear: 

2.  But    your   iniquities  have   separated  between  |  you 
and  •  your  ]  God,  |  and  your  sins  have  hid  his  face  from 


if 


you,  [  that  he  |  will  not  |  hear. 

3.  Let  the  wicked  for-  |  sake  his  |  way,  |  and  the  un-  [ 
righteous  |  man  his  |  thoughts : 

4.  And  let  him  return  unto  the  Lord,  and  he  will  have 
I  mercy  up-  |  on  him;  |  aud  to  our  God,  for  |  he  "will  a- 
|  bundant-ly  |  pardon. 

5.  As  I  live,  (saith  the  Lord  God,)  I  have  no  pleasure 
in  the  |  death  ■  of  the  |  wicked ;  ||  but  that  the  wicked  | 
turn  •  from  his  |  way  and  |  live : 

6.  Turn  ye,  turn  ye,  from  your  |  evil  |  ways;  |  for  why 
will  ye  |  die,  O  |  house  of  |  Israel. 

SELECTION  6. 

1.  Make  a  joyful  noise  unto  the  Lord,  |  all  ye  |  lands. 

2.  Serve   the    Lord  with  gladness;  come  before   his  | 
presence  |  with  a  |  song. 

3.  Know  ye  that  the  Lord,  ]  he  is  |  God: 

4.  It  is  he  thai  hath  made  us,  and  not  we  ourselves ;  we 
are  his  people,  and  the  |  sheep  of  |  his  —  |  pasture. 

5.  Ijitcr  into  his  gate  with  thanksgiving,  and  into  his  | 
courts  with  |  praise. 

6.  Be  thankful  unto  him,  and  |  bless —  |  — his  |  name. 
7    J  "<>r  the  Lord  is  good,  his  mercy  is   |  ever-  |  lasting. 
8.   Aud  his  truth  endurrth  to  |  all —  |  — gene-  |  rations. 


SELECTION   6.— Ps.  90.  1-12. 

1.  Lord  thou  hast  been  our  dwelling-place  in  |  all  gene- 
|  rations. 

2.  Before  the  mountains  were  brought  forth,  or  ever 
thou  hadst  formed  the  earth  and  the  world,  even  from 
everlasting  to  ever-  |  lasting  |  Thou  art  |  God. 

3.  Thou  turnest  man  to  destruction ;  and  sayest  Re- 
turn, ye  |  chil-dren  of  |  men. 

4.  For  a  thousand  years  in  thy  sight  are  Hut  as  yester- 
day when  it  is  past,  and  |  as  a  |  watch  ■  in  the  j  night. 

5.  Thou  earnest  them  away  as  with  a  flood ;  they  are 
as  a  sleep :  in  the  morning  they  are  like  grass  which  | 
groweth  |  up. 

6.  In  the  morning  it  flourisheth,  and  groweth  up ;  in  the 
evening  it  is  cut  |  down,  cut  |  down,  and  |  withereth. 

7.  For  we  are  consumed  by  thine  anger,  and  by  thy  | 
wrath -are  we  |  troubled. 

8.  Thou  hast  set  our  iniquities  beiore  thee,  our  secret 
sins  in  the  |  light  of  |  thy  —  |  countenance. 

9.  Who  knoweth  the  power  of  thine  anger?  even  ac- 
cording to  Vj  fear,  |  so  is -thy  |  wrath. 

10.  So  teach  us  to  number  our  days,  that  we  may  ap- 
|  ply  our  |  hearts' unto  |  wisdom. 


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SELECTION  7.— Ps.  67. 

1.  God   be   merciful   unto  |  us,    and  |    bless  us ;  J  and 
cause  his  |  face  to  |  shine 'upon  |  us. 

2.  That  thy  way  may  be  |  known  up-on  |  earth,  |  thy 
saving  |  health  a-  |  mong  all  |  nations. 

3.  Let  the  people  praise  |  thee,  0  |  God ;  Q  let  |  all  the 
|  people  |  praise  thee. 

4.  Oh  let  the  nations  be  glad  and  |  sing  for  |  joy ;  J  for 
thou  shalt  judge  the  people  righteously,  and  govern  the 

|  nations  |  upon  j  earth. 

5.  Let  the  people  praise  |  thee,  0  |  God ;  J  let  |  all  the 
|  people  |  praise  thee. 

6.  Then   shall   the   earth  |  yield  her  |  increase;   |  and 
God,  even  |  our  own  |  God,  shall  |  bless  us. 

7.  God  |  shall  —  1  bless  us;  |  and  all  the  ends  of  the  | 
earth  shall  |  fear  — ;  |  him 

8.  Glory  be  to  the  Father,  and  |  to  the  |  Son,  J  and  |  to 
the  |  Holy  |  Ghost: 

9.  As  it  was  in  the  beginning,  is  now,  and  |  ever  ■  shall  | 
be,  fj  world  |  without  |  end.     A  |  men. 

SELECTION   8.— The  Lord's  Prayer. 

1.  Our  Father  who  art  in  heaven,  hallowed  |  be  thy  | 
name ; 

2.  Thy  kingdom  come ;  thy  will  be  done  on  J  earth, '  as 
it  |  is  in  |  heaven. 

3.  Give  us  this  day  our  f  daily  |  bread  ; 

4.  And  forgive  us  our  debts,  as  |  we  for-  |  give  our  | 
debtors. 

5.  And  lead  us  not  into  temptation,  but  deliver  |  us 
from  |  evil; 

6.  For  thine  is  the  kingdom,  aud  the  power,  and  the 
|  glory,  •  for-  |  ever.     A-  |  men. 


SELECTIONS    FOR    CHANTING. 


No.  7. 


Tonus  Peregrinus. 


SELECTION  9.— Ps.  46. 

1.  God  is  our  refuge  and  strength,  a  very  present  |  help 
in  |  trouble. 

2.  Therefore  we  will  not  fear,  though  the  earth  be  re- 
moved, and  though  the  mountains  be  carried  into  the  | 
midst  —  |  of  the  |  sea. 

3.  Though  the  waters  thereof  |  roar -and  be  |  troubled. 

4.  Though  the  mountains  |  shake 'with  the  |  swelling 
■there-  |  of. 

6.  There  is  a  river,  the  streams  whereof  shall  make 
glad  the  |  city  of  |  God; 

6.  The  holy  place  of  the  tabernacle  I  of  the  I  Most  — 
I  High. 

7.  God  is  in  the  midst  of  her ;  she  shall  |  not  be  | 
moved. 

8.  God  shall  help  her,  and  |  that  —  |  right  —  |  early. 

9.  The  heathen  raged,  the  kingdoms  were  moved ;  he 
uttered  his  voice,  the  |  earth  —  |  melted. 

10.  The  Lord  of  hosts  is  with  us  ;  the  God  of  |  Jacob  | 
is  our  |  refuge. 

11.  Come  behold  the  work  of  the  Lord,  what  desolations 
he  hath  |  made  ■  in  the  |  earth. 

12.  He  maketh  wars  to  cease  unto  the  end  of  the  earth  ; 
he  breaketh  the  bow,  and  cutteth  the  spear  in  sunder ; 
he  burneth  the  |  chariot  |  in  the  |  fire. 

13.  Glory  be  to  the  Father,  and  I  to  the  I  Son.  II  and 
|  to  the  |  Holy  |  Ghost ; 

14.  As  it  was  in  the  beginning,  is  now,  and  |  ever  ■  shall 
|  be,  J  world  without  |  end.     A-  |  men.     A-  |  men. 


No.  8. 


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SELECTION  10. 

Come  unto  me  all  ye  that  labor  and  arc  heavy  laden  and 
will  give  you  rest, — Matt.  11 :   28. 


With  tearful  eyes  I  look  around, 
Life  seems  a  dark  and  |  stormy  |  sea  ; 

Yet,  'midst  the  gloom,  I  hear  a  sound, 
A  heavenly  |  whisper,  |  "  Come  to  |  me." 


It  tells  me  of  a  place  of  rest — 

It  tell  me  where  my  |  soul  may  |  flee  ; 

O  !  to  the  weary,  faint,  oppressed, 
How  sweet  the  |  bidding,  |  "  Come  to  |  me." 


When  nature  shudders,  loth  to  part 
From  all  I  love,  en-  |  joy,  and  J  see ; 

When  a  faint  chill  steals  o'er  my  heart, 
A  sweet  voice  |  utters,  |  "  Come  to  |  mc." 


Come,  for  all  else  must  fail  and  die, 
Earth  is  no  resting  |  place  for  |  thee ; 

Heavenward  direct  thy  weeping  eye, 
I  am  thy  |  portion,  j  "  Come  to  |  me." 


O  voice  of  mercy  1  voice  of  love  1 
In  conflict,  grief,  and  |  ago-  |  ny, 

Support  me,  cheer  me  from  above  1 

And  gently  |  whisper,  |  "  Come  to  |  me.' 


No.  9. 


377 

Dr.  L.  Mason. 


IPSPIPP 


SELECTION  11. — Humble  Devotion. 

1 
From  the  recesses  of  a  lowly  spirit, 
My  humble  prayer  ascends— O  |  Father,  |  hear  it  1 
Borne  on  the  trembling  wings  of  fear  and  meekness ; 

For-  |  give  its  |  weakness. 

2 
I  know — I  feel  how  mean,  and  how  unworthy 
The  lowly  sacrifice  I  |  pour  be-  |  fore  thee : 
What  can  I  offer  thee,  O  thou  most  holy  1 

But  |  sin  and  |  folly. 

3 
Lord,  in  thy  sight,  who  every  bosom  viewest, 
Cold  in  our  warmest  vows,  and  |  vain  our  |  truest ; 
Thoughts  of  a  hurrying  hour — our  lips  repeat  them — 

Our  |  hearts  for-  |  get  them. 

4 
We  see  thy  hand — it  leads  us — it  supports  us : 
We  hear  thy  voice — it  |  counsels  ■  and  it  |  courts  us; 
And  then  we  turn  away ;   and  still  thy  kiudness 

For-  |  gives  our  |  blindness. 

5 
Who  can  resist  thy  gentle  call,  appealing 
To  every  generous  thought  and  |  grateful  |  feeling ! 
O  1  who  can  hear  the  accents  of  thv  mercy, 

And  ]  never  |  love  thee. 

6 
Kind  Benefactor  !    plant  within  this  bosom 
The  |  seeds  of  |  holiness,  ||  and  "let  them  blossom 
In  fragrance,  and  in  beauty  bright  and  vernal, 

And  |  spring  e-  |  ternaL 
a 

Then  place  them  in  those  everlasting  gardens, 
Where  angels  walk,  and  seraphs  |  are  the  |  wardens ; 
Where  every  flower,  brought  safe  through  death's  dark 
portal.  Be-  I  comes  im-  I  mortal. 


378 


GENERAL     INDEX    OF    TUNES. 


TAGE. 

Agnes 198 

Agnus  Dei 233 

A  Lira 199 

Aikman 115 

Aincourt 113 

Akenside 198 

Alodo 156 

Alceron 260 

Alderway 116 

Alida 288 

Ailing 114 

Almo 266 

Alvan 250 

Alvar 116 

Amelia 248 

America 256 

American  Chant....       118 

Ames 116 

Amoy ."  258 

Amsterdam 254 

Ancient  of  Days 260 

Annapolis 267 

Another  Year 258 

Ansonia 115 

Anthon 151 

Applegate 199 

Arbuthnot 154 

Archdale 117 

Ardon 270 

Ariel 227 

Arlington 154 

Armenia 156 

Arnold 155 

Ashbey 156 

A-hburton 198 

Ashton 114 

Aslnvell lit 

Austlnburg 117 

Autumn 217 

Av.i 258 

Avelin 155 

Avon 155 

Aylesbury 199 

Ayrtoun 117 

Bodes 223 

Hal! 157 

ISarnard 118 

Beckford 118 

Belooro 200 

B.  Iden 118 

Belgravia 241 

I        f 159 

B       I 200 

Bethavon 241 

Bi  thohy 257 

I         r 120 

Blrdseye 168 

Bithron 241 

Bithynla 200 

Bloomfleld  Chant..'...  121 

1 U9 

I       I 1 67 

Bl  .rlh ll'.l 

Bowen 121 


PAGE. 

Boylston 223 

Bradbury 249 

Braham 158 

Brantford 119 

Brayton 120 

Briggs 201 

Brown 158 

Burber 201 

Burling 159 

Burnhain 120 

Burney 121 

Byington 201 

Byrd 159 

Calabria 163 

Calbra 326 

Calista 273 

Callicoon 125 

Calm 265 

Calneh 242 

Cameron 122 

Cana 259 

Canaan 162 

Canastoga  (land2)....  123 

Candia 234 

Capua 202 

Carson 125 

Carter 242 

CasHHtt 202 

Cedarvale 124 

Celcstis 124 

Centre  Port 255 

Chalcol 163 

Champlaln 163 

Chaney 261 

Chantrey 225 

Cintra 1*24 

Claudius 255 

Clayton 2C8 

Clemson 161 

Clure 228 

Coburn 234 

('..--.•shall 234 

Coll 202 

Colebrook 1 60 

Collins 259 

Colwood 261 

Come  ye  disconsolate..  270 

Conant 161 

Confldei 125 

Conroy 208 

Constantino 122 

Copernicus 123 

Coronation 101 

Corliss 208 

Cottngo 162 

Cowt  Street 122 

Cowper 197 

Cranston 160 

<  Iromwell 289 

hi. .ail. a 286 

Dallas 286 

Dalmatla 204 

Dalna 262 

Dalston 223 

Dannoiuarn 101 


PAGE. 

Dantzlc 204 

Darling 128 

Darmer 127 

Dathan 235 

Dawes 130 

Dedham 197 

Demcrest . . . .  s 164 

Denfleld 197 

Dennis 223 

Detmold 126 

Devotion 131 

Dewitt 129 

Dighton 126 

Dill 1«7 

Dinsmore 128 

Dodd 164 

Dodsley 205 

Dolbear ,..  181 

Dorcas 180 

Dort 256 

D.mbleday 128 

Downs 197 

Doyle 130 

Dristan 131 

Dudley  Chant 129 

Duke  Street 152 

Dundaff 126 

Dundee 197 

Durrigan 129 

Kbboli : 166 

Eden 165 

Edgar 207 

Eicnburg 132 

Ekron 243 

EldorWn 183 

Elhannn 262 

Elmendorf 132 

ICIston 2i)6 

Erslnore 165 

Englewood 206 

EpEesus 243 

Erasmus  275 

l.i  -iiionvillo 166 

Krnan 188 

Erne 166 

Eustace 206 

Evans 197 

"  Even  me  " 243 

Evening  Ilvinn 182 

Everdell 207 

Everest 133 

Ewer 207 

Farewell 258 

Farnsworth 236 

Federal  Street 152 

I',  i r 236 

Florence 269 

Florlan 244 

i        .in 184 

Fonda 184 

I'... io 184 

Forsyth 203 

:        r '.'.is 

Fronconla 244 

Freeman 20S 


PAGE. 

Fulton 236 

Furniss 208 

Galilee ."  245 

Galliopolis 259 

Ganges 227 

Garnavillo 167 

Garnett 167 

Gates 167 

Genoa 237 

Gerizim 245 

Germany 185 

Gertrude 240 

Gilman 135 

Glastenbury 287 

Glendale 209 

Glidetta 237 

Golden  Hill 223 

Gorton 21ft 

Granville 135 

Greenbank 245 

Greenville 247 

Greenwood 209 

Greville 210 

Guernsey 210 

Guildhall 209 

Iladman 138 

Hale 275 

Halford 211 

Hamburg 152 

Hamdeu 250 

Hamworlh 138 

Ilanford 168 

Hardwick 251 

Harmony  Chant 136 

Harmony  Grove 136 

Harrington 136 

Hartel 137 

Harwell 250 

Harwich 232 

Harvey  Chant 169 

Hatfield 252 

Hayne 170 

Heart,  be  still 849 

Hebron 152 

Homans 256 

Ilendon 240 

Herald   137 

Ilermon 170 

Hilbert 163 

llillyer 208 

Hinton 276 

Holcroft 251 

Holdon 231 

Holley 240 

Holllster 137 

Home 211 

II. i. .per 211 

Horton 240 

Howard 169 

Hurlburt 170 

Illinois 150 

Ily.l 171 

Hubert 171 

Inigo 189 

Iono 267 


PAGK. 

Isabel 189 

Islington 139 

Italian  Hymn 256 

Jasper 172 

Jotham 172 

Katinka 173 

Kedron 272 

Kellogg 271 

Kendrick 173 

Kirk 212 

Kirk  White 173 

Kirwan 268 

Kremlin 212 

Laban 223 

La  Crosse 263 

La  Mira 174 

Lakeside 174 

Lambeth 226 

Lauiborn 213 

Lainen 218 

Laugdon/ 174 

Landseer 214 

Lanman 260 

Laurus 140 

Leeds 261 

Leominster 141 

Lewisburg 141 

Linton 218 

Lista 140 

Lorraine 214 

Lottie 223 

Low 140 

Loyalo 214 

Ludington 226 

Lyons 270 

Madison 216 

Maloy 265 

Manoah 173 

Marlow 197 

Marguedoc 142 

Marsh 176 

Marshfleld 215 

Martvn ,.  240 

Massil.on 261 

Mason's  Chant 176 

Mavfalr 229 

M.K.nzie 815 

McPhcrson... 215 

Meldor 177 

Mendon ..   150 

Meribah 227 

Merrill 175 

Minona 142 

Mirbell 216 

Missionary  Chant 150 

Missionary  Hymn 254 

Monmouth 266 

Moriah 175 

Morley 273 

Mornlngton   216 

Morris  Chant 176 

Mosier 142 

Mount  Vernon 247 

Murchison 177 

Myoi-3 229 


TAGE. 

Naples 217 

Naomi... 197 

Nashville 225 

Newkirk 252 

New  York  Tune 178 

Nora 178 

Northwood 178 

Numidia 217 

Nyssa 217 

Oak 257 

Oakhurst 179 

Ola 143 

Old  100th 153 

Oliphant 250 

Olivia 180 

Olive's  Brow 150 

Olivet 257 

Olmutz 224 

Olney 218 

Omaha 179 

Ontario 271 

Ooral 180 

Oriel 1-13 

Orinda 143 

Osgood 250 

Otis 218 

Otto ISO 

Packer 144 

Paradise 182 

I'arah 224 

Patria 183 

Paulina 272 

Payson 1 44 

Pelham 219 

Penitence 276 

Percival 219 

Percy 181 

Phrvgia 249 

Piedmont 181 

Pilgrim 262 

Pinneo 182 

Pittsford 144 

Pleyel's  Hymn 240 

Poland 183 

Portuguese  Hymn 276 

Prayer 182 

Prince 270 

Proctor 188 

Protection 181 

Proville 219 

Qulmby 816 

Eamotli 227 

Eatisbon 246 

Rathbun 246 

Kawlinson 184 

Rend 281 

Rest 152 

Bobbins 1S4 

Rockingham 152 

Rockvale 264 

Roderick 264 

Bodna 216 

Rolland 151 

Roseoe 274 

Bo:  edale 153 


PA  OB. 

Rosborough 1S4 

Rowley 276 

Safala 151 

Salamanca 888 

Samaria 1S5 

Saltillo .' 220 

Sawyer 249 

Sayles 221 

Scotland 276 

Benrsport 145 

Seli'ord 23S 

Severn 260 

Seward 185 

Seymour 147,  238 

Shayler 185 

Shepherd 145 

Sherrington 280 

Shirland 224 

Sicilian  Hymn 247 

Silver  Street 224 

Silvia. 221 

Skillmau 280 

Slumber 267 

Spanish  Hymn 240 

State  Street 224 

Stockwell •...  247 

Stolberg 146 

St.  iii-berry 221 

Btonefleld. 151 

Strand 220 

St.  Thomas 22-1 

Sunnyslde 146 

Surinam 2'-'u 

Surry  Chapel 2-kS 

Sutherland 231 

Tacora 188 

Talavera 188 

TamahlU 222 

Terah 222 

T.rry 147 

The  Breaking  Day 248 

The  Sabbath 266 

Thorley 147 

Thorp. 147 

Tobolsk iss 

Topeka W 

Toplady 240 

Trenholm 1S6 

Triumph     186 

Trolan 1S7 

Troy 26S 

Tulla 222 

Tully 254 

Tii  n  bridge 1ST 

Turlay 1S6 

Twilight  Hymn 2S7 

Upsal 1S9 

Urania 189 

Urban 1*9 

CTxbridge 153 

Van.le vender 253 

Valentin 190 

Varum 190 

Villers .204 


GENEKAL    INDEX. 


379 


PAGE. 

Viola 240 

Wadsworth 149 

Ward 153 

Wardwell 191 

Warner 149 


PAGE. 

Watkins 192 

Webb 254 

Westbourne 194 

Westfield 148 

Weybridge 191 


PAGE. 

Weymouth 194 

Whitney 195 

Wiliord 192 

Wilson 266 

Willis 239 

Wilmot 247 


PAGE. 

Wimbourne 148 

Windham 153 

Windsor 192 

Winningstadt 269 

Wirth 191 

Woburn 195 


PAGE. 

Wolcott 149 

Woodford 193 

Woodgate 194 

WoodFand 193 

Woodworth 151 


PAGE. 

Wooster 274 

Wrentham 195 

Wyman. 193 

Yale 239 

Yeomans 148 

Yates 247 


PAGE. 

Zalamea 196 

Zelia 196 

Zephyr 158 

Zion 250 

Zoar 196 


METRICAL      INDEX 


L.  M. 

Aikman 115 

Aincourt 113 

Alderway 116 

Ailing 114 

Alvar 116 

American  Chant 113 

Ames 116 

Ansonia 115 

Archdale 117 

Ashton 114 

Ashwell 114 

Austinburg 114 

Ayrtoun 117 

Barnard 118 

Beckford 118 

Belden 118 

Bilser 120 

Bloomfield  Chant 121 

Boland 119 

Bosworth 119 

Bowen 121 

Brayton 120 

Brantford 119 

Buruham 120 

Burney 121 

Callicoon 125 

Cameron 122 

Cnnastoga(l  and  2) 123 

Carson..." 125 

Cedarvalo 124 

Celestis 124 

Ciutra 124 

Confidence 125 

Constantino 122 

Copernicus 123 

Court  Street 122 

Darling 12S 

Darmer 127 

Dawes 1 30 

Detmold 126 

Devotion 181 

De  Witt 129 

Dighton 126 

Dill 127 

Dinsmore 128 

Dolbear 131 

Dorcas 180 

Doublcday 128 

Doyle 180 

Dristan 131 


Dudley  Chant 129 

Duke  Street , 152 

Dundaff 126 

Durrigan 129 

Eichberg 132 

Klderkin 133 

Elmendorf 132 

Ernan 133 

Evening  Hymn 132 

Everest 188 

Federal  Street 152 

Folsom 134 

Fonda 134 

Formosa 134 

Germany 135 

Gilraan 135 

Granville 135 

Hadman 138 

Hamburg 152 

Ham  worth 138 

Harmony  Chant 136 

Harmony  Grove 186 

Harrington 136 

Hartel 137 

Hebron 152 

Herald 137 

Hollister 137 

Illinois 150 

Inigo 139 

Isabel 139 

Islington 139 

Laurus 140 

Leominster 141 

Lewisburg 141 

Lindhurst 141 

Lista 141 

Low 140 

Margtiedoc 142 

Mendon 150 

Minona 142 

Missionary  Chant 150 

Hosier 142 

Ola 143 

Old  Hundredth 153 

Olive's  Brow 150 

Oriel 143 

Orinda 143 

Packer 144 

Payson 144 

Pittsford 144 

Rest 152 


Rockingham 152 

Holland 151 

Rosedak. 153 

Safala 151 

Searsport 145 

Shepherd 145 

Southington 145 

Stolberg 146 

Stonefield 151 

Sunnyside 146 

Terry 147 

Thorley 147 

Thorp 147 

TJxbridge 153 

Wadsworth 149 

Ward 153 

Warner • 149 

Westfield 148 

Wimoourne 148 

Windham 153 

Wolcott 149 

Woodworth 151 

Yeomans 148 

Zephyr 153 

C.  M. 

Aledo 156 

Anthon 154 

Arbuthnot 154 

Arlington 154 

Armenia 156 

Arnold 155 

Ashbey 156 

Avelin 155 

Avon 155 

Ball 157 

Belief. 159 

Birdseye 158 

Bond 157 

Braham 158 

Brown 158 

Burling 159 

Byrd 159 

Calabria 163 

Canaan 162 

Chalcol 163 

Champlain 163 

Clemson 161 

Colebrook 160 

Conant 161 

Coronation 161 


Cottage 162 

Cowper 197 

Cranston 160 

Dannemara 164 

Dedham 197 

Demerest 164 

Denfield     197 

Dodd 164 

Downs    197 

Dundee 197 

Ebboli 166 

Eden 165 

Elsinore 165 

Ermonville 166 

Erne 166 

Evans 197 

Garnavillo 167 

Garnett 167 

Gates 167 

Hanford 168 

Harvey  Chant 169 

Hayne 170 

Helmer 169 

Henry 168 

Ilermon 170 

Hilbert 163 

Howard 169 

Hurlburt 170 

Ilyd 171 

Imbert 171 

Jasper '. . . .  172 

Jotham 172 

Katinka 173 

Kendrick 178 

Kirk  White 173 

Lakeside 174 

La  Mira 1 74 

Langdon 174 

Manoah 175 

Marlow 197 

Marsh 176 

Mason's  Chant 170 

McKenzieOnalo  voices)  315 

Meldor 177 

Merrill 175 

Moriah 175 

Morris  Chant 176 

Murchison 177 

Naomi .  197 

New  York  Tune 178 

Nora 17S 


North  wood 17!; 

Oakliurgt 179 

Olivia ISi) 

Omaha 17:) 

Ooral Hi 

Otto ^> 

Paradise 1  - .' 

Patria : Wi 

Percy 1S1 

Picdjaiout 181 

Pinneo 162 

Poland 183 

Prayer 182 

Proctor 1S3 

Protection 1S1 

Rawlinson  .. .., 184 

Kobbins 1S4 

Rosborough 184 

Samaria 165 

Seward 185 

Shayler 185 

Tacora 183 

Talavera 183 

Tobolsk 183 

Topeka 1S7 

Trenholm 1S6 

Trolan 187 

Triumph 186 

Tunbridge 187 

Turlay 186 

Upsal 189 

Urania 189 

Urban 1S9 

Valentia 190 

Varina 190 

Wardwell 191 

Watkins 192 

Westbourne 194 

Weybridge 191 

Weymouth 194 

Whitney 195 

Wilford 192 

Windsor 192 

Wirth 191 

Woburn 195 

Woodford... 193 

Woodgate *. 194 

Woodland 198 

Wrentham 195 

Wyman 193 

Zalamea 196 


Zelia 106 

Zoar 196 

S.  M. 

Agnes 198 

Ahira 199 

Akenside 193 

Applegato 199 

Ash  burton 198 

Aylesbury 199 

Badea 223 

Belboro 200 

Beryl 200 

Bithvnia 200 

Boylstou 223 

Briggs 201 

Burber 201 

Byington 201 

Capita 202 

Costilla 202 

Chaplin 203 

Coit 202 

Conroy 203 

Corlis 203 

Dalmatia 204 

Dantzic 204 

Delavan 2u5 

Dennis 223 

Dodsley 205 

Edgar. 207 

Klst.m 2n6 

Englewood 206 

Eustace 206 

Everdcll 207 

Ewer 2(17 

Foster 20S 

Freeman 2nS 

Furniss 20S 

Glendale 209 

Golden  Hill 223 

Gorton 210 

Greenwood 209 

Greville 210 

Guernsev 210 

Guildhall 209 

Halford 211 

Home 211 

Hooper 211 

Kirk 212 

Kremlin' 212 

Laban 223 


Laroborn 213 

Laman 213 

Landseer..... 214 

Linton 218 

Lorraine 214 

Lottie 223 

Loyala 214 

Madison ' 216 

Marshfield 215 

McPherson 215 

Mirbell 216 

Mornington 215 

Naples 217 

Numidia 217 

Nyssa 2o7 

Olmutz 224 

Olney 218 

Ostend 218 

Otis 218 

Parah 224 

IVIliam 219 

Percival 219 

Provill 219 

Siilillo 220 

Sayles 221 

Shirland 224 

Silver  Street.. 224 

Silvia 221 

State  Street 224 

Stoneberry 221 

Strand 220 

St.  Thomas 224 

Surinam 220 

Tamahill 222 

Terah 222 

Tulla 222 

L.  P.  M. 

Chantrey 225 

Nashville 225 

C.  P.  M. 

Ariel 227 

Ganges 227 

Lambeth 226 

Ludington..„ 226 

Meribah 7 227 

Ramoth 227 

C.  H.  M. 

Clurc 22S 


380 


METEICAL   INDEX. 


S,  H.  M. 

PAGE. 

Dalston 228 

H.  M. 

Harwich 232 

Holden 281 

Lenox 232 

LUcher 232 

Mayfair 229 

Myers 229 

Bend 281 

Sherrington 280 

Skillman 230 

Sutherland 231 


7s. 

Annus  Dei — 6  lines  ...  233 

AHda 233 

Candle 234 

Ooburn 234 

Oozgcshall 234 

Dalecarlia 235 

Dallas 2.35 

Dathan— Double 285 

Farnsworth 230 

Fcnnor 230 

Fulton 230 

Genoa 237 

Gertrude 240 

Glastonbury 237 

Glidetta 237 

Hcndon— 6  lines 240 

Holley 240 

Iiorton 240 


PAGE. 

Martyn— Double 240 

Pleyel's  Ilymn 240 

Salamanca 289 

Selford 238 

Seymour 233 

Spanish  Hy  inn— D'ble.  240 

Toplady— 6  lines 240 

Viola— Double 240 

Willis 239 

Yale 239 

8s  &  7s. 

Autumn 247 

Belgrnvia — Double 241 

Bethaven 241 

Bitliron 241 

Calneh— Double 242 

Carter — 6  lines 242 

Ekron 243 

Epbesus 243 

"Even  me" 243 

Florian— Double- 244 

Franconia — Double.  ..  244 

Galilee 245 

Gerizim — Peculiar  ....  245 
Greenbank — Peculiar  .  245 
Greenville — Double...  247 
Monmouth — Peculiar..  268 

Mount  Vernon 247 

Ovio 247 

Eatisbon 246 

Eathbua 240 

Eodna— Double 246 

Sicilian  Hymn 247 

Stockwell  247 

Twilight  Ilynm 2S7 


PAGE. 
Wilmot 247 

Yates— Double 247 

8s,  7s  &  4s. 

Alvan 250 

Amelia 248 

Bradbury 249 

Hamden 250 

Harwell 250 

Oliphant 250 

Osgood 250 

Phrygla 249 

Sawyer 249 

Surrey  Chapel 248 

The  Breaking  Day. ...   243 
Ziou 250 

7s  &  6s. 

Amsterdam 254 

Hardwick 251 

Hatfield— Peculiar 252 

Holcroft — Peculiar 251 

Missionary  Hymn 254 

Newkirk 252 

Troy 253 

Tully 254 

Vandevender 253 

Webb 254 

6s  &  4s. 

America 256 

Anioy 253 

Ava 258 

Bethany 257 

Centre  Fort— Peculiar.  255 


PAGE. 

Claudius 255 

Doit 256 

Farewell 258 

Humans — Peculiar 256 

Italian  Hymn 256 

Oak 257 

Olivet 257 

Severn 260 

3s  &  6s. 
Cromwell 259 

3s  &  7s. 
Ilcart,  bo  still 349 

4s  &  6s. 
Another  Year 258 

4s  &  6s  &  7s. 
Kirwan 263 

43  &  7s. 
ThoSabbath 260 

5s  and  6s. 

Colwood 261 

Lyons 270 

5s  &  7s. 

Alceron 260 

Collins 259 

53  &  8s. 
Cana 259 


PAGE. 

5s  &  lis. 
Ancient  of  Days 260 

6s. 

Dalna 262 

Lanuian — Double..  ..  260 

6s  &  5s. 

Galliopolis 259 

Massillon 261 

6s  and  8s. 

Almo..... 266 

Annapolis 267 

6s,  8s  &  4s. 

Maloy 265 

f 
5s,  8s,  lOs  &  4s. 
Chaney 261 

7s  &  4s. 
Vilters 264 

7s  &  5s. 
Koch  vale a 264 

7s,  6s  &  7s. 
Hatfield 252 

7s  &  8s. 
Pilgrim 262 

8s. 

Florence 269 

Spring  Valley 269 


PAGE. 

Winningstadt 269 

8s  &  4s. 

Calm 265 

Everest 138 

La  Crosse 263 

Oh  1  make  me  thine...  283 

Roderick 264 

Wilson 266 

8s,  3s  &  6s. 

Iona 267 

Slumber 267 

8s  &  6s.     , 

Forsyth 263 

Hillyer— Peculiar 268 

Leeds 261 

9s. 
Ehanan 262 

Os  &  6s. 
Calbra 826 

10s. 
Morley 273 

10s,  6s  &  8s. 
Clayton 268 

10s  &  lis. 
Lyons 270 

10s,  lls&  12s. 
Ontario 271 


lis. 

PAGE. 

Hinton 276 

Kedron 272 

Paulina — Peculiar 272 

Portugese  Hymn 276 

Quimby 816 

lis  &  3s. 
Ardon 270 

1  Is  &  8s. 
Roscoe 274 

lis  &  Os. 
Ardon 270 

lis  &  lOs. 
Birthday  of  Washing- 
ton    283 

Calista 278 

Come,  ye  disconsolate .  270 
Erasmus 275 

12s. 
Scotland 276 

12s  &  8s. 
Prince 270 

12s  &  lis. 

Kellogg 271 

Scotland 276 

Wooster 274 


TEACHER'S     INDEX. 


TUNES  SELECTED   AND   ARRANGED  IN  THE  ORDER  OF  DIFFICULTY,  AS  INDICATED  BY   THE  FIGURES. 


Key  of  C. 

1.  Biirher 201 

1.  Paradise 182 

1.  Sayles 221 

2    Ansonia 115 

2.  Cintra 121 

2.  Myers 229 

2.  Tunbrldge 1-7 

8   Hadman 188 

3.  Topeka 187 

Key  of  G. 

1    Harvey's  Chant..  ..  169 

1.  Merrill 175 

1.  Leominster Ill 


2.  Alvor 110 

2.  Avdin 156 

2.  Dodslcy 205 

2.  Formosa 134 

3.  Alida 283 

3.  Marsh 176 

:;    Mayfair 229 

8.  Warner 149 

Key  of  D. 

1.  Linton 213 

1.   Wadsworth 149 

1.  Yeomans 11^ 

2,  Ashbcj 166 

'.!.    Annapolis 267 


2.  Belden 118 

2.  Durrigan , 129 

2.  Otis 218 

8.  Canastoga— 1  &2...  128 
8.  Rosborough 1S4 

Key  of  A. 

1.  Bilser 120 

1.  Lirtdhurst 141 

1.  Pittsford 114 

2.  Aincourt 113 

2.  Dantzlc 204 

2.  Holllstor 137 

2.  Wlmborno 140 

8.  Beryl 208 


2.  Omaha 179 

Key  of  E. 

1.  Clemson 161 

1.  Thorley 147 

2.  Stolberg 140 

8.  Chalcol. 168 

3.  Moriah 175 

Key  of  F. 

1.  Akensido 198 

1.  American  Chant ...   113 

1.  Low 140 

1.   Pinnco 182 

1.  Wilford 192 


2.  Braham 158 

2.  Imbert 171 

2.   Iona 267 

2.  Orinda 143 

2.  Westfield 148 

8.  Ermonville 161 

Key  of  B  Flat. 

1.  Dewit 129 

1.  Langdon 174 

1.  Robbins 184 

1.  Surinam 220 

1.  Wardwcll 191 

2.  Anthon 154 

2.  Boland 119 


2.  Demerest 164 

2.  Harrington 186 

3.  Ayrtoun 117 

8.  Beckford 118 

Key  of  E  Flat. 

1.  Cameron 122 

1.  Minona 142 

1.  Urania 189 

2.  Barnard 118 

2.  Conant 161 

2.  Hamworth 188 

2.  Hillyer 268 

2.  Proctor 183 

3.  Diusmoro 128 


8.  Klderkin 1S8 

8.  Woburn 105 

Key  of  A  Flat. 

1.  Dristan 131 

1.  Everest 133 

1.  Gates 167 

2.  Archdale 117 

2.  Oastllla 202 

2.  Hurlburt 170 

2.  Laurus 140 

3.  Ewer 207 

8.  Inigo 189 

8.  Taiavcro 138 


INDEX    OF    ANTHEMS. 


381 


PAGE 

Be  joyful  in  the  Lord 314 

Blessed  are  they 352 

Blessed  be  the  name  of  the  Lord 316 

Blessing  and  glory 336 

Bless  the  Lord 344 

Cast  me  not  off 345 

Charity  Anthem 300 

Comfort  ye  my  people 311 

Exalt  him,  all  ye  people 295 

From  the  rising  of  the  sun 299 

Give  unto  the  Lord 367 

Glorious  things  of  thee  are  spoken 346 


PAGE 

Gloryto  God 337 

God,  who  made 303 

Go  to  thy  rest  in  peace 324 

Great  and  marvelous 368 

Grant,  we  beseech  thee 346 

Hail  the  new-born  year 338 

Heart,  be  still 349 

Hear  the  bell  so  sweetly  pealing 331 

He  was  despised 301 

Ho  1  every  one  that  thirsteth 320 

Holy  Lord  God  of  Sabaoth 354 

How  holy  is  the  place 313 


If  thou,  Lord. 


308 


PAGE]  PAGE 

I  have  set  the  Lord 328  Thanksgiving  anthem 304,  361 

I  love  the  Lord 328  The  Lord  hath  given 333 

In  thee,  OLord 342  The  Lord  is  my  light 325 

I  will  arise 309  The  Lord  reigneth 332 


Lo  !  Godishere 312 

O  thou  who 342 

Praise  the  Lord 322,  360 

Sabbath  eve.... 302 

Sabbath  evening  hymn 335 

Sing,  Oheavens 356 

Sing  ye  Jehovah's  praises 350 

Sweetly  come  those  6trains 306 

Teach  me  thy  way,  O  Lord 339 


Thine,  O  Lord,  is  the  greatness 310 

Thouart  my  hiding-place 293 

Thou  wilt  keep  him  in  perfect  peace 318 

Thou  wilt  show  me  the  path  of  peace 348 

Unto  thee 321 

Wait  on  the  Lord 330 

Wake  now  the  song  of  gladness 340 

Weary  of  wandering 302 

Why  art  thou  cast  down  ? S34 


SOCIAL    HYMNS. 


Beautiful  home  above 282 

Beautiful  land 289 

Beautiful  river 286 

Birthday  of  Washington 283 

Christmas  carol * 285 

Come  to  Jesus 277 

Go  and  toll  Jesus 287 

Going  home 280  Jesus  our  friend 


Hail,  thou  Almighty  King 279 

Heaven .  t 291 

He  leadeth  me 291 

I  am  waiting  by  the  river 284 

I  come  to  thee 294 

Jesus  is  mine 294 

JesuB,  lover  of  my  soul 292 

281 


My  pilgrim  way 278 

My  home  is  there 293 

Nevermore  be  sad  and  weary 

Ohl  make  me  thine 


290 
283 


Patience 288 

Pilgrim,  is  thy  journey  drear 262 

Shining  shore 2S1 


8weetest  name 284 

Sweet  hour  of  prayer 277 

Sweet  land  of  rest 280 

The  morn  is  breaking 278 

Twilight  hymn 286 

Welcome  to  Sabbath 290 

Work,  for  the  night  is  coming 283 


CHANTS. 


Behold,  the  Lord's  hand  ia  not  shortened 376 

From  the  recesses  of  a  lowly  spirit 377 

God  he  merciful  unto  us  and  bless  us 376 

God  is  our  refuge  and  strength 377 


Have  mercy  upon  me,  O  God 375! 

It  is  a  good  thing  to  give  thanks 375 

I  will  lift  up  mine  eyes 375 


Lord,  thou  hast  been  our  dwelling-place 376 

Make  a  joyful  noise 376 

The  guiding  hand 337 


The  law  of  the  Lord 327 

The  Lord's  prayer 376 

With  tearful  eyes 377 


METERS    OF    THE    METHODIST    HYMN    BOOK. 


IstP.M.is 

2d  P.  M.  is 

3d  P.  M.  is 

4th  P.  M.  is.... 
5th  P.  M.  is  . 


.L.  M.  6  lines. 

L.P.M. 

........H.M. 

C.  P.  M. 

.7s. 


6th  P.  M.  is 7s,  6  lines. 

7thP.  M  is 7s double 

8th  P.  M.  is 8s,  7s  &  4s 

9th  P.  M.  is 8s,  &  7s. 

10th  P.  M.  is 8s. 


11th  P.  M.  is 7s.  &6s.Trnch. 

12th  P.M.  is 7s,  Cs  &  8. 

13th  P.  M.  is 10s  &lls. 

14th  P.M.  is 10s  &  lis. 

15th  P.  M.  is lis  &9. 

16th  P.  M.  is lis  &12s. 

17th  P.  M  is 10s. 

IStli  P.  M.  is 10s,  5s,  6s  &  12s. 

19th  P.  M.  is 6s  &4s. 

20th  P.  M.  is 6s  &  7s. 


21st  P. 
22d  P. 
23d  P. 
24th  P. 
25th  P. 
26th  P. 
27th  P. 
28th  P. 
29th  P. 
30th  P. 


M.  is 6s,  8s  &  4s. 

M.  is 8s  &4s. 

M.  is 8s  &  7s  lam .  &  Tr. 

M.  is 6s  A:  8s. 

M.  is 7s  <fc  8s. 

M.  is 7s  &  6s  Iambic. 

M.  is lis. 


31st  P.M.  is 8s,<Hs. 

32d  P.  M.  is !>s&4s. 

33d   P.  M.  is 6s. 

34th  P.  M.  is 7s  <fc  5s. 

35th  P.  M.  is Be  .'-  7a  Troch. 

36th  P.M.  is CM 

37th  1\  M.i- S.  H.M. 


M.  ia 10s&lls.3Sth  P.M.  is U  II.  M 

M.  is 12s.|39thP.  M.  is 8s&7s  Tun. 

M.  is Hs&10s.!40thP.  M.  is "Vital  Snark." 


382 


INDEX    OF    FIRST    LINES. 


.PAGE 

A  host  of  spirits  round  the  throne 186 

Ah,  happy  hours 125 

Ah,  wretched,  vile,  ungrateful  heart 132 


Alas  !  how  poor  and  little  worth 266  Come,  we  who  love  the  Lord 


PAGE  PAGE 

Come,  thou  Almighty  King 256  Happy  the  heart 154 

Come,  thou  long-expected  Jesus 247,  243  Hark  !  hark  the  notes  of  joy 231 

Come  unto  me  when  shadows 273  Hark  !  how  the  gospel 2G3 


All  hail  the  power 161 

All  that  I  was,  my  sin,  my  guilt 189 

All  yesterday  is  gbne 218 

Amazing  grace  !  how  sweet  the  sound 155 

And  art  thou,  gracious  master 115 

Am  I  a  soldier  of  the  cross 154. 

And  is  there,  Lord,  a  rest 217,  211  Dear  refuge  of  my  weary  soul 

And  will  the  Judge  descend 2161  Dear  Savior,  we  are  thine 200 

Another  year 258  Deep  in  the  shades 123 

Appointed  by  thee 270jDids't  thou,  Lord  Jesus,  sutler  shame 180 

Arise!  arise,  with  joy  survey 134 

Asleep  in  Jesus,  blessed  sleep 1521  Ere  I  sleep  for  every  favor 267 

As  pants  the  hart 176,  172 


216  Hark!  ten  thousand 250 


Come,  weary  souls 121,  130,  144  Hark  I  what  mean  those 243 

Come,  ye  disconsolate 270  Hasten,  O  Lord 130 

Crowns  of  glory 237  Head  of  the  church 264 

iHeart,  be  still 349 

Dear  Father,  to  thy  mercy  seat 193,  167  Hear,  gracious  God 182 

Dear  is  the  spot 115,  120,  131.  148,  149;Hear,  O  sinners 250 

195  Hear,  the  chief 249 

Heavenly  Father 240 


As  when  the  weary  traveler 125 

Author  of  Good,  to  thee  we  turn 197 

Awake  and  sing  the  song 222,  218 

Awake  my  tongue,  thy  tribute  bring 144 


Far  as  thy  name  is  known 203 

Farewell,  we  meet  no  more 25S 

Far  from  my  heavenly  home 206 

Far  from  mortal  cares 247 


Awake,  my  soul,  injovful  lays....: 139  Far  from  my  thoughts.... ...    . 131 

Awake  the  trumpet's  lofty  sound 138  £a]$er>  J  stretch  my  hands  to  thee. . . 


Awake,  my  soul  1  lift  up  thine  eyes 135 

Begin,  my  soul 227,  184 

Behold  !  a  stranger 137 

Behold,  how  the  Lord 259 

Behold!  the  expected  time 136 

Behold!  the  morning  sun 211,  220 

Behold !  the  sure  foundation 175 

Bo  joyful  in  God 270 

Be  still,  my  heart 143 

Bless,  O  my  soul 140 

Blest  art  the  sons 208,  217 

Breathe,  Holy  Spirit,  from  above 113 


Father.  I  would  seek  to  know 128 

Father,  whate'er  of  earthly  bliss 197 

Forever  with  the  Lord 199 

Forgive  my  folly 260 

For  mercies  countless 185 

From  age  to  age 132 

From  deep  distress 14fi 

From  every  stormy 141,  143,  147 

From  Greenland's 254 

From  the  depths 262 


Gently,  Lord 247 

Glory  to  thee,  my  Lord 132 

...Give  mo  the  wings 168 

Breast  the  wave,  Clmstian 271  Glve  thanks  to  God  most  high 232 

Bnghtest  and  best 2/5  -■ 

Broad  is  the  road 153 

Brother,  though  from  yonder  sky 236 

By  cool  Siloam's 177 


Here  I  can  firmly  rest 218 

Here  is  my  heart 268 

His  bounty  will  provide 223 

Holy  Father 246 

Hosanna  be  our  cheerful  song 155 

How  blest  the  righteous 148 

How  calm  the  evening 180,  184 

How  charming  is  the  place 207 

How  fiim  a  foundation 276 

How  gentle  God's  commands 223 

How  perfect  is  thy  word 224 

How  pleased  and  blest 228 

How  sweet  and  heavenly 182,  191 

How  sweet,  how  heavenly «...  174 

How  sweet  the  name 156,  171 

How  sweet  the  hour 145 

How  sweet  the  melting  lay 224 

How  tedious  and  tasteless 269 

How  vain  is  all 118,  126,  141 


I  bring  my  guilt  to  Jesus 253 

If  on  aqu'ietsea 209 

If  Jesus  be  my  friend 210 

I  hear  thy  word  with  love 200 

m  I  lay  my  sins  on  Jesus 253 

Give  thanks  to  God,  he  reigns.!'.'.!!!'.!."'.'.!!".  1 21 ' I  love  the  Lord. 123 

God  bless  our  native  land 256!1  lovo  thy  Kingdom 21. 

God  of  my  life,  look  gently 166lIloveto  steal 108,  1WJ 

God  of  my  life,  thro'  all 113,  150 \l  love  tne  volce 205'  2"(' 

„„  God  of  the  sunlight  hours 179H  love  the  volumo 225 

Calm  on  the  bosom le61  God  in  his  temple      .        ••  152] In  every  note 122 

Cast  thy  burden 2W>  ^»jGod  in  his  earthly  temple .'.'!!! '.!!!!!!!!:  116  In  every  trying  hour 224 

Cease,  ye  mourners 2*&!God  is  love        ...........   .  246In  heavenly  love 251-2j4 

Cheer  up,  despairing  soul 262  God  is  our  refuge'.'. ..... .'.'.'.'.'. 187    266  In  mercy,  Lord 186-197 

Child  of  sin  and  sorrow 258  God  is  our  sun  '  150;In  sleep's  serene  oblivion 149 

Come  away  to  the  skies ,V„'-;.V  HolG°  to  thy  rest,  my  child.'. '.'.'.'.■.'.■.'.'.'.'.■.'.■.'.'. '.'.'.'.  201  i In  thc  cross  of  cJais} %® 

Come,  dearest  Lord 122,  147,  183  y0  t0  ^ia  grave... 131 1 In  thy  name,  O  Lord 250 


Come,  Holy  Spirit,  come 219 

Come,  let  us  sing 114 

Come,  my  soul,  thy  suit  prepare 210,  238 


Gowhere  Imay 154  In  vain  we  build 163 

Grace!  'tis  a  charming  sound 214  p  spread  my  sins 117 

■  Great  God!  let  all 122Lsthis  thc  kind  return 214 

Come,  O  my  soul,  in  sacred  lays 117 1  Great  God  !  to  thee  i5S  I  thought  upon  my  sins 273 

Come,  O  my  soul,  with  all  thy  care 158  0rfrvt  kingof  glorv "  231 11  would  love  thee 247 


Guide  me 249,  250 


Come,  saints,  and  adore  him.... 316 

Come,  sound  His  praise 198,  224|~'  ""'  *""'|  Jesus,  be  thou  my  guide 255 

Come  to  Calvary's 246  Hail  to  the  brightness 275  Jesus  can  make 153 

Come  to  thc  house  of  prayer 211, Hallelujah  1  Praise  the  Lord 252' Jesus  hail!  enthroned 245 


FAOB 

Jesus,  I  come  to  thee 220 

Jesus,  let  thy  pitying  eye v 276 

Jesus,  lover  of  my  soul 292 

Jesus,  the  sinner's  friend 144 

Jesus,  thy  blood  and  righteousness 1 19 

Jesus,  who  upon  the  tree 236 

Just  as  I  am 151 

Kingdoms  and  thrones 114 

Lamb  of  God 233 

Let  all  the  earth 225 

Let  all  the  just 158,  187 

Let  earth  and  heaven 267 

Let  lofty  songs 118 

Let  me  be  with  thee 129 

Let  me  go 245 

Let  sinners  take 202 

Let  tears  descend 263 

Let  worldly  minds 183 

Like  sheep  we  went  astray 203 

Lo !  he  comes 249 

Long  have  I  sat 164 

Lord,  at  thy  feet 166 

Lord,  bid  thy  light 219 

Lord,  hear  the  voice 169 

Lord,  how  secure 197 

Lord,  I  believe 159 

Lord,  I  cannot  let 235 

Lord,  I  hear  of  showers 243 

Lord,  in  the  morning 173 

Lord.I  will  bless 127 

Lord,  may  our  sympathizing 197 

Lord,  thyself  reveal 261 

Lord  we  come  before 234,  237,  240 

Lord,  when  together 173 

Lo  !  the  Lord  Jehovah 248 

Loud  roars  the  wind 170 

Lowly  and  solemn 256 

Mary  to  the  Savior's  tomb 240 

Men  of  God 250,  249 

Mine  eyes  and  my  desire 220 

Morning  breaks 238 

My  blessed  Savior 189 

My  country,  'tis  of  thee 256 

My  drooping  soul 134 

My  faith  looks  up  to  thee 257 

My  few  revolving  years 209 

My  God,  how  endless 136 

My  God,  my  father 170,  174 

My  God,  my  prayer 219 

My  God,  the  covenant , 165 

My  heart  is  fixed 141 

My  Jesus,  as  thou  wilt 260 

My  Savior,  thou  thy  love 124 

Mysoul,  be  on  thy  guard .■ 223 

My  soul,  it  is  thy  God 205 


INDEX    OF    FIRST    LINES. 


'83 


PAGE 

My  soul,  repeat...., 224 

Nearer,  my  God,  to  thee... 207 

No  more  ;  my  God 130 

Now  begin  the  heavenly 239 

Nowfora  123 

Now  let  our  faith 138 

Now  to  the  haven 181 

O  all  ye  people 151 

OaUye  lauds 190 

O  eyes  that  are  weary 272 

O  cease  my  wandering 208,  223 

O  could  I  speak 227 

O  could  I  find 195,  196 

O  for  a  shout 188 

OGod,  our  help 19- 

O  gracious  God 175 

Oh!  blessed  souls  are  they 223 

Oh  !  could  our  thoughts 101 

Oh !  for  a  closer  walk 159, 193 

Oh!  for  a  thousand  tongues 176,181 

Oh  !  for  the  death 213 

Oh  !  happy  60ul 195 

Oh'.happy  day 129,  137 

Oh  !  hallowed  is  the  land 127 

Oh!  how  I  love  thy  holy  law 168 

Oh!  sweetly  breathe 128 

Oh !  where  shall  rest 201,  202,  222 

OJesus,  thou 197 

O  Lord,  let  our  song 274 

O  Lord,  our  heavenly  king 199 

O  Lord,  thy  heavenly  grace 261 

OLord,  thy  work 200 

O  love  divine 22' 

O  may  thy  powerful 205 

One  sweetly  solemn 221 

On  the  mountain  top 250 

Onward  speed 26 

O  praise  the  Lord,  for  he  is  good 170 

O  praise  the  Lord  in  th.it  blest  place 151 

O  sacred  day 151 

O  show  me  not 326 

O  sing  ye  now 196 

O  that  I  could 118,  142 

O  that  my  load 142 

Othou  that  nearest 231 

O  thou  who  hast 126 

Othou  who  hearest 227 

O  thou  whose  tender  mercy 155 

Our  blest  Redeemer 264 

Our  days  areas 233 

Our  Father  God 162 

Our  Lord  is  risen 124 

O  weep  uot  for  the  joys 191 


PAGk. 

O  where  is  now 135 

Peaceful  be  thy  silent 246 

People  of  the  living  God 240 

Praises  to  him  who 152 

Praise  to  thee 244 

Praise  ye  Jehovah's 255 

Praise  ye  the  Lord,  let  praise 140 

Praise  ye  the  Lord,  'tis  good 136; 

Proclaim  the  contest 253. 

Purer  yet  and  purer 260 

Put  thou  thy  trust ,213,  215 

Rejoice  the  Lord 230 

Return,  my  soul 116 

Rise,  my  soul 254 

Rise,  Son  of  glory 229 

Rock  of  ages 240 

Roll  on,  thou  mighty 252 

Sabbath  holy 266 

Savior,  breathe  an  evening 241 

Savior,  like  a  shepherd 24S 

Savior,  source  of 24 1 

Savior,  'tis  to  thee 259 

Savior,  when  thy  loved 231 

Searcher  of  hearts 170 

See  !  fromZjons 248 

Servants  of  God .'.  12; 

Shepherd  of  the  ransomed 23i 

Shepherd,  while  thy  flock 26V 

Shine  on  our  land 183 

Silently  the  shades 247 

Sinner,  come 259 

S  nners,  tiTrn 210 

Sing,  all  ye  ransomed 178 

Sing  to  the  Lord 204 

Sisto  ,  thou  wast 217 

Stand  up,  mysoul 11" 

Still  evening  comes 140 

Still  with  thee 20'J 

Sweet  home  when  God 211 

Sweet  is  the  memory 194 

Sweet  is  the  work 201,  203,  207,  221 

Sweet  the  moments 241 

Sweet  the  time 234,  237 

Sweet  was  the  time 156 

Swell  the  anthem 235 


FAOE1  paob 

The  God  of  Abraham 265  Weary  of  wandering 302 

The  God  of  Nature 160  Weary  sinner 238 

The  Lord  is  risen 200  Weary  with  sin 148 

The  Lord  is  king 129,  167  We  bless  the  Lord 119 

The  Lord  is  great 274  We  come  with  joyful 204 

The  Lord  my  Shepherd 198,212,213,  230  Welcow    delightful 232 

The  Lord  himself 177  We  lift  our  hearts .' 199,  221 

The  Lord  our  God 173  We've  no  abiding  city 139 

The  Lord  the  lonely  captive 128  Wide  doth  the  mighty 119 

The  morning  light 254  With  a  brother's 251 

The  Prince  of  Salvation 270  With  broken  heart 147 

The  Praise  of  Zion 113,With  humble  heart 224 

The  Sabbath  day 203  With  joy  shall  1 226 

The  Winter's  over 269  With  one  consent 153 

There  is  a  calm 133, 143,  205JWith  reverence  let  the  Saints 169 

There  is  a  city 172]  What  cheering  words 215,  217 

There  is  a  stream 153,135,142,  189|Whate'er  God  does 261 

There  is  a  land 102-190:  What  sinners  value 133 


There  is  an  eye ».  163, 194,  31 

There  is  a  fountain 197 

There  is  a  glorious 157 

There  is  an  hour 171,  193 

There  is  a  happy  land 257 

1'here  is  a  place 167  j  When  I  can  trust 

i'he  voice  of  free  grace 276|When  languor  and  disease 


What  various  hindrances 124 

When  all  thy  mercies 185 

When  brighter  suns 192 

When  evening  slumbers 181 

When  God  revealed 134 

228 
174 


This  God  is  the  God 269,  When  musing  sorrow 161 

This  world  is  all 268  When  shall  I  see 168 

l'hou  art  gone 271  Iwhen  shall  the  voice 253 

L'hou  art  the  way 164,  197 1  When  soft  dews 139 

l'hou  blest  Redeemer 159,  185 .When  thou  my  righteous 227 

l'hou  dear  Redeemer 188!  When  the  dark  and  heavy 235 

l'hou  great  Instructor 152]  When  verdure  clothes 157,  182 

i'hough  faint,  yet  pursuing 276|When  we,  our  weaiied 114 


While  foes  are  strong 126 

While  my  Redeemers 198,  202,  210 

While  Shepherd's  watched 164 

When  the  mourner 261 

When  have  we,  Lord 175 

Who  shall  the  Lord'select 153 

Why  should  our  tears , 192 

Why  should  we  weep 120 

Whomhavewe,  Lord 175 


Thou  must  go  6  >rth 169 

l'hou  sweet  gliding  Kedron 272 

l'hou  whom  my  soul 145 

Through  every  age 145 

Through  all  the  changing 197 

l'h  us  far  the  Lord \ 152 

Thy  home  is  with  the  humble 184 

Thy  goodness,  Lord 156,  178 

'Tis  midnight 150 

To  bless  thy  chosen 208,  215 

To-day  the  Savior 258  Ye  boundless  realms 229 

ToGodI  made 163]  Ye  Christian  heralds 121,  137,  150 

To  God  in  whom 222|Ye  dying  sons 232 

To  our  Redeemers 178  Ye  heavenly  choirs 183 

To  thy  pastures  fair 240| Ye  simple  souls 266 

To  whom  my  Savior 194iYes,  I  will  bless 165 

Try  us,  O  God 191jYes,  I  will  extol 259 

Yes,  we  trust  the  day 248 

Up  to  the  fields 120  Ye  tribes  of  Adam 232 


Take  my  heart 242' 

Tarry  with  me 241 

That  solemn  hour 187' 

The  Ancient  of  Days 260  Unto  the  Lord 152:Ye  wretched,  hungry 188 

The  day  is  past  and  gone 207 

The  eternal  gates 186  Wake,  O  my  soul 110,  146'Zion  awake,  thy  strength  renew 149 


INDEX    OF    SING-ING--SCHGOL    AND    GLEE    DEPARTMENT. 


PAGE 

A  liomc  on  tho  rushing  sea 90 

All  hail  to  our  favorite  May : 44 

All  that  now  so  dark  appears .• 33 

Am  I  dreaming 82 

Are  you  ready  ? — round 50 

Autumn  winds 31 

Banish  every  evil  feeling— round 67 

Beauty  everywhere — round    64 

Be  contented 75 

Bells  of  freedom 52 

Bim-bome 24 

Boat  song 61 

Bring  the  tea-tray — round 44 

Brother,  let  the  troubles  go — round 40 

CallJohn ^80 

Circuit  of  the  keys 70 

Come  join  the  cheerful  round 49 

Come  let  us  sing 38 

Come,  now  :  oh  !  come,  now — round 24 

Come;  come,  come ;  who  will  dare  to  follow  me  ? — round 22 

Coin.',  ye  faint-hearted  t 22 

Cradlo  song 93 

Death  of  Nathan  Hale 54 

Do  not  look  for  wrong  or  evil 35 

Down  the  street— round 27 

Early  in  the  morning — round 25 

Far  out  in  the  wildwood 22 

1  ':uc  thee  well  1 53 

Farewell,  farewell 100 

Fling  out  the  joyful  banner 43 

Flowers  are  dying— round 54 

Golden  hours 31 

Good-night 50 

Hearts  and  homes 95 

Hear  the  joyous  horn — round 60 

Hear  the  tempest 42 

Hop,  hop,  hop 20 

How  pleasant  is  the  early  morning  light 83 

Hurry,  now — round 43 

I  am  happy — round 29 

I  love  tho  night 40 

I'm  a  shepherd  of  the  valley 91 

If  a  body  meet  a  body — round 89 

If  the  weather  keeps  so  stormy — round 23 

If  mother  were  here. 41 

In  a  nook  so  still  and  green Ill 

Into  onr  cars  tho  voice  of  years 41 

Laurel  wreaths — round 46 

Laugh  and  grow  fat 84 

Life  was  given  us  to  do 21 

Llst<  n   listen 22 


PAGE 

Listen,  listen,  listen  now  to  our  song 23 

Little  Bessie  and  the  star 60 

Live  for  something 68 

Lonely  hearts  there  are  to  cherish 36 

Lovely  flowers — round 37 

Lovely  spring  will  soon  bo  here 21 

Lovely  May 29 

Loving  voices-.." 40 

March  along  with  courage  steady — round 49 

Memory's  tear 64 

Merrily,  merrily  dancing 28 

Morning  is  breaking — round .38 

Never  murm'ring — round , 67 

Never  put  off  till  to-morrow 34 

Night— lovely  night 59 

Now  a  smile,  now  a  tear — round 21 

Now  cheerfully  sinning 24 

Now  together  sing  the  scale  of  G 33 

Now  we  sing  quadruple  measure — round 28 

O  shout,  men  of  strength — male  voices 7S 

O,  sweet  to  me  the  gentlo  spring 21 

Oh,  how  sweet  the  morn 88 

O'er  crested  waves     104 

Old  One  Hundredth  and  Yankee  Doodle  contrasted 45 

Once  more  a  song — good-night  94 

Once  more  I  share  the  joys  of  home 92 

Only  pure  cold  water 26 

Out  In  the  shady  bowers 37 

Parting  song 83 

Passing  away— round 22 

Patter,  patter 89 

Pity  tho  orphan 67 

Raindrop  chorus 65 

Ring,  beautiful  chimes — round 80 

Eing,  ring 21 

Ring,  ring,  ring 77 

Sad  memories *.  . . 106 

Sadly  wo  wander  so  wearily  on 81 

Serve  the  right 42 

Sing  after  us 25 

Sing  this  minor  song — round 59 

Skating  gloc 74 

Sleighing  song '. 73 

Song  of  spring 98 

Bong  of  the  Gipsies 108 

Some  one  comes 25 

Sparkling  water 79 

Stand  by  tho  flag 76 

Sunshine 88 

Tell  me  where's  tho  violet  fled 46 

Tonnyeon'u  song  of  the  brook 89 


That's  the  way  it  goes gj 

The  church  within  the  vale 72 

The  daisy 27 

The  dead  soldier 45 

The  fisher  boy 62 

The  flowers  are  coming 28 

The  land  we  love 112 

The  mill-wheel — round 61 

The  night  is  mother  of  the  day 33 

The  old  clock  on  the  stairs 47 

The  old  church  tower 57 

The  prairie  lea 80 

The  ride 55 

The  sleigh-ride 102 

The  snow — round 63 

The  songs  of  old 32 

The  sunbeams  are  glancing 101 

Tho  watchman 85 

The  wind 63 

The  winds  are  all  hushed— male  quartet 78 

The  woodlark 84 

The  world  is  bright  before  thee 66 

The  workers 58 

There  is  a  sunny  land  of  song 49 

This  new  lesson  is  not  very  easy,  I  see iiO 

Thou,  poor  bird— round 54 

Thus  I  heard  a  poet  say— round 69 

Tis  over  the  woodlands 28 

'Tis  sweet  to  remember 82 

Trip,  trip,  fairies  light — round 81 

Twilight  thoughts 107 

Up  from  tho  corn — round 55 

Up  the  hills  we  climb  now 81 

Up  through  tho  wood-paths 50 

Waste  not  your  time — round 21 

Wait,  wait  a  little 24 

Weep  not  for  mo 69 

We  loved  her 87 

We  sing  low 28 

What  a  clatter — round .' 45 

Whatever  others  do  to  you— round 69 

What  then? *& 

When  the  leaves  are  falling  fast 86 

When  tho  swell  of  the  ocean 63 

When  the  morning  awaking SO 

When  the  pansies'  purple  buds — round 62 

While  the  hours— round 45 

Who  shall  toll  wha'  sorrow 51 

Who  would  have  a  scolding  wife— round 28 

Why  should  sullen  clouds  of  sadness 51 

Will  the  violets  bloom  again?— round 22 


\ 


MASON    BROTHERS'    MUSICAL   PUBLICATIONS. 


~ 


PSALMODY. 

The  Tempi/'  Choir.    By  Theo.  F.  Seward  ; 

assisted  by  Dr.  Lowell  Mason  and  William 

B.  Bradbury $1 

The  Praise  of  Zion.     By  Solon  Wilder 

and  Frlderic  S.  Davenport 1 

The  Key  Note.    By  William  B.  Bradbury.    1 
Asaph,  'or  the  Choir  Hook.    By  Br.  Lowell 

Mason  and  William  Mason 1 

The  Diapason.     By  George  F.  Boot 1 

The  People's  Tunc  Booh.    By  Dr.  Mason. 

Hastings's  Church  Music 

The  Jubilee.  By  William  B.  Bradbury..  . 
The  Sabbath  Hell.  By  George  F.  Koor. . . 
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The  Shawm*         Bradbury  and  Hoot 

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yew  Carolina  Sacra.    By  Dr.  Mason 

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H'els's  Church  Music;  for  the  Protestant 

Episcopal  ('Lurch     Large qmarto 8 


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80 

50 

1  50 

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Book  of  Chants,  By  Dr.  Mason.  12mo.  Cloth    1  00 
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Apples  of  Gold,  in  Pictures  of  Silver.  By 
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J  Cent/emeu's  Glee  Hook.    By  Dr.  Mason.  . 


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The  Sony  Garden.     A  Sei  >kA  Mu- 

sic  Books,  progressively   arranged    iu   Thn 
Books,  each  book  eomplete  in  itself.    Bv  Low- 
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Song  Garden— Third  Book 1 

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50 


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The  Boston  Anthem  Book.    Bv  Dr.  Ma» 
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i  5')     Webb *. 


00 
50 

7«; 

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!  The  Youny  Shatcm.    By"  Wm,  B.  Bradbfry 
The  Musical  Album.    ByGEOHOfiiF.  Root.    1 
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The  Musical'  Casket.    By  J.  C.  Woodma 

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!  The  Flotver  Queen.  By  Gjcohge  F.  Boot. 
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mon'hly 


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M  rtmments  of  rtioii  c'    - 

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ir-g  •"! 
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rid 


d  for 
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bv  the 


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■•■ny 


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